I Feel Like Some People Are Missing The Point Of These "deaths" A Little. Like I Know The Previous Arc's

Lucy should get to have a crush on Yosano, as a treat.

She's her favourite customer at the cafe. At first she was too shy to directly talk to Yosano about anything other than her order and couldn't make eye contact without going completely red.

Yosano is one of the prettiest women Lucy has ever seen, smart and confident, she admires the way Yosano walks into any room and looks like she belongs there. Lucy would find herself idly watching Yosano's hands, they're always so well manicured and look like they'd be so soft to hold. The hands of a doctor, they move with skilled purpose, even when just holding her coffee cup.

It was Yosano who started talking to Lucy first. Just casual topics, "Has it been busy today?" type of thing and Lucy nearly fell over herself to answer at first, but it quickly became easier to talk to Yosano. She has such an inviting smile and her laughter is like music to Lucy. Even when Yosano is complaining about her work load, Lucy can't help but be enthralled.

Yosano starts coming in to the cafe more regularly, taking her lunch breaks down there, or stopping in after work. She always sits near Lucy and waits to be served by her. Lucy has her order memorized so they get to talking immediately.

Yosano has invited Lucy out, she suggests they should go shopping together and get lunch out sometime, that way Lucy doesn't have to be distracted by her work whilst they talk. She wants to take Lucy sightseeing, show her more of Yokohama and build up her confidence about living in a new city.

Lucy can't help but feel like half the places Yosano suggests are dating spots, but that must be her imagination. Surely. The compliments Yosano pays her and the way Lucy's also caught Yosano watching her when she thinks she's not looking, must be a coincidence.

One thing I've been struggling to articulate is how meaningfull the “now we're even” line is to sskk. Because I believe it's really so poignant even beyond it's meaning of “returning the favor”. With sskk, it's always been a fight to surpass, to get the upper hand, to prevail. Always trying to come first before the other, always trying to win over the other. Akutagawa literally tells Atsushi “defeating you, that alone is my meaning”, and Atsushi too says “I have to become stronger [...] that is what I must do to deny Akutagawa's strength”. It's fight for supremacy: for Akutagawa first of all, since he feels like the only way he has to gain his validation to live is by the way of proving himself to Dazai through defeating Atsushi; but it's a matter of triumphing over the other for Atsushi, too, for whom doing good equates to it being okay for him to keep living, and for whom doing good often came in the form of defying evil, evil that Akutagawa so perfectly embodied. It's always been a fight to prevail, it's always been a “either you, or me”. Coexistence for them was simply unthinkable.

But now Atsushi knows better. He's grown to recognize Akutagawa's value, and to appreciate his sacrifice. Most importantly, he concluded that they don't need to fight for supremacy anymore; now that he aknowealdges Akutagawa's humanity and respects him, he can finally think of the two of them as equals, peers. That's the “even” there is to it: they've finally found their common ground. Aid, support, look after one another: it's not about trying to get in front or surpass the other anymore, but rather, stand side by side. And it gets me so emotional.

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Since Teruko's story was revealed, I've seen some people saying that she wasn't twelve years old in the present day, but in the Great War, and since that was my first impression when I read the chapter, I wanted to talk a little bit about why this wouldn't make sense if we take into account the timeline that had already been established by the manga up to that point.

Because of Yosano's backstory, we know that the Great War began fourteen years before the current timeline, assuming that Mori recruited Yosano at the beginning of the conflict. (It's said that she was eleven years old when she entered the war, and as she is currently twenty-five years old, it is safe to assume that the war began, at least, fourteen years ago. Mori's age also agrees with this assumption.)

Back to Teruko's backstory, we are told that she started fighting in the war in her first months of life, as her ability meant that she could mature her body and mind, so she was already considered fit to be a soldier even though he was literally a baby. Just like Yosano, it's never stated that she was there from the beginning, and the chapter itself refutes this later, somewhat.

At the beginning of her flashback, the narrator talks about how Teruko's only childish characteristic is her appearance, which imply the idea that she is an adult today, and even the speech that she is only twelve years old, that she really is a child, can also be ambiguous as the scene changes to show Teruko during the war, giving the idea that during the war she had a childlike appearance because she was a child, but that now she uses that form for convenience, or any other unspecified reason.

