Sound on if you guys wanna know what a little King Vulture sounds like đ
Summary: Set in the 1880s, rumors and mysteries swirled around a quaint town, mostly about a lord tucked far into the woods. Arriving in town, you could not deny your curiosities, but you were not here to stay. Or so you thought. Low on funds, and a job for a live-in servant advertised in the paper, you now found yourself in the home of Lord Morpheus - the source of all rumors. Passions and tensions will grow. Questions will be answered, but may come at a hefty price. And a promise may be broken. But, is Lord Morpheus, and those few residents, truly as scary as they seem?
Words Count: ~3.4k
Reader: Neutral (unspecified now, however fem leaning)
Warnings: Minor angst (hints of Morpheusâs past), mutual pinning, some fluff, hints of bloodlust
Chapter 1 and future chapters to come!
After a week of working in the manor, you quickly found routine in your new life. It was far easier than anticipated, although somewhat tiring at points. And despite exploring the manor, you still tended to become lost or forgetful where certain rooms were. It was massive to say the least, but you adored the architecture, the different colors and styles of each room, and the obvious love - even if slightly dusty due to negligence - poured into it. Two rooms in particular captured your interest and attention: the upstairs library, and the sunroom.
The sunroom was magical. The glass - a soft sea green - dome roof sparkled in any and all lighting. On sunny days, it was as if the heavens rained down on this secret cove. Plants of all colors and variety outlined the room from vibrant dark green ferns - nearly an envious green - to signature staple of the manorâs passionate red roses as well as strong and proud sunflowers, delicate lilacs, and the intricate petals of the blushing pink carnations. Fern leaves as large as dinner plates bent towards the doorways like curtains. You could not help but imagine you were an explorer traversing the jungle as you entered.
In the center, a couch, two chairs, and a table were set out. However, there was a very obvious empty space for furniture to be pushed aside. The true beauty of the room was it could double as a ballroom if needed. You could see where a musician could sit, you could imagine a dozen people dancing in unison, you could feel the air crackle with potential energy. When you walked the pristine tile floor sang with every step of your shoe, heels clacked and echoed like a chorus; imagining a group of people in here, and oh how the room would harmonize.
The library, on the other hand, was quaint and far less grandiose compared to the sunroom. Yet, it held its own type of magic, one of comfort and warmth. It was draped in rich dark browns, glowing oranges of the sun and lanterns, and overall warm tones. The walls had built-in shelves and overflowed with books. A single thin window with a nook to sit and read by sunlight was nestled between two shelves. Two long wooden tables with chairs were placed in the room, almost more of studying than reading comfortably.
The air in the library was calmer, and gentle like an escape, or a brief pause on life. If you strolled over to the collection of books, most were published from Morpheusâs company âThe Dreamerâs Palaceâ. Which wasnât too surprising, but the library held many other books from the popular to the unknown. Every genre filled the shelves: drama, contemporary, romance, horror, fantasy, mystery, nonfiction, mythology, and poetry. You had worlds at your fingertips and each of them called to you.
When you had time, you would eventually borrow a book, with Morpheusâs permission of course. Maybe you could take the book and lounge in the sunroom, now that sounded like a lovely idea.
However, you supposed there was another place besides the sunroom and library to entertain you and your thoughts. You desperately wished to explore the ground, especially the maze. The rose maze enthralled you. The hedges must be ten feet tall, barring all from sneaking a single glance in. The full, perfect lush red roses filled the hedges and dazzled in the sunlight while somehow seemingly glowed in the moonlight. With the moon above, they tempted you like some Greek tragedy. The maze was your labyrinth. Maybe a monster lurked among the roses, maybe you would become lost and lose your sense of self, or maybe it was simply just a maze.
One day.
One day, you would run freely through the hedges and happily lose yourself amongst them.
Late in the morning, Morpheus had requested some tea. If it wasnât in the morning after what you expected a long night, then he requested afternoon tea for one last boost to finish the day. Light seemed to always shine under the crack of his door. His footsteps creaked along the home constantly even as you laid still in bed.
Maneuvering up the stairs, you carefully balanced a kettle and a tea cup with a saucer. Stepping onto the second floor, you immediately veered left. Morpheusâs study was the first door. You knocked, announcing yourself. His reply was muffled, but allowed you in.
