Lessons in Humanity from a Future Physicist, Morgan S.
Taglist: @aelenko, @keen2meecha, @magic-is-something-we-create, @emdrabbles, @yourwriters, @lordfenric, & @quenvicky
I was inspired to write this post after getting a great anonymous question in my Ask: “What’s your opinion on the whole ‘show don’t tell’ advice? Do you have any tips for when to show and when to tell?”
Here’s my response:
For those of you who aren’t familiar, “show don’t tell” means that instead of explaining or telling something to your reader (“Sheila was reckless and impulsive”), you should show Sheila’s impulsiveness through action or dialogue. For example, “Even though her rent was overdue, after she got her paycheck Sheila spent $400 on an antique toilet.” This would allow the reader to draw the conclusion that Sheila was impulsive for themselves, rather than being told.
Lees verder
if you want to start your novel but you’re not sure where to start, i’ve collected a bunch of resources to help you along! this includes characterization, plotting, worldbuilding, etc. @made-of-sunlight-moonlight
name generator: this one is pretty handy. it has a bunch of different generators based on language, gods, fantasy, medieval, archetypes, etc.
➥ reedsy name generator
personality types: this is just the standard mbti personality list. it lists the strengths and weaknesses of each type, as well as how they do in relationships, etc.
➥ mbti 16 personalities
enneagram: the enneagram personality types. this may help with characterization because it has “levels of development.” it also lists common fears, desires, and how each type interacts with one another.
➥ enneagram types
emotional wound: your character should have something they believe about themselves that isn’t true. (ex: i’m worthless, i’m powerless.) this should start with an “origin” scene from their past, where something happens to create the wound. then there are three “crossroads” scenes to brainstorm, where things could have gone right for your character, but didn’t due to the wound, and because of that strengthened their belief in the wound. this helps you figure out why your character acts like they do. this is a really important one!!!
➥ emotional wound explained
worldbuilding template: this is a pretty good template / guide about how to build your world. it talks about geography, people, civilizations, magic, technology, economy, and politics. (you have to download this through email though.)
➥ reedsy worldbuilding template
world anvil: if you really really want to go in-depth — this website is for you. there is so much you can do with this; i can’t list it all. history, timelines, important objects, cities, species — you name it, it’s probably on there.
➥ world anvil website
worldbuilding bible: this is just a general list on things to think about when worldbuilding.
➥ ellen brock’s worldbuilding bible
world creator: this website generates an entire planet. you can play around with the amount of land, as well as climate, although i’m not sure since i haven’t used it too much. here is the link if needed, though!
➥ donjin fractal world generator
inkarnate: this is a really commonly used one. it’s free and makes good quality maps. you can lay out cities, landmarks, regions, and they even have little dragon drawings you can put on your map.
➥ inkarnate website
a tip: don’t over-worldbuild! you’ll end up spending a lot of time on things you won’t need. focus mainly on the things that you will use!
plot generator: this one’s kind of nice because you can lock elements of the plot that you like. that way you can get rid of the ones you don’t like while keeping the ones you do.
➥ reedsy plot generator
writing exercises: this one has a couple different generators, including one that gives you a situation, characters, and themes.
➥ writing exercises
plot cheat sheet: this lists a whole bunch of plotting methods and their basic steps. i would play around with them and see which one works best for your method.
➥ plot cheat sheet by ea deverell
plot formula: this is mentioned on the cheat sheet, but it lists a bunch of beats and scenes which you might want to consider for those beats. kind of fill-in-the-blank-ish sort of thing?
➥ plot formula by ea deverell
save the cat: a method of plotting also on the plot cheat sheet above, but i wanted to point it out. i have been using this recently by taking a giant piece of paper, laying it out onto the floor, and making a timeline. pivotal scenes go on the right (ex: catalyst), while the bulk of scenes go on the left (ex: fun and games). i didn’t really have a website on this, but here is one that explains the beats. (i might make a post about this later, though?)
➥ save the cat explained
story planner: this basically has a lot of templates that cover everything up there. the problem is that you get a free trial for a little while where you get as many documents as you want, then you have to pay for it. (although you can get around this by copying and pasting into a doc...?)
