Sorry I didn’t realise it didn’t originate with you. I just get frustrated sometimes as I see the same 2 biased sources-this guy and Erin Torkelson Webber continually reblogged. I do apologise though. Hope you are having a good Saturday
“When John got the drift about how the others felt, instead of keeping Yoko away out of sensitivity for their feelings and out of concern for the group dynamics, he said, “I don’t want to play with youse lot anymore.” Paul desperately wanted things to work out. He was enormously patient. It was only his great love for John and for the whole Beatles thing that stopped it from blowing up sooner than it did. I remember the exasperation on his face away from the studio. At the time he was Abbey Road far more than John, who mostly kept away. John’s input was minimal, except on his tracks, or the ones he featured on. George’s input was pretty strong, but Paul was the most visible one, perhaps to the point of being overwhelming. Not in a nasty way, but just being creatively in the lead. I think this was because his personal life was very happy. John, newly obsessed with Yoko, should have been happy, but was exhausted and in torment. Looking for some release, he and George had even taking up chanting together.”
— Tony Bramwell, Magical Mystery Tours
Dear friend! We already know his thoughts on Coming up from a few interviews and the same for Too Many People. I don’t entirely buy that Call Me Back Again is a McLennon song. But Dear Friend is 100 percent about John and given it came during a period of infighting, I want to know what John truly felt hearing that for the first time. Can I get Paul reacting to I Know, I Know as a bonus? And both of them reacting to I Don’t Know (Johnny, Johnny)?
If you could be a fly on the wall when John listens to a song for the first time, which one of the following songs would you choose and why?
Too Many People
Dear Friend
Call Me Back Again
Coming Up
If you could choose another song, that isn’t listed above, which one would you choose and why?
I am not sure John was a baby but he was a softie. He is missed
the softest guy i’ve ever met
My fellow John girls doing the Lords work
John Girls mobilising in 1963 (from the Evening News and Chronicle, 12 December)
John and Jane would be great but I also wouldn’t mind Paul and Stu lol. You could cut the tension with a knife lol
If you could be a fly on the wall in a broken lift for an hour, which one of the following pairs would you want to be trapped in a lift with and why?
John and Jane Asher
Paul and Brian Epstein
George and Magic Alex
Ringo and Pete Best
Is there another pairing not listed above that you would want to be trapped in a lift with? If so, which pairing and why?
Hilarious to see Paul fans so triggered by one guy within the whole Beatles fandom who might actually have criticisms of Paul (instead of acting like he is the only Beatle that matters) while us John girls have to deal with people acting like he was the worst human who ever lived in every post or at best a glorified idiot who was lucky Paul took pity on him (eye roll). I’ll be playing the worlds smallest violin for you.
Sending special love to the original OP who thinks anyone who doesn’t agree with her is narrow minded and that there is such a thing as a historian who isn’t biased. I guarantee if this historian was biased towards Paul she wouldn’t complain.
Today's AKOM was outstanding. I have so much to write and probably no time to write it until Thursday, but I had to make the time to say that it blew me away. The aspect I expected to influence me least, influenced me most: the death of Paul's mom. The writing about it. All of it. It humanized him and that loss in a way that hit me hard, and made me realize how much I'd been influenced by Tune In, even though I'd done my own critiquing of that section before.
(I want to write about the money part so badly, because I think that was very real for Paul, and I believe all the evidence shows that Jim was — or at least would have felt — much less stable than we really think about. He bet on the horses. He was the fun parent. But no, that's what I don't have time for.)
This was an excellent, excellent episode. The most powerful overall, by far. The most holistic in its picture, the most undeniable, and the one that brings me back to where I started, and with a bullet: "What story is Mark Lewisohn trying to tell? And why?" And why aren't we talking about the fact that he seems to hate Paul McCartney and Apple definitely doesn't like him?"
There are longstanding grievances, and the fact that he makes Paul McCartney into a manipulative ice cube on the page is likely not an accident.
I mean, right??
