Peeople Don't Like SMaughrtypants What Go Round Saaaghing Dat Thday Know Stuff We Dont Knouh

My favorite game, OBS studio!

Just a little gaming

Bored today, so here’s an image of my last 9 Steam games I played

Make of it what you will

once i learn to express any strong emotion without bursting into tears it’s over for y’all

Sillies

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you're welcome

A character concept that I'm actually surprised I haven't seen more, now that I think about it:

A character with a tragic past who's beautiful in an unthreatening, pitiful sort of way, who goes "wait hold on, people think I'm cute?" and immediately goes drunk with power. Having a whole villain arc getting corrupted by the power of being just so tragic and pathetic that people can't be mad at them. Someone who's been accustomed to always being the one who's blamed and punished no matter whose fault the problem was suddenly discovering that actually they could get away with murder by being so big-eyed and sad.

And once they figure out that they can just Poor Little Meow Meow their way out of anything, they do. Going from being genuinely skittish and timid into pretending to do so merely as an act, manipulating the shit out of everyone and avoiding all suspicion because Look How Sad And Wet And Pathetic I Am, of course they couldn't do any harm to anyone ever.

And if one person finally does see right through that act and puts puzzle pieces together of how there's been just too many suspicious coincidences and accidents that only one person would actually benefit from, they confront the Tragic Little Act directly, one-to-one, to say "I'm fucking onto you and your shit"

And suddenly they completely snap out of their timid, pathetic presentation to give a big, wide, sickening smile like "no-one's ever going to believe you."

if this post gets 3k ill finish a drawing

Deity of Death

Even though I might have strayed a little to far from the original design I think it turned out nicely :D

me getting this on my feed 2 days after starting a save file called the immortals with the intent to make a fully immortal cult??

AND im playing as the goat?????

"Makhesa, the fifth bishop, the god of Life. His followers, blessed by him, never knew true death again. From the moment the Bearer of the Purple Crown appeared, the world was cursed to eternal existence. The other Bishops, oh, they thrived on this, binding their flock with trust and loyalty.

But eternal life came with a price. The longer beings dodged death, the closer the Curse came, poisoning mind and body. The cursed, they lost themselves, piece by piece — self-control, memories of loved ones, compassion... all replaced by an insatiable hunger and emptiness. The fight against the Curse was futile, with medicines and resources dwindling year after year.

Makhesa began to doubt. What is Life without an end? What is the purpose of his existence, to guard a suffering, decaying immortal world? Would it not be kinder to free the world from this curse he so loved?

The Bishops feared change, they feared finitude. But most of all, they feared losing their brother. So, they imprisoned the god of Life in limbo, where he could wield the Purple Crown's power no longer.

Ah, but the cards were dealt, and fate was sealed. The prophecy spoke of a new Bearer of the Purple Crown, destined to emerge. And all would come to know the god of Death, the deliverer from the Curse, the harbinger of the end of all things".

— Makhesa and The Goat get along well with each other; they have a trusting relationship. — Makhesa allows The Goat to come to Limbo at any time. — From Makhesa, one can get descriptions of items and small lore fragments. — Makhesa is a proponent of the idea that the world does not need either the Crowns or the bearers of the Crowns.

How I write for the narrator (long post)

This isn't perfect advice, this is just what I do to make him sound canonical.

Every good fictional character has their own rhythms and cadences for how they speak. Word choice and pacing have a certain flow when spoken aloud. I notice in the script there are patterns that repeat. He has a tendency to do rapid fire "no"s, for example.

(ex. "Are you really just doing this for the achievement? Click a door five times? Is that all that you think an achievement is worth? No, no, no, no, no." 

"Oh, no! Oh, no no no no no no no no no no no no, not again." (when the player re-enters the broom closet.

"NO! No! No, no, no, no, no, no, no! This isn't right at all! You're not supposed to be here, yet! This is all a spoiler! Quick, Stanley, close your eyes!" (adventure line when it leads you back to the monitor room)

Another pattern he has is switching between really short sentences and longer ones.

"Stanley waited. Hours passed. Then days. Had years gone by? He no longer had the ability to tell.

But the one thing he knew, for sure, beyond any doubt, was that if he waited long enough, the answers would come. Eventually, some day, they would arrive."

There are other patterns he has too, but they're kind of hard to put into words.

The narrator is also a dramatic MF, so when emotions run high, he really amps up what he's talking about.

"The moment he entered his manager's office, Stanley froze in his tracks. Not a living soul anywhere. Could he really be all alone? This was too much for Stanley to take; too much for any man to take. He fell to his knees, bursting into half-moans, half-sobs... the guttural retching of life from a man denied any hope, any reason to keep going." (Narrator, what the f*ck. we're- we're just standing here)

and

"No! He refused to believe it. He couldn't accept it; his own life in someone else's control? Never! It was unthinkable, wasn't it? Was it even possible? Had he truly spent his entire life utterly blind to the world?" (narrator~, your showmanship is, well, showing~)

He's also a sarcastic boi, which I usually downplay because I prefer the narrator's sweeter side. But it's still there.

"You too?! Unbelievable. I'm at the mercy of an entire species of invalids. Perhaps there's a monkey nearby you can hand the controls to? A fish? A fungus? Look, you can hammer out the details; I'm not particularly picky."

or

"Okay, I think we all know the drill by now. Blah blah blah, dark secrets, the keypad, Stanley pushes some buttons, oh hey, look, it's a new passageway! Quelle surprise!"

Another thing to think about is word choice. The narrator is someone I'd describe as erudite. He uses large words a lot. An example of large words that I can pull from the script include: "momentum, "warrants recognition", " examination of structural narrative tropes", "Physical malady", solace, catalyst, immense." And this is just from a quick glance at the script. I admit, it's a tricky balance. You want him well spoken, but not a jackass, unless you're specifically writing him to have maximum pretentiousness. Try and find words that not everyone knows, but can guess based on context if they're too lazy to look the word up. Eventually you can fine tune it.

The more you practice this stuff, the more intuitive it becomes. These days, when I write him, I can hear whether or not it sounds like something he'd actually say. and I think there was a post that modmad talked about when writing characters. There's a voice inside that will tell you whether or not what you're writing fits his character. "Listen to that voice, that's the character speaking" or something like that.

And a small confession: I keep the script open when I write these things in case I need to refer back to him or check in to see if what I'm writing fits. I don't have the entire script memorized (yet)

Again, this isn't a perfect system, but it's how I do it.

And if it seems like I've got a particular knack for it... I'm an english major who reads character analysis papers and looks at linguistic styles for fun. I love thinking about what makes characters tick. I have major original ideas that I'll one day write about. It's my dream to one day write professionally. I think it would be hilarious to be at a convention 10-20 years from now doing one of those author Q&As and tell the audience that I used to run a headcanon blog. I imagine the crowd would go wild at hearing that. I love writing, it's my other special interest/gen

amqaing art. i was expecting the caption to say "But he did it. He saved the town."

"Stan has no idea, but he did it. He saved the world. He saved me. You're our hero, Stanley."

*Something something*- no matter againts who or what-Stan will always protect his bro