Isn’t “complex, nuanced, morally gray villain” and “villain who is just evil with nothing more to it” a false dilemma?
I contend that villains don’t have to be morally gray to be complex. Your villains can have complex reasons for what they do, and internal conflicts, and still be completely vile. Their motivations can be nuanced and still be fundamentally twisted. Their internal conflicts can be between multiple awful, fucked up, selfish sides of themselves. Villains can be complicated by differing drives and motivations and viewpoints even if none of them are good.
Give me a villain who is like...for example, conflicted between killing his son to eliminate a threat to his power, and keeping him alive so he can continue to exercise his abusive, fucked up control and twist his son into what he wants. He’s stuck between hating his son and desiring him as a possession and puppet, but neither of his conflicting motivations are The Good One.
Give me a villain who has to choose between the ideology of the violent, corrupt organization that groomed and trained him and the desire to betray everyone, strike out on his own with no support, and begin his own genocidal terrorist group. There can be a lot of complicated, shifting emotions over this, but it’s far from being a battle between an evil path and a good path.
Idk. “purely, disgustingly evil villain” is not the same as “one dimensional villain”
Hey, a chart! This is inspired by an ask I got (I’m gonna be honest, I promised the person I’d tag them, but then sent the reply before I wrote down the URL. So, if I told you I was gonna tag you in this, tag yourself!!)
shes here!!! shes arrived!!!!!! and im so excited, thank u all for taking the poll, its definitely helped a lot from figuring out what the bad guys are doing to even naming everyone!!!!!!!!!!!!! hopefully this all makes sense skjdnflsdf;sd
shes struggling with a title rn so i might have a poll up for helping with that too………this is just The Poll Wip
tagging some friends + writeblrs who may? be interested? maybe??? lmk if u would like to be added or taken off <3
@emdrabbles @whorizcn @alicekaiba @vandorens @evergrcen
Wow, first of all I just want to say THANK YOU SO MUCH for all the support on the First Ask Masterlist! Obviously I had to make a second one with all the asks I’ve answered since then so here you go. You can also check out my list of Random Writing Tips. As last time, some of these posts have notes from lovely people who have added onto my answers with their advice and you can also help out fellow writers by adding your tips or ideas to the posts in the replies or by reblogging. Hope you enjoy! 😊
Writing unnecessary scenes with your characters just for fun
Can’t think of what to write for a scene? Cut it.
The “organized chaos” form of outlining
Resources for writing a story synopsis
Can a comedy also have a good message?
Writing a fantasy fit for most ages (also under Fantasy)
When you’ve got an idea but don’t know how to expand it
Building on your story yourself
Will posting writing online hurt publishing chances?
Using a prompt for a series
Ways to give information to a character
Dialogue tips
Coming up with a title (expanded)
Making the real villain a plot twist
GRAMMAR CHEAT SHEET
Some resources for creating a language
Coming up with villains
How to decide if you want a good or sad ending (Also, how not to screw up an ending) (Also, why the GoT ending makes me sad)
Story Structure Tips
Travelling scenes: when to skip and how to make them impactful
Writing a sloooow carriage ride without being boring
Moving back and forth in time in the story
difference between inciting incident and plot point 1
Blending backstory with present to further the plot
Writing scenes with a lot of characters
Writing a story as a journal or video log style
Third or first person?
Writing a long series
Connecting your ideas
When to introduce major and minor conflicts
Worrying about “originality” with your writing
Staying focused on writing
Turning off the editor voice
starting to write and keeping motivation
quick tip on writing down inspiration in the moment
How do you know you are cut out to be a writer?