Opening the door, Morpheus was hunched over his desk. Stacks of paper covered his desk, with his pen scratching away editing and making revision notes on a new manuscript. A dying fire crackled as embers burned a reddish orange hue casting the room in a radiating warmth. The curtains were opened showing off the dreary morning. Rain tapped against the window, adding to the ambiance.
You beelined for Morpheus. You efficiently, as possible, set up his tea in the small corner space free of papers. Morpheus - who had been watching not just since you walked in, but since you first arrived - wondered about something that had been bothering him for a few days. The scratching of his pen seized, and he glanced out of the corner of his eye. âMay I ask you a question?â
You paused as you set up his tea. It was one of the few other times he addressed you, besides your first interaction and occasionally calling for tea. Shaking yourself out of your stupor, you poured his tea. âOf course, sir.â
He laid down his pen, and turned his head to address you. His eyes - an enchanting pale blue in such dim lighting - locked with yours. âYou are not afraid of me.â
You stepped back from him, having finished your assigned task. The kettle left besides his cup if he wished to have more later. You folded your hands in front of you with the empty tray in your hands. His sentence tossed over and over in your head. You frowned slightly in thought, âThat is not a question.â
The corner of his lips twitched upward. âYou are correct, apologies. I suppose I was more inquiring about your opinion.â
âOn what?â
âMyself, and said rumors that circulate the manor.â
You didnât need time to think. Most people warned you of this place whether directly or indirectly. âThe townspeople have their beliefs and I have mine.â
âSo you have no care for the matter?â
âI can form my own opinions.â You cocked your head quizzically, âIâm sorry, but did Lucienne not inform you of my answer? She asked a similar question during the interview.â
âShe did, but I wish to hear it from you especially given you have been staying with us for more than over a week now.â He twisted his body in his chair, facing you directly. He gave you his full undivided attention. âSo what are your opinions? What do you think of the rumors?â
You paused, considering his question. âDo you want my honest opinion, sir?â
You had your opinions. Ones that had been slowly formulating since your arrival, ones that may be an unpleasant truth to hear.
âI do.â He saw the hesitation written plainly on your face. âYou can be blunt.â
You nodded, and sighed releasing any tension. âIf you wish -â you cleared your throat - âthe way I see it you revel in said rumors. You can easily dispel them by ingraining yourself more into society, but you donât. You do the donations, you have the well liked bookshop, but you do not show your face. Either you isolate yourself to protect yourself, or because you believe you deserve it - deserve the isolation.â
Morpheus hummed, utterly fascinated by your answer. âTruly? And what do you think? Why would I sever my connection to society?â
Your eyes dragged up and down over his body - you were dissecting him. Morpheus noted how a change came over you. You were not a servant, head bowed, but an equal with a sharp eye. You were clever, far more clever than you let on. A mask had momentarily slipped. âBecause you deserve it or so you believe.â
He nodded. You may have indulged a mere facet of his curiosity, but somehow stirred more within this one conversation. He turned back to his work, âThank you for indulging me.â
âIs there anything else you need, sir?â You smiled, and your tone suggested a hint of teasing, âAny other of my opinions you wish to know?â
His smile was hidden from you. âNo, thank you.â
âOf course.â You bowed and swiftly left.
âAnd do not feel frightened to share your honesty.â He spoke the next sentence softly, whispering, âI enjoy it.â
You paused at the door. A faint flutter hummed in your chest. âIf you wish, sir.â
I do, he thought.
You turned your head, glancing back once more. He had returned to his work. Your mind thought back on the conversation, on Morpheusâs self imposed isolation. You opened your mouth, only to quickly close it and simply left. As the door softly clicked shut, Morpheus put his head into his hands.
A mortal.
A foolish mortal who had unknowingly walked into the lionâs den. His thirst rose when you walked by, and the smell of you now imbued his home. Before he remembered a time when his thirst could be quelled for months at a time, unbothered or unaffected by hunger. But now as you freely roamed his halls, he could barely go a few days without feeling its intense and paralyzing effects. The taste of human blood has not touched his lips in nearly a century.
Idiot, he thought. Why did I allow this?
âI believe it would do you some good sir,â Lucienne pressed. She had approached her lord, proposing to introduce a servant, more so a cleaning servant, into the manor. Or more accurately cornered him in his study.
Morpheus huffed under his breath. âLucienne, I respect you and your opinions, however, this is ridiculous and out of the question.â
âLord Morpheus, you need to try more or dare we have another fiasco such as the last manor.â
Ah, yes, how could he forget.
