I recently listened to Peter Gabriel's In Your Eyes, and I read an interesting insight about it on Wikipedia. The article foremostly defines the song as "inspired by an African tradition of ambiguity in song". Reading this makes one wonder more about what makes Gabriel's prose so enigmatic.
When reviewing the following three verses, something clicked in my head with the "ambiguity" between the lines:
The grand façade, so soon will burn
Without a noise, without my pride
I reach out from the inside
Taking a look at the first and third lines, both are statements which can stand on their own with profoundness. Though, the second line at the middle seems to be adjectival/adverbial in purpose. What statement does it compliment though? The one above or the one below?
Considering the meaning behind the entire song, I found it to be both verses. Going back to the Wikipedia description I quoted, the gist of Gabriel's poetry can be illustrated as "ambiguity in song between romantic love and love of God". The very first word of In Your Eyes is just "love". We can say he's altogether singing about love, the one-word concept, and not as if both types of love are seperate in definition. If Gabriel's song overall implies two meanings of love at the same time, it's thematically fitting that his words are both a blur, figuratively and literally, between the two loves.
Returning to the three verses above, the second verse can gramatically applied to both the first line and the third line. Combining the first and second would mean that the singer will burn his concealing outer-self, without regard to his entire ego and to any self-pitying struggle. Synthesizing the second and third lines instead, would convey that the singer's true self is reaching out to his lover, absent of distractions and selfishness. Both permutations of the three verses serve Gabriel's message, while emphasizing how the the mysticism of love influences his attempt to convey it.
It's certainly hard to discretely notice this at a first or second listen of In Your Eyes, but that also adds to the intentional experience of ambiguity Gabriel gives. His technique can be paralleled to an African musical technique, termed by John McCullough as "layering". The term McCollough defines is familiar to what I can see in Gabriel's method with those selected 3 lines:
"The polyphonic texture is difficult to wrap your head around, as the drums play their own rhythm while the guitar and bass, though sharing a funk music influence, are playing two completely different musical lines. This is evident of layering, as the instruments are placed on top of each other in order to make the entity of the song."
McCullough's conception of dual meaning in the music-piece can be paralleled with my own:
"When writing the song, Gabriel was interested in the idea of there being no difference in African love songs between the love of a woman and the love of God"
For me, writing this analysis down is how I solidify my appreciation for songwriting's capabilities. I appreciate how the three-verses I keep on mentioning can be read and thought about in more than one order, without conflict in chronology and logic of reading. This poetry is unrestrained by time, the conventional way of listening and reading from left to right, and first second to last second. It's why I love it.
For anyone who hasn’t read it yet, I released a pencilled 25 page chapter of my graphic novel I’ve been drafting for a couple years now. (Reads left to right like American comics). Chapters 1 (25 pages) and chapter 2 (19 pages) is uploaded to my Pixiv (link in my bio). It’s moving slowly as I’m working on multiple creative endeavors and battling my health issues, but it’s still very legible and imo as pretty as finalized art in this rough pencilled format. I’m really thankful to all of you who read my my work and are supporting me through my body trying to make me give up 😌 https://www.instagram.com/p/BwHtBF_AFQg/?utm_source=ig_tumblr_share&igshid=1buseo5swrm2m
Thank you to everyone at #animenyc2018 who stopped by the booth and took some time to look at my comics/manga! A few people were very shocked at the subject matter as opposed to how “cute” my clothing designs are, so I sort of had to disclaim people after day 1 of AnimeNYC lol 🙏🏻 Showing my comics to people has always been sort of nerve wracking, so seeing people shocked or disgusted at certain parts of my stories was really nerve wracking,,,,, Note: don’t watch people read your own manga so save your own life!
#animenyc#animenyc2018#manga#comics#art#ink https://www.instagram.com/p/BqXbQ4vARiq/?utm_source=ig_tumblr_share&igshid=11d6k4554fkq
🌱Different versions! ✨
A treat! 🍫
The _Jammo_ Fall collection is here, and we have a bit of a treat for you in celebration!
Enter code “JAMMOWEEN” at checkout to save 20% off of your entire purchase of $20 or more!
Happy Halloween! 🎃 Have fun tonight! https://www.instagram.com/p/BpnobX5AajX/?utm_source=ig_tumblr_share&igshid=axl2zfqlb2t1
We’re all the same We’re just under different covers Last thing we need is more soldiers We just need to learn to be lovers
- lyrics by Foom! (Cash Rulz)
@foomfamily #foomfamily #foommiami #foomband #finfangfoom https://www.instagram.com/p/BtrH_t3gDUv/?utm_source=ig_tumblr_share&igshid=1w3isq8vuy1jc
So I’ve sort of incidentally ended up making an album. Mot of the bulk of this (compositionally) has been completed for a while, but messing with levels and such for a while. I’m no professional so this is pretty lo-fi; made from my bedroom out of chance, but it’d be cool if some of you guys would check it out. There’s some love put into this for sure! Ah, and also: the last track happened totally incidentally; it isn’t masterpiece or something necessarily extraordinary or better than the others, but I had been contemplating “what’s missing… what’s missing…” for a while now, scrapping other songs and even thinking I wasn’t going to put out an album entirely because something just felt off. My buddy Mat and I were messing around at guitar center and as usually, I obsessively recorded the few bars of piano he played with me lightly playing rhythm guitar under. I think it’s one of those songs that isn’t the best on the album, but sort of makes the album, if that makes sense. Anyhow, thank you for the support always and I’m more than grateful if you even take a look at one of these songs!
#music#lofi#shoegaze#ambient#synth https://www.instagram.com/p/BpxzBwsANcp/?utm_source=ig_tumblr_share&igshid=z3pzmtz29cco
Sorry for reposting, I noticed Clip Studio didn’t render the screentone layering properly when exported to a PNG :| So now it’s exported properly for how I intended the shading
Piece made from a study by a recent photo taken by @rara_pinkman (scroll right to see his original photo) Lyrics are by Title Fight (Shed album; Shed, Where Am I?, Society) #art #manga #comics #mangaka #ink #clipstudiopaint #titlefight #漫画 #漫画家 #らくがき https://www.instagram.com/p/Bs1pqaLgBV-/?utm_source=ig_tumblr_share&igshid=tk4578tj2x2
For just $45.00 Original character, Gloomy, screen printed on a 50/50 cotton/poly blend crewneck sweatshirt! - Designed in Miami, FL by Luke Stuart。 - Produced in Miami。 - Photography by Alex Lopez and Luke Stuart。 Please machine wash on cold and keep him away from dryers to maintain print vibrancy。 This item is a pre-order! We will be attending AnimeNYC from November 16-18th, henceforth orders will be fulfilled in the couple of weeks following the event。
I'm a self-educating amateur that wants to make stories. https://linktr.ee/sung4ji3 —————————————————————————————————————————————————— 21. He. Autistic, so let me know if I say/do anything weird/rude. I respond ASAIC. I want to have conversations with understanding, not arguing. I like asking nonpersonal questions, sorry if I get nosy.
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