However, if we consider everything we know about the war and when it occurred, it's possible to see that Teruko couldn't have served in the army while she was only a few months old and be over fourteen/fifteen years old, and we also know that the the war didn't last long enough for Teruko to have joined it when she was a few months old, and be twelve years old when it ended, at least according to what was shown in the manga.

Of course, she could be thirteen, fourteen, or fifteen, but the manga itself states that she is twelve, despite her ability being able to change her physical and mental age, so I see no reason to believe she isn't that age.

Also, the fact that she is twelve now only adds to the tragedy. She is a child who has only known war all her life and who died (as far as we know) to avenge the person who saved her life when she was just a few months old and had already seen people dying, already had to kill enemy soldiers, and was almost killed by them. It was supposed to be something sad, her life was destined to be a fight until the end, and not by her choice, because she had no choice to be here, to begin with.

They look so funnysilly in this particular official art it makes me giggle like a little girl

You know, after Wano and Egghead where little girls were charging into battle against brutal pirates and demonic entities left and right and to a lesser extent Zou where even the baby minks were throwing paws with the Beast Pirates during Jack's invasion, you almost forget "oh yeah, no sane adult would let kids get involved in fights like this"

A century ago, the giants of Elbaf would probably be a little more open to letting Colon participate in the battle but that's definitely not happening now in their pacifist era.

Although the giant's wording is a bit interesting because he could also be inferring that Colon specifically is not suited for the battlefield. The kid's got plenty of fighting spirit, yes, but like most children he probably has very little idea of what the true gravity of going into battle actually means. He's treating it like a game, calling dibs on being the captain and making up his own pirate crew.

Up until now, Colon has probably viewed violence and warfare as something fun. Something you rush into without thinking because a sword swipe solves everything. His only experience with combat is likely from Ripley and Gaban training him. He's never fought against killer nightmare monsters or anyone who truly wants him dead. He's never seen the people he loves put in danger like what's likely going to happen to his parents if Sommers decides to play his little thorn game with Colon as the pawn. Colon is made to be a foil to young Luffy and Luffy eventually saw firsthand just how bloody and spine-chilling and complicated the world of piracy can be.

Now that being said, the end goal of Elbaf's narrative is blatantly leaning in favor of the giants not giving up their warrior ways, but what I think may be happening is something of an hourglass plot between Colon and his extreme pacifist classmates.

While the other giant kids will likely take more pride in their warrior heritage as they learn the importance of defending yourself, Colon is going to come to the realization that battle is not something you take lightly and that there's nothing wrong with striving towards a peaceful life. Not that Colon will give up his dreams of being a pirate warrior altogether, he's clearly got his heart set on that. But he'll come out of this experience a more level-headed kid with a greater understanding as to why the adults in his life are so protective.

I also think no matter what happens Usopp is going to be the one who inspires both Colon and the Walrus School kids to be brave because inspiring children with heroic feats is kind of Usopp's bread and butter.

the last line being "feel strongly / that's what you do when you want to experience the past" is so important to me genuinelyyyyyyy like. god. god. the dead authors manga for people who are bad at living. the lack of a solid time setting when it comes to bsd in a very deliberate way. the things that asagiri is always always saying about death as a transient state through bsd. fiction and emotion and death and the aftershocks that these dead authors and their literature leave across history.

SB!Chuuya vs mafia grunts: spot the differences

Choker (for style)

Gloves (we don't have time to unpack all that)

Rolled up sleeves (for size style)

Open collar (delinquent)

No tie (delinquent)

Unworn sunglasses (in pocket)

It has all the elements of a standard mafia grunt uniform. In the novel, he picks up a shirt, all of which are high-end and well-maintained, "at random" just to get it done. This matches his empty apartment in serving the theme of the story, which is "who is Nakahara Chuuya?"

and YET, we can see his personality come through that basic nobody uniform in the way he chooses to style his bland clothes, the accessories he puts on, and the glasses, which are a mean to anonymise the mafia members, that he does not put on, yet carries with him. He will not be absorbed as just one of the many, and despite his uncertainties, he's clearly himself from the very start.

CHARACTER DESIGN!!!!

(note: the light novel description of his clothes and the character design do not completely agree. Asagiri wanted to have Chuuya wear emerald cuff links. Harukawa rolled up his sleeves. Make of that what you will.)

Thee kiddos