Something About Vegapunk Using The Dna And Blood Of A Caged And Experimented On Child To Create More

OUTFIT SWAP BETWEEN THE VINSMOKES AND THE ASUL SIBLINGS YIPPIE

+yonji and Zoro because I didn't want to exclude him 💚🫶

atsushi seeing dazai and dazai telling him "i don't know anything, you do" is very important because this is just a clarification of what we already knew: atsushi is intelligent and capable. he holds the answers within himself. at the end of the day, he will be the one to save everyone, and it will be because he was always capable of doing so. even when he himself didn't believe it

the ada is such a loser compared to every other organization they go up against. they've got like eight members. they work out of a rented office above a coffee shop. half of them probably also live there. they're all broke. and yet everyone from the mafia to the government to the most powerful foreign gifteds see them as an equal opponent. and they're right.

A Fear Even Greater: BSD Ch. 121 vs. BEAST Ch. 4

I was reading the new chapter today and I couldn't help but notice some similarities to BEAST that I wanted to share. I'm sure I'm not the first person to notice this nor do I usually do this kind of analysis post but I thought it was interesting and I'd like to share so please bear with me!

BSD CH. 121 SPOILER WARNING

I've highlighted the segments from each work that I think are thematically relevant to each other in the same colours because my brain works that way, but if yours doesn't don't worry - I will explain:

In YELLOW we have Atsushi's instinct to flee in the face of the enemy. I touch on this a bit more later on but BEAST!Atsushi is further along this thought process than canon!Atsushi. B!Atsushi seems mostly afraid of pain and violence while canon!Atsushi is more despondent. He's lost hope and had his spirit broken from watching his surrogate family die in front of him (understandably, poor baby)

In GREEN we have Dazai acknowledging/calling out Atsushi's cowardice. BEAST!Dazai is mostly describing how Atsushi used to be while canon!Dazai is snapping Atsushi out of his current doom-spiral.

He does this in most of his other hallucination appearances, not dissimilar to his interaction with Atsushi in Ch. 25.

In PURPLE we have the core of this whole rambling post (*´▽`*) There really isn't any contrast in these two, both B!Dazai and canon!Dazai are saying the same thing here.

Which brings us to CYAN where we see how the purple bits deviate slightly with context. It's a minor difference but B!Dazai lists the things that Atsushi used to fear (pain, violence, etc.) but canon!Dazai lists the qualities that Atsushi feels he's lacking (courage and hope). B!Atsushi is already able to use this "technique" (for lack of a better term) in combat, likely because he was exposed to terrifying situations earlier and more frequently than canon!Atsushi and has had more time to adapt to them (again, poor baby [╥﹏╥])

Now in RED we skip ahead a bit in the BEAST chapter to Dazai giving Atsushi his next directive. B!Dazai uses Atsushi to enact his plan and (eventually) bring Atsushi and Akutagawa together while canon!Dazai urges Atsushi to compartmentalize and focus on saving the people that he's still able to save.

Canon!Dazai's request is reminiscent of Oda's final words to him which - knowing Asagiri - could very well be intentional even if this is obviously not the "real Dazai" but rather the manifestation of some part of Atsushi's inner thoughts or Byakko (personally my money's on the tiger theory but we'll see). The Oda/Dazai/Atsushi/Akutagawa parallels will never stop and I'm here for it tbh.

[Dark Era excerpt from this translation from @nkhrchy]

