'fairies Dont Exist' WRONG❗❗cyerce Elegans

No to overwriting

In my last post, I mentioned things you don't need to worry about when writing your first book, including going into excessive detail.

Today, I want to dive deeper into one of those aspects: the idea that you don't overwrite in your first draft.

When you're embarking on the exciting journey of crafting your first book, it's easy to get caught up in the desire to make every sentence perfect, every dialogue sparkling, and every description exquisitely detailed. While these are certainly important elements of great writing, they don't need to be perfected in your initial draft.

Here's why:

Flow and Creativity: Your first draft is where the magic happens. It's where your creativity flows freely, and the story unfolds without restrictions. Overthinking and overwriting can disrupt this natural flow and stifle your creative voice. First drafts are for doing. For getting the idea down!

Stress Reduction: Focusing too much on perfection in the first draft can be stressful and overwhelming. It might even discourage you from continuing. Remember, it's okay to let your ideas flow without immediate scrutiny.

Revision Comes Later: Writing is a process, and revision is a critical part of it. You'll have ample opportunity to refine and improve your work in subsequent drafts. This is the stage where you can fine-tune sentences, fix grammar, and add the right level of detail.

Progress Over Perfection: The goal of your first draft is to get your ideas down on paper. It's more about progress than perfection. Don't let the pursuit of perfection hinder your progress as a writer.

Happy writing!

There's a huge difference between redemption and humanization. I feel like a lot of "redemption arcs" aren't actually redemption at all, they're just attempts to humanize the villain so that they seem multi-faceted, but people read them as "redemption arcs" and think that that is meant to justify all the evil they've done before and negate whatever made them a villain in the first place. I think true "redemption arcs" are actually kind of rare because true redemption would take making the villain acknowledge their crimes, reevaluate their actions, actively choose to do better, and then proceed to make amends and become a better person, and that would this take more time than most stories are allowed to give their characters.

I've also seen people argue that a character has to be poised for redemption from the jump for it to work because once a character does something "too bad", they can't be redeemed. I completely disagree because redemption isn't justification or forgiveness, so no matter how horrible a character's actions, they could choose to become better, but because a lot of people (including writers) think redemption means "erasing the character's flaws and making it so they did nothing wrong ever", a lot of attempted "redemption arcs" just end up erasing a character's entire history or justifying every evil thing they've ever done. And yeah, in these cases, the only way to make a character go from a villain to a perfect cinnamon roll with no flaws *is* to have been planning it from the beginning and make sure they never do anything that can't be explained away later.

TLDR: real redemption arcs require a lot of self-awareness, patience, and growth, which are things that are rarely actually allocated to villains, and that's why real redemption arcs almost never get executed. The reason people think redemption arcs are overdone is because there are so many attempts to either humanize a villain that get misconstrued as redemption or attempts to blatantly erase who a character was in the name of "redemption", which is really just poor character development.

A Small Set of Agreements

Part 2 of A Small Act of Kindness

A DARK three-shot

Pairing: Dark!Morpheus x you, afab reader

Warnings: dark!Morpheus, obsessive behaviour, dark!Dream won't take 'no' for an answer, disturbing themes like kidnapping, imprisonment, isolation, non-con/dub-con kissing and touching etc, 18+ only!!

Inspired by this ask for @roguelov See: https://www.tumblr.com/roguelov/721739134130143232/this-isnt-smut-but-dream-has-strong-miette?source=share

Officially now a three-part series!!! Masterlist here Part 1: Click here

Summary: You were imprisoned by a vindictive Endless, who will stop at nothing to win you over, including taking advantage of your forced vulnerability.

The grand dining hall of the Dreaming was empty, save the King of Dreams and you, his little plaything, the one he claimed to have caught his affections. Clearly, with this splendid display of all your favourite dishes, with the elaborate, ruby-coloured gown he said he fashioned from his own sand that you now wore, the miles and miles of red tulips he showed you during your walk with him on Fiddler's Green, he was trying to win you over.

Yet, despite the voracious appetite you had developed the moment you were free from your glass cage, here you were, toying with a slice of peach on your plate, very much not hungry and over all just about done with the way your jailer was unabashedly staring at you across from where he was sitting. The hungry looks you were getting from barely three feet away had absolutely nothing to do with food.

You tucked your fork neatly on the plate and pushed it away gently. Morpheus, who was leaning back on his dining chair like the king he was, tilted his head in concern. "Is there something the matter, my beloved? Is the food not to your liking?"

You gave a quick smile that didn't quite reach your eyes. "The food was great, thank you. Is there, uh…" is there no end to this, you had meant to ask, but decided against it. "Is there anything more you'd like me to do?"

You didn't like the sly grin that followed your question.

"I can think of many things I'd like you to do," he said, his voice dipping dangerously lower.

Fidgeting in your seat, you fought the urge to glare at him, and instead looked daggers at the innocent, half-finished peach cake on your abandoned plate. “I’m just saying, it’s getting a bit late. Not that I had much to do anyway…” Your voice trailed off, your mind drifting off to simpler times: how, around five in the afternoon, you and a colleague would get some coffee from the bakeshop, then rush back to the office to finish wherever you left off; sometimes your boss would get a box of those fancy doughnuts delivered and all of you would share five minutes of the afternoon sugar rush and  bitching about the accounting department. Boring as it might’ve been in hindsight, right then and there, you would’ve given just about anything, including a limb, to be there instead of here as mere passing entertainment for an age-old nightmare lord.

Said nightmare lord leaned forward, still with that annoying smirk, and said, "We are in no rush, my love. The day is not over until I say so.”

When you offered no reply, he stood from his seat and approached your side, extending his hand.

"Come with me."

Taking a deep breath, you took his hand and allowed him to lead you away from the dining hall. Where to, you had no idea, and after several flights of wide, marble stairs you tried to pry your hand away, but he tightened his grip with a warning look in his eyes. Nowhere in the enormous palace did you see anyone else around, making you feel even more alone with him than ever before. After seemingly endless staircases, he pushed open a double door, revealing a massive, extravagant gallery of pristine marble and velvet tapestries. Hand in hand, albeit unwillingly, he led you to probably the largest balcony you’ve ever been, offering the most breathtaking sight you’ve ever seen in your life:

His kingdom in all its glory, basking in the orange-purple glow of the setting sun.

You sighed deeply, closed your eyes and let the glow of the sunset warm you up, pretending you were all alone in a five-star hotel enjoying the nicest vacation you've ever had.

Until you felt a pair of lips kiss your hand and ruined the fantasy.

Morpheus let go of your hand as you open your eyes in favour of wrapping his arms around your midriff from behind. Your back stiffened as he pulled you close to his chest and planted a soft kiss on your hair, just above your earlobe. You heard him hum in satisfaction as his forefinger lazily drew circles on your clothed waist.

“Morpheus, what are you doing…?” you whispered, your breath hitching as you felt him take an audible whiff of your hair.

"One of the many things I had in mind," he whispered.

You shivered at the rather vulnerable position you were in, but it wasn't like you could tear yourself away from his unwanted embrace. He had you trapped, just like the cage he'd be putting you back in if he senses just the slightest resistance from you, so you stood there, rigid as a board. You tried your best to concentrate on the view that lay before you, but it was made even more impossible with the way those lips brushed against your earlobe and then kissed the base of your neck.

“Please…stop…”

Morpheus only hummed in response. He’d been keeping you on your toes the entire day, but what he said next just floored you.

“Come lay with me, my beloved.”

“Wh-what? You mean, sleep with you?” You gathered strength to abruptly pull away from him in utter shock. He’s clearly lost his damn mind. Once free, you put enough distance between you and him and faced him with your cheeks flaring up. “I don't believe this…you can't be serious!”

Unfazed and clearly taking offence at the wide berth, he said, “Do you doubt my love for you? Have I not been clear with my intentions? I wish for you to be my lover. Do lovers not declare their devotion to each other by indulging in each other's flesh?”

“One. Date.” You said pointedly. “That was all we agreed upon. One fucking date!”

“That is why I am asking now. Will you lay with me?”

The audacity of this cosmic being had you reeling inside, close to tearing your hair out in absolute frustration. “This is crazy. I've done everything you've wanted me to do today, but you can't expect me to just go along with that!”

