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Crowned With Snakes and Branches of Oak: Hekate Brimo

This is a post specifically on Hekate Brimo, for Brimo as a general epithet and goddess, please read @nehetisingsforhekate’s post on Brimo.

The Name:

Brimo (Βριμὼ) is an epithet Hekate is sometimes referred to in Her chthonic manifestations, and this name means ‘angry’ or ’terrifying’. Hekate is also called by different names of a similar nature. She is called “δασπλῆτις” (Dasplêtis), meaning frightful or horrid, in Theocrates’ Pharmakeutria. She is also named “θεά δεινός” or “δεινὴ θεὸς” (Thea Deinos/Deini Theos), meaning dread goddess, or frightening goddess. This phrase is used in the Argonautica, referring to Hekate named as Brimo.

Historical Usage:

Brimo is most notably used to refer to Hekate in the Argonautica. She is called Brimo three times, specifically in the rituals of magic that are performed. This shows a trend of calling on Underworld deities specifically by their epithets when worshipping their chthonic manifestations, as well as the trend of magic’s association with chthonic powers. These passages are reproduced below:

“Medea, clothed in black, in the gloom of night, had drawn off this juice in a Caspian shell after bathing in seven perennial steams and calling seven times on Brimo, nurse of youth, Brimo, night-wanderer of the underworld, Queen of the dead. The dark earth shook and rumbled underneath the Titan root when it was cut, and Prometheus himself groaned in the anguish of his soul.” (132)

“Then he dug a pit a cubit deep, piled up the billets, and laid he sheep on top of them after cutting its throat. He kindled the wood from underneath and poured mingled libations onto the sacrifice, calling on Hecate Brimo to help him in the coming test. This done, he withdrew; and the dread goddess, hearing his words from the abyss, came up to accept the offering of Aeson’s son. She was garlanded by fearsome snakes that could themselves round twigs of oak; the twinkle of a thousand torches lit the scene; and hounds of the underworld barked shrilly all around her. The whole meadow trembled under her feet, and the nymphs of the marsh and river…cried out in fear.” (141)

These passages indicate that Brimo was a particularly frightening manifestation of Hekate. One which shook the earth as She emerged, and was attended by fearsome creatures. She even frightened the nymphs who resided in the place where She manifested. 

Brimo is also used as the name for Hekate in Lycrophon’s Alexandra. The passage has been reproduced below:

“O mother, O unhappy mother! thy fame, too, shall not be unknown, but the maiden daughter of Perseus, Triform Brimo, shall make thee her attendant, terrifying with thy baying in the night all mortals who worship not with torches the images of the Zerynthian queen of Strymon, appeasing the goddess of Pherae with sacrifice. And the island spur of Pachynus shall hold thine awful cenotaph, piled by the hands of thy master, prompted by dreams when thou hast gotten the rites of death in front of the streams of Helorus. He shall pour on the shore offerings for thee, unhappy one, fearing the anger of the three-necked goddess, for that he shall hurl the first stone at thy stoning and begin the dark sacrifice to Hades.” (1174-1188)

Here Hekate is called Triform, or three-formed, Brimo. This description of Hekate is also far from one of a peaceful and friendly goddess. Here She is described as angry, and being attended by frightening baying hounds. Thus, Brimo is used to indicate Hekate’s more horrifying manifestations in its historical usage.

Hekate Brimo in My Practice:

In my practice, Brimo is ‘the lowest manifestation of Hekate.” To me, this indicates that Hekate Brimo is the most fearsome, Underwordly version of Hekate. She is a terrifying goddess, crowned with venomous snakes and oak branches. She carries daggers and torches, and sometimes has snakes instead of legs. Her skin is grey and Her eyes are like flames. In Her wake, the ground shakes, and out of Her steps grow the most noxious flowers and roots.

Brimo is the name I give to any of the more dreadful manifestations of Hekate. She is called on for petitions for justice and revenge, and is the goddess invoked in harmful magic. Hekate Brimo is the version of Hekate I associate with the Restless Dead, and who I view as roaming the roadsides on the night of the dark moon. This Hekate is also what I equate with Her role as the Queen of Witches, but not necessarily as the goddess of magic more generally. Her association with magic lies within curses, spells for justice and punishment, spells involving the dead, and rituals which invoke the inhuman daimons of the Underworld, over which She has dominion.

Hekate Brimo is also closely associated with the Erinyes, or Furies, in my veneration of Her. These Underworld goddesses of punishment and justice are frequently associated with Hekate in the PGM, as well as other literature. In Statius’ Thebaid, they are invoked and propitiated together (along with Hermes). These goddesses also mirror Hekate Brimo’s appearance, with snakes in their hair and carrying flaming torches of yew. 