Which brings us to MAGENTA (Could I have done these in chromatic order? Yes. Did I only realize that after typing it all out? Absolutely.) In both cases at this point Atsushi comes to a realization and I think the difference in what that realization is really drives home how well BEAST uses alternate universe to emphasize characterization in canon. Some of this is based on my assumptions about the final page of Ch. 121 and is therefore at risk of being jossed next month BUT I think that what canon!Atsushi is realizing in the final panel ("who you really are") is that this Dazai apparition comes from The Tiger. If it isn't Byakko explicitly I think it's fair to say that it's coming from somewhere within Atsushi himself. So, that being said, let me explain a little bit: B!Atsushi's only recourse is to take refuge in Dazai's plans/orders. His "greater fear" stems from an instance when he deviated from those orders and as a result he feels safest behind the bulwark of going along with Dazai's will. Not the healthiest coping mechanism, but it makes sense considering what B!Atsushi has experienced up to that point. Canon!Atsushi, however, is (I assume) realizing that the safety and reassurance - however harsh it may seem - of the Dazai in his head has actually been coming from himself the entire time. I think it's safe to say that whether it's his subconscious or Byakko, this apparition takes the shape of Dazai because that's who Atsushi trusts during times of crisis; that's the voice he's desperately wishing he could hear. Ultimately canon!Atsushi is in a much better place (despite... everything lol) because he's able to recognize his own internal strength instead of clinging to the safety he sees in Dazai. B!Atsushi does eventually start this process after Dazai fires him and Kyouka (and then steps off the roof of HQ RIP) but he has to take the time first to heal from the anxiety his violent upbringing inflicted on him (quite understandably - let's all say it together: poor babey T_T) There's more I could say about canon!Akutagawa undergoing a similar process re:Dazai but this post is too long! So I won't ♡

OKAY! My brain has never been satisfied with using one word when I could use ten so if you made it to the end thank you and I'm sorry ♡ I am not a writer and doing this reminded me why!! So I will definitely stick to drawing pictures (I'm almost finished one I swear! I'm like a plant, I wither into nothing in the winter months)

LUCY AND KYOUKA MENTION!!!

my question is why is naomi’s past relevant NOW of all times….like is she gonna defeat fyodor or what

Lucy: an Emphasis on Vulnerability 🫧

(Note: this is a write-up from eight months ago that I very recently edited, so... not new, but certainly improved lol)

If I had to settle on just one thing, my favorite aspect of Lucy’s character would definitely be how her emphasis on vulnerability shapes her relationship with Atsushi. It’s something I appreciate more and more every time I comb through her appearances…

… which I do because I’m starved for Lucy content, rip. ༎ຶ‿༎ຶ

---

No, but seriously. If you ask me, Lucy doesn't entirely avoid the pitfall of the archetypal tsundere who’s bad at being vulnerable, sporting her fair share of arbitrary hot-and-cold moments. But while she isn’t a full-on deconstruction, it wouldn’t be fair to call her played straight, either.

For one, her criticisms of Atsushi are, more often than not, genuine criticisms, not simply deflections, and “being vulnerable” encompasses considerably more than just “admitting her crush.” Furthermore, being bad at vulnerability is, by itself, not the crux of her conflict; it's being bad at vulnerability while at the same time valuing vulnerability above all else. Let me explain.

Prior to her epiphany on the Moby Dick, Lucy resented Atsushi for having found people who – in her mind anyway – valued him unconditionally, considering him privileged on this front. Meanwhile, the man she worked for was a literal power tycoon, and at no point did she express the same envy toward him. This wasn’t hypocrisy on her part – not necessarily. If anything, it was a subtle hint at the way she thinks. She doesn't measure “privilege” by how rich or well-off someone is, rather, by whether or not they've found a place to belong.

This checks out in more ways than one. After all, Lucy’s only real goal while in the Guild was belonging, and she went above and beyond to achieve said goal. Hell, she crafted an entire persona around the villainous role she'd been assigned, all in the hopes that she’d win Fitzgerald’s favor and be kept around. And when that went awry, she allowed herself to become a maid – a source of menial labor, not too far a cry from her orphanage roots – just to avoid being alone.

She didn't care about the money or the benefits (in stark contrast to why most of the other members were there), and though she was eager to engage in villainy if it meant painting over her victimhood, she just barely tolerated being a villain, viewing it more as a means to an end than anything worthwhile.

It’s no coincidence, then, that she turned seemingly on a dime when Atsushi prompted her to re-evaluate her victimhood. She was receptive to his appeal not to abandon her past self, not just because he’d made himself “credible” in her eyes by revealing his scars, but also because – ultimately – a change of heart for her was as simple as lowering a mask.