Still incensed, you watch him take a threatening step forward with hands clasped in front of him, his jaw clenched and his eyes narrowed slightly. “I am giving you a chance to recant your response. After all, I freed you from your enclosure in the condition that you will do as I ask.”

“You're fucking sick, you know that?” You backed away as much as the balcony railing allowed you to. “I'd rather rot in that glass cage than sleep with you. No way.”

Morpheus just scoffed at you, his hands unfurling to his side. “Pride. I once recall being held captive in a prison not unlike yours. I could've been freed much sooner had I not been proud.”

Your eyes slowly widened as you observed fine grains of sand trailing upwards to his curled fingers. You’ve learned to fear his sand over time. It was a source of his immense power, and judging by the way he melted your glass cage that morning into sand with a single wave of his hand, he was more than ready to create another he could put you into. But, amidst the growing terror in you as his power, something else he said caught your attention.

“You, however, are human, and I, an Endless. Would you last a hundred years like I did?” he asked, his eyes flashing silver in contrast with the last dying embers of the sun.

Your captor was once captured for a century. But who would do such a thing to him? Was this why, even as an otherworldly being, he was so messed up and acting like he is?

“You…you were imprisoned,” you said in a hushed tone, suddenly finding yourself unable to meet his eyes. “And for that long? Ho-how did you get out? Why would anyone do that? How does that happen to…someone like you? I mean no offence, I’m just…uh…”

“Being compassionate.”

It was the gentlest tone you’ve ever heard from Morpheus since after your rejection of him. Glancing up at him, you were surprised how soft his facial features had become. Despite the circumstance, you were mesmerised by the way his eyes glistened in blue and all the stars it held. His hands relaxed and the sand gradually receded until it faded to nothing. Could you perhaps persuade him to have a change of heart?

“You are concerned for me,” he said. "It is an admirable trait you cannot help but display, even in duress. Your heart is good. All the more reason for me to possess it."  His tone shifted, and in a split second, the galaxies in his eyes vanished, consumed by the pitch-black abyss that could destroy anything in its path. "My human captors paid a hefty price for their transgressions against me. I do not wish the same on you." 

It was then you knew that whatever happened to him in his capture, there was no saving him from it, there was no change possible in him. There was no hope for you.

“I have, not once, ‘transgressed’ against you, and you know it, you fucking cu-”

“And yet, here you are,” he interrupted through gritted teeth, “Refusing me the only thing I have dared to want since your kind has wronged me.”

“Then why would you want anything to do with me, if 'my kind' offends you that much?” you spat back.

He paused at words as if contemplating them. You could tell by the way his expression faltered a little that they had an effect on him. He turned away from you to stare into the skyline, now void of the warm sun you were starting to miss.

“Those who trapped me sought those which do not belong to them. Their actions caused the collapse of the Dreaming.” He eyed you sideways, and continued, “Your actions on that fateful day of our meeting, however, led me to a better understanding of my responsibilities to my realm. Do not associate yourself with their sins.”

It took him only a few steps to finally close the distance between you. He was barely a few inches away from you now, no longer able to hide the look of longing in his eyes. He dipped his head so close to yours you could feel his breath fan your cheeks, and if you leaned any further against the balcony railing, you risked falling over.

“I see you as you are, so pure and selfless, someone who has so little, yet deserves everything she dreams of. I can give you that, and more, my precious little saviour. You need only say the word.”

But you saw him as he was, too: he was a monster; your abductor and tormentor, and you, a mere human, meant to be kept in a cage in this sick game only he knew how to play. You’d never give him the satisfaction.

“No.”

“'No?’ I suggest you reconsider.”

“Alright, give me a moment.” You followed that with a short pause, crossing your arms, then continued, “There, I've thought of it. Still no. Put me back in my cage, lock me up for ten, twenty, fifty, years – hell, make it a hundred so we're even, I’d be dead by then – I don't care. I am not sleeping with you.”

You matched his reproachful and hurt look with an unyielding expression, bracing yourself for the consequences of your words. He withdrew from you with a slight curl of lips, and the sand that had once receded whirled itself around the both of you.

“Have it your way.”

As you closed your eyes, the floor beneath your feet shifted, and you were lifted to your feet momentarily before setting you back down on a cold, uneven surface. When you felt the sand around you disappear, your eyes were greeted by the familiar sight of a spherical glass enclosure. You placed a palm on the clammy surface and moved closer so you could better see where he had brought you.

It was an enormous chamber, more opulent than anything you’ve ever been in the entire day, yet somehow emptier, darker, more foreboding. Right in the middle of the expanse was a massive four-poster bed covered in midnight, silky sheets. In the dark, you could barely make out a symbol carved on the headboard: a helmet of some sort, akin to a gasmask, with an odd spinal vertebrae sticking out at the end of it. This wasn’t the artificial space he had constructed – it was his room. 

He brought you to his room so he could watch you perish.

“Judging by your expression, you already know where you are.”

The ruler of nightmares stepped out of the shadows to reveal himself. He strode with dawdling steps closer to your cage with arms behind his back and stopped only a few inches away from your glass prison.

“You have no idea how displeased I am with your actions today, my little saviour,” he spoke, slowly placing his hand on the glass directly over your palm. “You shall be punished as I see fit. Death will not come for you. You are mine for eternity.”

You shivered, but not from the cold, as he withdrew his hand from the glass and turned around, presumably to leave.

Morpheus turned his head to the side and said with a final tone, “Should you seek my forgiveness, you need only call upon me and say the word.”

The King of Nightmares then left for good, his long cloak billowing behind him, leaving only the resounding bang of the giant double doors as they closed. Left entirely to yourself, you had only one thought as you curled in a ball inside your prison:

You weren’t going to last much longer.

***

The first few days trapped in your sphere inside his room had its ups and downs.

On a positive note, you were no longer floating in artificial space and can now tell between night and day by the light streaming from his tall windows and perpetually open balcony. On the other hand, you now had company night after night, in the form of a nightmare personified, with his eyes glowing in the dark as it focused only on you. Although he’d occasionally leave, presumably to attend to his duties as a king, he always came back, sat on his royal, high-backed chair, and observed you, without a word, in captivity. It was deeply unsettling. Both of you had not spoken since, but there was no need to. 

By your seventh day stuck in your glass cage, you woke up to a different sight: he had taken you to his throne room. The sphere was floating just a few inches from the ground at the foot of the pristine stairs leading to his throne. Your increasingly pale pallor looked terribly out-of-place in a hall surrounded with colourful glass panels that seemed to shift its display of images, plus the enchanted ceiling made to look like the night sky. You looked around to see where he was, but he was absent. He may have gone off to wherever the hell his attention was called for.

But it didn't take long for you to have company. Out of the corner of your eye, you saw that one of the massive double doors to the hall had opened. Thankfully, it wasn't him you saw. It was a tall, bald woman with pointy ears, wearing a fine-looking suit taking long strides towards you with an alarmed expression, mouthing something you couldn't hear.

Maybe she could free you!

Getting up and kneeling on the curved glass, you rapped the glass with your knuckles with urgency and for the first time in seven days, you spoke, "Help! Help me, please!"

The woman crouched down to touch the glass and said something, but you couldn't really concentrate on reading lips now, given how stressed you were getting. Was she mute? Maybe she didn't hear you the first time. You shouted, "Please, let me out! Help me!"

But then she motioned to her ears, and then mouthed, slowly this time, so you could read what she was saying through her lips:

'I can't hear you.'

"Lucienne."

Your heart jumped at the suddenness of the Nightmare King's voice booming inside the hall. You could hear him just fine. What the fuck was going on?

"There is no point engaging her in a conversation, Lucienne. She can only hear my voice, and only I can hear her. That is her punishment. I suggest you leave her be the next time you see her."

Morpheus appeared in your line of vision, locking his cold, pitiless eyes on your wide, bewildered ones. Turning to the woman named Lucienne, who got to her feet and bowed slightly to him, he said, "There is a new island that emerged northwest of the Land of Unfinished Inventions. Have someone survey the island and list its inhabitants. I shall be at the library to fetch the report by sundown."

