Tetsumi Kudo, Fossil in Hiroshima, (one from a set of five embossings with spray paint additions), Peter Bramsen, Paris, 1976, Edition of 10 [MoMA, New York, NY. © 2023 Adagp, Paris / Ars, New York]
Ellsworth Kelly: Works on Paper, Edited by Diane Upright, Introduction by Henry Geldzahler, The Fort Worth Art Museum, Fort Worth, TX / Harry N. Abrams, New York, NY, 1987 [Exhibitions: The Fort Worth Art Museum, Fort Worth, TX, September 13 – October 25, 1987; Museum of Fine Arts, Boston, MA, December 2, 1987 – January 31, 1988; Art Gallery of Ontario, Toronto, March 5 – May 15, 1988; The Baltimore Museum of Art, Baltimore, MD, May 29 – July 24, 1988; San Francisco Museum of Modern Art, August 11 – September 25, 1988; The Nelson-Atkins Museum of Art, Kansas City, MO, October 22 – December 31, 1988]
Philippe Apeloig, Typo / Typé, Carré Sainte-Anne, Montpellier, 2005 [Museum für Gestaltung Zürich. MoMA, New York, NY]
Anni Albers, Untitled, (felt-tip pen on tracing paper) n.d. [© The Josef and Anni Albers Foundation / ARS, New York]. From: Black Mountain College: The Experimenters, (group exhibition), [presented in tandem with Josef Albers: Paintings Titled Variants], David Zwirner, London, February 28 – April 15, 2023
The midcentury studio that served as inspiration for Alexandra Gater’s latest project. Click here for the full home tour.
The «Paris Review», Vol. 39, No. 144, Fall 1997 [Between the Covers, Gloucester City, NJ]