So we know that Chuuya complained about his fangs getting stuck, but in the newest chapters, it doesn't seem like he has them in anymore.
Which means that the order of events between the finale and chapter 113 (I believe that’s the number) went like this:
First, they walked back inside the prison, with Dazai still holding the antidote. Chuuya says, “don’t you think you oughta take it by now?”
Dazai shrugs. “I’ve got time.”
Chuuya nods. They make their way more into the prison. “Hey, don’t you think you better—"
“It’s fine,” Dazai assures him. Chuuya frowns.
“You aren’t just waiting until it’s too late, are you?”
No response.
“Dazai? Hey, Dazai, answer me—"
“I think I better go now—"
“TAKE THE STUPID ANTIDOTE—“
“No! I don’t wanna HEY WAIT—" Chuuya jumps onto Dazai sending him sprawling to the floor, and they have a long struggle and frankly ridiculous struggle, which involves Chuuya trying to inject the antidote while Dazai fights him. Eventually, Chuuya manages to restrain Dazai's arms with one hand, and shoves the syringe into Dazai's neck with the other. He’s sweating and panting as he throws it away and lets go of Dazai's hands. Bitter at having been defeated due to his lack of strength that tends to happen when you narrowly escaped death more times than you can count within the past half hour, Dazai comments, “you know, with that expression on your face and those fangs, you really DO look like a vampire.” Which reminds Chuuya of his current predicament. He gets off of Dazai and they seek out a bathroom where Chuuya spends a good deal of time in front of the mirror, trying to get the fangs off without hurting his real teeth. He attempts to google it, but complains about the lack of service and good wifi. Dazai reminds him ever so kindly that it’s a prison, idiot. So they trek all the way up to the first floor and Chuuya stands on the roof, above the wreckage and pile of blood, holding his phone up until google loads and provides him with solutions. They found a way, but in order to get the ingredients required, they’re forced to raid the cafeteria, much to Dazai’s delight. All the required ingredients are eventually collected, but Chuuya spent an extra half hour trying and failing to pull Dazai out of the cafeteria as he scoured places including but not limited to: the fridge, the freezer, every cabinet, all the pantries, and the so called “hidden pantry” where all the sweets were. They finally make it back to the bathroom, where after much bickering and pulling and coaxing, Dazai finally manages to yank off the fangs, causing Chuuya to emit a high pitched sound not unlike a girl’s shriek. Finally, they make it back to the room where Sleeping Beauty is, still quite unconscious.
“I just don’t get it,” says Dazai. He crouched down and stares Sigma thoughtfully. “Why hasn’t he woken up?”
Chuuya frowns. “Do you think it might have to do with the stab wound—?"
“Nah, couldn’t be. Not in this series.”
“Oh, right.” Chuuya examines him again. An idea comes to him. He turns to his partner, his expression perhaps a little too gleeful. “May I…?”
Dazai waves a dismissive hand. “Go for it.”
Which is how we arrive to the state of affairs in chapter 113. Dazai’s no longer self destructing or hungry, Chuuya’s fangs are gone, and Sigma will find himself with a SEVERE back pain when he wakes up.
Love resurfacing to ask a stupid, inconsequential question but
tbh i think that scene is less about atsushi “learning the truth abt dazai” and much more about him finally being able to acknowledge how much of himself he sees in akutagawa without the mental block of his warped perception of dazai. and even then i don’t see this seriously impacting atsushi’s relationship with dazai like this is about his relationship with aku
Skk's entire relationship in a single frame:
Sometimes, I think about the fact that Odasaku and Atsushi were the only two people Dazai really cared about to ever ask why he wanted to die. (Oda in The Day I Picked Up Dazai and Atsushi in 55 minutes). Kunikida and Chuuya just acknowledged it and believed it to be a part of him. But Odasaku and now Atsushi wanted to know why. They wanted to understand him because they truly care about him and see his goodness more than anyone else and alifodishfsdlfd
"[Pre-10th Anniversary Celebration Project] / "Bungo Stray Dogs" will celebrate its 10th anniversary as an anime in April 2026. \ We have just released the 10th anniversary logo. In addition, we will be celebrating the year leading up to the 10th anniversary with various projects!"
So....stormbringer?? Maybe??
