that pose was too cute, had to make it fitzier...
him trying to fix the dress' strap me [saw it and got so hard i got nauseous] ,,,,, I think I hauve scurvy
— Adrienne Rich, from “Integrity.”
fitzjames petting neptune. if you even care.
If we’re being honest, most of us study our favourite character less like an entomologist studies a bug and more like an astronomer studies a distant star: drawing complicated inferences from extremely limited data, then getting tetchy about it when somebody else draws incompatible but equally well-supported inferences from the same data because it’s the fucking principle of the thing.
doomed by the narrative but not to death. doomed to survive. doomed to stay alive inside the story. doomed to never escape the narrative, not even through death. you are allowed no exit. there is no way out for you and there never was. you couldn’t die if you wanted to. the narrative has a hold on you and it won’t let go. death is too sweet a doom for you. the story has something much worse in mind. there is no way out.
Sometimes when I am reading a Greek text I force myself to look up all the words in the dictionary, even the ones I think I know. It is surprising what you learn that way. Some of the words turn out to sound quite different than you thought. Sometimes the way they sound can make you ask questions you wouldn't otherwise ask. Lately I have begun to question the Greek word sophrosyne. I wonder about this concept of self-control and whether it really is, as the Greeks believed, an answer to most questions of human goodness and dilemmas of civility. I wonder if there might not be another idea of human order than repression, another notion of human virtue than self-control, another kind of human self than one based on dissociation of inside and outside. Or indeed, another human essence than self.
from "The Gender of Sound" by Anne Carson
“To learn which questions are unanswerable, and not to answer them: this skill is most needful in times of stress and darkness.”
— Ursula K. Le Guin, from The Left Hand of Darkness
“Be patient toward all that is unsolved in your heart and try to love the questions themselves, like locked rooms and like books that are now written in a very foreign tongue. Do not now seek the answers, which cannot be given you because you would not be able to live them. And the point is, to live everything. Live the questions now. Perhaps you will then gradually, without noticing it, live along some distant day into the answer.”
— Rainer Maria Rilke, from Letters to a Young Poet
“And maybe that’s all I wanted—to be asked a question and have it cover me, like a roof the width of myself.”
— Ocean Vuong, from On Earth We’re Briefly Gorgeous
“[…] the openness to revelation. Which is another way of saying, to being wrong about what is possible and true.”
— Karen Russell, from “The Ghost Birds”
But, anyway, aren’t there moments that are better than knowing something, and sweeter?
— Mary Oliver, from “Snowy Night”
“In the end I would rather wonder than know.”
— Mary Ruefle, from “On Secrets,” in Madness, Rack, and Honey