Little tribute to the rover that’s had me emotional all day… RIP Oppy.
I had a baby with Shale in camp and I cried.
Gee, I wonder why 😅
Dragon Age Story Generator. @a-shakespearean-in-paris & @kagetsukai thought you’d find this fun!
Well said. I have just been way more busy lately, but yeah, it is discouraging when I do manage to write something it only gets like a third of the notes now. I am so extremely appreciative of those people, even one note is amazing really, but it really makes you start to wonder if people are losing interest in your work. Or just do not like it.
I think you’re right, some of the content creators I knew almost dont post anything anymore. Those who do get less traffic unless they’re style is really good, on hype or if they’re content includes Kamilah (since she’s really popular). All I see in my dash are shitposts whether funny, edgy etc. and they’re the ones who gets most traffic. I still like those but its like 70% shitposts and 20% fanfics, 10% edits, fanarts, aesthetics etc. I just miss seeing more creative content in my dash.
This is very true. People stopped creating original content and started making more shitposts than ever, but that’s probably because of notes. Someone that doesn’t like a certain character, won’t like or rb a post, while a shitpost speaks to everyone. It’s sad to see so many great writers/editors/artists stop posting their stuff, bc of some notes. They seem to think that their stuff is unimportant, even though that’s what a fandom is about. When they get like 60 notes, while a not very funny post gets 1k in one night, its not very surprising that they feel discouraged.
I also often feel the emotions my characters are going through.
-making the facial expression your character’s making and trying to describe it
-writing entire scenes in your head as you shower and not remembering most of it by the time you get to your computer
-deciding you can’t do something you’ve been looking forward to until you write what you told yourself you were going to write, resulting in you laying in your bed doing nothing
-having two completely different ideas for your story to go in and both seem equally good but you can’t do both and you also can’t choose
-having docs with stories you know you’ll never finish but not deleting them anyway, even if they’re only a couple sentences long
-getting random bursts of productivity that could go towards homework or cleaning your room or writing and you know you’ll only be able to do one
-getting inspiration from the most random things
-writing at inopportune times because a perfect line or dialogue just popped into your head and you have to get it down before you forget it
-“what are you writing?” “……..a story”
- “what do you want to do when you grow up?” “uunnghnnggguughhhhh”
-reveling in the embarrassment you put your characters through
So, whenever I see character sheets, most people just put a little paragraph for that section. If you’re struggling and don’t know what your character should say or do, what decisions they should make, I guarantee you that this is the problem.
You know your character’s name, age, race, sexuality, height, weight, eye color, hair color, their parents’ and siblings’ names. But these are not the things that truly matter about them.
Traits:
pick traits that don’t necessarily go together. For example, someone who is controlling, aggressive and vain can also be generous, sensitive and soft-spoken. Characters need to have at least one flaw that really impacts how they interact with others. Positive traits can work as flaws, too. It is advised that you pick at least ten traits
people are complex, full of contradictions, and please forgive me if this makes anyone uncomfortable, but even bullies can be “nice” people. Anyone can be a “bad” person, even someone who is polite, kind, helpful or timid can also be narcissistic, annoying, inconsiderate and a liar. People are not just “evil” or “good”
Beliefs:
ideas or thoughts that your character has or thinks about the world, society, others or themselves, even without proof or evidence, or which may or may not be true. Beliefs can contradict their values, motives, self-image, etc. For example, the belief that they are an awesome and responsible person when their traits are lazy, irresponsible and shallow. Their self-image and any beliefs they have about themselves may or may not be similar/the same. They might have a poor self-image, but still believe they’re better than everybody else
Values:
what your character thinks is important. Usually influenced by beliefs, their self-image, their history, etc. Some values may contradict their beliefs, wants, traits, or even other values. For example, your character may value being respect, but one of their traits is disrespectful. It is advised you list at least two values, and know which one they value more. For example, your character values justice and family. Their sister tells them she just stole $200 from her teacher’s wallet. Do they tell on her, or do they let her keep the money: justice, or family? Either way, your character probably has some negative feelings, guilt, anger, etc., over betraying their other value
Motives:
what your character wants. It can be abstract or something tangible. For example, wanting to be adored or wanting that job to pay for their father’s medication. Motives can contradict their beliefs, traits, values, behavior, or even other motives. For example, your character may want to be a good person, but their traits are selfish, manipulative, and narcissistic. Motives can be long term or short term. Everyone has wants, whether they realize it or not. You can write “they don’t know what they want,” but you should know. It is advised that you list at least one abstract want
Recurring Feelings:
feelings that they have throughout most of their life. If you put them down as a trait, it is likely they are also recurring feelings. For example, depressed, lonely, happy, etc.