Please???
That's his trend
#Chuuya
I love Odasaku, and one of the things I love about him is that he's not just there to be the friend Dazai loved and lost, he's a really deep character who grows over the course of the Dark Era novel, and he learns how to speak up.
I feel like his arc is mitigated in the anime, and I'm not going to be blaming it necessarily, it's just that a book written in first person POV is able to achieve a lot more depth to the MC over the anime , which is forced in nature to take a more third person, observational take to the character.
Dark Era spoilers, obviously.
The first thing I would like to bring up is Oda's personality, and for that, I'm actually going to start this analysis off with using a quote from Beast, of all things, because this was honestly the best description of Odasaku ever.
The best way to describe Odasaku's personality is obliviously perceptive. He's really smart, and somehow a complete airhead at the same time. When you read either Dark Era or The Day I Picked Up Dazai, you can sense this in an instant. How this pertains to his relationship to Dazai in particular is that he sees things. He knows that Dazai is hurting deeply, he's one of the only people who sees past the dark exterior and the child deep within, but at the beginning of the book, he won't say anything. He puts Dazai on this pedestal in a sense, and doesn't believe that his input is warranted, and he says nothing, even when Dazai is a walking cry for help. After listening to Dazai casually admit to a suicide attempt via banging his head against a hard tofu block without batting an eye, that's when Ango arrives and tells him off.
However, the conversation quickly shifts, and the matter isn't brought up again.
The next time someone tells Odasaku to speak up when he's summoned to Mori's office, and is greeted with a rather...bizarre scene. Still, he's a low-grunt of the Mafia, and Mori is the boss, so he lets whatever stuff is going on fly, until he eventually interrupts, ignores whatever was going on, and announces his presence. Which prompts the following conversation:
Still, it's apparent he doesn't take these words to heart, and continues to perceive almost everything, but never comments. However, something soon happens which brings to the surface just how deeply ingrained Oda's reticence truly is.
After Oda was chased by the enemy snipers, most of them had enough holes in them never to rise again. Until one picks up a gun and aims it at Dazai, the enemy executive, all other backup too far away to offer any aid. Instead of trying to avoid it or stop it, Dazai walks right up to the enemy and says , paraphrased "shoot me, please shoot me." The whole time, Odasaku's desperation is palpable, and unlike the anime, he attempts to stop Dazai from this blatant self-destruction by calling his name and then screaming it, thinking that he felt they were a million miles apart. After the ordeal, when Dazai faces his friend again, he offers all his excuses, how he knew the sniper would miss, but Odasaku wasn't satisfied. And this is where we get the first hint at how Oda really feels about this:
He wants to say something. He wants to punch him for the stunt Dazai just pulled, because he sees the truth. He sees the child inside of him. But once again, he's restrained by the apparent gap between them in rank and mind. Another important thing to note is that throughout the novel, Odasaku considers their difference in rank a bigger barrier than Dazai does. He makes comments about Dazai helping him, the low runt in the Mafia, but the executive doesn't care. Here once again, Oda is inhibited by this apparent gap between them, but this scene is also growth for him in the sense that he understands that there's a problem here. Earlier, he passively listened to Dazai speak of suicide, but faced with a barely disguised attempt, with the true demons inside of Dazai's mind, he wants to stop him, to reach out, to tell him that it's not ok. But he can't. Not yet at least.
After a later incident, we're given a flat-out description of Odasaku's philosophy, and why he chooses to remain silent. When the two of them are at the restaurant, discussing the enemy, and when Dazai realizes they might actually be a formidable opponent, he laughs, elated with the notion that perhaps he might be beaten. And that's when we get perhaps the clearest look into Odasaku's mindset:
There's a lot to unpack in this interaction: first, we see how much Odasaku truly cares for Dazai, how much he wishes he could rid his heart of the darkness buried deep inside. But the problem is, he believes he can't. He doesn't think he could do anything, at first, he's not sure what to say to him because what could he say? He doesn't think he can reach him. And then the all important line "What we see is everything, and everything we see, we ignore. All we can do is stand before the deep ditch between us and others and keep silent." The thing is, not everyone sees everything. He doesn't realize this. He's so oblivious, he can't even comprehend that he's more perceptive than others, almost like Ranpo when he was younger. He doesn't know what to do with the information he receives but to ignore it, as he says, to see the distance and remain silent through it. But still, he makes a halfhearted attempt to reach out, but is interrupted when Dazai's phone rings, and doesn't bring it up again.