He had gotten complacent in his solitude. He kept to himself, and worked on new stories that continued to be sent in from all over. He only cared about his work, and nothing else.
No. That was incorrect.
No, he was purposely drowning himself in it; all to forget the painful heartache. No, he had not gotten complacent in solitude, he had gotten complacent in his endless grief. Let the people gossip, he bitterly thought. Let them believe in the monster. He did not care for his world were these dingy walls with the ghost roaming amongst them.
But, a strange man who lived on the outskirts of town stirred vile imaginations. After a decade and possibly longer of living - in what Morpheus ignorantly believed to be peace - the townspeople charged one night forcing everyone to flee.
He had to rebuild.
He had to remake himself in this new town. He had hoped his donations would soothe the townspeople, but mortals were weary of newcomers and indulged in their superstitions far too often.
Even if their intuitions were right most of the time.
A tap on the window broke Morpheus out of his thoughts, his memories. Through the haze of the night, a small black mass was perched on the window sill. Morpheus wordlessly strolled over and opened the window. A bird, a raven specifically, swooped in and landed on the desk.
âAnd what do I owe the pleasure, Matthew?â Morpheus asked, facing the raven.
The raven shuffled, his talons clacked against the wood. âSorry to interrupt, boss, but Merv is asking for something for the pain again. He says his supply is almost out.â
Morpheusâs features softened, a miniscule change. âOkay, tell Merv I will send for more immediately.â
Matthew nodded, but he did not move.
âIs there something else you need?â Morpheus asked, raising his eyebrow.
Matthew sighed, sinking a bit. âI may or may not have been listening to yours and Lucienneâs conversation.â
Morpheusâs lips thinned, not angered Matthew was listening - it was nothing new - but because he knew Matthew would side with Lucienne. âAnd what do you think of the matter then?â
âWell,â he drawled out, âI have been visiting the town a bit, and some of the people have begun to talk and theyâre not too ⌠happy.â
Morpheus barely contained his eye roll. âI have done all I can to appease them, if they want to make speculations then let them. I donât harm them in any capacity.â
It was true. His diet these days consisted solely of animals.
âMaybe an appearance at the bookshop then,â Lucienne suggested. âBut, I still urge you to hire someone. If others see someone unharmed in your care then it would lessen the problem.â
âI will not bring a stranger into my home just so mortals can stop gossiping.â
âIf not for you then for us, for the manor. We already had to run once.â
Morpheus frowned.
Lucienne cautiously stepped forward. âYou opened your door to me - for Mervyn, and Matthew - you brought in a stranger once before.â
âThat was different. This will be a mortal, Lucienne.â
âAnd do you not trust yourself, or do you not want a repeat?â
Morpheusâs shoulders tensed. An intense, chilling, glare settled into his eyes. His eyes glowed ominously like a feral animal. âLucienne, I will ask you once to not bring that up again.â
Lucienne stepped back, but did not look away. She held her ground in a way. âApologies, sir, but I do not want to find a new place so soon.â
Matthew chirped up, disliking the heavy tension in the room. He flapped his wings to turn all the attention onto him. âAnd it would be nice for you, boss. The manor has been gathering dust, so it would be good for all of us, right?â
Morpheus closed his eyes then exhaled slowly. Opening his eyes, they had returned to a normal shade. âFine.â
âWhat?â Matthew muttered, stunned.
âBring someone in, do what you must.â He turned his back. âIf we can survive another decade here peacefully then do so. I donât want to start again so quickly.â
âOf course, sir, thank you.â Lucienne bowed her head and left as Matthew swooped after her.
Look at all the good it has done, Morpheus thought.
Morpheus was confined to these walls with you lurking around. You were haunting him, and you reminded him of -
He shook away those memories. He had a new ghost in his home and he had to deal with this unfortunate reality. This wasnât about him, this was about Lucienne, Matthew, and Mervyn. They were lucky last time to escape before the home burned, but luck always ran out. If people discovered the truth, if they came in the night unheard, he couldnât forgive himself for anything that would happen to his friends - his family.
This was his family unlike the one born from blood.
Meanwhile as you strolled away from Morpheusâs study, your thoughts were tangled together. He was odd. Polite, yes. But, odd. He created a wedge between him and most; a wedge you clearly saw. In the short time you were living here, it was becoming obvious who Lord Morpheus was: a tortured soul. But, why? What drove him to this state? If you were to continue to live here, you would find out.
