To Dawn!

people portraying ghost as an abusive, cold-hearted and emotionless person is actually so sad... did we even play the same game? he obviously cares about soap and his other teammates

at this point just say y'all don't understand traumatized people. having trauma doesn't always make a person act horrible towards others, ghost is just very blunt and probably has issues with trusting people

but still, he's actually really nice to soap, throughout the campaign he's making lots of jokes and calling him "johnny". only he calls him that. also he literally put his military career on hold to help his brother quit drugs, even though he was bullied by him when they were kids

do you really think that same man would let himself treat others like shit when he spent his whole childhood being abused? he would hate himself if he did that, because then he would be just as horrible as his father

so for the love of god stop acting like he's some monster that hates everyone around him 💀 yeah, it might take him a while to warm up to people but that's expected considering what he went through

me voting in every poll I see:

König, our favorite boy, with as many warzone titles as i can muster.

assassin // commando ghost // marksman scavenger // scout supplier // survivor

Send me a character + emotion!

Feel free to reblog and use them yourself ;)

ᕕ( ᐛ )ᕗ 𝚕𝚞𝚏𝚏𝚢! don't repost <3 one piece wallpapers.

Glass Onion did many, many things well. But a few of my favorites are:

Gave Helen the LITERAL POWER of the dumb white man's idea of a good idea to BLOW HIS SHIT UP.

Gave Whiskey a moment to deepen her character beyond "dumb men's right bimbo." Do I agree with the way she's doing things? No. Do I respect that she gets the chance to show she is aware of what she's doing? Yes.

Gave Benoit a live-in partner who straight people don't clock at all. Bitch. The butler is not calling Mister Blanc's famous friends to express worry over his bath time. That's the job of a husband (colloquial).

Benoit solving Gillian Flynn's mystery because it's CLEVER but needing help with the ACTUAL mystery because IT'S DUMB. And not because he's TOO SMART but because he's bad at DUMB PUZZLES.

Everyone only willing to throw Miles under the bus after Helen literally blew up any chance he had of saving their asses. Did they learn anything? Fuck no. It's a very clear lesson on understanding who to trust. As Helen puts it: "You'll lie for a lie, but you won't lie for the truth?" They're not lying for the truth at the end. They're lying for the lie that they're not very much like Miles.

I have seen some people noting the Mona Lisa burned like canvas, and I've seen some people noting the Mona Lisa burned like wood, and what's important to remember is that everything you need to know about Miles is that he's got the fucking audacity of the insulated fuckboy to think he's being clever having someone build an un-failesafe button so the Mona Lisa could be safe.

"It's so dumb, it's brilliant!" / "No, it's just dumb!"

"You'd lie for the lie, but you wouldn't lie for the truth?" -- Yeah, I mentioned it already, but my GOD. WHAT A POINT.

"Your name will forever be remembered in the same breath as the Mona Lisa." -- STAB HIM AGAIN.

How to Write Dialogue for (most) Dream SMP Characters

A few months ago, I remembered seeing a lot of posts giving advice on how to write dialogue for DSMP Characters. And while those posts contained numerous helpful pointers, overall, they fall just short of capturing what it means to write in a character’s Voice.

Unique character Voices, while tricky to get right, are usually achieved by giving each character a distinct set of words to say, in a manner that distinguishes them from the rest of the cast. 

With this in mind, I’ve spent the past few days combing through almost Thirty Hours of VOD footage to collect nearly all of the unique words, phrases, and speaking habits of every major and minor character on the Dream SMP (involved in 2+ story arcs.)

Before Reading:

Sentence-Starters are single words or phrases which begin a sentence. (ie. “Y’know, maybe you should try something different.”) 

Sentence Paddings are reoccurring words added to the middle of sentences. (ie. “It’s like he just can’t cry.”) 

Sentence Endings are single words or phrases which end a sentence. (ie. “There’s no need to fight, I hope.”)

All three of these types can be combined with one another to create more natural-sounding sentences. For instance, if a character has the two Sentence-Starters “Okay” and “So,” they can be used like this; “Okay, so, I’m a bit worried.”

(Note: When certain traits or phrases aren’t obvious with how they should be applied to dialogue, an (ie.) will be added below to illustrate them.)

Wilbur

General Traits:

Repeats himself for emphasis. Sometimes these repetitions will add additional information. More often, this repetition is focused around a specific word with the circumstance of the sentence being changed each time.

ie. “I’m living in an eternal limbo again. I’ve been through limbo, I’m out of limbo, and socially, I’m still in this limbo.”

Highly eloquent in language, bordering on poetic.

Highly introspective; significantly less so after Eret’s betrayal and onward.

Occasionally makes literary analogies and references, sometimes breaking the Fourth Wall to do so.

Curses semi-frequently. Wilbur is the only known character to use the word “cunt,” although rare.

Common Go-To Swears - Fuck, Shit, Prick, Bastard, Hell, Ass (Including all variations and combinations.)

Tends to hum when he thinks to himself.

Stutters most often when offended, shocked, or surprised.

Generally addresses characters semi-formally, often by title or role.

Often slips into long-form monologues when self-reflecting.

Usually defaults to being the head of a conversation; introducing, managing, and elaborating on topics throughout, especially when speaking to three or more people.

Circumstantial Phrases:

You and I, we’re ━ (To connect positively with someone.)

ie. “You and I, we’re used to seeing the good in people.”

I wanna pick your brain / Can I pick your brain? (To ask about someone else.)

Don’t say that, I’ll cry (Affectionate banter, only to Tommy.)

I’m afraid ━ (When hopeless or delivering bad news.)

ie. “I’m afraid there’s no getting out of this now.”

There’s no reason to ━ / There’s no reason for ━ / There’s no need for ━  (When being threatened or breaking up a fight.)

ie. “There’s no need for violence, gentlemen.”

Keep reading

hermits vs kids irl, my favourite stories:

the time Joe and his kid were at a shared pool somewhere and another kid was talking so loudly about how cool Iskall is

the time Cleo was teaching in primary school and got asked 'have you ever heard of mumbo jumbo, miss' and then having to act like they haven't known him since he was 17

the time etho was out with a friend and the friend's kid went 'omg that's etho' to their dad, and the dad came back like 'why does my kid know you?'

the time that Cleo left their job to be a YouTuber and their whole class was desperately trying to figure out who she was

Joe's kid going from 'minecraft sucks' to my friends are grian stans so I am too, dad explain grian to me (dad can we get hermitcraft (grian), no we have hermitcraft at home (Joe Hills))

Impulse's whole extended family being made to watch his new hermitcraft rap as Christmas entertainment by his mum

every take my kid to work hermitcraft video. from stress' kid dissing her season six castle, to Joe's kid getting multiple hermitcraft episodes dedicated to how much he loves her, keralis' ongoing joke about making his kids do all his grindy work, doccy chirping in the background of videos, and on and on and on