Hekate Brimo is honored with chthonic offerings: libations of milk, honey, and wine. She was also historically offered black sheep. These are burned in a pit, and once these offerings and rituals are completed, one must turn away and not look back. Hekate Brimo is also attended with the hounds of the Underworld, and dogs on earth are in tune with Her presence. Whenever I have done a ritual invoking Hekate as Brimo, I have heard dogs barking before, during, and after. She may also send snakes to you. Plants I associate with this goddess are oak, yew, and various poisons, mainly aconite and mandrake.

Brimo is the face of Hekate which most often captivates audiences, and is the one that should be feared and is the representation of Hekate who is given offerings in hopes of averting Her. This is not an epithet of Hekate to be called on lightly, and these invocations must be done with the utmost care and reverence. She is one of the most frightening goddesses in the Ancient Greek pantheon, and is the stuff of nightmares.

Sources:

https://www.theoi.com/Text/ApolloniusRhodius3.html

https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0227%3Abook%3D3%3Acard%3D1190

https://www.theoi.com/Text/LycophronAlexandra.html

http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A2008.01.0450%3Asection%3D22

https://www.theoi.com/Text/StatiusThebaid4.html

Art: “Hecate” by Johfra Bosschart

“You must understand the whole of life, not just one little part of it. That is why you must read, that is why you must look at the skies, that is why you must sing, and dance, and write poems, and suffer, and understand, for all that is life.”

— Krishnamurti

Tongue Control Spell (3)

The following spell counters gossip, slander, and testimony against you. It is most powerful if performed standing at the center of a crossroad, however it may also be accomplished standing at a window. A sudden gust of wind is an extremely auspicious omen.

Blend a pinch of white sugar, a pinch of flour, and a pinch of fine ground salt.

Hold the powder in the palm of your hand while visualizing your desired outcome. Direct your petition to the deity of your choice, if necessary. (If you’d like spiritual assistance but are unsure who to beseech, the archangel Michael and the orisha Ogun, warriors who despise lies, are recommended, as is Ma’at, Egyptian dispenser of ultimate justice.)

Chant: I am innocent of the accusations! [Deity’s name] protect me!

Allow the powders to fly out of your hand.

(from The Element Encyclopedia of 5,000 Spells by Judika Illes)

Blessed be!

CIRCLE TIP:

I know books from the seventies would have you believe otherwise, but you don't have to mentally hold circle for the whole ritual, and you don't have to physically mark the whole circle boundary, nor do you need a coven member to hold space. You can put regular old rocks at each of the cardinal directions along the walls of your room or along the outer perimeter of the sacred space and use those as anchor points for the energy you lay.

Start by gathering, cleansing, and sanctifying/consecrating/blessing/charging/whatever four stones of any shape and size that suits your needs. Larger stones are good if you want them to be a visible reminder of the boundaries of circle, but smaller ones are good for discretion. Anoint them with a protection oil if you'd like (I only recommend doing this if you are using them indoors with no animals around), and/or pencil protection sigils on them. Cast circle but make sure your energy hits each stone and runs through it. If you call in the quarters, invite them to reside in their respective directional stones. Boom, done, now you have an easily marked sacred space that doesn't need constant maintain.

And, fun fact, circle doesn't HAVE to be round. Round is easiest when you're using mental energy to hold the space, but if you use physical barriers like existing walls then your cast energy resides in that physical block and is held automatically. I especially love doing this as a quasi-permanent marker to sanctify an entire room because any doorways become defacto entrances/exits that spiritually open and close when physically opened and closed.

Okay but isn't this being lazy? NO you rude hypothetical, it's not. It's being resourceful. Using these physical anchors allows a solitary practitioner to put their focus towards other things. I use this method when I'm studying magic texts, or so I can hang out with my ancestors and spirit friends casually for extended periods of time, or if I am going to be attempting astral projection. And by "I use this method," I mean it is one of the permanent protections I have in place in my home.

Has anyone else tried this? Please share any experiences or circle hacks you might have!

🔥 The Rite of Her Sacred Fires 2021 🔥

For When Shit is All Fucked Up:

1. - 2. WHAT THE: (Center Cross) The face of my current challenge. The crux of what hounds me. 3. ACTUAL: What is real about this situation? 4. FUCK: What is wrong about this situation? 5. ?: Where do I need more information? Where do I need to ask, research, and listen? 6. !: What can I do? What first steps can I take in action?

Hang in there loves!

Full post on the blog: http://www.interrobangtarot.com/blog

And if you like this spread, you might like some of my others: http://www.interrobangtarot.com/contents

Casual ways to connect with your deities

-Pray to them or just just talk with them and tell them about your day

-Light a candle and say your thanks

-Offer your meal/snack to them or bake/cook with them or for them

-Watch a movie in their honor

-Offer your morning drink to them or make a cup for them

-Assign them a plant and take care of it as a devotion to them

-Listen to music that reminds you of them

-Say good morning/good night

-Thank them for the things you see that you consider beautiful