He’s Such An Asshole

repressed aziraphale i love your fail life

The Ineffable Detective Agency presents: Decoding 1941 Hell – The Hidden Morse Messages

The Good Omens team never fails to surprise us: In the Hell scenes set in 1941, there are subtle beeps in the background that many might have missed: morse code messages! 

We took the time to decode these messages from about 5 minutes of the show – some parts are easy to identify, some parts are really hard due to overlying sounds or noises. 

We used the 5.1 audio and selected only the channel with the morse signals. Check out an easy snippet – which line is it? :)

Then, we applied high- and low-pass filters to emphasize the code’s pitch around 1360 Hz. Some of us have pretty sharp ears, some of us worked with the frequency spectra to mark short and long signals as well as pauses in between. 

Here is what we have heard or seen, together with some facts and thoughts on the lines. Let us know what you think!

S2E4 06:19 to 08:23 “Have a miserable eternity”

Here are the pieces we have successfully decoded: 

HAVE A DREADFUL ETERNITY

We are wondering why this is different to the text via loudspeaker as well as Furfur’s “have a miserable eternity”...

TOMMY’S A LEGEND

Do we know a Tommy?

1) There's the Welsh magician/comedian Tommy Cooper (his magical act specialized in magic tricks that appeared to fail), who was the inspiration for the red fez in the magic shop. Cooper died live on television suffering a heart attack. :(

2) There's also the lead character Tommy in Brigadoon, the plot of which feels seriously GO-coded. There is a magic village hidden outside time that only appears in Scotland once every 100 years and is connected to the rest of the world with a bridge, outsiders who find "clues about the village and its people that make no sense", and a plot about unlikely lovers who are separated (because one "can't just leave everything in the real world behind"), and an ending that reunites the lovers against all odds because of the strength of their love ("I told ye, if you love someone deeply enough, anything is possible ... even miracles.")

PAUL’S OUR MIXING HERO

Could that be the Re-Recording Mixer PAUL McFADDEN?

ABANDON ALL HOPE YE WHO ENTER HERE CHEER UP IT’S ONLY ETERNAL DAMNATION ABANDON ALL HOPE YE WHO ENTER HERE CHEER UP IT’S ONLY ETERNAL DAMNATION ABANDON ALL HOPE YE WHO ENTER HERE CHEER UP IT’S ONLY ETERNAL DAMNATION ABAN

The phrase "Abandon all hope, ye who enter here" is a quote from Dante’s Inferno, Prelude to Hell, Canto III, Vestibule of Hell: Dante passes through the gate of Hell, which bears an inscription ending with the phrase "Lasciate ogne speranza, voi ch'intrate". So, the minisode is THE place where we get quotes from the two most famous literary accounts of Hell – with Furfur's quotation of Paradise Lost in the dressing room at the Windmill Theater: "In dubious battle on the Plains of Heaven". 

S2E4 09:16 to 10:09 “Processing the Nazis”

ABANDON ALL HOPE YE WHO ENTER HERE CHEER UP IT’S ONLY ETERNAL DAMNATION ABANDON ALL HOPE YE WHO ENTER HERE CHEER UP IT’S ONLY ETERNAL DAMNATION

S2E4 11:07 - 13:12: “The offer to return as Zombies”

These two minutes are very tricky: while in the first half it is ok-ish to identify the signals in the spectrum, the second half is overlaid by so much noise… – yes, we are calling the dialogues and sounds in hell noise now :D – that we chose a different approach. 

It looked as if the sequence starts from the beginning, so we compared both parts, and now we are quite sure that it is the same pattern. 

DO NOT LICK THE WALLS HEAVEN LOOKS DOWN ON YOU BECAUSE YOU ARE PATHETIC ABANDON ALL HOPE YE WHO ENTER HERE CHEER UP IT’S ONLY ETERNAL DAMNATION DO NOT LICK THE WALLS HEAVEN LOOKS DOWN ON YOU BECAUSE YOU ARE PATHETIC ABANDON ALL HOPE YE WHO ENTER HERE CHEER UP IT’S ONLY ETERNAL DAMNATION DO NOT LICK THE WALLS HEAVEN LO …

So those are the sections we are pretty certain we have correct. However, there is one section we are still unsure on - maybe you can help?

Back to S2E4 06:19 to 08:23

We have been fighting hard with the first six seconds, before “HAVE A DREADFUL ETERNITY” and we think it is:

SHE’S IN MA PHONE

Who are we talking about now?

Do you have any other ideas of what this could be? If it is “She’s in ma phone”, what does that mean? Or is the S just noise and it starts with an H? Or even with a B – BE’S IN MA PHONE?

So, what are your thoughts on all of these messages? Why go to the effort of putting morse code here? Is it a fun easter egg, or something more? And why say “dreadful eternity” in morse when the quote used in the show is “miserable eternity”? We have so many questions!

Spoiler: There is more code hidden throughout the series.  Let us know what you see or hear!

-... .    -.- .. -. -..    - ---    . .- -.-. ….    --- - …. . .-. 

An amazing joint effort with @noneorother, @kimberleyjean, @thebluestgreen, and @embracing-the-ineffable at the @ineffable-detective-agency

See more of our posts, plus a collection of Clues and metas from all over the fandom, here.

writing long adoring comments on fics is my passion

do you guys ever like forget you're interested in something until you start engaging with it again and you go "oh wait i'm like crazy crazy about this yeah"

While I'm waiting for the heatwave'll end so I could start drawing smthg real, here are some silly but refreshing sketches. Yeh that scene from Slow Show

i’d like to report that i am still in the depths of hell

my inspiration for this fic faded months ago but my desire to finish it has not

i’ve been writing this fic since january and i’m only 50 pages in it’s constantly on my mind which is insane bc im pretty sure my good omens hyperfixation ended a couple weeks ago (i still love it, the obsession has just gone away)

this stupid fic is never not on my mind but i can’t get myself to write it im in the depths of hell rn

Just finished Editor's Note.

Kindly,

Fuck you.

No, not kindly. You are entirely at fault.

For everything.

I have never in my life felt an emotion so strongly, one that I cannot place. The best way I could describe it, is an eagerness so tense I cannot move without letting everything out in a half-scream groan of resolution.

It's as if I am crying without tears or the rock in my throat that won't let me speak... thank you.

And thank you for the immense inspiration and elation I have for my own writing after reading this.

Now to read your Kravitz/Taako fics, I'm so excited.

this is so gratifying omg 🥺 thank you so much for reading, sorry for the not-rock in your throat 💛

The Pink Phink | Director: Friz Freleng | Studio: DePatie–Freleng Enterprises | United States, 1964

I stare at the screen for hours, trying to make the words come out, but they won't. I can't compel myself to take a break, because there's this voice screaming at me from the base of my brain...

"You've been told you're a great writer, and you want to be a published author. But all you have to show for it after forty-four years are a dozen crash-and-burn writing projects. When you have the time to write, you don't, for a host of reasons. If you don't have something written by the time you die--which comes closer with every passing day--you've wasted your gifts, you've wasted all the effort people put into educating you, and you've wasted your life. So sit down and WRITE, you worthless piece of shit!"

How do you get past the paralysis caused by the obligation to produce? Is there a way to trick your brain and your body into writing? Or do you just slog on through, no matter how long you have to sit there to get a thousand words a day out?

Perhaps you could try to be kinder to yourself.

I always give myself permission to write or to do nothing at all (staring out of the window or at a wall is okay). After a while spent staring at a wall it's often easier to write.

Remember if you write a page a day -- 300 words -- at the end of a year you'll have a 100,000 word novel.

inaccurate good omens part 10

inaccurate good omens master post