When you feel your plot isn’t exciting enough*
When you think your idea is stupid (it’s not)
Tips for writing a fully-fledged peppy girl
Teen raised by twenty-year-old family member
Mentor/Mentee relationship
Describing nature the way a nature-lover would
Showing a dead family member’s impact on the MC
Writing about a character losing loved one
Ways to show a character’s disgust
Why a “good” character would switch to the bad side
Why the “White Saviour” thing is a cliche and sucks
Villains who do things like “killing the dog”
Good and bad reasons to kill off a character
Character exercise when you lose their voice
Resources for learning more for a Jewish character (in the notes)
A reason a character might feel cliche
Representations of Gluttony and Laziness as humans
Writing Types of Characters
Writing a good guy MC who turns out to be the villain
Bad guy turning good and making them sympathetic
Dr. Doof: how to write a great villain
A character raised by a computer
Bilingual character tip
Interracial couples
Some negative traits for someone in a zombie apocalypse
Flaws for a Gary Stu type
a character trying to learn the language on a new world (also under World Building)
Good guy vs bad guy stories aren’t a cliche
Writing a CIA/FBI/Military character (also under Thriller)
writing a drunk character with some heartfelt moments and humour
Why NOT having diversity in your story cast is odd
A character with diabetes
Fictional races where one is “superior” to the other
Writing a serial killer as your main character (also under Thriller/Crime)
Writing a good Strong Female Character™
Creating a creation myth
History research post
Making an acronym from an organization
Naming world building aspects
strange weather ideas
ideas for ridiculous rules to join an excuse club
Why someone would put on a massive tournament
a character trying to learn the language on a new world (also under Types of Characters)
Making a magical setting exciting (also under fantasy/paranormal)
When you have too much information for an expansive world
Weaving a complex magic system into your story (also under fantasy/paranormal)
Using words referring to our world in a fictional world
Why gods would abandon their world
Aphrodite, Hephaestus and Ares: the original love triangle
basing gods on multiple gods
Why someone would control dreams
Dark fantasy with a dream shop
Conflicts for someone with the power to share dreams with others
Ways to break the curse to get the Prince out of the tower
Prince/ss of one kingdom raised by another king
why a princess would run away
Prompts for a King or Queen getting assassinated
Why a villain would overthrow a royal family
Reasons two Kings would marry each other
which fairytales deserve retellings
Writing a fantasy fit for most ages (also under Writing Tips)
Vampire and human couple meeting
Angel and ex-demon hanging out together
demons that feed on love and joy?
mythical kids meeting humans
Sword fight resources
Using an axe as a weapon
Haunted house story from ghost’s perspective
A family moves in to a house that is alive
Does the afterlife have to include religious aspects?
Witch sisters with unequal powers
Reasons a village would be afraid of a kind wizard
Making a magical setting exciting (also under world building)
Weaving a complex magic system into your story (also under world building)
Things a magic council would use money for
Prompts about cities that are always in night
Prompts about a changeling
Coming up with a good curse for your character
Reasons a magical world would need a saviour
mirroring strengths and weaknesses for magic manipulation
How an immortal could die under mysterious circumstances
How to get regular folk involved in a magical world
“Underused" fantasy settings
writing assassins
Clues that would make a character suspect another for murder
Writing a CIA/FBI/Military character (also under Types of Characters)
Serial/mass murder…causes?
Quick reasons why genocide doesn’t just happen overnight
tests to get into secret organization
Writing a serial killer as your main character (also under Writing Types of Characters)
Tips for writing a consistent murder mystery
Murder mystery party prompts (humorous)
Superheroes and Super Villains
Sidekick wanting to be a superhero
Super villain cause ideas
Sidekick and villain falling in love (also under Romance)
Superhero story originality
How a super villain can get notoriety
Woman unknowingly falls in love a super villain
World building ideas for superhero stories
Effects of the power of intangibility
How a princess and a pirate fall in love
two exes who end up working together
How two random kids could meet at school
Sidekick and villain falling in love (also under Superheroes)
Cliches in romance scene?
Original ways that a couple could break up
How to introduce a living girl and ghost love interests
Prompts about being abandoned
Character who has never danced in pressured into it
Futuristic space pirates
The best ask ever
MC and sister get kicked out of clan. What next?
Reasons characters would hate another (a concubine)
How to tell who is the clone and who is the original
Artifacts curious aliens would steal from Earth
A disturbing cultish 1950’s-esque town
I already love him
Neutral Good // INFP // Ravenclaw // Aquarius // Bi // Jewish-American // Playlist // Pinterest
If there’s a character who I would award with the “Most Relatable” award, it’s Zamsel. He’s been through a lot. A hopeful romantic with a competitive streak and a massive fear of failure, Zamsel puts a lot of pressure on himself.
Backstory
Zamsel’s grown up being mostly raised by his mother, as his father has spent a lot of Zamsel’s childhood in the Air Force. Mama Amsel is a sweet, understated woman who passed a lot of her softness onto Zamsel.
Halfway through high school, Zamsel began dating his long-term girlfriend, Chai Watson. Though their relationship was initially happy, it’s deteriorated into something really toxic and draining. Nevertheless, he graduated as co-valedictorian with Kam Suzuki.