➥ story planner website
describing / related words: these kind of go hand in hand. if you put a word intothese websites, they will give you either a list of related words or adjectives respectively.
➥ describing words website
➥ related words website
ea deverell: i've pulled a lot of stuff from this website to put in this post, but there's a lot more that can be used. Like a lot on basically anything — plot, character, world, outlining, writing itself.
➥ ea deverell website
reedsy: again, i've pulled a lot of stuff from them to put in this post, but there's much more. it's similar to the ea deverell one.
➥ reedsy website
canva: this is more for making aesthetics and covers. (this thing is really helpful —and free!) although if you use this, i'd suggest pulling pictures off a website like unsplash; that way the pictures are free to use.
➥ canva website
i hope you found this helpful!! :) happy writing!!
first of all: THANK YOU SO MUCH FOR 500 FOLLOWERS !! this is a milestone i dont think i have ever hit on any other platform with anything else i’ve ever done? so i just want to say thank you that you all are here and have been involved with me and my work, completed or not. with my thank yous out of the way ( even though there’s not enough thank yous to give ), let’s get to the celebration !!
so i wanna do something a bit different from my 200 follower celebration by making this a raffle ( is that the word? ) ! basically, follow the rules before and you could win a couple prizes !!
reblog this post by march 28th ( about a week from when this is posted ) ! this way i can keep up with who will be in the randomization to be chosen as winners. ( likes will be counted as bookmarks )
every person gets one entry to make it fair! meaning multiple reblogs won’t count
be following me ( new followers are always welcome ! ) — and if you’re a sideblog and you aren’t sure i know what your main blog is, please dm me so i can keep track ! ( if you don’t tell me and i don’t know it’s you, you might not win :( )
FIRST (1ST) PLACE : a character edit of a character from one of your wips; a film edit from a scene in your wip; and a poem based on a word ( or emotion ) of your choice
SECOND (2ND) PLACE : a character edit of a character from one of your wips and a poem based on a word ( or emotion ) of your choice
THIRD (3RD) PLACE : a film edit from a scene in your wip and 5 writeblr recommendations
i’ll try to post character edits between the time this is posted, but i already have some film edits on my blog under #film edit ! when it comes time that i announce the winners, i will provide more information on how to give me me the information i need for the edits !!
again, thank you all SO much for being so supportive and i hope you all are having the best time you can and are staying safe and healthy !! if you have any questions about this celebration, please come send me an ask or a dm and i’ll answer when i can !! ♡
I love kids they’re all like.. “when i grow up i’m gonna be an astronaut and a chef and a doctor and an olympic swimmer” like that self confidence! That drive! That optimism! Where does it go
tried writing, ran out of ideas, please have this snippet until I conjure up motivation to finish it
I love that excerpt!
cocaine, a car wreck, and an apple pie recipe.
a modern retelling of sophocles’ ajax, wintersong is 18-year-old and terribly wayward hollis knox’s aching love letter to all the good in the world: grocery store aisles’ uneven green-and-white flecked tiles, shared secrets behind calloused hands, and little brothers’ sunday morning swim meets. all the good that atrophies too fast.
goal words: 50,000
current words: 21,000
weheartit board
here’s an excerpt from the first chapter:
let me know what you think!
p.s. i follow from studylikeathena.
One of my favorite studies of Harry Potter is that of the ring composition found both in the individual novels and overall composition. That very composition is what makes Harry Potter such a satisfying story. It’s a large part of the reason Harry Potter is destined to become a classic.
And it’s an integral part of the series many people are completely unaware of.
So what is ring composition?
It’s a well-worn, beautiful, and (frankly) very satisfying way of structuring a story. John Granger, known online as The Hogwarts Professor, has written extensively on it.
Ring Composition is also known as “chiastic structure.” Basically, it’s when writing is structured symmetrically, mirroring itself: ABBA or ABCBA.
Poems can be structured this way. Sentences can be structured this way. (Ask not what your country can do for you — ask what you can do for your country.) Stories of any length and of any form can be structured this way.
In a novel, the basic structure depends on three key scenes: the catalyst, the crux, and the closing.
The catalyst sets the story into the motion.
The crux is the moment when everything changes. (It is not the climax).