Whatever Lucienne replied was to anybody's guess. With a final bow and a sympathetic look at your direction, she exited the throne room and left you alone with him. He gave you a searing look just before he climbed the stairs to his throne, fluffed his long black coat and settled down on his royal seat. You shot back a reproachful glare before turning your back to him, hugging your knees and completely ignoring him.

Several more of his subjects dropped by that morning, presumably to seek his counsel. A raven even tried to peck on your glass cage, but Morpheus, who called the raven Matthew, basically told him to ignore you, then sent him away. He spoke to all them with an authoritative tone, but by then you had learned how to block him out so you never really understood the conversations. Anyone who approached his throne had a clear view of you, displayed like a prize won from the spoils of war. Everyone ogled at you, some even gave looks of pity, but there wasn’t anything they could’ve done in the presence of their ruler. You had never been so embarrassed in your life, but you tried ignoring these looks as best you can, seeing as your captor had planned this so he could break you and force you to do his bidding. By midday, the slew of Dreaming subjects seeking their king’s presence had waned, and once again, you were left alone with him in total silence.

He broke the silence blanketing the throne room by calling your name. You heard it loud and clear, but his call was completely and deliberately ignored. He decided to call your name once more, this time with a tone of slight warning.

You gingerly sat up to see him standing before your cage, his hands behind his back and looking down at you with a disapproving look.

“Shall I take your voice away, as well, seeing as you refuse to use it in my presence?”

“Go to hell,” you replied flatly as you met his stare head on. It was getting exhausting, trying to put on a brave face, especially after he just threatened to take away your ability to speak, but you did so anyway.

“I have been there, my beloved,” he said with a slightly amused tone. “That does not insult me.”

Great, why couldn’t he have just stayed there?

“Frankly, I don’t care where you’ve been.”

His smirk only grew wider, and he started circling your cage at a leisurely pace. "Oh, but you'd care where I am going."

Why would I, you thought to yourself, and you couldn't help but raise a curious eyebrow.

"I will be at the library."

Part of you knew he was baiting you, but at that point, it couldn't hurt hearing him out, would it? Truth be told, you were dying for anything to do. Anything.

So you asked, "You have a library?" You recognized the flash of victory on his face.

"I do," he replied, crouching down on his knees to better look at you. "It contains everything humanity has ever written, including those that it has yet to finish. There is none like it across all the realms in the universe."

A library. The last time you had been to a library was about three months ago (if your calculation of your time spent in his realm was correct) and it was because of work. You hadn't had a time to even enjoy the place, and given that it'll be a long time before you even go back there (if he'd even let you), you now regretted not checking out a few books you had meant to borrow.

"I am aware you are partial to Mary Wollstonecraft. There is but one novel of hers she left unfinished when she passed."

Of course. The Wrongs of Woman.

"It lies in my library, completed, and it awaits you," he goaded on with that infuriatingly smug expression. "You only have to say the word."

As tempting as it was, you knew that by agreeing with his proposal, you would be giving away any remaining dignity you had left. Between a book and your autonomy, it was an easy choice. You withdrew as far back as you could in your cage and shook your head once.

"I can't."

Morpheus seemed genuinely taken aback by your resistance. "You would keep yourself from reading your favourite author's work in favour of refusing me?" He asked incredulously.

"I don't want it," you whispered, trying to keep your voice from breaking. "Just leave me alone. Please."

Your captor clenched his jaw and fists and said nothing, but guessing from how his knuckles turned white, he was furious. You couldn't care less if he was, though. Maybe you'd make him angry enough to kill you instead – that way, you wouldn't have to put up with all this anymore.

You hugged your knees, buried your face in them, and finally started to cry.

***

It stung. Your words actually felt like a whiplash to Morpheus's heart. He was seething, true, but everyday without you in his arms wounded him further, it was getting more strenuous for him to reel in his frustration without further taking it out on you. Your heart was farther out of reach than ever before, and nothing he could offer you seemed to work.

And then, he heard you sob, just as he was leaving to blow off steam and attend to his kingdom. It pained him to leave you in such a broken state, but you left him no choice. He had to keep you there until you saw your error. He knew the moment you said the words, he would take you in his arms and give you all the stars in the universe, should you ask him.

But even when he had finished all the work he had intended to do, even when he had already obtained the report he had asked Lucienne to make, that piteous weep plagued his mind. In all the days he's had you inside your glass enclosure, he had never heard you cry like so. He was always aware of your inner strength – your display of backbone in your imprisonment was nothing short of admirable. But you were wasting away the longer you resisted him, and he could not have that.

Despite all these conflicting emotions stirring up a storm inside him, what he desperately needed was to just spend precious time with you, to feel your soft touch, and to have you fall asleep in his arms as he read you poetry from a long-forgotten era…

The last thought brought forth a rather inspiring notion. He had distractedly drifted to the bookshelf that held the book he had taunted you with that morning. He hated having to deprive you of reading the book he thought you'd adore, but perhaps he could make a compromise.

He pulled the book out of the shelf without wasting time, and willed himself inside your cramped glass cage. You were asleep, it seemed, as far back as you could, with your head resting uncomfortably on the glass. There was not much space so he had to be careful and sat with his legs crossed. As he did, however, you had chosen to shift in your sleep and your hand had hit his leg lightly, stirring you awake. Even with your tear-stained cheeks, he found it adorable how you blearily rubbed your eyes to better focus on what exactly you had accidentally touched.

The sun had long since set, so Morpheus used his sand to transport the entire glass enclosure to his bedroom. This was an intimate moment he felt should remain away from prying eyes. Once the sand had cleared, he softly said your name out loud. His voice instantly jolted you alert, your eyes growing wide, and he knew that if you had room you would get as far away from him as you could. He was quite thankful he had created such a constricted space.

"What are you doing here?" You asked. Your voice sounded strained, probably from crying, and your eyes were red and puffy. He hated how you looked so forlorn, he had to stop himself from taking you in his arms, whisking you to his bed and kissing all your troubles away. He had to remind himself that there would be a time for that once you had ultimately, utterly surrendered to him. He had to concentrate, not on your supple, slightly trembling lips, but on what he truly came here for.

"I have in my hand the book I have told you about." He held the book up so you could better see it and know he was not trying to trick you. He saw your eyes light up momentarily at the sight of the tome, and that delighted him immensely. It had been a while since he had seen your light. He needed more of it.

"I would like to read it to you."

Your innocently confused expression was nothing but endearing. "I can just read it myself," you said.

"And you shall – once you have accepted my terms. Until then, you will have to get used to my story-telling," he countered, slightly teasing you. Morpheus had been told many times how alluring his voice was. Perhaps it would have the same effect on you. You seemed to weigh your options and tried detecting deception from him. He was starting to lose hope that you didn't want him with you, so he was relieved when you finally nodded.

Morpheus had almost forgotten how to smile after your refusal at his balcony, but the one he showed you was genuine, nonetheless.

You were quiet the entire time he read from the book, but the way you were so focused on him and hung onto every word made his heart flutter. He was halfway through one chapter when you started to shift just a little bit closer to him, your head leaning on the glass as you took to his storytelling. Just as he reached the end of the chapter, your eyes were already trying to stave off sleep and your head was falling to the side, but the limited space in the glass sphere he already occupied prevented you from laying down.

Momentarily pausing his reading, he said, "You can rest your head here, if you'd like." He tapped his thigh lightly, urging you to use it as a pillow. He knew how uncomfortable it was to lie on cold glass, and you had not slept on a proper bed since your arrival to his realm. If he had his way, he lamented, he'd have you in his arms and on his bed, the both of you stripped of all your clothing, yet draped in the most luxurious silk sheets his kingdom could offer. He hoped you would accept his invitation of resting on his lap just so he could have your bodies touch again, to feel your warmth, to be connected with you in any way once more. To his absolute delight, you did, and he happily continued to read from the book until he heard your deep, rhythmic breathing.

You had fallen asleep on his lap.