Present
Zamsel’s entering his first year of college with Kam. They’re both sort of adjusting to the freedom that comes with living several states from their families, but Zamsel is adjusting to it far better than Kam is. He’s a fan of his new life.
Playlist
Zamsel’s playlist is huge. It’s full of jams from New Medicine and The Front Bottoms, which I use to more or less build up his aesthetic and general mood.
Twin Size Mattress - The Front Bottoms
Heart With Your Name On It - New Medicine
Boy Like Me - New Medicine
Bad At Love - Halsey
Flannel - The Cardboard Swords
Called You Twice (feat. K.Flay) - FIDLAR, K.Flay
Peaches (Text Voter XX to 40649) - grandson, K.Flay
Self Esteem - The Offspring
Excerpt
Zach closes his eyes. His face is wet from crying, raw from rubbing at it, red all over. Even then, even after what’s happened, he still looks almost beautiful. There’s something about the lighting in an art museum that makes everything look like art, even raw emotion. It rounds out the patheticness of breaking down in public into something artful. Zach doesn’t look anything like a model, but he does look like art.
Aesthetic
Lying on the ground when you’re overwhelmed with emotions, mumbling the lyrics to your favorite songs under your breath to the radio, duct taping all your things together because you don’t want to buy something new, buying new sweaters from Goodwill, when a cat lays on your chest, wearing sweaters that are too big so you can ball your hands in the fabric, people with small voices, leaning your head on someone’s shoulder while you’re talking, the feeling of slowly falling in love.
Taglist
@aelenko, @keen2meecha, @magic-is-something-we-create, @emdrabbles, & @yourwriters
(You can always ask to be added to or subtracted from the taglist!)
people talk all the time about “primal instincts” and it’s usually about violence or sexual temptations or something, but your humanity comes with a lot of different stuff that we do without really thinking about, that we do without being told to or prompted to
your average human comes pre-installed with instincts to:
Befriend
Tell story
Make Thing
Investigate
Share knowledge
Laugh
Sing
Dance
Empathize with
Create
we are chalk full of survival instincts that revolve around connecting to others (dog-shaped others, robot-shaped, sometimes even plant-shaped) and making things with our hands
your primal instincts are not bathed in blood- they are layered in people telling stories to each other around a fire over and over and putting devices together through trial and error over and over and reaching for someone and something every moment of the way
if you want to start your novel but you’re not sure where to start, i’ve collected a bunch of resources to help you along! this includes characterization, plotting, worldbuilding, etc. @made-of-sunlight-moonlight
name generator: this one is pretty handy. it has a bunch of different generators based on language, gods, fantasy, medieval, archetypes, etc.
➥ reedsy name generator
personality types: this is just the standard mbti personality list. it lists the strengths and weaknesses of each type, as well as how they do in relationships, etc.
➥ mbti 16 personalities
enneagram: the enneagram personality types. this may help with characterization because it has “levels of development.” it also lists common fears, desires, and how each type interacts with one another.
➥ enneagram types
emotional wound: your character should have something they believe about themselves that isn’t true. (ex: i’m worthless, i’m powerless.) this should start with an “origin” scene from their past, where something happens to create the wound. then there are three “crossroads” scenes to brainstorm, where things could have gone right for your character, but didn’t due to the wound, and because of that strengthened their belief in the wound. this helps you figure out why your character acts like they do. this is a really important one!!!
➥ emotional wound explained
worldbuilding template: this is a pretty good template / guide about how to build your world. it talks about geography, people, civilizations, magic, technology, economy, and politics. (you have to download this through email though.)
➥ reedsy worldbuilding template
world anvil: if you really really want to go in-depth — this website is for you. there is so much you can do with this; i can’t list it all. history, timelines, important objects, cities, species — you name it, it’s probably on there.
➥ world anvil website
worldbuilding bible: this is just a general list on things to think about when worldbuilding.
➥ ellen brock’s worldbuilding bible
world creator: this website generates an entire planet. you can play around with the amount of land, as well as climate, although i’m not sure since i haven’t used it too much. here is the link if needed, though!
➥ donjin fractal world generator
inkarnate: this is a really commonly used one. it’s free and makes good quality maps. you can lay out cities, landmarks, regions, and they even have little dragon drawings you can put on your map.
