REBELCAPTAIN + snow on the beach by ts
Jonathan Glazer’s speech was brave and heartfelt, and at the biggest moment of his career. Thank you to him and to all of our Jewish brothers, sisters and siblings who are putting their careers and relationships on the line for the truth. Your voice is so important.
Remember the 6 year old girl who was surrounded by Israeli tanks and the red crescent couldn't reach her? Her name is Hind Hamadeh. Here you can hear the phone call her 15 year old sister, Layan Hamadeh, made with the medics. She was killed exactly a moment later including all people in the car, except for 6 year old Hind who was stuck in the car with the dead bodies of her family, Israeli tanks and IDF surrounding her, shooting, preventing anybody to reach her.
That was last night (29.1.24). Today, still nothing. The fate of Hind remains unknown.
palestine red crescent ambulance team went to rescue her yesterday evening, but they have not returned as of now. We lost contact with them about 18 hours ago, and we still remain unaware of their fate and whether they succeeded in evacuating her or not.
Please, share Hind's story as much as you can on any platform. We need to know what happened to her. Put yourself in her place, how terrified she must be. Don't scroll past this.
This is Hind.
Well fucks? Get to it!
You didn't need to call me out like this :(
writers be like ‘i want to write’ but then spend their entire day on tumblr doing nothing
So I've seen people debating whether Cass is a racist character or not because she falls into certain Asian stereotypes. While this discussion is valid and important, a lot of the conversation (on this website and beyond) is steered by White/non-Asian people, or people who haven't read a lot of Cass' stuff. This is my take on Cass and Asian stereotypes as a Chinese Cass fan. I do not speak for all Asians, or even all Chinese people, who are absolutely free to disagree with any of these arguments.
Stereotypes I will cover here: Silent Asian, Model Minority, and Hypersexuality.
The most obvious stereotype Cass runs into is the Silent Asian. I would recommend reading the linked article for more information. Silent Asian characters are Asians who are part of a core cast, but rarely speak. Kimiko Miyashiro in The Boys, Lilly in Pitch Perfect, and Katana in Suicide Squad are all examples of this. The article also mentions Ben from Umbrella Academy, who can only communicate with one character, thus limiting his dialogue.
Why does this happen? Removing Asian characters' dialogue reflects the Western conception of Asians as demure, rule-following, and meek, never speaking up or acting out. It also means writers don't have to spend as much time writing these Asian characters, who are secondary to White protagonists.
The problem with the Silent Asian, then, is not the silence itself, but the consequences of silence. Mute Asians exist, as do Asians who don't speak much; in media, Silent Asians are harmful because they indicate an unwillingness to focus on the Asian character.
This is why Cass, even before she learns to speak longer sentences, is not a Silent Asian. While her conception undoubtedly has unfortunate echoes of this trope, she defies it by being the protagonist of the story. A protagonist cannot be a Silent Asian, because a requirement of the trope is being a secondary character. Cass' feelings and actions are the center of Batgirl (2000), so allegations of this stereotype don't actually make sense.
Furthermore, the trope is about passivity and acquiescence to a White authority. From her introduction, Cass is neither passive nor acquiescent - her origin story is literally about defying David Cain, a White male authority figure. Beyond her not speaking much, she ticks none of the boxes for this stereotype. I think it's time for people to stop mentioning this stereotype in conjunction with Cass, who in every possible way subverts it.
The model minority myth is the belief that Asians are more successful and talented than others, particularly other minoritised groups. Like the Silent Asian, the model minority myth paints Asians as obedient and submissive. This is, in many ways, more insidious than the Silent Asian - there are still people who believe this stereotype (and jokes like 'of course you're good at math, you're Asian') is somehow not racist.
Though this myth seems positive, make no mistake that White people invented this tale for two reasons: to put down Black and Brown communities, and to prevent Asians from ever fully assimilating into White culture.
Cass plays on this myth very interestingly. I've discussed in this post how David Cain and Bruce's assertion that she's 'perfect' is a blatant reference to the model minority myth - by describing her as 'perfect' to them, they are centering their own desires, erasing Cass' individuality.
