I Think The Strangest Criticism Of Queer Ships Is When People Say “no, They’re Best Friends” Or

Come find me, I’m here.

sometimes you need dialogue tags and don't want to use the same four

Fushiguro…

Die temu ad die

op i will kiss you on the mouth (if you’ll let me ofc).

i literally ranted on my blog about the non-solution (sevika being on the council) to the piltover-zaun conflict yesterday and in that post i haven’t even gotten close to dissecting the intrinsically problematic politics behind the show yet, so it’s really cathartic to see this post popped up.

context: i was born and raised in a country where there are still traces of colonialist and imperialist invasions. my country was liberated when my mother was 6 years old, and less then 30 years before i was born - it’s recent enough that this kind of oppression and economic exploitation is not a foreign concept to me. i grew up hearing stories about how people like my great grandfather fought and died for the freedom i enjoy today, how significant that sacrifice was and more importantly, how violent the struggle was.

you see, in stories like these, the point is rarely ever the victory, it’s the fight. no matter what version of victory the oppressed masses envision it to be, they can never reach it without violence - either towards themselves or their oppressors. anticipating that, what i wanted from season 2 was not that zaunites will be promoted to positions of power or even that zaun will eventually be independent, i just wanted to see the class struggle play out in its full bloody grittiness. this is not me saying that it would be cool to see a bunch of people murdering enforcers or vice versa, i’m just asking for the fight to be treated with the weight it deserves, even if it means people will face brutalization and by extension, death. but after the first 3 episodes of the season, i doubted i would ever get the story i was looking for and sadly, i was right.

(and at this point i dont even know if i should vent all my grievances about the politics in this show in one single post as a magnum opus and be done with it because I HAVE MORE TO SAY)

i despise the way the fandom talks about jinx. i'm sorry, but a teenager with severe mental health issues who was raised by a dictatorial drug lord in a city where crime is rampant, children are often orphaned, and there is no clean air or water, was never going to turn out right. that is not to say that i condone all of her actions (e.g. killing the firelights, helping shimmer run rampant in zaun), but i do believe that she is the product of the circumstances she grew up in. will all that being said, i don't think she did anything wrong to piltover. most, if not all, the piltovans jinx attacked were enforcers and councilors, her oppressors and the primary people responsible for the subjugation of the undercity. and before y'all argue with me in the comments "but in the s1 finale, the council was going to make zaun independent", i beg for y'all to think beyond authorial intent since the show has deeply flawed politics (see: christian linke saying that the piltover-zaun conflict is an allegory to how the us two-party system fails to communicate with each other). while there are councilors that i like as individual characters (jayce and mel specifically), i don't believe that a consensus would've gave zaun true liberation because there has NEVER been a time where the liberation of oppressed people hinged upon their oppressors granting them their freedom. negotiating with your oppressors is akin to having a conversation between the sword and the neck, there can never be peace unless the oppressed takes away power from their oppressors. whether it's between the irish and the british, the algerians and the french, or the vietnamese and the americans, the oppressed ALWAYS had to fight for their liberation, even for examples that "prove" otherwise. nevertheless, i do believe that jinx's resistance is flawed since her violence is aimless and i wish that in s2, she would actually embrace being a symbol of zaun and use violence to achieve liberation for zaun, but i don't think the writers would be able to explore violent resistance effectively because they're cowards.

don't go Nanamin don't go

The Rebellion and Infighting

I have so much to scream about in this first set of three episodes, but the one I want to yell about the most is the theme of destructive infighting that grinds everything to a halt.

It was a more background theme last season, because Cassian was still making his way toward Rebellion. But this time it came out front and center in all four storylines.

In the wedding on Chandrila, everyone was at odds with each other. Nobody could agree on what to do or how to support each other (or who should be supporting who). They sniped and sneered and took passive-aggressive swipes at each other, both personal and Rebellion-related. The one that most desperately broke my heart was Mon's conversation with Leida, where she tried to offer her a way out ("what I wish my mother had said.") And Leida slaps the offer away like a toddler slapping away a spoonful of peas, continuing the mini-theme of mothers and daughters not understanding each other.

On Mina Rau, they did a little better, but not much. What seemed like a lovely little agricultural community fell apart for the Ferrix contingent because someone who seemed to be an ally turned on them to save himself. Plus Beela's mom didn't approve of Wilmon ("a toolie") and fueled Beela and Wilmon's little Romeo and Juliet storyline and making him late for getting the hell out of there.

And of course, there was the Empire, coming around and exercising control over where they went and if they were allowed to be here. The wording in this segment was just *chef's kiss* so specific. They worried about visas and getting caught without them. The Imperial called them "illegal" and "undocumented," a speech that could just as easily be heard from the United States White House today. And then heavily implying (in a nauseating scene that just built and built and built) that Bix could save herself by trading her body. (Buy your right to exist by being useful to the overlords.) And then when she refused, made it clear he was going to take it anyway.

It was most obvious in Cassian getting held up in the jungle by the rebel group, who were so busy squabbling with each other and shooting anything that moved that they didn't even notice a) Cassian manipulating them and b) the giant monsters that leapt out and ate them. Blunt? Oh yes. Obvious? Yepper. Meaningless? Not in the least.

Interestingly, the one storyline that took this theme of infighting and flipped it around to show what it means to work together was Dedra's. Not the Ghorman part of it, although that was riveting. (And the tourist film that Krennic showed was hysterically funny in its WTFery.). But shockingly, it's the dinner with Syril's toxic mom, with Dedra watching Eedy gleefully tear her son down. Then when Syril has to leave the room, Dedra wastes no time in laying down the law that unless Eedy falls the fuck in line, Syril will no longer be part of his mother's life. I hated everyone in that scene as a person, but I admit I cheered.

To return to Cassian's storyline, the reveal at the end of the second episode that it was all taking place on Yavin made me hoot and holler and laugh like a loon. But it also points to something this set of episodes has been laying out in giant flashing neon letters.

The Rebellion is a baby. It's a mess. It's a bunch of people all more concerned with fighting amongst themselves about who's more right and morally pure then actually doing anything real against the Empire. Even Cassian's theft of the TIE fighter was a total mess. He got bad intel and bad training and mostly did a hilaribad job of flying that thing.

But one day, the Rebellion is going to destroy the Death Star. And they're going to do it from this rainy, smelly, monster-filled jungle where a bunch of idiots played Rock Paper Scissors to figure out who got to be the boss. That is going to be the scene of the Rebellion's big triumph.

If they can get their fucking act together.

my comfort ship

I’ve gone insane and started writing a cliche fantasy novel