➥ inkarnate website
a tip: don’t over-worldbuild! you’ll end up spending a lot of time on things you won’t need. focus mainly on the things that you will use!
plot generator: this one’s kind of nice because you can lock elements of the plot that you like. that way you can get rid of the ones you don’t like while keeping the ones you do.
➥ reedsy plot generator
writing exercises: this one has a couple different generators, including one that gives you a situation, characters, and themes.
➥ writing exercises
plot cheat sheet: this lists a whole bunch of plotting methods and their basic steps. i would play around with them and see which one works best for your method.
➥ plot cheat sheet by ea deverell
plot formula: this is mentioned on the cheat sheet, but it lists a bunch of beats and scenes which you might want to consider for those beats. kind of fill-in-the-blank-ish sort of thing?
➥ plot formula by ea deverell
save the cat: a method of plotting also on the plot cheat sheet above, but i wanted to point it out. i have been using this recently by taking a giant piece of paper, laying it out onto the floor, and making a timeline. pivotal scenes go on the right (ex: catalyst), while the bulk of scenes go on the left (ex: fun and games). i didn’t really have a website on this, but here is one that explains the beats. (i might make a post about this later, though?)
➥ save the cat explained
story planner: this basically has a lot of templates that cover everything up there. the problem is that you get a free trial for a little while where you get as many documents as you want, then you have to pay for it. (although you can get around this by copying and pasting into a doc...?)
➥ story planner website
describing / related words: these kind of go hand in hand. if you put a word intothese websites, they will give you either a list of related words or adjectives respectively.
➥ describing words website
➥ related words website
ea deverell: i've pulled a lot of stuff from this website to put in this post, but there's a lot more that can be used. Like a lot on basically anything — plot, character, world, outlining, writing itself.
➥ ea deverell website
reedsy: again, i've pulled a lot of stuff from them to put in this post, but there's much more. it's similar to the ea deverell one.
➥ reedsy website
canva: this is more for making aesthetics and covers. (this thing is really helpful —and free!) although if you use this, i'd suggest pulling pictures off a website like unsplash; that way the pictures are free to use.
➥ canva website
i hope you found this helpful!! :) happy writing!!
you loved me like it was routine the kisses felt like chores you held me out of necessity and you touched me in familar steps
the i love yous were repetitive and the good nights felt compelled your eyes no longer looked at me whenever we collided and your skin no longer electrified at my touch the smiles you’ve been giving me were calculated and the days when you loved me were on schedule
the only real thing that was out of the plan and the only real thing that broke our little pattern was the only real thing that i never thought twice on it was deciding that i had to leave right then and there
“Take the story from ‘What is it?’ to ‘What is it most like?’”
A monster, a house, and people inside the house who really want to kill the monster
House = confined space
Monster = formed from a sin committed by a character
Jaws, The Exorcist, Alien
Quest myth
A hero goes on the road for one thing and ends up with themselves
The goal is internal growth
Milestones = people and incidents that cause change within the hero
Star Wars, Back to the Future, The Road Trip
“I wish I had a _______” + “What if?”
An underdog who does not succeed for long
Has a moral
Alternative: comeuppance in which a character with that _______ has it taken away
Bruce Almighty, Love Potion #9
An ordinary person finds themselves in unordinary circumstances
Primal problems like love or survival
An average person must solve the Problem by finding it within themselves to be the hero
The bigger the enemy, the bigger the odds to overcome and the more heroics
Terminator
Life transitions and their external conflicts
“Monster” is vague, unseen, unnamable
Ex. teenage years, vices to overcome, midlife crisis, any crisis really, old age, break up, grieving
Everybody’s in on “the joke” except the hero
Only experience can offer a solution
Victory is accepting the Problem and surrendering to it
Ladybird, Call Me By Your Name
Love story in disguise
Can include romantic love, usually platonic
hate/disagreement to realizing “we need each other”
“We need each other” causes more conflict because who can tolerate needing somebody?
All is lost moment = separation, fight, goodbye-good-riddance
Resolution = surrender egos to overcome Problem
One is changed, one is the changer
Don Quixote, Thelma & Louise
Why over who
Does not include hero changing
Audience discovers something about human nature
Walks on dark side
All about discovery
“Are we this evil?”
