There Is This Website Called Thrift Books and I Just Got $66.90 Worth Of Books For $19.93 (five Books).

Eight rules for writing fiction: 1) Use the time of a total stranger in such a way that he or she will not feel the time was wasted. 2) Give the reader at least one character he or she can root for. 3) Every character should want something, even if it is only a glass of water. 4) Every sentence must do one of two things — reveal character or advance the action. 5) Start as close to the end as possible. 6) Be a sadist. Now matter how sweet and innocent your leading characters, make awful things happen to them — in order that the reader may see what they are made of. 7) Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia. 8) Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.

– Kurt Vonnegut

Welcome new followers. As my senior year of college starts up I'll be a little scarce. I will keep posting stuff I find helpful though so keep an eye out. Just a reminder that I have a second blog that has my actual writing. Granted it's usually full of fandom stuff. There's no pressure if it's not something that intrests you. If it does, check me out over at sinedras-snippets.

Project “Love Up Fic Writers” is go.  

In light of the recent spike in negativity directed towards fandom writers I’m issuing a personal challenge to myself (and anyone else who wants to join) to perform at least one (1) act of kindness and/or encouragement towards fanfic writers a day for the month of May, particularly towards authors who are often overlooked or are not as well publicized.  

Acts of encouragement include leaving comments, writing notes of appreciation, assembling rec lists, and creating fic illustrations, music, graphics, gifsets, etc, as well as other shows of appreciation not listed.  It can be as casual or labor intensive as your personal comfort level allows (I’m sure a lot of you guys do these things already lol) as long as the act shows your personal appreciation towards the writers in your life.  

Note: Please don’t use this as an opportunity to lash out at popular fandom writers or perceived BNF’s – this is a challenge to uplift the fanfiction writing community as a whole and particularly those who aren’t told often enough how much we appreciate their efforts.  

A good thing to remember when writing: the first letter of the first word of a sentence is always capitalized.  Always.  Secondly, “said” is almost never capitalized.  This:

“Hey.” Said the guy.

should nEVER EVER HAPPEN.  “Said” pretty much never ever starts a sentence and certainly never with quotes or dialogue.

USING SAID: “Hey,” said the guy.

Any time you would put a period at the end of the quote, but it is followed by a dialogue tag, replace the period with a comma.

If the quote ends with a question mark or exclamation mark, the capitalization remains the same: “Hey!” said the guy.

ONLY, ONLY EVER, USE A PERIOD IF THE DIALOGUE TAG (THAT’S WHAT SAID AND ALL THOSE OTHER WORDS ARE) COMES BEFORE THE QUOTE: The guy said, “Hey.”

THIS HAS BEEN A PSA

Writing Tip #7

Get to really know your character. From novel to OC in a fanfic, know every little thing about them. What is their favorite color? Most hated food? Deepest fear? Guilty pleasure? Are they afraid of heights or spiders? If you don't know them intimately, you can't write them well. It's like trying to tell the life story of a stranger you pass on the streets. You can't explain why they punched the wall, but they did. You can't write a character that people will get attached to them if you aren't attached yourself. A fun way to figure out their nuances is take those silly personality quizzes online. They actually make you think really hard on the little stuff and it helps big time. Remember that the world around them will also affect things. If a war is going on, the most likely won't be eating like kings. Do they resent it or is it all they've know? Sometimes it's the little things that really open up a character. It can be as stressful as trying to pull all the skeletons from your best friend's closet, but it's worth it in the end. (I.E. had a character afraid of the color orange and they were stuck in a pumpkin patch with their friends. Panic ensued and fighting happened, all because it was a feared color.) Any detail can seem too little to include, yet they can be the driving force behind a scene. Oh, and keep notes on their personality and preferences. It's easy to forget it all when you set down your writing.

How to write: ethnicity & skin colour

requested by: anonymous request: How exactly can I describe a characters ethnicity/skin color casually, without it sounding like a specific scene that just exists to describe the skin color? I hope this makes sense lmao… I just want to write a scene where I casually mention someone’s ethnicity or skin color

description of appearance: No matter if skin colour or hairstyle or clothes, a text is more dynamic if you don't dedicate an entire scene/paragraph to it but rather sprinkle the necessary information in here and there. However, there can be instances where it's conducive to the plot to put that entire paragraph (e.g. introducing a new important character with backstory). Otherwise, I'd say try to keep it short and put it where it serves the plot.

ways to incorporate...

