How Much Do The Demigods Really Know About Percy?

Light: Do you take constructive criticism?

Misa: I only take cash or credit.

i've come to realize there are only two kinds of tragedies: preventable and inevitable. preventable tragedies are the kind where everything could have maybe worked out if only. if only romeo had gotten the second letter. if only juliet had woken up earlier. if only creon had changed his mind about antigone sooner. if only orpheus hadn't turned around.

inevitable tragedies are the kind where everything was always going to end terribly. of course macbeth gets deposed, he murdered his way to the throne. of course oedipus goes mad, he married his own mother. of course achilles dies in the war, he had to fulfill the prophecy in order to avenge his lover.

both kinds have their merits. the first is more emotionally impactful, letting the audience cling to hope until the very end, when it's snatched away all at once leaving nothing but a void. the second is more thematically resonant, tracking an inherent fatal flaw in its hero to a natural and understandable conclusion, making it abundantly clear why everything has to happen the way it does.

Light: Do you want some tea?

L: What are the options?

Light: Yes or no

If u want to write a story about a character that's just you but hotter with a dark twisted backstory and magical powers and a pet falcon or something, I think u should just go ahead and do that. Who's gonna stop you? The government?? Fuck the police.

Body Language

When someone is...

Sad

Face/Body:

Avoidant/reduced eye contact

Drooping eyelids

Downcast eyes

Frowning

Raised inner ends of eyebrows

Dropped or furrowed eyebrows

Quivering lip/biting lip

Wrinkled nose

Voice:

Soft pitch

Low lone

Pauses/hesitant speech

Quiet/breathy

Slow speech

Voice cracks/breaking voice

Gestures/Posture:

Slouching/lowered head

Rigid/tense posture

Half formed/slow movement

Fidgeting or clasped hands

Sniffing or heavy swallows

Self soothing gestures (running hands over the arms, hand over heart, holding face in palms, etc)

Percy and Annabeth convincing Charon that they died in a bathtub at age 12, vs. Percy and Annabeth convincing Nyx they are tourists at age 17. They come up with the best excuses. 10/10, no notes

You are a god with no followers nor enemies, yet you still persist. No god had ever lived without worship before. The other gods are stumped as to why this is so…until you tell them what you are the god of.

Misa: I taught my Shinigami to do a trick *throws ball at Rem*

Rem: *just stands there*

Matsuda: uh, she didn't catch it

Misa: I taught her to ignore social conventions and to think for herself

Hey btw, if you're doing worldbuilding on something, and you're scared of writing ~unrealistic~ things into it out of fear that it'll sound lazy and ripped-out-of-your-ass, but you also don't want to do all the back-breaking research on coming up with depressingly boring, but practical and ~realistic~ solutions, have a rule:

Just give the thing two layers of explanation. One to explain the specific problem, and another one explaining the explanation. Have an example:

Plot hole 1: If the vampires can't stand daylight, why couldn't they just move around underground?

Solution 1: They can't go underground, the sewer system of the city is full of giant alligators who would eat them.

Well, that's a very quick and simple explanation, which sure opens up additional questions.

Plot hole 2: How and why the fuck are there alligators in the sewers? How do they survive, what do they eat down there when there's no vampires?

Solution 2: The nuns of the Underground Monastery feed and take care of them as a part of their sacred duties.

It takes exactly two layers to create an illusion that every question has an answer - that it's just turtles all the way down. And if you're lucky, you might even find that the second question's answer loops right back into the first one, filling up the plot hole entirely:

Plot hole 3: Who the fuck are the sewer nuns and what's their point and purpose?

Solution 3: The sewer nuns live underground in order to feed the alligators, in order to make sure that the vampires don't try to move around via the sewer system.

When you're just making things up, you don't need to have an answer for everything - just two layers is enough to create the illusion of infinite depth. Answer the question that looms behind the answer of the first question, and a normal reader won't bother to dig around for a 3rd question.