The closing, is both the result of the crux and a return to the catalyst.
In Harry Potter, you might recognise this structure:
Voldemort casts a killing curse on Harry and doesn’t die.
Voldemort attempts to come back to power
Voldemort comes back to power.
Harry learns what it will take to remove Voldemort from power.
Voldemort casts a killing curse on Harry and dies.
But all stories should have this structure. A book’s ending should always reference its beginning. It should always be the result of some major turning point along the way. Otherwise, it simply wouldn’t be a very good story.
What’s most satisfying about chiastic structure is not the basic ABA structure, but the mirroring that happens in between these three major story points.
To illustrate what a more complicated ABCDEFGFEDCBA structure looks like, (but not as complicated as Harry Potter’s, which you can see here and here) Susan Raab has put together a fantastic visual of ring composition in Beauty and the Beast (1991), a movie which most agree is almost perfectly structured.
source: x
What’s so wonderful about ring composition in this story is that it so clearly illustrates how that one crucial decision of Beast changes everything in the world of the story. Everything from the first half of the story comes back in the second half, effected by Beast’s decision. This gives every plot point more weight because it ties them all to the larger story arc. What’s more, because it’s so self-referential, everything feels tidy and complete. Because everything has some level of importance, the world feels more fully realized and fleshed out. No small detail is left unexplored.
How great would Beauty and the Beast be if Gaston hadn’t proposed to Belle in the opening, but was introduced later on as a hunter who simply wanted to kill a big monster? Or if, after the magnificent opening song, the townspeople had nothing to do with the rest of the movie? Or if Maurice’s invention had never been mentioned again after he left the castle?
Humans are nostalgic beings. We love returning to old things. We don’t want the things we love to be forgotten.
This is true of readers, too.
We love seeing story elements return to us. We love to know that no matter how the story is progressing, those events that occurred as we were falling in love with it are still as important to the story itself as they are to us. There is something inside us all that delights in seeing Harry leave Privet Dr. the same way he got there–in the sidecar of Hagrid’s motorbike. There’s a power to it that would make any other exit from Privet Dr. lesser.
On a less poetic note, readers don’t like to feel as though they’ve wasted their time reading about something, investing in something, that doesn’t feel very important to the story. If Gaston proposed to Belle in Act 1 and did nothing in Act 3, readers might ask “Why was he even in the movie then? Why couldn’t we have spent more time talking about x instead?” Many people do ask similar questions of plot points and characters that are important in one half of a movie or book, but don’t feature in the rest of it.
Now, ring composition is odiously difficult to write, but even if you can’t make your story a perfect mirror of itself, don’t let story elements leave quietly. Let things echo where you can–small moments, big moments, decisions, characters, places, jokes.
It’s the simplest way of building a story structure that will satisfy its readers.
If there’s no place for something to echo, if an element drops out of the story half-way through, or appears in the last act, and you simply can’t see any other way around it, you may want to ask yourself if it’s truly important enough to earn its place in your story.
Further reading:
If you’d like to learn more about ring theory, I’d recommend listening to the Mugglenet Academia episode on it: x
You can also read more about symmetry in HP here: x
And more about ring structure in Lolita and Star Wars here: x and x
And about why story endings and beginnings should be linked here: x
(Idk where to ask this so if you cant do you know anyone that can?) Im new to creating ocs and im overwhelmed w all the resources...I have basic appearance down but i feel i dont know my characters at all. I feel picking personality traits/background will be like throwing darts at random and wont come together like theyre an authentic, real person. Any advice? Thx.
This is a common thing for writers, artists, and character designers, so no worries! You’re completely on the right track! It can take months or even years to flesh out a character! I’ve found the best method of working through this is the use of OC interviews!
What are those you ask? They’re questionnaires made specifically for your OC’s to answer! It’s one of the quickest and easiest ways to start getting to know your characters. It’s like you’re asking them the question, and they’re answering. It gives you a sense of how they may talk, form their sentences, or even respond to such a question.
Ask yourself one simple question when working on character personalities: Why? Why do they like this specific color? Why do they behave this way? Questions like these help the characters flesh out more. You need to ask yourself these questions because your audience will be expecting answers to them.
