Concept:

So like

Akutagawa is in love with Atsushi

If you took this out of context this would genuinely look like an enemies to lovers romance manga scene 🙏

Also Harukawa wrote an illustrator's note (I think it's at the end of volume 5?) about how she draws eyes, and how she portrays the character's current growth, personality and aspect on the world through their eyes

Akutagawa's eyes have almost always been dark, the representation for how dark his life and character is

But Atsushi brings light to them

In chapter 121.5 where Akutagawa's eyes grow wide as he sees Atsushi die, it's not just a show of how shocked Akutagawa is, it shows how Atsushi lightens Akutagawa's eyes, how much he's affected him for the greater good. Atsushi brings out a new side to Akutagawa

His eyes are incredibly light as he recalls his memories and gets hit by Atsushi's death that wasn't even just a death, but a death to save him. To protect him

Because Atsushi thinks Akutagawa is worth protecting

So just, like, I really love how chapter 122 not only shows Atsushi finally seeing Akutagawa's past and fully understanding Akutagawa's trauma and even relating to him, but it also shows how Akutagawa truly feels about Atsushi (although the "and then..." definitely left us on a cliffhanger)

I love them

And the Loki-Luffy parallels just keep growing!

This one is particularly poignant not just because of the fact they both looked up to strong pirates, but the circumstances of why they looked up to pirates are also connected.

From what little we can glean of Luffy's early childhood, he had basically no one looking after him and no other friends his own age. Makino is the only adult living on the same island as him who treats him kindly but even then she's not his guardian. Loki was the pariah of Elbaf who had even less of a support system than young Luffy.

When a child is abandoned and ostracized, they'll naturally throw themselves at any scrap of potential positive affirmation they can find no matter the source. Even if said source is socially frowned upon like piracy. Sometimes it works out really well like with Luffy and Shanks. Other times, it puts the child in danger and sets the wrong example like with Loki and Rocks.

Yeah, we are fucked up

Fyodor and the Devil: Analysis of Fyodor's motives and role in the narrative

Asagiri has stated that he based Fyodor not on Dostoyevsky the author but on a specific scene from one of his books The Brothers Karamazov where Ivan Karamazov confronts “the devil” in his room.

(It's a really good book, you should read it if you have time. Also. fun fact, Fyodor and the devil wear the same hat, “His soft fluffy white hat was out of keeping with the season.”)

Having read the book and gone over this scene, I realized that this could be used to find out a lot more about Fyodor as a character than we see in the story, including a potential glimpse at his real motivations.

A bit of context for the scene. Ivan Kramazov is a clever but deeply trouble man who has struggling with the concept of God and rationalising him with the cruelty of humanity, at one point while very sick, Ivan starts seeing a man in his room who claims to be “the devil”. Their conversation is a fascinating look at morality and why evil exists in the world, and if you look at it closely it reveals a lot about the role of a “villain” in a story.

This line from “the devil” is really interesting to me, and seems to explain a lot about Fyodor’s character, as well as align perfectly with how Asagiri has described Fyodor in interviews:

Before time was, by some decree which I could never make out, I

was predestined 'to deny' and yet I am genuinely good-hearted and not at all inclined to negation.

'No, you must go and deny, without denial there's no criticism and what would a journal be without a column of criticism?' 

Without criticism it would be nothing but one 'hosannah.' But nothing but hosannah is not enough for life, the hosannah must be tried in the crucible of doubt and so on, in the same style. But I don't meddle in that, I didn't  create it, I am not answerable for it. Well, they've chosen their scapegoat, they've made me write the column of criticism and so life was made possible.

Basically the devil is saying that he was created because without evil then good means nothing, if everything was perfect then nothing would happen or change, life couldn’t exist, so he was forced to be that evil even though he never wanted to be.

This is so similar to how Fyodor is described in the BSD exposition 2020:

Fyodor is the antagonist, he is the villain of the story, that is the role he plays. This explains why he chooses to commit so many atrocities in the name of  “following God's plan”. It even connects to his line in The Dead Apple, and his ability name. He is both crime and punishment, as “crime” or sin originates with the devil, but it's also the devil who punishes sinners.

(I mean the title of the episode he is introduced in is literally “My Ill Deeds Are the Work of God” by committing evil acts he is fulfilling God's purpose for him.)

And if Fyodor is really based on “the devil” it's very likely he also either does or used to wish for release from this role that was assigned to him, but he knows that he cannot stray from his path or the story will cease to exist. My evidence for Fyodor wanting to be free of his mission is just one interaction, when he kills Karma.

