The Framing Of Generative Ai As "theft" In Popular Discourse Has Really Set Us Back So Far Like Not Only

it's interesting how Rose of Versailles makes the aesthetics of the monarchy and the revolution fit together in a coherent whole. IRL the revolutionaries didn't like the rococo stuff, but Ikeda has made it so that the rococo aesthetics have transformed to symbolize the intensity of revolution itself.

me when bara wa bara wa

I hate all those youtube videos called like "This book is the worst" and they have some ooc suggestive or risky quotes on the thumbnail next to an npc loser affecting a shocked expression. It's so evil.

Please don't promote the idea that weird or explicit lines are a serious flaw in books

Kubinashi ouryou to shikyou amanojaku

Kubi-oke kaese, hai, hai, hai, HAI!　

首無しおうりょうと死凶天邪鬼、くびおけかえせ！はい、はい、はい、ハイ！

theyre letting me crawl out of the grave tomorrow

it's perfect

yoru

people talk about AI 'spitting out' images that aren't exactly what the artist wants, but other media are the same. This is why drawings always look different than what we imagined before beginning - because the materiality of the pencil or paint is deeply altering and controlling the outcome. It's just that we're used to this, so we think a pencil drawing is wholly our own desire rather than a conflict between our vision and the material.

We should base our aesthetics on this rather than making them conform to standards

worried that thing you put in your art or writing or game or music is too self-indulgent, too self-referential, too niche for anyone but yourself? fear not! you can do whatever you want forever. and you should.

You can trace an ideological lineage from Tezuka to Miyazaki, where both promote a kind of 'pacifism' which is at its core conservative and hostile to the idea of fighting against real evil. Thinking specifically of Tezuka's "Buddha" series here

My hot take is that I feel like “ghibli films are pro Japanese imperialism” is a lazy jab that grabs at a few soft spots in the oeuvre to make the cheapest most rhetorically damaging shot it can, and that an honest analysis would generally struggle to say even the most problematic of the movies like The Wind Rises come out of the wash with a positive opinion of imperial Japan. My hotter take is that if you rigorously pull at the threads where the nominally anti-war films thematically collapse, you’ll find the issue isn’t a support of Japanese Imperialism but a lack of a rigorous critique of industrial civilization.

I haven;t seen the show so I dont have an opinion on the tierlist, but it looks aesthetic doesn't it?

I thought this was about Li Bai. I guess it really is commonplace.

a good poet never dies, he just oh my god he’s gone into the water, i can’t see him, i don’t think he’s coming up, does anyone have a rope or like a long branch we can throw, how does this keep happening oh my god

This blog is how I get recs for new UTAUs to listen to

Sakebi is really good, I hope there are more synths out there with quirky concepts like screaming

Sakebi-chan! Managed by 狼少女21号, her voice provider (according to VocaDB) is 衣川狼.

Releasing April 2nd, 2012, Sakebi-chan is a voice bank made entirely from high pitched shouts. She's a demon, she has no known age, and her favorite thing is Girls.

There's not really a lot to go off of with ol' Sakebi, at least in English, she's just a weird little guy. Her official site is still up surprisingly, and her download link (I believe, take this with a grain of salt) was updated in 2017, but I think that might've just been because the original link was broken and so the uploader fixed it. She's also no longer on the UTAU fandom wiki for some reason?

I love her a lot, even if I don't get to use her much, her voice is very situational.

Also I just learned, Sakebi was designed by Matsuda Toki. It's a small world ig.