The very notion of culture is an artifact created by bracketing Nature off. Cultures — different or universal — do not exist, any more than Nature does. There are only natures-cultures, and these offer the only possible basis for comparison. As soon as we take practices of mediation as well as practices of purification into account, we discover that the moderns do not separate humans from nonhumans any more than the totally superimpose signs and things.
[…] Absolute relativism presupposes cultures that are separate and incommensurable and cannot be ordered in any hierarchy; there is no use talking about it, since it brackets off Nature. As for cultural relativism, which is more subtle, Nature comes into play, but in order to exist it does not presuppose any scientific work, any society, any construction, any mobilization, any network.
—Bruno Latour, We Have Never Been Modern
IO represents the underlying reality—the boundless immutable principle….The principle contains a duality—the I and the O—Absolute Self and Absolute Space. Neither is dominant for neither exists without the other.
Cosmic ideation is the product of the coming together of this primary duality to produce consciousness or the world soul—the sense of ‘self in manifestation’. For the Self to be conscious it needs a sheath to become self-aware in.
Bruce Lyon, Occult Cosmology
Agnes Denes. Studies of Time—Explorations of Time Aspects, 1970
Bronze hand used in the worship of Sabazios. Hands decorated with religious symbols were designed to stand in sanctuaries or, like this one, were attached to poles for processional use.
Date: Roman 1st–2nd century AD. Collection: British Museum.
The Calendarium Naturale Magicum Perpetuum is a late renaissance (c.1619 or 1620) grimoire and esoteric print of calendar engravings. Its full title is Magnum Grimorium sive Calendarium Naturale Magicum Perpetuum Profundissimam Rerum Secretissimarum Contemplationem Totiusque Philosophiae Cognitionem Complectens. It measures more than four feet long and about two feet wide, and includes an early example of a Pentagrammaton.
The “author” in the 1619/1620 Frankfurt print is given as Johann Baptist Grossschedel von Aicha, and attributes some of the engravings to Tycho Brahe. The original engraver is given as Theodor de Bry, as first published in 1582. This work predated, and influenced, the Rosicrucian furor.
Pages from the oldest known Norwegian svartebok ("black book") manuscript. Vinjeboka, c.1480-1520, Ms.8° 1059, Nasjonalbiblioteket, Oslo, Norway.
Theories can be crudely organized into a family tree where each might, at least in principle, be derivable from more fundamental ones above it
Bernard Carr, Universe or Multiverse?