Look at Fyodor's expression here, this is the only time in the entire series where we see him look truly sad. This isn't an act, there is no one there for him to trick, he simply says a quiet prayer for the life of a boy who's only purpose was to suffer and die.

This next part of “the devils” speech actually seems to fit very well for Dazai, it's interesting since he is the narrative foil to Fyodor and clearly is a very similar character.

We understand that comedy; I, for instance, simply ask for annihilation. No, live, I am told, for there'd be nothing without you.

If everything in the universe were sensible, nothing would happen. There would be no events without you, and there must be events. So against the grain I serve to produce events and do what's irrational because I am commanded to.

For all their indisputable intelligence,men take this farce as something serious, and that is their tragedy. They suffer, of course... but then they live, they live a real life, not a fantastic one, for suffering is life. Without suffering what would be the pleasure of it? It would be transformed into an endless church service; it would be holy, but tedious. But what about me? I suffer, but still, I don't live. I am x in an indeterminate equation. I am a sort of phantom in life who has lost all beginning and end, and who has even forgotten his own name. 

This ties perfectly into Dazai and Fyodor’s debate on the nature of God in the sky casino arc.

Dazai here points out that it's not perfection and harmony that make the world move, it's the irrational, it's the foolishness and stupidity of humans who charges into life making a million mistakes but always finding ways to fight on through it. Here Dazai and Fyodor represent the conflicting sides of “the devil” with Fyodor embodying his mission to drive the world and Dazai embodying his secret love for, and wish to join, humanity.

“I love men genuinely, I've been greatly calumniated! Here when I stay withyou from time to time, my life gains a kind of reality and that's what I like most of all. Yousee, like you, I suffer from the fantastic and so I love the realism of earth. Here, with you, everything is circumscribed, here all is formulated and geometrical, while we have nothing but indeterminate equations! I wander about here dreaming. I like dreaming. Besides, on earth I become superstitious. Please don't laugh, that's just what I like, to become superstitious. I adopt all your habits here: I've grown fond of going to the public baths, would you believe it?

And I go and steam myself with merchants and priests. What I dream of is becoming incarnate once for all and irrevocably in the form of some merchant's wife weighing eighteen stone, and of believing all she believes. My ideal is to go to church and offer a candle in simple-hearted faith, upon my word it is. Then there would be an end to my sufferings.”

“"Why not, if I sometimes put on fleshly form? I put on fleshly form and I take the consequences. Satan sum et nihil humanum a me alienum puto."*

* I am Satan, and deem nothing human alien to me.”

This piece from the devil feels like it could be a description of Dazai’s character, his wish above all else to find happiness and love as a human despite believing he is a demon. Both Dazai and Fyodor have strong ties to the Devil, both of them are often described as demonic or inhuman, with emphasis placed on the darkness of their souls and the isolation they feel due to their minds.

But the difference between them is how they dealt with it, Fyodor chose to embrace it and fully commit to his role in the story as the ultimate evil for the greater good, but Dazai has always shown a fasciation with humans and has spent his life trying to connect to them and find meaning in his existence.

Finally, let's look at what we can learn about Fyodor’s motivation. Fyodor is the villain, he is the final obstacle the protagonist has to overcome, he is the driving force behind so much of Atsushi’s life and the reason so much of the series has played out at all. He sent Shibusawa to torture Atsushi as a child, he was an informant to the guild who put the bounty on Atsushi making the mafia turn on him, he was involved in the guild invasion, and obviously he was the master mind behind cannibalism and Decay of Angles.

If he is aware of his position as the antagonist, then he also is probably aware Atsushi is the protagonist, he knew he was the “envy of all ability users” after all, so he knows Atsushi has some significance to the world as a whole.

Atsushi is also the “guide to the book” which is seemingly Fyodor’s end goal, so even though Fyodor doesn’t seem to be focused on Atsushi, he has been indirectly influencing his whole journey up to this point. This also explains why Fyodor is only moving actively now, because the protagonist has appeared and his role as the villain can finally be fulfilled and he, like “the devil” can finally get the “annihilation” he asked for. Hence, Fyodor’s true goal is to erase himself from the narrative.

There is actually quite a lot of evidence for this. The obvious part is that Fyodor wants to rid the world of ability users while he himself is an ability user, he cannot exist in his perfect world. 