The biggest turning point is the kids and Gide. Gide, who drags Odasaku, a character who seemed to have the healthiest will to live, into the darkness. By removing all his hope, his proof that he could one day write a novel and give up killing forever, he brings Oda down into the pit of despair that he lives in, the pit that Dazai lives in. Where the sun won't shine again, and all that's left is revenge and then death. This is where the tables turn, and now Dazai is trying to save Odasaku from that darkness that he knows all too well. He tells him useless platitudes, cliches that must have been uttered to him over and over that he knows won't work, but Dazai is desperate to save the one he's on the verge of losing. But Odasaku won't let himself be consoled, and he goes on the suicide mission to fight Gide. And only now, now that he's about to die, now that he's in this place of solitude and despair, that he reflects on Dazai and their relationship.
It's only at the end does Odasaku wish he would have said something. When he understands the darkness, he sees Dazai for what he truly is - a lonely, sobbing child. And it's only after this realization that he should have invaded the solitude does he speak up when Dazai arrives, and tells him to be a good man. Because he realizes that the darkness is going to overwhelm him unless something changes, and with his dying breaths, Odasaku gives over the advice that changed his life, not a way out of the darkness, but a way to brighten it just a little, and make living a little more beautiful. Something only he could understand, having tried to walk that path for himself. It can't be that it never occurred to him earlier that Dazai's mental health may have benefited from a...change in vocation, but he never thought it was his business to say anything before. But now that the darkness has consumed him, that's the final push for him to finally say something and reach out to his friend at the last moment before it was too late.
And though I don't think the anime did all of this justice, the parallels between these moments will always kill me.
I see you your Dazai and Chuuya and raise you Beast Dazai to Beast Odasaku if he chose to stay.
Would You Fall in Love With Me Again from Epic the Musical but instead of Odysseus and Penelope, it's Dazai and Chuuya
okay I'm out
You know, after this arc, the detective agency is really going to have to kick up their marketing skills to get clients back.
So I've decided to make an ad to help start them off. Ehem:
*deep voice here* Do you have a problem too difficult for the police to handle? Cases you need solved, people you need to disappear? Problems with the Port Mafia who we definitely hate and do not like at all? Well, we're the people for you! Come to the Armed Detective Agency *insert picture of the Agency's mascot here* Members include:
~one dude that's actually armed
~one dude that's actually a detective
~a furry
~a super chill guy named Tanizaki. Just don't go near his sister, like, ever
~his sister
~a 14 year old farmboy who is either hungry or sleepy (can move mountains, confirmed)
~a 14 year old former assassin (she's changed now swearsies)
~a former mafioso/torture specialist. Moonlights as a suicide romantic
~a doctor who can heal all (fatal) wounds*
*if wound is not fatal, it must be made fatal for her to heal it
Does not include:
~anyone who gives a frick about the law
The Armed Detective Agency has taken on a great number of cases, and someone there has probably saved your life (or taken the life of one of your loved ones) at some point in time. Come show your appreciation! Led by, you guessed it, another former assassin, this group of fundamentally messed up individuals can solve your toughest cases!
PS we swear we're not terrorists.
....on second thought, this might not be such a good idea.
Been a bit busy recently, but for those who want it, here's part two of the concept I had mentioned about the sskk interview. | Part One. It also ended up around 1.8k, so it's under the cut. Enjoy! Perhaps I'll do a part three if anyone wants it.
The next few days were much of the same for Atsushi. He'd come to work, be dragged off by Kunikida who would hand him a paper with all the questions they were going to ask and made him memorize each answer. Then eventually Dazai would arrive (a few hours late, as usual), and after sitting through Kunikida's lecture on tardiness and the importance of punctuality, and after Dazai would make a few comments that would only infuriate the detective more, his mentor would work on having him not sound like a cold machine when he spoke. Because apparently, he did not do well with memorization.
