Sweeter Than Candy

Terrarium Torso

The Rebellion and Infighting

I have so much to scream about in this first set of three episodes, but the one I want to yell about the most is the theme of destructive infighting that grinds everything to a halt.

It was a more background theme last season, because Cassian was still making his way toward Rebellion. But this time it came out front and center in all four storylines.

In the wedding on Chandrila, everyone was at odds with each other. Nobody could agree on what to do or how to support each other (or who should be supporting who). They sniped and sneered and took passive-aggressive swipes at each other, both personal and Rebellion-related. The one that most desperately broke my heart was Mon's conversation with Leida, where she tried to offer her a way out ("what I wish my mother had said.") And Leida slaps the offer away like a toddler slapping away a spoonful of peas, continuing the mini-theme of mothers and daughters not understanding each other.

On Mina Rau, they did a little better, but not much. What seemed like a lovely little agricultural community fell apart for the Ferrix contingent because someone who seemed to be an ally turned on them to save himself. Plus Beela's mom didn't approve of Wilmon ("a toolie") and fueled Beela and Wilmon's little Romeo and Juliet storyline and making him late for getting the hell out of there.

And of course, there was the Empire, coming around and exercising control over where they went and if they were allowed to be here. The wording in this segment was just *chef's kiss* so specific. They worried about visas and getting caught without them. The Imperial called them "illegal" and "undocumented," a speech that could just as easily be heard from the United States White House today. And then heavily implying (in a nauseating scene that just built and built and built) that Bix could save herself by trading her body. (Buy your right to exist by being useful to the overlords.) And then when she refused, made it clear he was going to take it anyway.

It was most obvious in Cassian getting held up in the jungle by the rebel group, who were so busy squabbling with each other and shooting anything that moved that they didn't even notice a) Cassian manipulating them and b) the giant monsters that leapt out and ate them. Blunt? Oh yes. Obvious? Yepper. Meaningless? Not in the least.

Interestingly, the one storyline that took this theme of infighting and flipped it around to show what it means to work together was Dedra's. Not the Ghorman part of it, although that was riveting. (And the tourist film that Krennic showed was hysterically funny in its WTFery.). But shockingly, it's the dinner with Syril's toxic mom, with Dedra watching Eedy gleefully tear her son down. Then when Syril has to leave the room, Dedra wastes no time in laying down the law that unless Eedy falls the fuck in line, Syril will no longer be part of his mother's life. I hated everyone in that scene as a person, but I admit I cheered.

To return to Cassian's storyline, the reveal at the end of the second episode that it was all taking place on Yavin made me hoot and holler and laugh like a loon. But it also points to something this set of episodes has been laying out in giant flashing neon letters.

The Rebellion is a baby. It's a mess. It's a bunch of people all more concerned with fighting amongst themselves about who's more right and morally pure then actually doing anything real against the Empire. Even Cassian's theft of the TIE fighter was a total mess. He got bad intel and bad training and mostly did a hilaribad job of flying that thing.

But one day, the Rebellion is going to destroy the Death Star. And they're going to do it from this rainy, smelly, monster-filled jungle where a bunch of idiots played Rock Paper Scissors to figure out who got to be the boss. That is going to be the scene of the Rebellion's big triumph.

If they can get their fucking act together.

I had this crossover for a long time in my head now (it’s a readraw)

Nobara, Itadori and Megumi posing and Gojo taking a photo :)

lgbtq people are like "look at my babygirl!!!" and the babygirl is a middle-aged man who has gone through the horrors of life

the thing about jujutsu kaisen is it really is as gay as everybody says and it is equal opportunity about it. yeah whatever the hell satosugu and itafushi got goin on but at the same time nobara’s backstory is like she was plucked out of an angsty yuri and accidentally put into a shonen. then two twin sisters who hate each other are fighting over her. megumi is telling yuji he never once regretted saving yuji and satoru is calling suguru his “one and only” meanwhile nobara talks about her literal ring of keys moment as a kid and thinking of her childhood best friend in her final moments. a BL and a GL at the same time we just don’t have time to unpack all of that bc bitches are dying left and right

Idgaf if you don't want to write essays for school. I don't care if you don't want to write corporate emails yourself. I don't care if you can't draw well, I don't care if you can't write well, I don't care if you just really really want to talk to your favorite fictional character but don't want to RP with a real person because you have social anxiety or whatever