It was nothing compared to the kiss he had shared with you in your home, of course, but it was enough for Morpheus to cry a small victory: you had trusted him enough to fall asleep with him, on him, in his presence. He smiled to himself, sighing minutely, as his fingers traced your exposed cheek with a longing even he could not describe. He hardly dared move in fear of waking you up and you recoiling at your closeness, so he found contentment in stroking your hair with all the gentleness he could muster.

There, in the glass amidst the stillness provided by your hushed breathing, he resolved to be more patient: if this was how being with you made him feel, then it would be worth the wait.

***

The sun was streaming through your eyelids when you came to, but you didn't want to wake up just yet. You just had the best, albeit dreamless, sleep you've ever had in a long while, owing to that pillow your head had been resting on. You were hoping you'd be able to squeeze in five more minutes, until it struck you:

You never had a pillow in your glass prison.

Your eyes immediately shot open, greeted by a multitude of swirling galaxies that seem to float in deep blue waters. You just slept on the lap of Dream of the Endless, him and that soft, radiant smile and those long, fluttering eyelashes. You knew that stare perfectly well even when you haven't been at the receiving end of until now: it was the gaze of a lover.

He was anything but.

"Good morning, my precious little saviour."

You sat up at once, trying to assure yourself you couldn't have slept anywhere else due to the limited amount of space in the glass cage. Nevertheless, you automatically muttered an apology under your breath for falling asleep on him.

"My love, there is nothing to apologise for," he said gently as he watched you pull your legs close to your chest. "It must have caused you great discomfort to have been sleeping on such an unfriendly surface for so long."

And whose fault is that? You thought wryly. Your eyes landed on the book he had propped against the glass. The book he had been reading to you just before you fell asleep. This didn't escape his ever-observant eyes.

"Should you like to continue where we left off, I am willing to relinquish the book…release you from this glass sphere, let you peruse other books in my library..."

He picked up the book and waved it lightly in front of him.

"For a price, of course."

Ah, there it was. He wouldn't be offering you anything for free at this stage, Hell would freeze over first (which is apparently a place that actually exists). He drew closer to you, his hands leaning against the glass on both your sides to trap you.

"Kiss me, my beloved," he whispered. Thankfully you still had your knees to your chest or your noses would've already touched. His heavy gaze focused on nothing but your lips, he continued, "Grant me a kiss, and I shall allow you unfettered access to a library like no other."

You calculated your options. While you were grateful he hadn't asked you to sleep with him, a kiss was still a form of contact with a being keeping you against your will you'd much rather have nothing at all to do with. Still, you couldn't help but look at his slightly parted lips, and a memory of you kissing them in your home surfaced. Had it really been that long ago? It wasn't bad, if you tried being objective. Plus, you'd finally have something to do outside your sphere. It's just a kiss, nothing more.

You gave him a single nod.

Delight washed over your captor's features as he touched your knees lightly, urging you to lower them and allow him to get closer. You could feel your skin tingling where he touched them, but that was soon forgotten the moment you shifted to a more relaxed pose. Without an ounce of hesitation, he cupped your face and pressed his lips on yours.

Reluctant as you were, he didn't seem to mind, for he gripped the back of your neck and changed his angle, his tongue prying your mouth open. Within seconds, his tongue danced with yours, and you were struggling to keep up. His other hand gripped your waist and pulled you closer to him as he bit your lower lip gently, and the surprised gasp you let out only made him deepen the kiss. An eternity seemed to pass before his lips withdrew from yours, but to your horror, he started caressing your jaw, dipping lower into your neck and suckling your skin. You placed a hand on his chest and tapped.

Breathless, you said, "Don't…please, you said it was just a kiss – "

You felt a rumble from his chest, and he harshly yanked your wrist away, effectively cutting off any complaint you had.

"The kiss will be over when I say so," he growled against your ear, before nipping on your earlobe and planting open-mouthed kisses on your neck once more.

Dear heavens, his mouth scorched your skin, and you knew the way he sucked on it would leave bruises. You wanted to break free from his death grip and scream, but you took his thumb placed on your pulse point as a warning, so instead you gripped his coat and closed your eyes tight with a whimper. You felt his teeth scrape your collarbone before he pulled the neckline of your dress so he could bite down on your shoulder.

Just as you were about to cry, Dream pulled away, gave you one last peck on the lips, and nudged your chin a little. When you opened your eyes at last, you found yourself sitting on the floor of his room and the glass you had been encased in nowhere in sight. He helped you to your feet with his arm still around your body.

"I will have an attendant help you with your preparations," he said as he let go. "You will meet me at the dining hall."

The kiss he left you with on your forehead did not help your shaking and the shame you felt at what you just did for this little bit of freedom.

***

Morpheus said you needed to meet him in the dining hall, which meant fuck-all because you had absolutely no clue where it was. His palace was an elaborate maze of rooms and galleries, hallways and staircases, and the occasional dreamer wandering around, lost just like you were. You tried asking one of them where it was, but the response you got didn't make sense at all (to them it probably did, as dreams often were; when they wake up from it, not so much).

A loud crash and a string of curses interrupted your musing, so you followed the sound, and after two right turns and a left, you found a woman at the end of the hallway kneeling on the floor, fussing over a broken dish and the spilled contents it once held. You were on her side at once, picking up the broken ceramic as carefully as you could.

"Oh, this is so embarrassing," the woman whined, fishing out a cloth to wipe the mess off the floor as best she could. "I'm sorry you had to see this, I'm not normally this clumsy…"

"It's okay, I'm happy to help," you brushed her off as you began picking up the smaller bits and piling them on a corner. "Besides, I'm kind of lost, maybe after we clear this up, you can help me find the way to the dining hall?"

You looked at her expectantly, but she had already paused at cleaning the mess in favour of ogling at you.

"I know you, " She exclaimed. "You're the girl he put in the glass cage!"

Distracted by her reaction, you let out a soft, pained gasp; a tiny piece of the ceramic had pricked your finger.

"If you don't mind my asking, are you alright?" The woman asked hesitantly with a concerned expression.

You nodded. "It's just a nick, I'll be fine."

"No, I don't mean your finger, dear," she whispered as she drew closer to you. "How did you end up on his bad side?"

"Oh." The question had taken you aback, but you weren't sure how to respond. Maybe if she knew the truth, she could help? "I didn't –"

A firm call for your name made you freeze midspeech. It was Dream, striding purposefully to where you were. It was clear with his expression that he wasn't happy.

"You were to meet me at the dining hall. What kept you?" he questioned as soon as he reached you.

"I got lost," you defended as you got up to your feet. Not wanting to upset him any further, you tried to hide your bleeding finger behind your back, but it was too late; he grabbed your wrist and brought it to his view. If he was unhappy then, he became furious in an instant.

"What have you done to yourself?" He asked through gritted teeth, his grip on your hand tightening, his eyes blazing and demanding answers.

Your heart was beating wildly as you tried to explain, "N-nothing, it-it was just – "

"My Lord, if I may."

The woman you just met interrupted and stood calmly even under the scrutiny of her ill-tempered king. That took courage, which you found yourself being drained of every single day with him.

"I tripped over myself and made a mess of this dish I was supposed to bring to the dining hall," she began. "The good lady, seeing my distress, temporarily abandoned her search for her destination and only tried to assist me, injuring herself in the process."

Morpheus turned to you, his features softening a little. "Is this true, my beloved?"

All you could do was give him a shaky nod. You felt relieved when his anger visibly dissipated and his grip on you softened, his expression turning apologetic. Without looking at the woman, he ordered her to fetch someone named Mervyn to clean the spill on the floor, to which she simply bowed and left.

"Then, there is no excuse for my harshness," he said, before bringing your injured finger to his lips. The cut healed itself in a matter of seconds, much to your astonishment. "I should be grateful that you were willing to put yourself in harm's way to help my palace staff."

He went further by placing your palm on his cheek and then kissing it, his stare darkening as he did. You fought that nagging urge to yank your hand away, fearing that his anger might resurface.

"I could not have chosen better."

You averted that increasingly heated gaze of his, but it was too late to avoid the other thing you had been dreading: he pulled you by the hand to him for a kiss on your lips.