The training wouldn't have been so bad, really, if not for the fact that Kunikida and Dazai seemed to disagree about everything. Kunikida wanted him to appear formal as a true representative of the Agency, while Dazai thought he'd appeal to the audience more if he came across as some sort of Idol—relaxed manner, permanent smile, the works. Unfortunately, Atsushi was too nervous to truly do either, and every time he tried to implement one of his superior's advice and whenever he thought he might actually be starting to do a good job, the other would completely admonish him and tell him to the opposite.
And if Atsushi had to endure this for one more day, he may not have enough sanity left to even do the interview in the first place.
But somehow, by some miracle, he was actually improving. He had managed to find some sort of middle ground between the two philosophies—professional, but friendly enough to appear easygoing and relatable as he calmly told the interviewer (Kyouka, who had been roped into this) about his experience on the Moby Dick and defeating the American before the city was destroyed (the amended version that was arranged and agreed upon with the Port Mafia)
Of course, he couldn't help but feel he might lose all his progress when in front of an actual camera, but one problem at a time.
And speaking of problems...
It was time for his practices with Akutagawa.
With luck, the mafioso would kill him, and he could get out of doing the interview.
"C'mon, it'll be fine," Dazai assured him with a lazy grin. The two were on their way to the practice, which unfortunately had to be in Mafia territory. Atsushi protested against this, numerous times in fact, but it was beginning to dawn on him that no one actually had any consideration for what he wanted in this instance. Dazai had explained that their premises would be much more accommodating to the task, and there wasn't much else to say on the matter. Even Kunikida had voiced a mild objection, but being as there was some tentative form of truce, and that the organizations were attempting to work together for their mutual benefits, there wasn't any choice.
When they arrived at the agreed upon tower—the southern one, if Atsushi was correct, they were greeted by two grunts who escorted them to the fifteenth floor, where there was apparently an open space available for this. Dazai even chatted with one of them on the way up, casually asking about his wife and kids, and the man, for the most part, just seemed confused but answered honestly.
For some reason, it hadn't occurred to him that there would be someone else helping Akutagawa until they were led into a large, open area with a small stage setup, and aside from Akutagawa standing off to the side, there was a short mafioso with a black hat sitting cross-legged on a folding chair, his face scowling in irritation the moment he spotted Dazai. For what it's worth, the brunet's face twisted in revulsion when he spotted the man as well.
"Really?!" The ginger practically spat, standing up so quickly the chair knocked into the ground. "Of everyone who it could be, it had to be you?! Couldn't they get a literal trash can to do the job instead?! Not much of a difference, but at least one knows how to shut up."
Atsushi blinked at the harsh words aimed at his mentor. Dazai, however, merely upturned his nose like some kind of critic whose opinion was actually warranted.
"And they should have hired a hatrack to do yours—at least it has more uses than you. And how exactly do you expect to make Akutagawa camera ready when the only thing you would accomplish by appearing in public is to go from the Wanted list to Unwanted."
"Dazai..." Atsushi tried, ever the peacemaker.
"And all you're accomplishing is contaminating your student with your filth," Chuuya retorted. "You'll make the whole country reek of Mackerel."
"I take it back. Perhaps they should have gone with a dog—at least they're more loveable than you."
Chuuya scrunched up his nose. "You hate dogs."
"Exactly."
There was a pause before the executive's eyes widened, and he suddenly glowed red. "You bastard! I oughta punch you right in the—"
"Uh uh uh." Suddenly, Atsushi found himself being yanked in front of Dazai, to be used as a human shield. "You wouldn't want to mess up our one of our stars' faces, would you?" taunted his mentor with a maliciously sweet grin.
"I think you could," commented Akutagawa.
"Nobody asked you!" Atsushi snapped back.
Chuuya glanced between student and mentor and sighed exaggeratingly, dragging a gloved hand across his face. "Whatever, we've wasted enough time."
Since Atsushi apparently came across as very yankable, Chuuya suddenly reached out and grabbed Atsushi's arm, dragging him away from Dazai and towards Akutagawa.
"Uhm, Chuuya?" Atsushi began timidly. He tried to tug his arm out of the mafioso's grasp. It didn't work.
"Shut up," spat the executive, and Atsushi decided to do that. Not because he was scared of Chuuya who could crush him in an instant, but because it seemed like a very smart idea. Because Chuuya could crush him in an instant.
