Sometimes, Writing Is Just Editing. Editing Is Sometimes Acknowledging That Something Doesn't Belong

writing takes so long and its so tiring but if i dont write for the rest of my life ill die

For all the writer's tips and tricks I've read advising not to head hop, it's very irritating to read a bestseller novelist do it. Here I was thinking that I'd imagined it or misunderstood as a child, but here it is!

Clearly, the lesson here is to do what you want!

A lot of fantasy/sci fi make this assumption, but it'd creep me out if I could have a conversation with a meal before eating it. But octopi are fine because they don't speak and don't have telepathy (I think).

Ultimately I think it’s okay to eat octopus even though they’re hella smart because I know if a human baby fell in the ocean and a hungry octopus was near it would definitely eat the baby. We just have solid land advantage which makes the stakes skewed

This year is the year that I'll finally accept that it's okay for me to act like a gremlin and I'll be one step closer to my final form!

I miss RPing. I had so many OCs and now I keep trying to slot them into other things to keep writing about them. Thankfully I did more than just hair and eye color (and using random pics for their "portraits"), but it's hard taking them out of the original setting, even if I know how they'd react to a given situation.

OC RANT!

In my earlier years, we’re talking about 2012/2013 years era, of RPING (RolePlaying) , writing, and making INSANE AMOUNTS OF OCS (I gave up trying to downsize), it seems that all I did was hair color, eye color, and outfits.

The problem with not having writer friends or friends who read books is that when I'm really excited, I have no one to share it with.

My BFF is an artist and they can show me drawings that they've been working on for days. I LOVE to see the sketches and evolution from the beginning to the finished product. We don't have the same visual process for writing. Instead, I end up holding my BFF hostage and sound like a nerdy loon while they desperately try to make sense of my rantings. I could work for an hour on a sentence and it looks about the same as when I started to an outsider! >.<

To be fair, his mentor did the same thing (from inside a pit no less) with ease. I'm sure he grew up hearing the story.

one of my buddies is occupying a fortified position on high ground. i'm going to kick his ass with ease

He reinforces the theme when Sarah nearly kills Miles Dyson. She's methodical and cold and ready to kill him without a thought. It's when she realizes what she's doing - murdering an as-yet innocent man - that she pulls back in horror and needs to be comforted by her son.

Although as a side note, the first time I ever saw this movie was on TBS and I missed the first 30 minutes (and the first movie). I legitimately thought that John was lying about Kyle Reese's existence. I thought John Connor had been the one to travel back in time and save his mother and he'd simply given a pseudonym. I totally got these incest vibes from how overly concerned John seems about his mother.

"During the writing process, he was in his living room excitedly explaining the T-1000 to his friend and collaborator Stan Winston when Winston raised a concern. "I don't know who the bad guy is," Winston said. "I need a specific character, a specific image." To Winston, what Cameron was describing sounded like a blob of goo, not an iconic evildoer. "From a story standpoint, I thought it was a problem," Winston later recalled in an interview for the picture-book history of his story, "The Winston Effect." Cameron respected Winston's instincts for creating memorable characters, and he started reconsidering how he would shape this one. Later that same night, the effects artist got a phone call from his friend. "I've got it!" Cameron said. "He's a cop!" The form the T-1000 would take for most of the movie was a Los Angeles police officer. This solved the storytelling dilemma Winston had raised and also gave Cameron an opportunity to underline a central theme in both of the Terminator movies - how people, especially those in violent jobs, like soldiers and cops, can become barbarized. "The Terminator films are not really about the human race getting killed of by future machines. They're about us losing touch with our own humanity and becoming machines, which allows us to kill and brutalize each other," he says. "Cops think all non-cops as less than they are, stupid, weak, and evil. They dehumanize the people they are sworn to protect and desensitize themselves in order to do that job.""

Source: https://www.amazon.com/Futurist-Life-Films-James-Cameron-ebook/dp/B0034184U0

About once a year I revisit Event Horizon. I love this movie, but each time is for a different reason. Sometimes because it's a ridiculous horror. Sometimes because it's a great horror. Because I love the actors in it. Because the Lewis and Clark's bridge set was NOT designed with the approach to the Event Horizon in mind.

This last time when I watched it I noticed the cinematography. This movie was definitely written and budgeted to be a crappy summer film, yet there was a beautifully effective dolly zoom when Weir was in the tunnels. It helped demarcate the line between "this ship is old and malfunctioning" and "this ship is haunted". It set the tone for the rest of the visions the crew experienced. I've tried for years to recapture the terror in that scene.

Sometimes I look at my writing journey and it looks like I've gone nowhere. I have no audience. I don't know what I'm doing. I have terrible ideas. Worse yet, sometimes it feels like I've gone backward because I read less than I used to when I first started.

Then there are other times that I realize how far I've come. I realized that I'm a plotter, not a pantser, and that's helped me prevent problems before they occur. I don't try to make my first (and only) draft perfect; I realize that I need to get my ideas on paper before I can develop and hone them. I evaluate if a scene needs to be written or if the story needs to change instead of clinging to what I'd originally planned.

For about five years, I didn't write anything, and then when I returned to writing, I only wrote characters in roleplay. Neither helped me improve my writing. (If anything, RP stunted it, even if it did help me develop skills to create realistic characters.)

Now I have so many ideas floating around and very little time. It feels like I'm trying to make up for those lost years, and I'm hoping to start a MFA in Creative Writing.

I guess what I'm trying to say is keep writing. You never know when your self-doubt will pass.