Citizen Kane, Mystic River
Underdog and the advantages of anonymity
Set underdog against an establishment
Usually includes accomplice that’s in on the joke and gets brunt of repercussions
Outsider thrill of victory
Forrest Gump
Sacrificing goals of few for the many
Groups, institutions, “families”
Honors institution AND exposes problems of losing individuality to it
Breakout character’s role is to expose group goal as a fraud
Told from newcomer’s perspective who can ask “how does this work?” and eventually: “who’s crazier: them or me?”
Group dynamic is crazy and self-destructive
Pros and cons of community over self
Loyalty can blind common sense
One Flew Over the Cuckoo’s Nest, August: Osage County
Extraordinary person finds themselves in an ordinary world
Foster empathy through hero being misunderstood, their pitfalls and disadvantages, and human qualities
Zoolander, X-Men, Gladiator, Dracula
I’ve seen enough “how to write autistic characters” directed at allistics but I’m not sure I’ve really seen any posts directed at autistics written by other autistics that’s just general writing advice. So here’s some tips and tricks and a pep talk.
1. Write as many autistic characters as you want. It’s totally ok for every single one of your characters to be autistic. If other people can write stories without any autistic characters, you can write ones without any allistic characters. (After all, how can you write an autistic allistic character if you’re not autistic allistic. /s)
2. Let your characters stim! It’s a great way to include body language in a way that feels natural for us.
On the topic of stimming, try and vary the stims your characters use. This is something I generally take care of in editing. Everyone would run their hands through their hair, but when they did that, it just became a filler description, so I cut the action from most of the characters and left it for a few. At that point, the stim became theirs. (I also then got to have lines like “Den ran his hand through his hair to calm his thoughts, a motion more like his brother than him.” which is like Look, characterization!)
3. Body language and facial expressions are hard. I can’t tell you how many times I’ve described the body language or facial expression without actually saying what the character was feeling while writing, and then in editing have no idea what they were feeling.
It’s totally OK to write something like “their eyebrows jumped up in surprise as their jaw dropped towards the floor.” It’s descriptive enough to follow the “show, don’t tell” rule, but still names the emotion the character is feeling. It also lets you use non-standard body language (aka autistic body language and stimming) in a way that allistic readers can pick up on.
Reference sheets are a great way to have some standard allistic ways of expressing emotions via body language. This is a great way to make sure that if a character is expressing an emotion but it’s not something you can state in the story (or that your character is unaware of), that it’ll still be something your audience can pick up on.
4. It can take a while to really get a feel for your characters. I tend to only really have their characterization solid enough to keep them consistent after I’ve written the initial rough draft. This is one of the reasons my first step after completing my initial draft is to rewrite everything. It’s just the easiest way I’ve found to make sure all the characters are in character - because if I tried to go through every single line and figure out what wasn’t in character, I’d be lost.
If you’re confused about why a character is doing something because you forgot what you were thinking and are having trouble figuring it out from context, it’s ok to take that bit out and rewrite it. Sometimes it might be because a character is acting out of character, and in that case it’s a good thing you’re fixing it.
5. The details you include in your writing because you’re so detail oriented really makes the story come alive. I can’t tell you how many times I’ve gotten told it feels like my world exists beyond the story and that my characters have lives beyond what’s mentioned on the page because I think about every little detail and make mentions of them.
Our attention to detail also tends to let us do unintentional symbolism and foreshadowing really well. We try and make every little thing relevant and tied into everything else, which is something that comes naturally to us and I’ve seen so many writers struggle with.
6. Infodump in the rough draft as much as you want. If it keeps you writing, go for it.
You can remove (or better integrate) infodumps (because they tend to not be all that interesting to readers since they stop the story in their tracks) and any inconsistent details when you edit.
If you want to avoid just infodumping in the story itself, write down EVERYTHING about your characters, your world, your plot, everything you want to explain and anything that is relevant to know for the story in a separate document(s). For me, it gets the urge to explain EVERYTHING out of my system and helps me include only what’s needed when I’m writing. (Plus it makes a GREAT reference material for when you’re writing.)
7. If you don’t explain something well enough, that can also be fixed in editing. This is where beta readers are useful since they can let you know where they’re confused and where more information is useful. This is also where taking a break between writing and editing can help, since if you’re confused it’s likely a spot where you need to include more information
(Again, this is advice for autistic writers from an autistic writer. Allistics and Writing blogs are encouraged to reblog this since this is writing advice, but unless you are autistic, please do not comment.)