This is partially why I don't like 'Cass is Bruce's favourite' and 'Cass is an angel who can do no wrong' interpretations when people are just saying it without context. Cass being Bruce's favourite, or Bruce seeing her as an angel, is not a good thing - it is a representation of his biased attitude towards her. He is unable to accept her being a murderer because he is trapped within the model minority mindset. This is not saying Bruce is a full-on racist, but that his actions and perspectives are coloured by his Whiteness.
Cass' abrasive personality, willingness to defy Bruce and David, and very real flaws (her inability to see grey areas, communication difficulties, etc.) make her avoid this stereotype. Additionally, her close relationships with Black characters like Onyx and Duke are essential to combating the anti-Blackness at the core of the model minority myth. Her character evokes the stereotype (perfect martial arts silent fighter), but ultimately defies it through being the star of her own story (and also not being good at math. The fact she doesn't have anything to do with tech is actually one of my favourite aspects of her character, because I am TIRED of tech Asian characters).
Asian women are often exoticised and fetishised as the ideal sexual partner; think of the term 'yellow fever', which describes men lusting after Asian women. The hypersexualisation of Asian women in media once again goes hand-in-hand with Asians being submissive. They are seen as innocent and child-like, while simultaneously being seductive and sexually experienced.
This stereotype is genuinely perpetuated in Batgirl (2000), mainly by the art in Horrocks' run. Where in Puckett's run there is refreshingly little sexualisation of Cass, once you hit Horrocks' run you get a LOT more shots of her lying down, sexually suggestive covers, etc. People have discussed this already, probably to more effect than I will do here.
However, as I wrote in my Gender and Sexuality posts, the writing is actually fairly defiant of this trope. Cass is vocally uncomfortable with hypersexualisation, and neither of her male love interests stick around. The problem with the Hypersexual Asian Woman is the focus on White sexual interests, where the woman is objectified for the White male gaze. Simply because Cass is the protagonist, the writing focuses on her sexual interests, and in the end it's about gaining control of her gender presentation and sexuality.
The through-line that connects all these Asian stereotypes is a lack of agency. There's a reason passiveness is the main trait for all of these tropes- the Asian body must be weaker than their White counterparts, in order to be tools or weapons against other minoritised groups.
Cassandra Cain, a character born from a choice that defies White male authority, rises above this passiveness with flying colours. The details of her character certainly fall into some of the above tropes, and the way her character is handled later (evil Cass, New 52), is certainly racist. However, the reason she means so much to me is because at its core, her story is a story of Asian agency. And that in itself is unstereotypical.
one of my favorite things about andor is that people understand where the blame really goes — with the empire. we hear a little bit that the people of ferrix are mad at cassian, but in the end every single person he sees welcomes him back and says they're sorry about his mom. bix doesn't blame cassian. the younger inmates don't get mad at ulaf for not being to carry his weight in narkina 5. instead they help him. a lesser show would have made different choices. but in andor when people could blame each other they instead realize who the real enemy is and that's solidarity.
although it is sad that we stopped blogging like this, i feel like it's only natural to let dean and cas live their lives. we made them get married and we gave them a lakehouse and now we are letting them live in peace happily ever after. the narrative is theirs now and we check in on the 5th each year to see them be happy.
THIS IS LIFE OR DEATH FOR PALESTINIANS IN GAZA
Making an urgent new post for Feras because I found out they can't get funds out of GFM fast enough to address their needs for water so please donate to their campaign via
Feras is a good friend of my friend's Abby, Olivia, and their mom Hope.
They're trying to raise funds to get a water filtration device/system for their community. The community is dangerously/near-LETHALLY low on water. Please send even the minimum amount donation. It adds up and it's so urgent.
something to be said about andor giving us two three-episode arcs to begin with and then just. not letting the ninth episode be a cathartic prison break. “ah, sorry, were you expecting something different to happen? no, you are going to keep sitting with the horror. and also these additional horrors.”
like that’s craft, there. they trained us to a rhythm so they could stutter-step it, drawing out the experience, a small mimicry of the interminable intolerable conditions of imprisonment & subjugation depicted in these episodes.
CR(twt): @keizo_oguma
well you can read so (I have a writing blog on here check it out @rwritingblog)
459 posts