If you're still regularly using generative ai, chatgpt or midjourney or character.ai or literally whatever the fuck, im personally blaming you when my utility prices start going up.

see, i have always interpreted syril’s motivation as finding a place where he can belong, whether that place is a person, a community or an ideology.

syril never really fits in with his colleagues on morlana one, he feels like “a stranger” and “a tenant” in his own childhood home, he doesn’t even have the same accent as any of his coworkers. sure, this can be because he is very socially awkward, but he sticks out like a sore thumb wherever he is. the only time where he sort of (but not really) blend in is when he works at the bureau of standards, not because he finally found his calling but because working a menial job directly for the empire in coruscant means there is little to no room for individuality.

for more than half of the season, we see that the only thing he CAN attach himself to is his own sense of self-importance. he yearns to be seen and recognized by the people he believes to share his values. at its core, his belief is simple and inoffensive enough: maintaining law, justice and order. humans have a natural inclination towards justice, so it stands to reason that he expects everyone to share his sense of righteousness. but when he becomes disillusioned with the people around him because they don’t care about the same things he does, he immediately feels displaced (and the audience feel that too.)

so we have a character who just doesn’t feel right no matter what situation the story puts him in and suddenly he’s with the isb. even though he doesn’t seem to fit in at first, he feels vibrant. he feels energetic. he feels alive. as if he has found his calling. under the rhetoric of the empire, his faith in justice and order is easily reassured and at the same time easily misconstrued as being of “service to the empire”. in other words, he feels vindicated and thus he conflates serving the empire with the pursuit of justice.

so it comes as a shock to no one that he attaches himself to dedra, or at least the version of dedra he’s made up in his head, because he believes she - and by extension the empire - shares his values. his conversation with her after he stalked her and him saving her at the end of the season are, to me, an indication that he has already been radicalized by the empire and its false sense of order and security. so it will genuinely confuses me if he actually turns to the rebellion in season 2.

Syril Karn is doomed to remain a fascist to the end

I've watched a bunch of videos with people talking about how Syril is a wildcard who could go either way with his allegiances, and seen speculation about how he could have easily been a Rebel instead, if he somehow ended up finding that side more attractive.

Here's why I think this is a shallow interpretation of the Andor show.

As the video 'How to Radicalize a Normie' by Innuendo Studios (link here: https://youtu.be/P55t6eryY3g?si=UxUauetzOETvTg1r) says, the young fascist man is not exactly looking to conservatism for a political ideology, but for 'the cure to his soul-sickness'. Syril needs to feel like he is worth something - and his mother refuses to offer him unconditional love. In fact, she actually refers to him as an investment - berating him for failing to offer her what she considers a sufficient return, and then gushing with praise when he reveals that he has been promoted. There is a void in his heart that needs something or someone to love him without reservation - and here comes the Empire, that tells him that he is good and worthy simply for supporting its vision of order. The Rebellion cannot offer any of its members the same - sure, it believes in equality of all the people who the Empire would otherwise look down upon, but it needs them to prove their worth before giving them value as individuals. The Empire, however, will allow Syril to passively consider himself better than large swathes of the galaxy simply by being.

Cassian, on the other hand, learns over the course of the series that he is loved and an individual by his family and community, without reservation. The final episode reinforces this idea - Maarva, Brasso, B2EMO and Bix retain their affection for him despite all his flaws - as Maarva relays through Brasso, she 'love(s) him more than anything that he could ever do wrong'. Even Pegla, who was grouchy earlier about Cassian taking the ships he is responsible for, is able to offer unconditional empathy to him upon seeing him after Maarva's death. Cassian is therefore not vulnerable to the Empire's rhetoric in the way Syril is.

I hope this thread gets reinforced in Season 2 - it really makes the anti-fascist critique that runs through the show.

Christmas if Gojo, Shoko and Geto had been able to raise Megumi, Tsumiki, Nanako and Mimiko together (Featuring Nanami)

I’m sorry if this is offensive and maybe I’m just really pea-brained, but I can’t grasp how someone can capture the raw appeal of men with such pinpoint precision while having zero attraction to them. Is it that you exclusively date women, hold a small amount of attraction to men, but just choose not to date them? Sorry if this is invalidating to you as a lesbian in any way. I know my share of being invalidated, given that I’m a bi woman, but I just had to know.

I’m not even remotely attracted to men and I never have been, I’m just a very good writer