An Extreme Digital Reworking Of A Detail From The Image.

Rorschach No. 1 (Saskia de Brauw after Jürgen Teller, 2014)

Such an interesting and telling juxtaposition. André Breton’s « L’amour fou » (“Mad Love”) is a Surrealist commentary on the illusion of love as a fleeting experience. Such an experience must, at its root, be an expression of capitalistic consumerism. And so, to place the ultimate objects of superficial expression and consumerism atop « L’amour fou » is either an exercise in irony or an insult to an essential insight of the Leader of the French surréalistes.

@ inesmelia

Digital collage: five variations.

Early morning walk. Hurrying to find interesting new smells along our route.

“The formula for doing a good job in photography is to think like a poet.” — Imogen Cunningham #WomensHistoryMonth 📷My Signature, 1973 #ICPCollections

@namk1

Tea with the Poet (dialogue with @soulreserve) Murmurs over a cup of tea, A heart half-hid, not all can see: Her heart obscured in formulary, And veiled beneath arcane vocabulary. Yet warm within, her heart beats strong, Love, joy, and passion her inner song. Her words be freed of technical efficiency, Woman whole again--the gift of poetry.

A chorus line.

Rain-Washed Street Tree Stump and Fungi I, 9/6/2017, Maplewood, New Jersey (IPad photo with a bit of adjustment.)

First Sighting of the constellation Orion at the end of summer 2017, Maplewood, NJ, USA (40.7739d N, 74.2739dW), 5:20 AM EDT (10:20 hr UTC), 9/9/2017. Notebook sketch with Pigma graphic pen on paper, approx. 18.7 x 26.7 cm. Original sketch is black ink on white paper. The digital image here is color-inverted white on black.