Presently, Lucy is Atsushi's caring critic first and foremost.

She frequently calls into question his reckless heroism, i.e., his tendency to dive headfirst into danger for the sake of being a hero, thereby validating his existence. It’s a habit born of the Headmaster’s abuse – one he continues to cling to, and one she consistently challenges.

Hell, Lucy’s very introduction posed a challenge to Atsushi’s reckless heroism in the sense that, try as he might, he couldn't save her, only defeat her. Conventional heroism – the kind he used to save Kyōka, for example – was simply not enough...

... and lo and behold, it wasn't his strength that got through to Lucy, rather, his vulnerability.

But while Lucy is a blatant reversal of the way Atsushi often views his relationships (that is, through a lens of heroism) – and though she already understands Atsushi on a level most don’t, simply by virtue of perceiving his victimhood (as he does hers) – she also expects more from him than just salvation. Including just by existing, she presents a conflict that demands Atsushi be more of a person than a hero.

Their farewell “promise” is a prime example of this.

Bottom line is, it was never a real promise; Lucy knew full well that neither of them would be able to follow through. It was a last-ditch effort on her part to ensure Atsushi's well-being, knowing he was hellbent on jumping either way.

She appealed to Atsushi’s narrative by presenting an incentive for heroism, with the implicit condition that, in order to come back for her, he'd first have to… y’know, survive. Unbeknownst to Atsushi, though, salvation was never truly on Lucy’s agenda.

So in other words, the one time she did feed into his reckless heroism, it wasn’t to be saved, rather, to make him promise to live another day without his even realizing it. 

Post-Guild arc, this trend continues, albeit in different ways.

When Atsushi performs his aforementioned hero-dives in Lucy's presence, she tells him off for it.

In chapter 43, Cherrirs!, her upbraiding Atsushi for almost drowning is, notably, the first mention of his victory against the Guild that isn't an accolade. His fellow detectives have praised him left and right for it, and the Yokohama newspaper hails him (rightly) as the city’s savior. But Lucy’s reaction is another thing entirely. Is she in awe of his achievement? Absolutely. That's not what she focuses on, though. She focuses on him, insisting that he show a little self-preservation, like a person would. 

When he tries to insert himself into others’ plights uninvited, she intercepts him.

She doesn't appreciate his repeated attempts to be the hero in situations that aren't his to be the hero in, and urges him instead to let people fight their own battles – again, like a person would.

When he fumbles in his relationships, she confronts him. In contrast to Kyōka, who earlier in Cherrirs! indicates that she doesn't really require anything from Atsushi – just being around him is enough – Lucy requires him to talk things out with her. After the Moby Dick goes down and they don't see each other for a while, Atsushi more or less forgets about her. In his mind, Lucy asked him to save her, he wasn’t able to, she got off the ship by herself... and that might as well be the end of it. He doesn’t consider the possibility that their interaction meant more to her than a failed promise of heroism; that she might expect him to remember her as a person, not just forget her as someone he couldn't save.

When the people close to him don't consider how their being hurt or killed might affect him, she reminds them. When Kyōka recklessly tries to leave Anne's Room in chapter 118, Mystifying Being, Lucy stops her, pointing out how devastated Atsushi would be if anything were to happen to her. In doing so, she applies her philosophy of person > hero to Atsushi and Kyōka both at the same time. She encourages Kyōka to be more than just a hero by telling her to think of how it would impact Atsushi as a person if she died.

Atsushi doesn’t want the Headmaster's words haunting him forever. His ultimate goal, albeit unconscious, is to grow into his own person – a person who believes in themselves and doesn’t base their entire worth off of one attribute. Lucy is someone who pushes him toward that goal, if also unconsciously. Like Akutagawa, she doesn't think Atsushi's trauma defines him. She may not be informed of the specifics – of the Headmaster’s role in it all – but she continues to see Atsushi as more than just a hero, and treats him accordingly.

