Or Did She Learn To Be Colder When She Got Older And Now She Saves Them The Pain?

A pair of gold bracelets... snacelets. Roman, 1st century AD

from The Walters Art Museum

The Epic of Gilgamesh illustrated by Wael Tarabieh (½)

‘Kassandra’ by Tawny Fritz. 9" x 12 Black India Ink and Gold Acrylic original artwork on Ampersand Claybord for $285. On sale now through Every Day Original.

“The manifold self-contradictions in Greek ideas and phrasing about death are not errors. They are styles of imagining the unimaginable, and are responsive both to personal needs and to old conventions. The same conflicts surge up in many cultures. They are necessary ambiguities in a realm of thinking where thinking cannot really be done, and where there is no experience.”

— Emily Vermeule, “Immortals are Mortal, Mortals Immortal,” Aspects of Death in Early Greek Art and Poetry

Persephone and the Springtime was written by Margaret Hodges with illustrations by Arvis Stewart.

Part 1

decolonial art history starter guide

really tired of seeing AH on the internet/tumblr talked about w the same extreme reverence for the classics that has dominated the field since its conception and has led to the proliferation of white supremacist ideals in this course of study i love very much so decided to channel that by collecting some of my favorite readings on decolonizing art history, with a particular focus on the ancient/classical world. note: this is by no means an extensive list, but rather a selection of pieces i found helpful when starting to explore decolonial art history - with this list i'm focusing more on broad issues than highly specific case studies

reflections on the painting and sculptures of the greeks. jj winckelmann: giving this one a preface as it is quite literally the least decolonial art historical text you can find but also the one that kicked off classical art history studies as we know it (winckelmann is largely seen as the father of art history). as such it is worth a read to understand what these arguments are based around - in more recent years this text has been used extensively to support the white supremacist idea that aryan art came from the great green past and that anything not pertaining to the greeks was ‘degenerate’

decolonization is not a metaphor. tuck and yang.

empty the museum, decolonize the curriculum, open theory. nicholas mirzeoff.

decolonizing art history. grant and price.

decolonization: we aren't going to save you. puawai cairns.

why we need to start seeing the classical world in color. sarah bond.

beyond classical art. caroline vout.

classics and the alt-right: historicizing visual rhetorics of white supremacy. heidi morse.

decolonizing greek archaeology: indigenous archaeologies, modernist archaeology and the post-colonial critique. yannis hamilakis.

how academics, egyptologists, and even melania trump benefit from colonialist cosplay. blouin, hanna, and bond. (i'd like to flag this one in particular with a nod to tumblr's obsession with maintaining a certain aesthetic linked to what you study).

"'Will Not Let Die': Debilitation and Inhuman Biopolitics in Palestine" in The Right to Maim, Jasbir Puar

The costume of Medea worn by Maria Callas in Pasolini’s Medea (1969).

you might've gotten this question before but I wondered, what are your favorite fairytales/myths? also just wanted to say i love your blog so much, scrolling through it feels like wandering in a magical garden 💚

apologies for answering this 3 days late! thank you so much for asking this, and for loving my blog… how lovely of you! i appreciate it, truly ♡

some fairytales i love:

bluebeard’s bride

death and the nightingale, by hans christian andersen. it’s about an emperor, a nightingale, a clockwork bird, and the grim reaper.

the goose girl

east of the sun, west of the moon -i’m linking a version with kay nielsen’s famous illustrations, because they add a lot to it!

i couldn’t find a text of this, and i know it’s obscure, but there’s this kashmiri folk tale called ‘the chinese princess’ that is about a lamia. i read it in ‘angela carter’s book of fairytales’ and it has stuck with me… i recommend hunting the book down digitally if you can!

my friend doe @rosedaughter once talked of a palestinian version of little red riding hood that i found so delightfully chilling and incredible… here’s the post where she recounts it.

this only loosely counts, but in the silmarillion by jrr tolkien, the creation myths - the music of the ainur, and how that fictional world was created - have stuck with me. i always found it wonderful to read. it’s called the ainulindale, it’s about the length of a chapter, and here is the text of it.

the frame story of 1001 nights - of sheherazade spinning tales every night to a prince and his court.

the crane wife / tsuru no ongaeshi 

the twelve dancing princesses …i really love this one, it always fascinated me.

loosely related to the 12 dancing princesses, there is an anime called ‘princess tutu’ that’s about fairytales and story meta and character trope subversion and it’s incredible and i can’t recommend it enough. and although linking a fic is probably odd, there’s a fanfic for princess tutu that rewrites the story of the 12 dancing princesses in such a stunning way. i believe you can enjoy it even if you don’t know the show. it’s one of my favourite pieces of writing ever, read it here.

the ballad of tam lin! it’s a scottish fairytale that resembles a beauty and the beast-type tale, and i love it very much. here’s the wiki for it, you can read the full text from the link there.

again, this only loosely counts, but the poem ‘goblin market’ by christina rossetti is so beautiful. i love it, it counts to me.

vasilisa the beautiful and her brief encounter with baba yaga.

swan lake, the ballet, in general.

cupid and psyche from greek mythology!

i hope you enjoy these!