thinking about zoro and sanji in thriller bark and how insane it is that their shadows knew each other. like. a person's shadow never really retains past memories or any memories regarding other people in their lives. you lose the main characteristics that make you you. sanji doesn't remember his name. he kicks robin- he would've never done that even under the threat of death. zoro knows nothing but his swords and the need to destruct. not his name, not his captain. they think they serve a person who they have never met before that day. they are them but at the same time, they are not. sanji's shadow's kick could break a man's skull but it doesn't know kindness like sanji, the real and human one, does. zoro's shadow can win all the battles it faces but it doesn't feel the same unwavering loyalty towards luffy, his captain, his king. they lose parts of themselves that make them who they are.
but they know each other.
sanji can be a fucking doguin now but he knows the bastard next to him. he knows he wants to kick his face in. zoro might now have scars all over his back and have a goddamn chandelier around his waist but that motherfucker next to him is just begging to be slashed. they've known each other in every lifetime. they will find each other in every universe. they will die in each other's hands. how much must one's existence be etched in your soul for your shadow to know them? to know them when you don't know yourself?
it's like when achilles says, "I could recognize him by touch alone, by smell; I would know him blind, by the way his breaths came and his feet struck the earth. I would know him in death, at the end of the world." or when hozier says, "No grave can hold my body down, I'll crawl home to her."
insane.
Alabasta is my favorite arc because it's supposed to be so middle eastern! My grandpa is from Palestine and raised my mom there. I'd seen rumors that a Palestinian actress was in consideration to be cast as Vivi and I'm just a little let down. I've seen dozens of pictures and videos of the Straw Hat jolly roger being used as a symbol of liberation at Free Palestine events. I just...thought this really could've been something for the movement. Idk.
I am very disappointed in OPLA's casting for Vivi and King Cobra ngl. I am a South Indian Muslim woman and Alabasta is literally one of my favorite arcs. Casting South Indian descent actors makes no sense because Alabasta is very clearly inspired by Middle Eastern and North African culture, particularly Egypt.
The clothing and archeticture makes the Egyptian influence in particular very obvious. Specifically Crocodile's rainbase, the Jackal and Falcon as the cities dieties, and the heiroglyphic treatment in the tomb where Luffy and Crocodile's final showdown happens really proves the influence is inargueably Egyptian. Vivi and Cobra's family name is even Nefetari which is so similar to Nefertiti, the most obvious ancient Egyptian name.
AND!!!
At the time Alabasta was being published in the manga, beginning around 2000...
...Palestine was going through the Second Intifada.
Other MENA countries also had protests and uprisings in solidarity. In autumn of 2000, the Egyptian ppl in fact rose up against their president, Hosni Mubarak, against his support of Israel and in solidarity with the Palestinian Second Intifada.
A lot of the story beats in Alabasta clearly took inspiration from the political movements in support of the Intifada. Considering that Palestine is going through a genocide and ethnic cleansing and one of the producers is very Pro Israel, I can't help but think the producers deliberately wanted to hide the arca's influences to MENA uprisings in support of Palestine. But it's in the DNA of Alabasta itself.
Additionally, there is this terrible TERRIBLE habit of Western production companies conflating India and MENA as the same. India has centuries of cross cultural exchange with the MENA region but our socities, archeticture, and clothing are VERY different. I come from a family that has been Muslim in India for generations and even still our clothes, archeticture, and cultural traditions are very distinctly different from MENA muslims. This is because majority of the Islamic influence into India did not even come from the MENA region, it came from the Mughal Empire which originated in Central Asia.
Below is Jama Masjid in New Delhi, India:
and here's the Grand Mosque in Cairo, Egypt:
Now compare Jama Masjid above with Meidan Emam in Esfahan, Iran
Of the three shown here, which one looks most like the palace in Alabasta?
Its definitely not the masjid from India.
I'm very disappointed but unsurprised OPLA went in this direction. I would just like to encourage fans who aren't MENA or Indian to be more critical of these decisions as well. This casting is basically the same as the Disney Aladdin approach. Indians and MENA are not interchangeable.
I've been seeing a lot of posts celebrating that King Cobra and Vivi are not white and I would like to encourage those fans to reconsider giving Netflix and OPLA credit for representation when a critical look at the source material shows the casting decisions are incorrect and seem to be politically motivated. I know that Oda is deeply involved in OPLA but that still doesn't justify the swap.
thinking about newly dating kidlaw where law is tentative with physical affection at first but after the first few times kid loops an arm around him during movie nights or presses an embarrassed, too-hard kiss to his cheek before leaving for work, law deems it safe to get bold.
he starts craning up for a peck when kid drops his lunch off, stuffs a hand into kid’s back pocket to firmly grip his assets when he walks kid back home from work, even starts nuzzling him and brushing past him without any other word or acknowledgment— like a cat. on one night, two minutes into a lame action movie, law plops himself down into kid’s lap instead of the well-loved couch cushion next to him.
the sudden, violent weight makes kid jolt, landing a little too close to… precious things. he grabs for law, trying to shove him aside so he can reposition and ease his weight away with a “what the fuck,” but law simply fights back, twisting around to push him.
and they wrestle like that for a bit, nipping at each other and snarling and grunting without any real bite. a hand shoving at kid’s shoulder, elbow jabbing into law’s side, tumbling pillows, spilled popcorn. eventually they wind up lying down, law flat on kid’s chest.
“be careful,” kid grumbles lowly, narrowing his eyes at him. his mussed black hair and disheveled clothes are too attractive, but kid’s too appalled to say anything. “since when were you this fucking annoying?”
law simply levels him with an unimpressed yet overwhelmingly fond look. “when have we ever been careful with each other?”
and kid can’t help but bark out a laugh, smothering an exasperated grin into the crook of law’s neck as he roots him to his body by the waist.
Can't draw and don't like writing but still wanna do something fun/creative to engage in One Piece fandom so I'm making Spotify playlists based off of what I think they'd like/listen to. I don't know every song ever so I'd love to hear what others think! I listen to lots of music so the playlists will get longer over time. Starting with Eustass Kid because I love him soooo much and one of his hobbies is listening to music!!
Motorcycle AU 🌷🐯
They both have motorcycles, Kid works as a mechanic and Law as a surgeon. They met in a bar where many motorcyclists go.
one piece bunny boys
(pst I'm planning to turn these into acrylic stands some time soon! I've sketched out the rest of them so get hyped)
That's an awful lot of redheads
love this song and this album and frank turner so much, when i'm reading one piece fanfic and this song comes on, i'm boohoo snot nosed crying
My favourite Sanji pictures!!!! He's so cute in all of them I love him so much he's so pretty
One of my favorite details about Kid is how his nose is always scrunched. That man is snarling at all times he's so feral.