It’s worth noting, too, that – by the Guild Aftermath arc – Lucy has already gotten what she was after all along, and so it’s no wonder she hasn’t expressed any desire to join the Agency. In her Guild days, she never truly wanted to be a villain. It makes perfect sense, then, that – upon being dissuaded from villainy – she wouldn’t simply “default” to heroism. Unlike Kyōka, her watershed realization wasn't that she wanted to save people, rather that, through "imagination" (read: empathy), loneliness could be vanquished. Belonging is Lucy’s ultimate goal, and she’s nothing if not consistent.

As it often goes with tsunderes, being vulnerable isn't Lucy’s strong suit. That's why her go-to method of conveying her care for Atsushi is yelling at him to stop being so thoughtless. That's why her comforting skills could use some serious work.

And that's why, at one point, she absentmindedly reveals to Atsushi how much his Moby Dick display meant to her, only to backpedal.

But for all she dances around the subject of her crush on Atsushi, feigning indifference or even hostility, their shared vulnerability is like a precious gem to her. So naturally, her feelings of debt toward him, as implied in the above interaction, stand regardless of his many failures to save her in the conventional hero way. After all, he saved her in the way she values most: as a person.

For a time, all Lucy was capable of giving in return for Atsushi’s “ultimate favor” was conventional heroism – or in other words, many a close call and many a trip to Anne’s Room. That, of course, brought up a whole new dilemma: if conventional heroism was a worthless currency, but vulnerability was just out of reach, how could Lucy ever come close to repaying her debt? She didn't know. All she did know was that she had to pay him back one way or another, and that’s where her most glaring flaw – her quid-pro-quo mindset – came into play.

Lucy's quid-pro-quo mindset, seen mostly (though not exclusively) in her relationship with Atsushi, is her most glaring flaw because it undermines the values and priorities that make her, well… her. It’s a relic of her time in the Guild – a time defined by a strict (and frankly damaging) principle of transaction: usefulness in exchange for not being alone. It makes it so she's driven to help Atsushi out of a sense of indebtedness, rather than out of the same genuine care – the same emphasis on personhood and vulnerability – by which she would be driven otherwise. Furthermore, it inspires recklessness and self-sacrifice, two qualities she openly discourages in Atsushi.

It goes without saying, then, that the events of the Sky Casino arc were a major leap forward (no pun intended) for her. When Atsushi saved her from Nathaniel, thereby repaying her for her acts of service as he’d promised so many times he would, she realized that – just as her care for Atsushi doesn’t depend on his being a hero, Atsushi's care for her doesn’t depend on her being vulnerable. The illusion was shattered.

Ah, the wonders of character development. ✨

Thanks for reading!

girl piece 🫧

Kouyou and Verlaine are so similar, no wonder they are both Chuuya's older sibling figures and Kyouka's mentors. Both are executives whose specialty is murder, and who we know have trained several assassins for the Port Mafia. They both encounter a teenager so much like themselves when they were younger that they decide to do everything to stop them from making the same mistakes they made, even if they end up hurting them in the process. They both genuinely believe that what they are doing is the best for Chuuya and Kyouka, based in their own past experiences, because they are so alike that, to them, there's no way that the outcome won't be the same. Their only interaction in Stormbringer is them fighting with each other, exactly because they disagree in what's best for Chuuya. Verlaine killed the flags to make Chuuya agree in letting the mafia, Kouyou was willing to kill Atsushi to distance Kyouka from the ada. Like, even their personalities are similar. I could totally see them being friends if they had met in a different way (but with the way they met in the cannon, I'm sure they still hold a grudge against each other. It doesn't matter that Verlaine understood the mistakes he made, and that Chuuya accepted him as his brother at the end of it all, they still don't get along and don't plan on doing so anytime soon).

holy OH EM GEE

sorry i’ve been so un active oml school im sorryyyy

BUT HAPPY BIRTHDAY MY KING!!!!!

maybe i’ll draw him…