Impulsiveness : Acts on instinct without careful planning. Perfectionism : Sets unrealistically high standards, leading to self-criticism. Indecisiveness : Struggles to commit to decisions or choose a path. Arrogance : Overestimates one’s abilities and dismisses others. Pessimism : Habitually expects negative outcomes in most situations. Cynicism : Distrusts the motives and sincerity of others. Overconfidence : Places excessive faith in one’s skills, often underestimating risks. Stubbornness : Resists change and refuses to adapt to new ideas. Jealousy : Feels envious of others' success or possessions. Insecurity : Experiences frequent self-doubt and a lack of confidence. Procrastination : Tends to delay tasks, often leading to missed opportunities. Passivity : Avoids taking initiative and relies on others to act. Aggressiveness : Responds with hostility or force rather than reason. Selfishness : Prioritizes personal gain over the welfare of others. Fragility : Is overly sensitive to criticism and easily discouraged. Egotism : Constantly focuses on oneself and one’s own importance. Defensiveness : Quickly rejects or rationalizes away critique or new information. Manipulativeness : Exploits others to fulfill personal needs or desires. Recklessness : Shows a careless disregard for potential risks or consequences. Resentfulness : Holds lingering bitterness and grudges over perceived wrongs. Distractibility : Finds it hard to maintain focus amid competing interests. Impatience : Lacks the willingness to wait, often spoiling opportunities to learn. Perfunctory : Performs actions in a mechanical, uninspired manner. Self-Doubt : Consistently questions personal abilities and decisions. Arbitraryness : Makes decisions based on whim rather than reason or evidence. Rigidity : Is inflexible and unwilling to consider alternative viewpoints. Gullibility : Trusts too easily, often leading to being misled or deceived. Obsession : Becomes excessively fixated on particular ideas or details. Aloofness : Maintains emotional distance, appearing detached or indifferent. Intolerance : Refuses to accept differing perspectives or lifestyles.
Mix genres and time periods: Experiment by combining elements from different eras or genres to create unique settings and narratives.
Use "what if" scenarios: Pose unexpected questions (e.g., What if time travel operated on emotions rather than mechanics?) to spark novel ideas.
Draw from diverse mediums: Engage with art, music, or even scientific papers to inspire unexpected plot twists.
Embrace absurdity: Let illogical or surreal ideas guide you; sometimes the wildest thoughts lead to compelling stories.
Reverse clichés: Identify common tropes in your favorite genres and deliberately invert them to create fresh perspectives.
Incorporate personal anomalies: Transform your idiosyncrasies and personal struggles into rich, multi-dimensional characters.
Use mind-mapping: Visually plot your ideas in a freeform way to uncover hidden connections between disparate elements.
My first attempt at him:
I also drew the himbo angel:
I love them so much
*gives you a foxglove* *gives you a nightshade* *gives you a devil’s trumpet* *gives you a moonflower* *gives you an oleander* *gives you a lily of the valley* *gives you a hydrangea* *gives you wisteria* *gives you a buttercup* *gives you a daffodil* *gives you an iris* *gives you elder berries* *gives you a
see the THING IS I don't feel like I ever worked hard enough to have "earned" the burnout, which is. probably how we got here.
EVERYONE SHUT THE FUCK UP SCIENTISTS AT THE SCHMIDT OCEAN INSTITUTE HAVE FOOTAGE OF A LIVE COLOSSAL SQUID FOR THE FIRST TIME EVER !!!!!!!!!!!!!!!!!!!
🦑‼️🦑‼️🦑‼️🦑‼️🦑‼️🦑
Come back, I have to tell you the plot of a fic I’ll never write and get you excited about it so we can all be disappointed with me later
Gortash: what were you and your butler prattling about?
Durge: oh, it was mostly sceleritas. But he mentioned you.
Gortash: great. What does he want?
Durge: nothing important. Just wants us to cease all communication with each other.
Gortash: for what reason?
Durge: does it matter?
Gortash: absolutely.
Durge: he believes you're getting in the way of my duties. Moreover, you're a baneite.
Gortash: he wants us to separate ways because I worship bane?
Durge: and because you're an intrusion. But of course.
Gortash: he serves you, why is he ordering you around?
Durge: he is not.
Gortash: yes he is.
Durge: he is just making sure I fulfill my duties, father doesn't look on favour of disappointment.
Sceleritas: that is correct milady, your father wants the best for you, and so do I.
Gortash: gods, were you here this whole time?
Sceleritas: milady, would you not so kindly tell the banite that I do not converse with worshippers of your father's foes.
Durge: he can hear you fel, you're right next to him.
Sceleritas: I see that, I simply refuse to acknowledge him.
Gortash: your butler is unpleasant.
Sceleritas: your inscrutable countenance makes me want to vomit my insides into the bucket of bhaal.
Gortash: so you finally acknowledge me.
Sceleritas: master, I beg of you, slay the tyrant.
Durge: we need him fel.
Sceleritas: there are innumerable amounts of banites, eradicate him, and i would be so proud.
Gortash: kill him, he called me ugly.
Sceleritas: did I stutter?
Behold! Arani!
His name comes from the word arachnid. Cause like... spider... lily.
Hes like a true being of chaos and I love him for that. I even digitized him!
Then we got chari, the negotiator of the spider lily. I swear he's looks better in practice, I just didn't do him justice.
Here's his og design. I redid the clothes but the face is the same.
Then we got cethin, the treasurer.
He's the brother of chari, but they have a rivalry due to their difference in rank. Chari covers his left eye, which is an indicator of their bond.
All I got for them so far. But I mean, whatever. They're fun.
Next is my favorite in their dynamic! The court of the aconite.
Sonnet- 14 lines, written in iambic pentameter (a meter with five pairs of unstressed and stressed syllables per line), with the rhyme scheme ABAB (Also known as Shakespearean)
Haiku- traditional Japanese form with 3 lines and a common syllable pattern of 5-7-5. It often focuses on nature. (You can also do patterns of 7-5-7 or 3-5-3)
Villanelle- 19 lines with five three-lined verses (ABA) followed by a four-line stanza (ABAA).
Limerick- a humorous five-line poem with a rhyme scheme of AABBA and a specific rhythm.
Ballad- A narrative poem with song-like qualities, usually written in four-line stanzas with a rhyme scheme. (like ABAB or ABCB)
Ode- a formal, often ceremonious lyric poem that addresses or celebrates a person, place, thing, or idea. It typically follows a specific structure.
Elegy- a reflective poem that grieves the loss of someone or something.
Sestina- a complex form with six stanzas of six lines each, followed by a three-line conclusion stanza.
Pantoum- composed of quatrains where the second and fourth lines of each stanza become the first and third lines of the next stanza.
There are more but this is all for now!