Dream pinned you in place with a firm grip on your waist and another behind your back, which then travelled to the back of your neck. Struggling was futile, so you did your best to hold it all in as he suckled your lower lip and drew in all your gasps, leaving you close to suffocating, just like the way he spirited you away. With every motion you allowed his tongue on your mouth, he syphoned away whatever self-respect you had left.

Will he leave you with anything?

It didn't take long before a sob began to form at the back of your throat. Perhaps he heard it, or felt it, for he let go with much reluctance. Instead, he settled with bringing your foreheads together while you composed yourself. It wouldn't do you much good if you suddenly lost your mind right in front of him, right?

"Have I told you how much I am in awe of your beauty, my love?" He whispered against your lips. "You prove to me time and again that your heart is just as beautiful, if not more so."

You offered no words while he stroked your cheek with his forefinger and he placed his lips over your ear.

"As such, I will prove to you just how much it belongs to me."

He will take everything from you, even after you have nothing left. *****************************

Thank you for reading!!!! Please engage and all that. it's really appreciated :)

Part 3 in the works and will contain smutSMUTSMUT---

Promises 1: Introduction

Dark!Morpheus x (female)reader, fantasy/medieval AU, 18+

Dream of the Endless has been promised a bride.

This is in a different style than the rest of the story, so it gets its own post. Brace for all the yummy, darker tropes, bards' shenanigans, and eventual smut. Hoping to post updates quickly (like every other day) between all my other projects, and your support means the world!

Introduction

The king of Meiren found himself as part of a tale. Unfortunate for him. Amusing for Dream of the Endless.

Ten years past, the king summoned him to beg a favor.

“I’ve been dreaming of the most beautiful woman.” Obsession flamed in the mortal’s eyes, brighter than the reflection of the single candle stood between them. “I’ve searched, but I fear she is not of this realm, and I will not take any other as queen.”

The king’s distress smelled of Desire’s work, some perfumed horror to break a nation over brief carnal pleasures. Or perhaps a faerie game, wicked and senseless beyond a moment’s amusement. Passing, paltry things that may become histories and novels in his library, but no business of his. He would not have helped if not for what the king offered in return.

“If you help me find this woman and take her to wife, I will return an equal boon.”

He spoke earnestly, but Dream turned away his desperation with a smirk and a slow shake of his head. “What boon might you offer one such as I? I have no need of your gold, your land, or your kingly permissions.”

The next words began the story and sealed the little king’s fate.

“A bride of your own. I would gather the fairest, brightest, noblest from my kingdom from which you might choose.”

Vague amusement soured into offense, and his smirk twisted into a sneer. He dared? Truly?

Dream peered down his nose at the man. What could this hungry dreamer know of love? “Tell me, then, what creature in your kingdom might be my equal when none are good enough even to be your consort?”

The king had no good answers, only selfish dreams and childish demands. Groveling, he asked, “Will you not help me, then?”

But it was too late, and Dream was invested in this fool’s demise. After all, finding the woman of his dreams would not make him happy. Morpheus was certain of that. And the king would fail to keep his end of the bargain. He was certain of that, too. It wasn’t the first time he’d become a character in a tale, and he wanted justice for the scratches on his withered heart, for all they were left unknowingly.

One who dared offer the impossible to an Endless should reap their worthy prizes.

“I will help you.”

The king opened his mouth to thank him, but Dream hadn’t finished.

“I will come at a time of my choosing, and you will assemble those promised. If I do not find one that pleases me, I will take recourse in any manner I please.”

He didn’t even leave the king the promise of fair or equal retribution. When he was disappointed, he would please to be merciless indeed. But the king was a fool and did not listen well. He accepted. Eagerly.

The king had his bride – a faerie who he wed, bed, and conceived an heir upon. But on the child’s seventh birthday, he and his mother both disappeared on a ride through the morning fog. Brokenhearted, he could not bring himself to marry again, and he spent more time pitying his fate than managing his lands. He wasted his youth, his love, and his legacy for a dream.

And now it was the king’s turn to make good on his promise.

The invitations were sent, summoning the young, the talented, and the beautiful to court. The castle staff prepared to host the horde of eligibles and the Endless the king hoped to please for seven days, at the end of which the King of Dreams would make his choice or exact his vengeance.

Crimson Stained Petals (Ch. 2)

Summary: Set in the 1880s, rumors and mysteries swirled around a quaint town, mostly about a lord tucked far into the woods. Arriving in town, you could not deny your curiosities, but you were not here to stay. Or so you thought. Low on funds, and a job for a live-in servant advertised in the paper, you now found yourself in the home of Lord Morpheus - the source of all rumors. Passions and tensions will grow. Questions will be answered, but may come at a hefty price. And a promise may be broken. But, is Lord Morpheus, and those few residents, truly as scary as they seem?

Words Count: ~3.4k

Reader: Neutral (unspecified now, however fem leaning)

Warnings: Minor angst (hints of Morpheus’s past), mutual pinning, some fluff, hints of bloodlust

Chapter 1 and future chapters to come!

After a week of working in the manor, you quickly found routine in your new life. It was far easier than anticipated, although somewhat tiring at points. And despite exploring the manor, you still tended to become lost or forgetful where certain rooms were. It was massive to say the least, but you adored the architecture, the different colors and styles of each room, and the obvious love - even if slightly dusty due to negligence - poured into it. Two rooms in particular captured your interest and attention: the upstairs library, and the sunroom.

The sunroom was magical. The glass - a soft sea green - dome roof sparkled in any and all lighting. On sunny days, it was as if the heavens rained down on this secret cove. Plants of all colors and variety outlined the room from vibrant dark green ferns - nearly an envious green - to signature staple of the manor’s passionate red roses as well as strong and proud sunflowers, delicate lilacs, and the intricate petals of the blushing pink carnations. Fern leaves as large as dinner plates bent towards the doorways like curtains. You could not help but imagine you were an explorer traversing the jungle as you entered.

In the center, a couch, two chairs, and a table were set out. However, there was a very obvious empty space for furniture to be pushed aside. The true beauty of the room was it could double as a ballroom if needed. You could see where a musician could sit, you could imagine a dozen people dancing in unison, you could feel the air crackle with potential energy. When you walked the pristine tile floor sang with every step of your shoe, heels clacked and echoed like a chorus; imagining a group of people in here, and oh how the room would harmonize.

The library, on the other hand, was quaint and far less grandiose compared to the sunroom. Yet, it held its own type of magic, one of comfort and warmth. It was draped in rich dark browns, glowing oranges of the sun and lanterns, and overall warm tones. The walls had built-in shelves and overflowed with books. A single thin window with a nook to sit and read by sunlight was nestled between two shelves. Two long wooden tables with chairs were placed in the room, almost more of studying than reading comfortably.

The air in the library was calmer, and gentle like an escape, or a brief pause on life. If you strolled over to the collection of books, most were published from Morpheus’s company ‘The Dreamer’s Palace’. Which wasn’t too surprising, but the library held many other books from the popular to the unknown. Every genre filled the shelves: drama, contemporary, romance, horror, fantasy, mystery, nonfiction, mythology, and poetry. You had worlds at your fingertips and each of them called to you.

When you had time, you would eventually borrow a book, with Morpheus’s permission of course. Maybe you could take the book and lounge in the sunroom, now that sounded like a lovely idea.

However, you supposed there was another place besides the sunroom and library to entertain you and your thoughts. You desperately wished to explore the ground, especially the maze. The rose maze enthralled you. The hedges must be ten feet tall, barring all from sneaking a single glance in. The full, perfect lush red roses filled the hedges and dazzled in the sunlight while somehow seemingly glowed in the moonlight. With the moon above, they tempted you like some Greek tragedy. The maze was your labyrinth. Maybe a monster lurked among the roses, maybe you would become lost and lose your sense of self, or maybe it was simply just a maze.

One day.

One day, you would run freely through the hedges and happily lose yourself amongst them.

Late in the morning, Morpheus had requested some tea. If it wasn’t in the morning after what you expected a long night, then he requested afternoon tea for one last boost to finish the day. Light seemed to always shine under the crack of his door. His footsteps creaked along the home constantly even as you laid still in bed.

Maneuvering up the stairs, you carefully balanced a kettle and a tea cup with a saucer. Stepping onto the second floor, you immediately veered left. Morpheus’s study was the first door. You knocked, announcing yourself. His reply was muffled, but allowed you in.