A few more ways to develop characters: from experience, I found that roleplaying, making AU’s (alternate universes), and writing oneshots about them are the most effective!
Antagonist OC Interview
How to Write Diverse Characters
OC Interview: Through Another Character’s Eyes
5 Minute OC Interview
Foolproof Ways to Flesh Out Your Characters
8 Other Ways of Fleshing Out Characters
Character Profile Sheet
Character Traits
Archetypes to Avoid in Character Creation
Strong Female Characters: How to
Characterization Ask Game
Five Traps When Creating Characters (and tips on how to improve!)
Traumatized Character Profile
So you want to make an OC? (Masterpost)
30 Uncommon Character Development Questions
The Importance of Weaknesses in Your Characters
Qualities of Realistic Characters
Ultimate Guide to Creating Authentic Villians
Wow, first of all I just want to say THANK YOU SO MUCH for all the support on the First Ask Masterlist! Obviously I had to make a second one with all the asks I’ve answered since then so here you go. You can also check out my list of Random Writing Tips. As last time, some of these posts have notes from lovely people who have added onto my answers with their advice and you can also help out fellow writers by adding your tips or ideas to the posts in the replies or by reblogging. Hope you enjoy! 😊
Writing unnecessary scenes with your characters just for fun
Can’t think of what to write for a scene? Cut it.
The “organized chaos” form of outlining
Resources for writing a story synopsis
Can a comedy also have a good message?
Writing a fantasy fit for most ages (also under Fantasy)
When you’ve got an idea but don’t know how to expand it
Building on your story yourself
Will posting writing online hurt publishing chances?
Using a prompt for a series
Ways to give information to a character
Dialogue tips
Coming up with a title (expanded)
Making the real villain a plot twist
GRAMMAR CHEAT SHEET
Some resources for creating a language
Coming up with villains
How to decide if you want a good or sad ending (Also, how not to screw up an ending) (Also, why the GoT ending makes me sad)
Story Structure Tips
Travelling scenes: when to skip and how to make them impactful
Writing a sloooow carriage ride without being boring
Moving back and forth in time in the story
difference between inciting incident and plot point 1
Blending backstory with present to further the plot
Writing scenes with a lot of characters
Writing a story as a journal or video log style
Third or first person?
Writing a long series
Connecting your ideas
When to introduce major and minor conflicts
Worrying about “originality” with your writing
Staying focused on writing
Turning off the editor voice
starting to write and keeping motivation
quick tip on writing down inspiration in the moment
How do you know you are cut out to be a writer?
When you feel your plot isn’t exciting enough*
When you think your idea is stupid (it’s not)
Tips for writing a fully-fledged peppy girl
Teen raised by twenty-year-old family member
Mentor/Mentee relationship
Describing nature the way a nature-lover would
Showing a dead family member’s impact on the MC
Writing about a character losing loved one
Ways to show a character’s disgust
Why a “good” character would switch to the bad side
Why the “White Saviour” thing is a cliche and sucks
Villains who do things like “killing the dog”
Good and bad reasons to kill off a character
Character exercise when you lose their voice
Resources for learning more for a Jewish character (in the notes)
A reason a character might feel cliche
Representations of Gluttony and Laziness as humans
Writing Types of Characters
Writing a good guy MC who turns out to be the villain
Bad guy turning good and making them sympathetic
Dr. Doof: how to write a great villain
A character raised by a computer
Bilingual character tip
Interracial couples
Some negative traits for someone in a zombie apocalypse
Flaws for a Gary Stu type
a character trying to learn the language on a new world (also under World Building)
Good guy vs bad guy stories aren’t a cliche
Writing a CIA/FBI/Military character (also under Thriller)
writing a drunk character with some heartfelt moments and humour
Why NOT having diversity in your story cast is odd
A character with diabetes
Fictional races where one is “superior” to the other
Writing a serial killer as your main character (also under Thriller/Crime)
Writing a good Strong Female Character™
Creating a creation myth
History research post
Making an acronym from an organization
Naming world building aspects
strange weather ideas
ideas for ridiculous rules to join an excuse club
Why someone would put on a massive tournament
a character trying to learn the language on a new world (also under Types of Characters)
Making a magical setting exciting (also under fantasy/paranormal)
When you have too much information for an expansive world
Weaving a complex magic system into your story (also under fantasy/paranormal)
Using words referring to our world in a fictional world
Why gods would abandon their world
Aphrodite, Hephaestus and Ares: the original love triangle
basing gods on multiple gods
Why someone would control dreams
Dark fantasy with a dream shop
Conflicts for someone with the power to share dreams with others
Ways to break the curse to get the Prince out of the tower
Prince/ss of one kingdom raised by another king
why a princess would run away
Prompts for a King or Queen getting assassinated
Why a villain would overthrow a royal family
Reasons two Kings would marry each other
which fairytales deserve retellings
Writing a fantasy fit for most ages (also under Writing Tips)
Vampire and human couple meeting
Angel and ex-demon hanging out together
demons that feed on love and joy?