Self Image:
what the character thinks of themselves: their self-esteem. Some character are proud of themselves, others are ashamed of themselves, etc. They may think they are not good enough, or think they are the smartest person in the world. Their self-image can contradict their beliefs, traits, values, behavior, motives, etc. For example, if their self-image is poor, they can still be a cheerful or optimistic person. If they have a positive self-image, they can still be a depressed or negative person. How they picture themselves may or may not be true: maybe they think they’re a horrible person, when they are, in fact, very considerate, helpful, kind, generous, patient, etc. They still have flaws, but flaws don’t necessarily make you a terrible person
Behavior:
how the character’s traits, values, beliefs, self-image, etc., are outwardly displayed: how they act. For example, two characters may have the trait “angry” but they all probably express it differently. One character may be quiet and want to be left alone when they are angry, the other could become verbally aggressive. If your character is a liar, do they pause before lying, or do they suddenly speak very carefully when they normally don’t? Someone who is inconsiderate may have issues with boundaries or eat the last piece of pizza in the fridge when they knew it wasn’t theirs. Behavior is extremely important and it is advised you think long and hard about your character’s actions and what exactly it shows about them
Demeanor:
their general mood and disposition. Maybe they’re usually quiet, cheerful, moody, or irritable, etc.
Posture:
a secondary part of your character’s personality: not as important as everything else. It is advised you fill this out after. Posture is how the character carries themselves. For example, perhaps they swing their arms and keep their shoulders back while they walk, which seems to be the posture of a confident person, so when they sit, their legs are probably open. Another character may slump and have their arms folded when they’re sitting, and when they’re walking, perhaps they drag their feet and look at the ground
Speech Pattern:
a secondary part of your character’s personality: not as important as everything else. It is advised you fill this out after. Speech patterns can be words that your character uses frequently, if they speak clearly, what sort of grammar they use, if they have a wide vocabulary, a small vocabulary, if it’s sophisticated, crude, stammering, repeating themselves, etc. I personally don’t have a very wide vocabulary, if you could tell
Hobbies:
a secondary part of your character’s personality: not as important as everything else. It is advised you fill this out after. Hobbies can include things like drawing, writing, playing an instrument, collecting rocks, collecting tea cups, etc.
Quirks:
a secondary part of your character’s personality, not as important as everything else. It is advised you fill this out after. Quirks are behaviors that are unique to your character. For example, I personally always put my socks on inside out and check the ceiling for spiders a few times a day
Likes:
a secondary part of your character’s personality, not as important as everything else. It is advised you fill this out after. Likes and dislikes are usually connected to the rest of their personality, but not necessarily. For example, if your character likes to do other people’s homework, maybe it’s because they want to be appreciated
Dislikes:
a secondary part of your character’s personality, not as important as everything else. It is advised you fill this out after. Likes and dislikes can also contradict the rest of their personality. For example, maybe one of your character’s traits is dishonest, but they dislike liars
History:
your character’s past that has key events that influence and shape their beliefs, values, behavior, wants, self-image, etc. Events written down should imply or explain why they are the way they are. For example, if your character is distrustful, maybe they were lied to a lot by their parents when they were a child. Maybe they were in a relationship for twenty years and found out their partner was cheating on them the whole time. If their motive/want is to have positive attention, maybe their parents just didn’t praise them enough and focused too much on the negative
On Mental and Physical Disabilities or Illnesses
if your character experienced a trauma, it needs to have an affect on your character. Maybe they became more angry or impatient or critical of others. Maybe their beliefs on people changed to become “even bullies can be ‘nice’ people: anyone can be a ‘bad’ person”
people are not their illness or disability: it should not be their defining trait. I have health anxiety, but I’m still idealistic, lazy, considerate, impatient and occasionally spiteful; I still want to become an author; I still believe that people are generally good; I still value doing what make me feel comfortable; I still have a positive self-image; I’m still a person. You should fill out your character’s personality at least half-way before you even touch on the possibility of your character having a disability or illness
Generally everything about your character should connect, but hey, even twins that grew up in the same exact household have different personalities; they value different things, have different beliefs. Maybe one of them watched a movie that had a huge impact on them.