Opening the door, Morpheus was hunched over his desk. Stacks of paper covered his desk, with his pen scratching away editing and making revision notes on a new manuscript. A dying fire crackled as embers burned a reddish orange hue casting the room in a radiating warmth. The curtains were opened showing off the dreary morning. Rain tapped against the window, adding to the ambiance.

You beelined for Morpheus. You efficiently, as possible, set up his tea in the small corner space free of papers. Morpheus - who had been watching not just since you walked in, but since you first arrived - wondered about something that had been bothering him for a few days. The scratching of his pen seized, and he glanced out of the corner of his eye. “May I ask you a question?”

You paused as you set up his tea. It was one of the few other times he addressed you, besides your first interaction and occasionally calling for tea. Shaking yourself out of your stupor, you poured his tea. “Of course, sir.”

He laid down his pen, and turned his head to address you. His eyes - an enchanting pale blue in such dim lighting - locked with yours. “You are not afraid of me.”

You stepped back from him, having finished your assigned task. The kettle left besides his cup if he wished to have more later. You folded your hands in front of you with the empty tray in your hands. His sentence tossed over and over in your head. You frowned slightly in thought, “That is not a question.”

The corner of his lips twitched upward. “You are correct, apologies. I suppose I was more inquiring about your opinion.”

“On what?”

“Myself, and said rumors that circulate the manor.”

You didn’t need time to think. Most people warned you of this place whether directly or indirectly. “The townspeople have their beliefs and I have mine.”

“So you have no care for the matter?”

“I can form my own opinions.” You cocked your head quizzically, “I’m sorry, but did Lucienne not inform you of my answer? She asked a similar question during the interview.”

“She did, but I wish to hear it from you especially given you have been staying with us for more than over a week now.” He twisted his body in his chair, facing you directly. He gave you his full undivided attention. “So what are your opinions? What do you think of the rumors?”

You paused, considering his question. “Do you want my honest opinion, sir?”

You had your opinions. Ones that had been slowly formulating since your arrival, ones that may be an unpleasant truth to hear.

“I do.” He saw the hesitation written plainly on your face. “You can be blunt.”

You nodded, and sighed releasing any tension. “If you wish -“ you cleared your throat - “the way I see it you revel in said rumors. You can easily dispel them by ingraining yourself more into society, but you don’t. You do the donations, you have the well liked bookshop, but you do not show your face. Either you isolate yourself to protect yourself, or because you believe you deserve it - deserve the isolation.”

Morpheus hummed, utterly fascinated by your answer. “Truly? And what do you think? Why would I sever my connection to society?”

Your eyes dragged up and down over his body - you were dissecting him. Morpheus noted how a change came over you. You were not a servant, head bowed, but an equal with a sharp eye. You were clever, far more clever than you let on. A mask had momentarily slipped. “Because you deserve it or so you believe.”

He nodded. You may have indulged a mere facet of his curiosity, but somehow stirred more within this one conversation. He turned back to his work, “Thank you for indulging me.”

“Is there anything else you need, sir?” You smiled, and your tone suggested a hint of teasing, “Any other of my opinions you wish to know?”

His smile was hidden from you. “No, thank you.”

“Of course.” You bowed and swiftly left.

“And do not feel frightened to share your honesty.” He spoke the next sentence softly, whispering, “I enjoy it.”

You paused at the door. A faint flutter hummed in your chest. “If you wish, sir.”

I do, he thought.

You turned your head, glancing back once more. He had returned to his work. Your mind thought back on the conversation, on Morpheus’s self imposed isolation. You opened your mouth, only to quickly close it and simply left. As the door softly clicked shut, Morpheus put his head into his hands.

A mortal.

A foolish mortal who had unknowingly walked into the lion’s den. His thirst rose when you walked by, and the smell of you now imbued his home. Before he remembered a time when his thirst could be quelled for months at a time, unbothered or unaffected by hunger. But now as you freely roamed his halls, he could barely go a few days without feeling its intense and paralyzing effects. The taste of human blood has not touched his lips in nearly a century.

Idiot, he thought. Why did I allow this?

“I believe it would do you some good sir,” Lucienne pressed. She had approached her lord, proposing to introduce a servant, more so a cleaning servant, into the manor. Or more accurately cornered him in his study.

Morpheus huffed under his breath. “Lucienne, I respect you and your opinions, however, this is ridiculous and out of the question.”

“Lord Morpheus, you need to try more or dare we have another fiasco such as the last manor.”

Ah, yes, how could he forget.

He had gotten complacent in his solitude. He kept to himself, and worked on new stories that continued to be sent in from all over. He only cared about his work, and nothing else.

No. That was incorrect.

No, he was purposely drowning himself in it; all to forget the painful heartache. No, he had not gotten complacent in solitude, he had gotten complacent in his endless grief. Let the people gossip, he bitterly thought. Let them believe in the monster. He did not care for his world were these dingy walls with the ghost roaming amongst them.

But, a strange man who lived on the outskirts of town stirred vile imaginations. After a decade and possibly longer of living - in what Morpheus ignorantly believed to be peace - the townspeople charged one night forcing everyone to flee.

He had to rebuild.

He had to remake himself in this new town. He had hoped his donations would soothe the townspeople, but mortals were weary of newcomers and indulged in their superstitions far too often.

Even if their intuitions were right most of the time.

A tap on the window broke Morpheus out of his thoughts, his memories. Through the haze of the night, a small black mass was perched on the window sill. Morpheus wordlessly strolled over and opened the window. A bird, a raven specifically, swooped in and landed on the desk.

“And what do I owe the pleasure, Matthew?” Morpheus asked, facing the raven.

The raven shuffled, his talons clacked against the wood. “Sorry to interrupt, boss, but Merv is asking for something for the pain again. He says his supply is almost out.”

Morpheus’s features softened, a miniscule change. “Okay, tell Merv I will send for more immediately.”

Matthew nodded, but he did not move.

“Is there something else you need?” Morpheus asked, raising his eyebrow.

Matthew sighed, sinking a bit. “I may or may not have been listening to yours and Lucienne’s conversation.”

Morpheus’s lips thinned, not angered Matthew was listening - it was nothing new - but because he knew Matthew would side with Lucienne. “And what do you think of the matter then?”

“Well,” he drawled out, “I have been visiting the town a bit, and some of the people have begun to talk and they’re not too … happy.”

Morpheus barely contained his eye roll. “I have done all I can to appease them, if they want to make speculations then let them. I don’t harm them in any capacity.”

It was true. His diet these days consisted solely of animals.

“Maybe an appearance at the bookshop then,” Lucienne suggested. “But, I still urge you to hire someone. If others see someone unharmed in your care then it would lessen the problem.”

“I will not bring a stranger into my home just so mortals can stop gossiping.”

“If not for you then for us, for the manor. We already had to run once.”

Morpheus frowned.

Lucienne cautiously stepped forward. “You opened your door to me - for Mervyn, and Matthew - you brought in a stranger once before.”

“That was different. This will be a mortal, Lucienne.”

“And do you not trust yourself, or do you not want a repeat?”

Morpheus’s shoulders tensed. An intense, chilling, glare settled into his eyes. His eyes glowed ominously like a feral animal. “Lucienne, I will ask you once to not bring that up again.”

Lucienne stepped back, but did not look away. She held her ground in a way. “Apologies, sir, but I do not want to find a new place so soon.”

Matthew chirped up, disliking the heavy tension in the room. He flapped his wings to turn all the attention onto him. “And it would be nice for you, boss. The manor has been gathering dust, so it would be good for all of us, right?”

Morpheus closed his eyes then exhaled slowly. Opening his eyes, they had returned to a normal shade. “Fine.”

“What?” Matthew muttered, stunned.

“Bring someone in, do what you must.” He turned his back. “If we can survive another decade here peacefully then do so. I don’t want to start again so quickly.”

“Of course, sir, thank you.” Lucienne bowed her head and left as Matthew swooped after her.

Look at all the good it has done, Morpheus thought.