Lewisohn seems downright deceptive—may I even say manipulative?—after listening to today's episode. And although I have big problems with Lewisohn because studying the text you just have to, I have played Devil's advocate in my head through every episode, but at some point today I lost my ability to find any excuses. It is just impossible to construct any defense of this.
Fucking incredible episode. Brava, ladies.
Reminder clip: Mark Lewisohn on Fans on the Run pod — "the bastards took my name off it"
This is adorable somehow. Why am I obsessed with these little moments?
a) Science boy johnny
b) something about the way paul responds at first…
I’m now crying. He is killing me
April 28, 2022
Tbh I saw that same anon a few weeks back and was annoyed the first time but didn’t want to start drama. I am all for speculation and what ifs (after all this is tumblr!) but I’m not cool with baseless speculation. There is nothing in John’s words or actions that indicates John would be a conservative nut job if he lived today and I’m not really enjoying one person’s feelings being presented as fact as it might not be clear to people new to the Beatles that there is no evidence to back up this persons point of view . A large part of why we have so much anti vaccine craziness is because feelings have been presented as fact in the news media and people latch onto it. Sorry if I fired as I know you were making a joke and I perhaps took it wrong. I just wanted to explain why I felt the need to respond. But I get just your blog and I appreciate it was just a joke.
“Would John have gotten politically weird if he lived” anon here and FRUSTRATED. I’m not saying I told you so, I’m just telling at these idiot men through the screen.
Also I do not understand how these rich famous people don’t know the difference between a parasite (what ivermectin treats) and a fucking virus. They are different.
Listen to your uncle Paul boys. Be cool, get vaxxed.
I have no clue where Julian gets this from tbh I don't know his social circles. I'll say that from what I can tell most of John's weirdness seemed to come from Yoko and her circle (not saying it's entirely her fault, just saying I feel like that might be why Sean's like this, though he may also be just trying to be supportive of his brother).
It's so hard to talk to these types of people cause they're so terrified generally and for whatever reason feel completely justified in their distrust of science. I don't know Julian or Sean's full educational background but often I think it's people who get overwhelmed about biology and don't have an intuition for it (see: people who clearly don't really know what RNA even is freaking out about it)
Honestly, probably Paul is also non-confrontational about this type of thing though, so I'm not sure he's the best bet to try and convince Julian and Sean otherwise.
I agree! The reality is that all these authors have bias but if it’s in favour of Paul McCartney it’s ok because he’s seen as being victimised by the rock journalists of an earlier era. Erin Torkelson Weber has a quote I’ve often seen here that just because something came later it’s not necessarily untrue. But the important thing to keep in mind is it’s not necessarily true either. Paul McCartney has a huge advantage over John Lennon in that when he tells his story, the emotions of the situation have settled which makes him seem like a more rational source, unlike John who was still working through his emotions in the 70s as the events were still in recent memory. Paul has also had time to think about how to make his story palatable to today’s audiences where times have changed, which John never had given he died 40 years ago. He also has his legacy to preserve and of course will twist things to his advantage as who is going to challenge him? Yoko is ill and Sean doesn’t know the full story as he was only 5 when his dad died. I just think people need to think critically about this and realise that just because this is the latest version of events doesn’t necessarily make it true. The truth is always something in between
Erin Torkelson Weber, The Beatles and the Historians
Paul McCartney on hearing ‘Free As A Bird’ for the first time and working on it for The Anthology. Interview for Access Hollywood, 24 May 1997.
Paul: I heard it and I was very emotional. Sort of: “Wow! Yeah! The boy, Johnny!” You know, I loved- ‘Cus I loved him, you know. And I spoke to Ringo on the phone and I said: “Better keep your hankie handy for this one, ‘cus it’s pretty emotional when you hear it!”
It was fantastic for me! Having John in the headphones? It was like he was here! ‘Cus when you’re working, he’d be in a booth over there and you’re not necessarily looking at him. He’s here in the headphones…
Disclaimer: I’ve seen this quote float around but never the corresponding clip. If someone has made it available before, I apologise. If not, please enjoy, like I did, another addition to the tag #then you were here today, where Paul talks about feeling John’s presence.