Akutagawa's eyes widened suddenly as his superior approached him, grabbed him with his free arm, and commenced dragging the two of them over to the stage while the Future Stars™ stumbled along behind him. Atsushi caught Akutagawa's gaze. The latter rolled his eyes at him. The former stuck out his tongue in retaliation.
Chuuya marched onto the stage with them in tow, shoved Akutagawa into a chair that had been set up on the left, and then Atsushi into the other one a few feet to the right.
"Alright," he said, crossing his arms and staring down at the two of them like one might stare at five year olds who have been misbehaving. "We're starting. Now. I don't wanna hear any fighting between you two, got it?"
"Understood sir, sir, yes sir," Atsushi stammered under the piercing gaze. Akutagawa, who was likely more used to this treatment from the ginger, merely nodded, although he didn't appear all too happy about it.
"He's right, boys, you have to play nice." Dazai strolled onto the stage leisurely with his hands behind his back and and a grin. "Think we can keep the bickering to a minimum?"
"You guys are fighting more than we are," Atsushi pointed out dryly. Akutagawa made a sound akin to a stifled snort. Chuuya's eye twitched. Dazai's lips twitched. Neither man made any effort to deny it.
"Let's just try to get through this, can we do that?" Chuuya asked. He sounded really tired.
"Fine by me," Atsushi replied.
Akutagawa nodded. "There should be no problems as long as the Weretiger doesn't mess this up."
"Excuse me?" Atsushi exclaimed, turning to the man. "You think I'm going to mess this up?! Who came to kill who, remind me—"
"Yes, and I almost didn't have to, because you were ten seconds away from becoming a cripple. If I hadn't been there, you would have allowed the whole city to go up in flames."
"Well, you—"
"Enough!" Chuuya flicked Atsushi between the eyes, hard enough for his entire chair to fall backwards and send the boy sprawling to the floor. He then walked over to Akutagawa, who merely sighed in resignation as he too was sent to the floor.
"Next time either of you say anything that isn't rehearsed, I'm gonna kick each of your butts so hard, you're gonna do the interview and the rest of your lives standing, you got that?!" Chuuya growled as he glared down at the black and white heaps on the floor. Akutagawa had managed to land somewhat gracefully while said butt of Atsushi was sticking up in the air. At the threat, he quickly reigned it in and sat up rigidly.
"I didn't hear a response," said Chuuya, glowing red.
"Yes!"
"Understood." Accompanied by two coughs.
"Now now, Chuuya," Dazai laughed. He placed a hand on the ginger's shoulder, dispelling the red glow that surrounded him. "You shouldn't be so stressed all the time; at this rate, you really will get a bald patch before you're twenty-five."
Chuuya scowled and wheeled on the man. "Yeah, well at least someone's putting in any effort into this interview. They're your students that you grabbed off the streets, why don't you act like a responsible teacher for once?!"
"But that's no funnn," Dazai whined. "It's way more entertaining to watch this instead."
"Wait, how'd you know Dazai found me on the streets?" Atsushi asked.
Chuuya made a face. "Lucky guess."
"I pulled you from the streets, remember?" Dazai draped his arm over Chuuya and brought him close with a light grin. "I remember, you reeked the first time I met you—"
Dazai was on in his back in the space of a single blink. The stage beneath him was slightly cracked. Chuuya's fists were clenched.
"I'll have you know that I was perfectly clean, thank you very much!" he stated loudly, "unlike a certain slimy fish I could mention whose hair was a rats' nest and whose personal hygiene rivalled that of a monkey's."
Dazai looked up at him from the floor with a twinkle in his eye. "It's funny you say that when, last I checked, you were the one hanging around farm animals—"
Chuuya pounced on him before Dazai could even finish, slapping him and shouting while Dazai merely cackled wrestled back surprisingly well, throwing in a jab or two to keep it going. Chuuya eventually got the upper hand though, and he managed to strangle Dazai hard enough for the man to pass out, all while maintaining a blissful expression.
Two pairs of eyes followed the executive as he calmly rose from the ground and brushed off his vest like nothing happened. "Now that one nuisance has been taken care of, let's get on with it."
Atsushi glanced over at Akutagawa, who didn't seem perturbed in the least. Atsushi sighed.
And so, practice began.