Not everything needs to be explained. Someone can be picky or fussy ever since they were little for no reason at all. Someone can be a negative person even if they grew up in a happy home.
I believe this is a thought out layout for making well-rounded OCs, antagonists and protagonists, whether they’re being created for a roleplay or for a book. This layout is also helpful for studying Canon Characters if you’re looking to accurately roleplay as them or write them in fanfiction or whatever.
I’m really excited to post this, so hopefully I didn’t miss anything important…
If you have any questions, feel free to send a message.
- Chick
I knew this would turn out absolutely amazing, but It is even more amazing then I could have imagined. This is so beautiful! I love this piece so much! 😍
Estela is easily my favourite choices character so I might be a bit biased, but this is one of my favourite pieces of fanart yet. Our girl Estela definitely deserved this fine and gorgeous treatment.
So I’ve finished the fan art of Estela (finally!)
The Bird-foots-trefoil symbolizes revenge (since she wanted revenge for her mothers death), and the olive branches symbolize peace (that she made with herself and her past, at the end of book 2 and beginning of book 3).
The Star constellation in the background is Draco, her hadean zodiac (which is also the amulet on the … necklace (head-lace ?) )
Anyways, I hope you enjoy the drawing ^^
– Here are some ways you can develop your characters (in little ways as well as big ones) without info dumping on your reader. This includes detailing their backstory, revealing their values and motivations, their strengths, weaknesses, relationships with other characters, and growth throughout your story. I hope this helps those of you who have expressed having trouble with this, as I have as well and creating this guide for myself and you will be very useful for all of us, I hope. Happy writing!
First of all, only include events from a character’s past that has shaped them and will enlighten the reader on the current situation. Once you decide that this particular event is important enough to include, show it instead of tell it. Elude to backstory instead of literally plucking it out of the past and placing it in the reader’s lap.
Instead of telling the reader that your character was in an abusive relationship, show them the aftermath where your character now has their abuser’s rules engraved into their routines and the scars, physical and metaphorical, that the character has from that experience. Yes, there will be instances where you will have to come out and say it, but do it once and lightly, then let the subtext do the rest.
Character development is meant to be shown, not told, and therefore, your character’s values, beliefs, and motivations should reveal themselves though the character’s actions. If your character thinks that harming any living creature is the worst crime anyone can commit, then show their struggle when they’re put in a situation where they must ignore their own conscience. These moments are not only pivotal in the reader’s experience with your character, but humanize your character more than any other story element. It is the moments in which we must fight our own nature that show what our nature truly is, and it’s the same with the fictional characters you’re writing about.
In a story, the conflict will do a lot to show where your character thrives and struggles, but you cannot rely solely on the main conflict. Maybe your character is incredibly smart, but not physically strong, and is put in a situation where they must rely on an area they’re weak in and must struggle in front of the reader. It’s the same with strengths. Your character should have moments of glorious triumph phenomenal failure throughout your story. This makes them more alive, and therefore more relatable, which is important in any story.
Relationships with characters should be shown through the manner in which they communicate and interact in your story. If they don’t like each other, there will most likely be some tension when they’re forced to work together and rely on one another. If they love each other, they’ll show it through affectionate gestures and sometimes their words.
The beginning and ending of your story doesn’t have to be a miraculous before and after, but your character should go through some sort of a personal evolution between the start and finish line. Whether that be in their self-concept, their relationship with someone else, or their views on something, they should transform, at least a little. This is just a characteristic of a rounded character, and that’s what you want.
Show their development in ways such as putting them in a similar situation they’ve been in before and have them react in a way that highlights the change that has occurred. Show them realizing themselves that they have changed and now see through a different lens. Show them interacting differently as time progresses and imparting new words of wisdom, whether they’re correct or completely misguided.
If you enjoy my blog and wish for it to continue being updated frequently and for me to continue putting my energy toward answering your questions, please consider Buying Me A Coffee.
Request Resources, Tips, Playlists, or Prompt Lists
Instagram // Twitter //Facebook //#wordsnstuff
FAQ //monthly writing challenges // Masterlist
This just warms my heart. How could this not be canon?
The idea of Cassandra and Dorian being trashy romance novel buddies delights me to no end.
(Especially if they’re the sort of people who can keep a blank face while reading smut but completely lose it over fluff)
I wanna know haha😂😂
That is too relatable.
The most relatable tweet
Sofia. She/her. Writer, thinker, listener, trans woman, and supporter of the Oxford Comma.
172 posts