Curiosity was powerful, and you had your reasonings to do so.
Taking the tray to the kitchen, you once again passed by another oddity in the manor: the plain wooden door under the stairs. Earlier in your adventures of the manor, you tried to open it to no avail.
âI wouldnât keep trying if I were you.â You whirled around - panicked you had been caught - and thankfully only saw Lucienne. She smiled, a joking smile, at your reaction. Her eyes darted to the lock door. âIt leads to the basement where the plumbing goes.â
You frowned, disappointed.
âSorry, I know itâs not as wondrous as you might think.â She strolled forwards, eyes kept on the door. âBut I assure you, itâs not pleasant down there. Itâs damp and dark with old pipes.â
Her eyes flickered over, locking with yours. She peered over her glasses to ensure she looked at you directly. âDonâtâ was all her eyes said.
âI suppose the wonders of plumping is something Iâm not too keen about,â you chuckled lightly.
Her smile softened, and laughed along with you. âNo, I donât think most are. Now, if you excuse me, I was going to get a drink.â
She skirted by you towards the kitchen. Once, she was down the hall and out of sight, your eyes swiveled back to the door. Only one thought ran through your mind: sheâs lying. You pressed your hand to the door. In your chest, deep within your bones, something hummed on the other side.
Stepping back, you searched and no one was around. If not today, but one day you will see what was behind that door. A voice told you to be cautious in your curiosity, but to also not let it die out. Trust your gut. And your gut needed the door to be opened to reveal all its secrets.
You paused, running your hand over the grain of the wood. The hum still called out. Similar to how you swore to uncover the secrets of a Morpheus, this door fell under it as well. This manor reeked of secrets and lies. It did not frightened you, not in the least. It compelled you. And the rumors only spurred your thirst for knowledge.
But, today was not the day. All of this required a touch of patience.
A skill you honed over the years.
Brushing past, you made your way into the kitchen dropping off the tray. Glancing out the window, the late rainy morning reminded you of all the hours you still had left in the day. You sighed.
Now, what should I do?
The rest of the day you decided to busy yourself with cleaning the kitchen. Most of the appliances were new, and strangely did not seem to be used as frequently since some dust had collected on them, much like the rest of the manor. You scrubbed the cabinets and the floor, cleaned dishes and silverware, and threw away any rotted food - which was surpassingly little. The kitchen nearly sparkled by the end of your work, and luckily the day had passed between all of it.
You retired for the night and drew a well deserved and needed bath. You soaked for almost an hour, letting your skin prune and your thoughts wander: thoughts of the manor, thoughts of Lucienne, thoughts of the mysterious gardener, thoughts of Morpheus, and thoughts of your past and life now.
You sighed, sinking into the water until it barely touched your nose.
Here was a new start with new promises while the past still loomed heavily over your shoulders. No, you truly couldnât start anew until the past was settled. You knew this, and you were constantly reminded of it.
With the water now cold, you decided to get out. You dried off and pulled on your night clothes. Shuffling out of the bathroom, you passed the writing desk.
You paused.
Changing direction from your cozy bed, you veered to the desk. You needed to write a letter, one you had forgotten - and may have purposely neglected - to write. You plopped down into the creaky wooden chair and began to write a letter. Amongst your initial search of the desk, you were surprised, and thankful, to find paper and ink already inside the drawer.
You had an old promise to keep.
You pulled out a paper and addressed it to your uncle. An uncle who raised you and taught you many things. An uncle who you spoke exclusively in letters since leaving his home nearly over a decade ago. You loved him dearly, and hoped maybe one day after your journey of self discovery, and possibly after truly settling down, you would visit him again.
Under a candlelight, you wrote about the past week. You spoke of your new job, your new lord, and the others who lived here - even if you spoke only to one. You spoke how this job could be the one, the one to change your life. You told him he was still always in your thoughts, and wondered how he was doing since his new retired life per his last letter. You smiled down at the letter, and signed it. You neatly folded it, and tucked it into an envelope to send at the earliest convenience.
Maybe Lucienne could take it to the post office for you, or maybe youâll make a visit into town.
The decision will come later, for now you need to sleep.
I see you everywhere, in the stars, in the river, to me you're everything that exists, the reality of everything.
