Every time someone says merry Christmas TuT
Favourite narrative tropes:
“That was ONE time!”
“Due to an administrative error”, or any major plot point which is caused almost entirely by bureaucratic fuckups
“Contrary to popular belief” appended to something that’s either really obvious or completely subjective
A character makes an assertion, then cut to the narrator contradicting it (‘“Everything’s fine!” Everything was not fine.’)
First-person narrators who call a specific character by a series of increasingly convoluted nicknames
Unusual narrative euphemisms. I still hold that describing around a curse word is almost always funnier than just using the word.
Establishing character moments which subvert your expectations right from the get-go. The best example is in the Brooklyn Nine Nine pilot, where Jake’s fooling around at the crime scene before revealing that he’s already solved the case.
Montages. Just montages of any kind, for any reason, anytime. I actually think they work better in text form because you can do so many creative things with them.
Side characters with a level of fourth-wall awareness / quasi-supernatural ability which is never quite certain, like the janitor in Scrubs.
Double meanings in narration that take a while to make themselves clear.
Really, really specific similes.
shout out to Karl Urban as Eomer for giving one of the most heart wrenching cries ever produced in cinematic history where you can essentially feel the anguish and shock that he is going through to find that his sister was on the battlefield, and is now injured, presumably dead. words cannot describe his pain.
I’m not talking about fanfictions or AU’s based off of a video game/comic/TV series, I’m talking about a story with a world and characters that are YOURS and YOURS alone.
Hime Hime- Yowapeda Movie
Halloween costume contest at a cat cafe in Tokyo
Samuel E. Wright On His Role As Sebastian In “The Little Mermaid”
My most favorite moment was when, after years of filming it, and being very strict to animation, because you have to be strict with animation, because it’s timing, and picture, and that kind of thing… And I was very strict with it. But I kept doing things, I’d be naughty, and I’d do something… And they’d say, “Sam, you can’t do that! This is not Robin Williams. You cannot do that, you can’t make up little jokes on the side.” But a year after we finished completing the film, they called me up, and they said, “Sam, we’re going to fly you out here. All of the things we said you couldn’t do… You’ve got three hours to do all of them.” So they brought me in the studio, and they just turned the mike on… and I went nuts! I just said anything I wanted to say like Sebastian. I talked like him for three hours, and some of it found it’s way into the movie. For example: “Teenagers. They think they know everything. You give them an inch, they swim all over you.” That was something that I just made up!