mythical kids meeting humans
Sword fight resources
Using an axe as a weapon
Haunted house story from ghost’s perspective
A family moves in to a house that is alive
Does the afterlife have to include religious aspects?
Witch sisters with unequal powers
Reasons a village would be afraid of a kind wizard
Making a magical setting exciting (also under world building)
Weaving a complex magic system into your story (also under world building)
Things a magic council would use money for
Prompts about cities that are always in night
Prompts about a changeling
Coming up with a good curse for your character
Reasons a magical world would need a saviour
mirroring strengths and weaknesses for magic manipulation
How an immortal could die under mysterious circumstances
How to get regular folk involved in a magical world
“Underused" fantasy settings
writing assassins
Clues that would make a character suspect another for murder
Writing a CIA/FBI/Military character (also under Types of Characters)
Serial/mass murder…causes?
Quick reasons why genocide doesn’t just happen overnight
tests to get into secret organization
Writing a serial killer as your main character (also under Writing Types of Characters)
Tips for writing a consistent murder mystery
Murder mystery party prompts (humorous)
Superheroes and Super Villains
Sidekick wanting to be a superhero
Super villain cause ideas
Sidekick and villain falling in love (also under Romance)
Superhero story originality
How a super villain can get notoriety
Woman unknowingly falls in love a super villain
World building ideas for superhero stories
Effects of the power of intangibility
How a princess and a pirate fall in love
two exes who end up working together
How two random kids could meet at school
Sidekick and villain falling in love (also under Superheroes)
Cliches in romance scene?
Original ways that a couple could break up
How to introduce a living girl and ghost love interests
Prompts about being abandoned
Character who has never danced in pressured into it
Futuristic space pirates
The best ask ever
MC and sister get kicked out of clan. What next?
Reasons characters would hate another (a concubine)
How to tell who is the clone and who is the original
Artifacts curious aliens would steal from Earth
A disturbing cultish 1950’s-esque town
Character Introduction:
Name: Victor Romanov
Wip: The Hunters
Alignment: Lawful evil
Occupation: Former scientist and weapons expert.
Physical Appearance: White. Tall and lean. Chaotic eyes that people have trouble meeting. Mischievous smile.
Summary: Currently an outlaw on the run. Created a weapon of mass destruction secretly. It accidentally went off the damage was minimal but could’ve been catastrophic. The government and criminals alike saw the potential the weapon had. Fearing the destruction the weapon could cause he threatened that if anyone came for him he’d destroy everyone. The government painted him as a bomb crazed power hungry lunatic. The government finally caught him took the weapon and used it to stop a revolt killing millions in the process. Now that he’s escaped from prison he wants to get revenge on the people who stole from him. Wants to hold the government accountable for their actions. Often seen as crazy, chaotic and unstable. Intelligent, analytical, quiet and reserved. Short temper. Cares about the truth. Observant. Very closed off. Prefers to stay in the shadows. Does things just to see what will happen. Likes to collect machines, tools, and weapons.
Quote: “You used to be a complete no one!”
“I did,” the Victor admitted, sounding oddly wistful. “I wish I still was, most days.”
“Then why did you start showing off the weapon? Threaten everyone?”
“Because I didn’t have a choice. When the world found out what I could do, when the government found out what the weapon could do…” He sighed. “It was control the destruction or be powerless to it. So I made my choice.”