... a description of appearance:

when a character makes their first entrance (describe everyone's colouring - POCs' and white characters')

the impression their complexion makes together with their clothes: "the bright yellow of their shirt complemented their dark skin"

the way their colouring interacts with lighting: "the grey weather took away the rosy hue of their fair skin"

when appearances create a contrast: "I immediately noticed them because they were the only other black person"

... ethnicity:

let the characters mention it where it makes sense

regarding the narrator you've chosen for your story, it can also be blended into an inner monologue

include parts of their culture: traditions, terms, family, etc. (this also allows to bring up their ethnicity repeatedly over the story and not only at the beginning)

show their struggles: are they affected by social struggles? then show it!

words to use to describe skin colour:

... basic colour descriptions:

brown

black

beige

white

pink

... more specific colours (try sticking to familiar/common words that can be easily visualised):

amber

bronze

copper

gold

ochre

terracotta

sepia

sienna

porcelain

tan

... prefixes or modifiers (can be easily combined with basic colours):

dark

rich

warm

deep

fair

faint

light

cool

pale

... undertones (pre-dominant colours underneath the skin - often warm or cool, sometimes also neutral and olive):

yellow

orange

coral

golden

silver

rose

pink

red

blue

... avoid food analogies as it's often received as offending, fetishising, and/or objectifying.

That's all I can provide as of now but I'm sure you guys have aspects to contribute. I'm very interested to hear your thoughts, so please feel free to add to this post whatever you like to/can share <3

And for more information, maybe also check out @writingwithcolor for more specialised posts on the topic <3

“Boring when you aren’t around,” he said with a grin. Finishing up his own food and standing, holding out a hand to her. “Indulge me for a second.”

Sadira stared at them in a silent awe, they were gorgeous. It was nearly impossible to pick which one was better. She looked up at him, and smirked. “I could always model them, and you can decide which one looks good enough to deign the Tuuli Thea’s neck.” She pulled out her hair, as her sister often wore it down, and put on rose gold necklace.

She pushed her hair out of the way and made sure it rested on the hollow of her throat before turning to him. “Well?”

Kiesha’Ra RP- Private pt. 8

Araie turned and smiled at her, happy to see she was till alive and that her brother hadn’t chased her off. “Thank you for letting me borrow Aiden, he was a great guide through the Keep.”

Ulyesses scowled and looked away. That large eye sore of a building? 

Mara finished with with Ulyesses’s burn and turned back to her guests. “So, about that tea.”

A month had passed since Sadira had come to the Opries home and Araie had spent most of her nights with Aiden, dancing, laughing, and his attempts at formal courting made her only fall deeper and deeper in love with him.

Ulyesses had avoided leaving his shop the entire month, not even to venture to the nest to seek comfort from one of the dancers there. There was a banquet soon for the celebration of the new royal baby. Though not yet born, serpiente usually held a banquet in celebration of a new family member. Ulyesses did not know what to give his friend.

“Araie…I need you to tell Sadira that I…damn it, need her help with something. Make it quick.” He shooed his sister out of the stall.

@janeopries, right back at you.

That random person you met online and now is a big part of your life

@sinedra

I wanted to write an indulgent story, where most of the characters were strong women. But as I was planning out a story, (a fantasy one where only women have magic) I realized that what a white woman wants to see in a strong woman might be different from anyone else, but I have no idea how to research that. Do you have any advice? (Sorry if this is worded awful! I hope you understand but it’s alright if you don’t.)

Writing Powerful Women of All Races

It’s great that you recognize that women’s representation is not one size fits all. What makes for good representation for white women is not the same for Women of Color.

Let’s consider how society handles women across the board:

White Women: 

Traditionally, white women are treated as delicate beings, meant to be protected and romanced by men. White women are the standard of femininity and beauty. Women of Color can be attractive, too, but in a “different” way. Most positive roles for white women depict them breaking from these definitions, either embracing sexual labels or evading them by throwing out the need to be dolled-up, gentle, or in a relationship.

Even these problems come with privilege as there is this need to “dirty” oneself up and prove physical and emotional strength. 

Anger in white women is seen as powerful. Anger in non-white women is either sexualized (see: the Spicy Latina) or seen as hostility and bitterness typical of their race (see: the Angry Black Woman). 

White women embracing sexuality and the “Slut” role is groundbreaking. That doesn’t always translate well for WoC who are inherently seen as overly sexual and impure, and have the highest rates of sexual assault to show for it.

Black Women: 

Black women are most often placed into the role of strong and independent, with an emotional and physical hardness that resists love and tenderness. They don’t need support, but they’ll be more than willing to use their backs to uplift others, no matter the gender, all and any races. Black women are rarely portrayed with classical softness or femininity. Note how Black women are so hard and impenetrable…except when it comes to helping everyone but themselves. Then they are your Mammy, warm and lovable and always there to support you, despite how much self-care they must neglect.

Asian Women: 

Comparably, Asian women, especially East Asian women but other Asian women are affected too, are placed in juxtaposition to Black women. Asian women are fragile and need shielding, but that comes with a sinister dose of fetishization. They are often viewed as submissive, and are given gross comparisons to dolls as if items to place on display and control. They’re desirable, but in an “exotifc” way, and of course are not seen to have the same worth as white women.