Then there’s the fact that in the Dead Apple, Fyodor calls himself “crime” if Fyodor is “crime” or “sin” then a world free of sin would not contain him at all

Even when Fyodor talks about sin, he says how humans are easily manipulated into killing each other, while he constantly manipulates characters into killing each other, he is the cause of the sin he fights.

A really strong bit of evidence is this interview with Asagiri and Harukawa

Not only does Asagiri reiterate Fyodors role as the person who moves the story, Harukawa specifically mentions that Fyodor might be trying to create a world without ability users because he thought it was a “bad thing to do” aka the action a villain would take that would lead to a hero stopping them.

“Dos-san is the biggest villain in the story so far, but I have continued to draw him with spaced out eyes that are neither righteous nor evil for a long time. The only time I drew his eyes completely white was when he said he would create a world without skill users. It was because, in reality, we would decide what is evil or not by our own scales, but I wasn't sure if he himself was doing it because he thought that was a bad thing to do.”

This also connects to how Fyodor was able to understand Gogol when no one else could, Gogol is chooses to fight against the way the world is to prove to himself that he truly is free. Fyodor, who is bound to play a part in a narrative, would understand that feeling and that longing to be truly free.

To be clear, I don’t think that Fyodor is really a good person whose just been trapped in an awful position against his will, we see many times that Fyodor revels in his cruelty and enjoys killing and torturing others. Its the same with “the devil” in the book, although he hates the job he was given, he tells Ivan stories of the people he’s corrupted and seems very proud of himself for it.

My personal interpretation is that the sadistic zelot personality Fyodor displays is a mixture of a mask and a coping mechanism, kind of similar to Yosano developing a sadistic side to help her deal with the guilt of half killing people in order to heal them. I think it makes sense that after centuries of cruelty and manipulation a person would become detached and stop really caring about the lives he destroys.

This analysis is partially unfinshed but I wanted to post it now and see what other people think of it.

Happy Birthday~

merry satosugu death date to those who celebrate (grieve)

I love how Akutugawa goes from taking Dazai’s words and then Fitzgerald’s account of Atsushi’s backstory and running with it to make his own assumptions on him.

To insisting on hearing it from Atsushi himself. Akutagawa wants to know why Atsushi is here, why he fights etc.

And he wants to hear it from Atsushi and no one else.

Your past isn’t who you are now, and that’s the person I wish to know.

Which makes Akutugawa revealing his illness hit so much harder to me because he wants Atsushi to know him too.

Since Teruko's story was revealed, I've seen some people saying that she wasn't twelve years old in the present day, but in the Great War, and since that was my first impression when I read the chapter, I wanted to talk a little bit about why this wouldn't make sense if we take into account the timeline that had already been established by the manga up to that point.

Because of Yosano's backstory, we know that the Great War began fourteen years before the current timeline, assuming that Mori recruited Yosano at the beginning of the conflict. (It's said that she was eleven years old when she entered the war, and as she is currently twenty-five years old, it is safe to assume that the war began, at least, fourteen years ago. Mori's age also agrees with this assumption.)

Back to Teruko's backstory, we are told that she started fighting in the war in her first months of life, as her ability meant that she could mature her body and mind, so she was already considered fit to be a soldier even though he was literally a baby. Just like Yosano, it's never stated that she was there from the beginning, and the chapter itself refutes this later, somewhat.

At the beginning of her flashback, the narrator talks about how Teruko's only childish characteristic is her appearance, which imply the idea that she is an adult today, and even the speech that she is only twelve years old, that she really is a child, can also be ambiguous as the scene changes to show Teruko during the war, giving the idea that during the war she had a childlike appearance because she was a child, but that now she uses that form for convenience, or any other unspecified reason.

However, if we consider everything we know about the war and when it occurred, it's possible to see that Teruko couldn't have served in the army while she was only a few months old and be over fourteen/fifteen years old, and we also know that the the war didn't last long enough for Teruko to have joined it when she was a few months old, and be twelve years old when it ended, at least according to what was shown in the manga.

Of course, she could be thirteen, fourteen, or fifteen, but the manga itself states that she is twelve, despite her ability being able to change her physical and mental age, so I see no reason to believe she isn't that age.

Also, the fact that she is twelve now only adds to the tragedy. She is a child who has only known war all her life and who died (as far as we know) to avenge the person who saved her life when she was just a few months old and had already seen people dying, already had to kill enemy soldiers, and was almost killed by them. It was supposed to be something sad, her life was destined to be a fight until the end, and not by her choice, because she had no choice to be here, to begin with.