Morpheus was confined to these walls with you lurking around. You were haunting him, and you reminded him of -

He shook away those memories. He had a new ghost in his home and he had to deal with this unfortunate reality. This wasn’t about him, this was about Lucienne, Matthew, and Mervyn. They were lucky last time to escape before the home burned, but luck always ran out. If people discovered the truth, if they came in the night unheard, he couldn’t forgive himself for anything that would happen to his friends - his family.

This was his family unlike the one born from blood.

Meanwhile as you strolled away from Morpheus’s study, your thoughts were tangled together. He was odd. Polite, yes. But, odd. He created a wedge between him and most; a wedge you clearly saw. In the short time you were living here, it was becoming obvious who Lord Morpheus was: a tortured soul. But, why? What drove him to this state? If you were to continue to live here, you would find out.

Curiosity was powerful, and you had your reasonings to do so.

Taking the tray to the kitchen, you once again passed by another oddity in the manor: the plain wooden door under the stairs. Earlier in your adventures of the manor, you tried to open it to no avail.

“I wouldn’t keep trying if I were you.” You whirled around - panicked you had been caught - and thankfully only saw Lucienne. She smiled, a joking smile, at your reaction. Her eyes darted to the lock door. “It leads to the basement where the plumbing goes.”

You frowned, disappointed.

“Sorry, I know it’s not as wondrous as you might think.” She strolled forwards, eyes kept on the door. “But I assure you, it’s not pleasant down there. It’s damp and dark with old pipes.”

Her eyes flickered over, locking with yours. She peered over her glasses to ensure she looked at you directly. ‘Don’t’ was all her eyes said.

“I suppose the wonders of plumping is something I’m not too keen about,” you chuckled lightly.

Her smile softened, and laughed along with you. “No, I don’t think most are. Now, if you excuse me, I was going to get a drink.”

She skirted by you towards the kitchen. Once, she was down the hall and out of sight, your eyes swiveled back to the door. Only one thought ran through your mind: she’s lying. You pressed your hand to the door. In your chest, deep within your bones, something hummed on the other side.

Stepping back, you searched and no one was around. If not today, but one day you will see what was behind that door. A voice told you to be cautious in your curiosity, but to also not let it die out. Trust your gut. And your gut needed the door to be opened to reveal all its secrets.

You paused, running your hand over the grain of the wood. The hum still called out. Similar to how you swore to uncover the secrets of a Morpheus, this door fell under it as well. This manor reeked of secrets and lies. It did not frightened you, not in the least. It compelled you. And the rumors only spurred your thirst for knowledge.

But, today was not the day. All of this required a touch of patience.

A skill you honed over the years.

Brushing past, you made your way into the kitchen dropping off the tray. Glancing out the window, the late rainy morning reminded you of all the hours you still had left in the day. You sighed.

Now, what should I do?

The rest of the day you decided to busy yourself with cleaning the kitchen. Most of the appliances were new, and strangely did not seem to be used as frequently since some dust had collected on them, much like the rest of the manor. You scrubbed the cabinets and the floor, cleaned dishes and silverware, and threw away any rotted food - which was surpassingly little. The kitchen nearly sparkled by the end of your work, and luckily the day had passed between all of it.

You retired for the night and drew a well deserved and needed bath. You soaked for almost an hour, letting your skin prune and your thoughts wander: thoughts of the manor, thoughts of Lucienne, thoughts of the mysterious gardener, thoughts of Morpheus, and thoughts of your past and life now.

You sighed, sinking into the water until it barely touched your nose.

Here was a new start with new promises while the past still loomed heavily over your shoulders. No, you truly couldn’t start anew until the past was settled. You knew this, and you were constantly reminded of it.

With the water now cold, you decided to get out. You dried off and pulled on your night clothes. Shuffling out of the bathroom, you passed the writing desk.

You paused.

Changing direction from your cozy bed, you veered to the desk. You needed to write a letter, one you had forgotten - and may have purposely neglected - to write. You plopped down into the creaky wooden chair and began to write a letter. Amongst your initial search of the desk, you were surprised, and thankful, to find paper and ink already inside the drawer.

You had an old promise to keep.

You pulled out a paper and addressed it to your uncle. An uncle who raised you and taught you many things. An uncle who you spoke exclusively in letters since leaving his home nearly over a decade ago. You loved him dearly, and hoped maybe one day after your journey of self discovery, and possibly after truly settling down, you would visit him again.

Under a candlelight, you wrote about the past week. You spoke of your new job, your new lord, and the others who lived here - even if you spoke only to one. You spoke how this job could be the one, the one to change your life. You told him he was still always in your thoughts, and wondered how he was doing since his new retired life per his last letter. You smiled down at the letter, and signed it. You neatly folded it, and tucked it into an envelope to send at the earliest convenience.

Maybe Lucienne could take it to the post office for you, or maybe you’ll make a visit into town.

The decision will come later, for now you need to sleep.

One such soul is sometimes worth a whole constellation.

- Fyodor Dostoevsky

THROUGH A RAPIST’S EYES” (PLS TAKE TIME TO READ THIS. It may save a life, It may save your life.)

An Article from Neena Susan Thomas

“Through a rapist’s eyes. A group of rapists and date rapists in prison were interview…ed on what they look for in a potential victim and here are some interesting facts:

1] The first thing men look for in a potential victim is hairstyle. They are most likely to go after a woman with a ponytail, bun! , braid, or other hairstyle that can easily be grabbed. They are also likely to go after a woman with long hair. Women with short hair are not common targets.

2] The second thing men look for is clothing. They will look for women who’s clothing is easy to remove quickly. Many of them carry scissors around to cut clothing.

3] They also look for women using their cell phone, searching through their purse or doing other activities while walking because they are off guard and can be easily overpowered.

4] The number one place women are abducted from / attacked at is grocery store parking lots.

5] Number two is office parking lots/garages.

6] Number three is public restrooms.

7] The thing about these men is that they are looking to grab a woman and quickly move her to a second location where they don’t have to worry about getting caught.

8] If you put up any kind of a fight at all, they get discouraged because it only takes a minute or two for them to realize that going after you isn’t worth it because it will be time-consuming.

9] These men said they would not pick on women who have umbrellas,or other similar objects that can be used from a distance, in their hands.

10] Keys are not a deterrent because you have to get really close to the attacker to use them as a weapon. So, the idea is to convince these guys you’re not worth it.

POINTS THAT WE SHOULD REMEMBER:

1] If someone is following behind you on a street or in a garage or with you in an elevator or stairwell, look them in the face and ask them a question, like what time is it, or make general small talk: can’t believe it is so cold out here, we’re in for a bad winter. Now that you’ve seen their faces and could identify them in a line- up, you lose appeal as a target.

2] If someone is coming toward you, hold out your hands in front of you and yell Stop or Stay back! Most of the rapists this man talked to said they’d leave a woman alone if she yelled or showed that she would not be afraid to fight back. Again, they are looking for an EASY target.

3] If you carry pepper spray (this instructor was a huge advocate of it and carries it with him wherever he goes,) yelling I HAVE PEPPER SPRAY and holding it out will be a deterrent.

4] If someone grabs you, you can’t beat them with strength but you can do it by outsmarting them. If you are grabbed around the waist from behind, pinch the attacker either under the arm between the elbow and armpit or in the upper inner thigh – HARD. One woman in a class this guy taught told him she used the underarm pinch on a guy who was trying to date rape her and was so upset she broke through the skin and tore out muscle strands the guy needed stitches. Try pinching yourself in those places as hard as you can stand it; it really hurts.

5] After the initial hit, always go for the groin. I know from a particularly unfortunate experience that if you slap a guy’s parts it is extremely painful. You might think that you’ll anger the guy and make him want to hurt you more, but the thing these rapists told our instructor is that they want a woman who will not cause him a lot of trouble. Start causing trouble, and he’s out of there.

6] When the guy puts his hands up to you, grab his first two fingers and bend them back as far as possible with as much pressure pushing down on them as possible. The instructor did it to me without using much pressure, and I ended up on my knees and both knuckles cracked audibly.

7] Of course the things we always hear still apply. Always be aware of your surroundings, take someone with you if you can and if you see any odd behavior, don’t dismiss it, go with your instincts. You may feel little silly at the time, but you’d feel much worse if the guy really was trouble.