This is often depicted in works, both old and modern: The white man falls in love with the Asian woman. After he’s had his fun, he abandons her to settle down with a white woman. The Asian woman ends her life as it is worth nothing without him.

On the flip side: Asian women are fragile and worth protecting…except when they’re not. The Dragon Lady stereotype features Asian women (Mainly East Asian) who manipulate and dominate others. This stereotype is often depicted by them dominating white men for Yellow Peril ends. 

Native women: 

Native women are seen as simple and animalistic, their “simpler” culture relating to “primal” needs. The narrative starts with Pocahontas, a scantily clad Disney princess who shows a white settler the wonders of the “natural” world, and continues all throughout Halloween costumes, Noble Savage, and Animalistic Natives. This very exact fetishization makes them prime targets for toxic masculinity’s view that women actively desire the more “beastly”/forcible sex, basically assuming Native women will behave like animals in heat— because that’s what society believes Natives are: a type of animal. 

Women of Color: 

Although this is grouping a number of women into one, they share a common thread of being exotified and fetishized. From the Spicy Latina to the brown-skinned temptress. They’re fun and sexy, and on the same hand promiscuous and impure. WoC are often portrayed as mistresses and homewreckers.

Women of Color are treated as Other, and are rarely the default. Notice in media that there’s a reluctance to call Women of Color beautiful. Words like “Striking” “Stunning” and “Exotic” are often used in its place, with an overemphasis on certain features more common to the ethnicity. And when they are more certainly called attractive, you’ll often find qualifiers such as the Dark Beauty or “Pretty for a Black Girl.”

While there is a lot of desexualizing in association with Black women (e.g. mammy), there’s another side where a Black woman’s body (see: curves and full lips) are inherently sexual to the point where even teenagers are labeled as “ho’s” and “Thots” who seek to tempt men for simply wearing shorts.

It’s no wonder Women of Color are assaulted at the highest numbers. Native American women lead in those statistics, and are at risk for sexual assault at twice the rate of others. For more stats, follow the link: (X) 

A shared thread between all of these Women of Color is that, more often in not, people will not be content with these women being anything but their expected stereotypes. Also, there’s often a grumble by racist audiences when WoC are presented in relationships outside of their own race, particularly if they go anywhere near beloved white characters.

It’s time to break free of limited, dated molds and make society uncomfortable.

How do I represent these women, respectively?

I love your story concept, with all of these women having powers. Just keep in mind: what will work as positive representation for your white women may not work for Women of Color. We all have different histories that inform the struggles we have in society and what counts as proper representation.

Develop characters without applying what works for white women to all women. That is White Feminism. Intersectional feminism exists to consider Women of Color + other marginalizations and their needs as well. 

Create customized representation that uplifts each women.

Develop personalities that don’t play into stereotypes. Choose powers that reflect individuality for each woman, not what is assumed about Black women, Mexican women, etc. What we hear and see in media informs our creative thought process, so your first idea may not be the most fitting one. Brainstorm! As a starting point, do opposite of the stereotypes and go from there. At the same time, find a balance to avoid extremes. 

For example, the fragile Asian woman’s opposing extreme is Dragon Lady. The Strong Black Woman’s opposing extreme leads to infantilization aka making her utterly helpless.

And even then! Consider that sometimes people do have traits that may seem stereotypical. If that’s the case, it’s your job as the author to show that there’s more to them. They are human and not a label. 

You can be physically strong, and still bubble with kindness, emotional softness and femininity.

Pink nail polish does not weaken a punch, or define someone as too girly or weak. It means you like pink.

You can show emotional vulnerability, fall in love and be loved in return, and still remain powerful and whole without becoming the Strong Black Women.

You can be gentle and worthy of protection while having self-worth and confidence.

You can be sensual and desirable without becoming an exotic commodity, but instead someone who is more than sexual, is in control, and 100% deserving of respect.

You can also just not be sexual, but that shouldn’t mean void of love to give and receive in return.

More reading: Stereotyped vs Nuanced Characters and Audience Perception  

Research

There’s many places for you to start your research, and tons of it has been written right here on this page as well as all across the web in articles, blogs, vlogs, books etc. Seek topics on representation and intersectional feminism for the races you wish to portray. The best sources are written by the same people you’re reading about. Check out our Stereotypes & Tropes Navigation and the TVTropes List so you can recognize the displeasing ways WoC have been represented so you can avoid or amend it, and showcase people the way they want to be represented.

I also recommend you check out POC Profiles for the types of representation people who have submitted here are asking for. The WWC mods have also written on the topic in the Mod Wishlist post. 

–WWC 

Um…