- Virginia Woolf
i have a little collection of websites i tend to use for coming up with ideas, naming people or places, keeping clear visuals or logistics, writing basics about places i've never been to, and so on. i tend to do a lot of research, but sometimes you just need quick references, right? so i thought i'd share some of them!
Behind the Name; good for name meanings but also just random name ideas, regardless of meanings.
Fantasy Name Generator; this link goes to the town name generator, which i use most, but there are lots of silly/fun/good inspo generators on there!
Age Calculator; for remembering how old characters are in Y month in Z year. i use this constantly.
Height Comparison; i love this for the height visuals; does character A come up to character B's shoulder? are they a head taller? what does that look like, height-wise? the chart feature is great!
Child Development Guide; what can a (neurotypical, average) 5-year-old do at that age? this is a super handy quickguide for that, with the obviously huge caveat that children develop at different paces and this is not comprehensive or accurate for every child ever. i like it as a starting point, though!
Weather Spark; good for average temperatures and weather checking!
Green's Dictionary of Slang; good for looking up "would x say this?" or "what does this phrase mean in this context?" i love the timeline because it shows when the phrase was historically in use. this is english only, though; i dig a little harder for resources like this in other languages.
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They will be safe. It doesn't matter who else or what else burns as long as They will be safe.
I will be safe. The hunger and the cold will never touch me again.
Fuck any bitch who's prettier(/cooler/better-liked/better at making dumplings) than me.
Yes, Master
Love me. Love me. Love me. Love me. LOVE ME!
I know the terrible things these so-called "heroes" will do if I don't stop them (<- is absolutely wrong)
I don't want a better future, I want a better past!
No other way to get performance art funded these days
~ all images from Pinterest ~
What looks like a scene out of a J. R. R. Tolkien novel is in reality the natural phenomenon of Horsetail Fall at Yosemite National Park. In February each year for about two weeks, the angle of the setting sun, along with the shadow from El Capitan, come to the edge of the falls and set it ablaze. I met people who had been chasing the Firefall for years so I feel very lucky to have arrived when the conditions were perfect.
TODAY, August 12, 2024, The Animation Guild begins negotiations with the AMPTP to win a new contract for animation. This is a huge fight with severe stakes for the future of the Animation Industry in the US, and the guild needs your support!
TAG is fighting, Right Now, to stop exploitative practices that are weaponized against animation professionals across the globe, and working hard to ensure this industry has a future here in the states.
If you are a fan of animation, whether it's major or independent studios, eastern or western, tv or movies, we need you to get LOUD in support of The Animation Guild. The crews who work so hard to bring these works to life are struggling to pay their bills, if they can find work at all, while studio CEOs are getting multi-million dollar raises to cancel projects and gut streaming libraries.
We can win this fight, but we need public outcry and support. If you work in animation, if you've ever dreamed of working in animation, or if you just love animation, please stand with TAG and support the union effort to keep animation a viable career and a valuable medium!
AnimationWorkersIgnited Twt / LinkTree
AnimationGuild Twt
External conflict can always make readers more interested in a story. The fist fights, car chases, and fictional battles might make them hold their breath, but so can internal conflict. Check out the primary types of internal conflict your protagonist can experience to add more depth to your stories.
Everyone eventually reaches a point where they question their morals. We have to believe in our morals as individuals to prioritize them. Itâs not enough to have your parents or other leaders in your life tell you whatâs right and wrong. You wonât hold the same morals until you choose them on your own.
Characters also reach these crucial points. Itâs part of their character development like itâs part of our personal development.Â
Your protagonist may only grapple with one question of morality in your story or they could encounter many. The morals will most likely align with your theme so they make sense within your plot.
Example: Your protagonist is a scientific researcher and leading a trial that could result in a cure for a new illness. They know they shouldnât take bribes and wouldnât compromise their career, but someone who nearly qualifies for their trial offers a life-changing amount of money to get included even though theyâve already been ruled out. The protagonist has to chooseâdo they stick with what they trust is morally correct or do they take the money and use it to help pay for a family memberâs legal battle in criminal court? Do they view it as potentially saving two lives at once? Or do they reject the bribe and face whatever consequences could have possibly been avoided?
Your identity is something that morphs with time. People rarely settle on one version of themselves forever. Life makes us reconsider things from different perspectives as we go through periods of challenges and peace. Characters also grapple with their identities when faced with similar situations. It makes them take a stand, hold their ground, or chase new goals, which is much more interesting for readers.