FINALLY, PLEASE REMEMBER THESE AS WELL ….

1. Tip from Tae Kwon Do: The elbow is the strongest point on your body. If you are close enough to use it, do it.

2. Learned this from a tourist guide to New Orleans : if a robber asks for your wallet and/or purse, DO NOT HAND IT TO HIM. Toss it away from you…. chances are that he is more interested in your wallet and/or purse than you and he will go for the wallet/purse. RUN LIKE MAD IN THE OTHER DIRECTION!

3. If you are ever thrown into the trunk of a car: Kick out the back tail lights and stick your arm out the hole and start waving like crazy. The driver won’t see you but everybody else will. This has saved lives.

4. Women have a tendency to get into their cars after shopping,eating, working, etc., and just sit (doing their checkbook, or making a list, etc. DON’T DO THIS! The predator will be watching you, and this is the perfect opportunity for him to get in on the passenger side,put a gun to your head, and tell you where to go. AS SOON AS YOU CLOSE the DOORS , LEAVE.

5. A few notes about getting into your car in a parking lot, or parking garage:

a. Be aware: look around your car as someone may be hiding at the passenger side , peek into your car, inside the passenger side floor, and in the back seat. ( DO THIS TOO BEFORE RIDING A TAXI CAB) .

b. If you are parked next to a big van, enter your car from the passenger door. Most serial killers attack their victims by pulling them into their vans while the women are attempting to get into their cars.

c. Look at the car parked on the driver’s side of your vehicle, and the passenger side. If a male is sitting alone in the seat nearest your car, you may want to walk back into the mall, or work, and get a guard/policeman to walk you back out. IT IS ALWAYS BETTER TO BE SAFE THAN SORRY. (And better paranoid than dead.)

6. ALWAYS take the elevator instead of the stairs. (Stairwells are horrible places to be alone and the perfect crime spot).

7. If the predator has a gun and you are not under his control, ALWAYS RUN! The predator will only hit you (a running target) 4 in 100 times; And even then, it most likely WILL NOT be a vital organ. RUN!

8. As women, we are always trying to be sympathetic: STOP IT! It may get you raped, or killed. Ted Bundy, the serial killer, was a good-looking, well educated man, who ALWAYS played on the sympathies of unsuspecting women. He walked with a cane, or a limp, and often asked “for help” into his vehicle or with his vehicle, which is when he abducted his next victim.

Send this to any woman you know that may need to be reminded that the world we live in has a lot of crazies in it and it’s better safe than sorry.

If u have compassion reblog this post. ‘Helping hands are better than Praying Lips’ – give us your helping hand.

REBLOG THIS AND LET EVERY GIRL KNOW AT LEAST PEOPLE WILL KNOW WHATS GOING ON IN THIS WORLD. So please reblog this….Your one reblog can Help to spread this information.

THIS COULD ACTUALLY SAVE A LIFE.”

Circling vs. Zigzagging Conflicts

Nearly every writer understands that a story needs conflict. The protagonist sets off to fulfill a goal, runs into an antagonistic force, and their struggle creates conflict. This should happen in the story as a whole, this should happen in acts, and it should happen in almost every scene--the difference is that the smaller the structural unit, the smaller the antagonist and conflict (simplistically speaking).

Today I want to talk about a sneaky problem I sometimes see when editing manuscripts, one that relates to conflicts.

Sometimes the writer simply “circles” the conflict.

What I mean is that after a given conflict, nothing has actually changed in the story. We just completed a “circle.”

For example, say the protagonist is a favorite target of the schoolyard bully. They get into a verbal fight, but when it's over, nothing's different. The conflict didn't have any consequences.

It may not sound that bad.

And if it only happens once in a while, and there are enough other conflicts going on, it may not be.

But if this happens repeatedly or this is the main conflict, the plot isn't progressing. It just did a circle and the characters ended up in the same situation they were before the encounter. Essentially, no matter how exciting the scene may seem to be, you could still cut it and the story would be the same.

Let's look at an even less obvious example.

The protagonist needs to get Object X from Character B.

The protagonist finds a way to successfully steal it.

But then immediately afterward, Character B steals it back.

The scene ends, and the protagonist is back at square one.

It doesn't sound that bad, does it?

And if it only happens once in a while, and there are enough other conflicts going on, it may not be.

But if this sort of thing happens repeatedly--over and over and over--the plot isn't progressing. You're just going back and forth and back and forth and back and forth. And if we just arc that path a bit, guess what? It creates a circle.

Another example:

The protagonist has a problem.

But she's not taking action to solve the problem. 

Yes, she reacts emotionally to the problem.

She may even sometimes come up with a plan for how to try to solve the problem.

But she doesn't execute it. Or, some other problem comes up that keeps her from executing it.

And rather than come up with and execute a new plan to address that problem.

She just reacts emotionally to the problem.

Imagine this going on for multiple scenes.

The plot isn't progressing. She's just ruminating.

It still feels like the text is just circling the conflict.

Please know I'm not saying a story can never do these things. On rare occasions, circling conflicts can be useful, like when the point is to show the audience how some things don't change. My first example may arguably work near the beginning of the story, to show what the protagonist's day-to-day life is like. My second example can sometimes work as a frustrating irony. And my last example, well . . . don't do my last example. Okay, okay, maybe it could work to show off how the protagonist is incapable of or has the flaw of never moving forward (and chances are it'd probably be better to illustrate that through summary, rather than scene).

And some degree of circling can work, when the story needs to end with the characters and world in the same place they started, like in a serial, but note that usually through the installment, there isn't much circling.

And often, even if the external circumstances complete a circle, the journey changed the character internally in some significant way.

BUT if you are repeatedly writing examples like those above, where the situation at the end of a scene or act is essentially the same as it was at the beginning of the scene or act, then you aren't moving the story forward.

Sure, conflict may show up on the page, but the text is just circling it.

Instead, it's much more effective to create a zigzag. 

If we wanted to keep this super simple, we might say the scene (or act) needs to move from a positive situation to a negative situation, or a negative situation to a positive situation. Or, a positive situation to a better situation, or a negative situation to a worse situation. Essentially:

+ --> -

- --> +

+ --> ++

- --> --

This is a good starting point, but I admit, it sometimes feels oversimplified to me.

In any case, the situation the character is in, has changed.

The story didn't do a circle. It did a zigzag (or zigzigger or zagzagger). 

The protagonist had a goal, encountered an antagonist, had a conflict, and the conflict came to a definitive outcome (if only on the small scale for that scene). It hit a climax or turning point.

And that outcome carries consequences.

The protagonist gets in an argument with the bully and gets suspended for his language. If he's suspended, his parents will ground him, and he won't get to go on an upcoming date with his crush. It's a setback.

Character B steals Object X back and in the process, mortally wounds the protagonist. Now the protagonist needs to get help before they die.

The protagonist takes action to solve the new problem, and not only succeeds, but manages to solve her original problem at the same time.

But often just adding consequences isn't enough. We need to make sure the consequences aren't or can't be undone, at least not easily or coincidentally. We don't have the protagonist's dad have a serendipitous change of heart and simply allow the protagonist to go on the date.

Don't undo what you just did (generally speaking). 

If the protagonist ended with a bigger or new problem, make him put in the effort to try to solve it. (See the "No, and . . ." vs. "Yes, but . . . " rule under "Disaster.")

And don't forget my "acid test" for plot progression. At the end of the scene (or act), ask, did the protagonist's current goal and/or plan shift? If the answer is no, chances are you did a circle. (Or you at least left things stagnating). If the answer is yes, something changed.

As I mentioned above, sometimes the change is internal. 

Maybe Character B did simply steal Object X back, but maybe that leads to the protagonist realizing he doesn't want Object X as much as he wants revenge on Character B. He hatches a plan to exact that.

While that may not be as strong as the protagonist getting mortally wounded, it's better than nothing changing, and the experience does change the direction of the story.

Personally, I'd still be cautious of writing such a situation, though. In most types of stories, we want consequences to be both internal and external.

But that topic could be another post.

So in closing: zigzagging conflicts is better than circling them.

Adieu.