Example: Your protagonist considers themselves an optimist because theyâre a firefighter who has saved many lives. When they realize their chief has been starting all the fires their station ever fought, your protagonist begins to view people more pessimistically. It affects how quickly theyâre willing to risk their life for others, which results in challenges and a character arc they wouldnât have experienced without this fundamental change in their identity.
Itâs much easier to stay firm in your religious beliefs if nothing challenges them. If a challenge or major question arises and your beliefs hold firm, that makes your identity stronger. It doesnât always happen that way though.
When your protagonist faces this type of internal conflict and realizes their opinions or feelings contradict their religious beliefs, it can take them onto a path that shapes a new identity. These choices are hard but real. Readers who are going through the same experience or experienced the same questions before will get absorbed by your story because itâs relatable.
Example: Your protagonist attends a religious gathering every week. The group fundamentally believes their religion exists to help those in need. Prejudices begin to invade that group, so people start choosing their own well-being instead of helping others. Your protagonist watches their religious family pick sides and has to question if they really believe in helping others or if they choose the familiarity and safety that comes with the approval of their longtime religious family.
Societies have predetermined roles or expectations for people based on factors like their gender, sex, and economic status (just to name a few). Sometimes these roles feel natural to people and other times they donât. We all have to decide what feels best for us on an ongoing basis. Your protagonist may need to choose their societal role, reject it, or shape a new one to portray your theme in a relatable way.
Example: Your protagonist goes to a university for the first time. Theyâve been encouraged by everyone they know to start forming a large friend group. Thatâs what people are supposed to do in college, their loved ones said. But your protagonist is an introvert and values only a few friendships at a time. They have to choose if theyâll push themselves to become a social butterfly or if theyâre happier as the person theyâve always been.
Political opinions can create all types of internal conflict. You may believe in a certain candidate or party during one part of your life and support something completely different in another part. Those values change as we experience new things and meet new people. Characters can face the same internal struggles as they recognize changing values or reject opportunities for change.
Example: Your protagonist may have never formed strong political opinions. They meet a new person who becomes their best friend, but their government starts passing laws that make their best friendâs life much harder because theyâre part of a marginalized community your protagonist hasnât empathized with before. Your protagonist now cares for that community, so they have to decide if theyâll make different political choices that could ostracize them from the community theyâve been part of all their life.Â
There are numerous types of loveâself-love, your love for your family, and your love of a potential romantic interest or current partner. These come into conflicts in stories all the time because people experience them every day.
The conflicts result in choicesâdoes your protagonist choose to continue loving a specific person or do they fall out of love? Do they fight for that love or realize it never actually existed? These are just a few ways this inner conflict can play out.
Example: Your protagonist has three siblings. Theyâd give their life for their siblings because theyâve lived in an emotional and physical home environment thatâs been unsafe all of their lives. However, your protagonist is also the oldest child who has to leave home when theyâre 18. They have to decide how to best love their siblingsâdo they leave them at home with a parent who is a threat to their safety so your protagonist can achieve an education or job that pays enough to create a new home for them? Do they get the legal system involved? Do they get their siblings and run away together since your protagonist is now old enough to lease an apartment, pay bills, etc?
Existential crises make characters come to life by breaking their identity apart. These moments are unfortunately a real part of life, so readers want them in their books to help them cope, understand the changes, and generally feel not alone in their hardships.
This internal conflict happens when we question why weâre in this world or what weâre supposed to do with our lives. Sometimes thereâs a clear answer after we start searching for it, but other times there isnât. How your protagonistâs internal journey to a new purpose unfolds depends on your theme and plot.
Example: Your protagonist spent their life dreaming of becoming a politician. They wanted to help people and change the world, but they lost their first three attempts at running for local office. The third loss devastated them. If voters donât want them as a leader, whatâs their purpose? Who are they if they arenât a leader who changes the world through effective policies? The answer may come through the plot events that follow. If they donât get an answer, sometimes it means their purpose already exists in their life and theyâre overlooking it.
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Reading through the basic types of internal conflict will help you shape your future protagonists. If you align your desired theme with an inner conflict, the external events in your plot will be much easier to choose. Your readers will also connect with your story better because theyâll see real problems reflected in your protagonistâs character arc.