Testing out some new ink pens I got for Christmas #inky #jevil #jevildeltarune https://www.instagram.com/p/Br_PR-JgoCC/?utm_source=ig_tumblr_share&igshid=10037q8vcyko
totes not sobbing rn
HEY GUYS SO ADORABAT IS NON-BINARY AND JUST USES SHE/HER PRONOUNS CURRENTLY
IM NOT VIOLENTLY SOBBING ALONE IN MY ROOM BUT 🥺🥺🥺🥺🥺🥺🥺
Also their concept art is so good I’m CRYYYYING
Id think you could make anything a witch vehicle
Guess whos going to try and complete their witches from witchtobe last year?
Its me, did you guess me
I’m hollering
CNN has officially snapped
Black Futures is a collection of work–art, photos, essays, memes, dialogues, recipes, tweets, poetry, and more–that tells the story of the radical, imaginative, bold, and beautiful world that black artists, high and low, are producing today. The book presents a succession of brilliant and provocative pieces–from both emerging and renowned creators of all kinds–that generates an entrancing rhythm: Readers will go from conversations with hackers and street artists to memes and Instagram posts, from powerful prose to dazzling paintings and insightful infographics. A generational document that captures this fast-moving generation in its own dynamic and expansive language. While shaped in the tradition of other generational statements, from The New Negro to Black Fire to Toni Morrison’s landmark The Black Book, Black Futures does not have a retrospective air. It showcases the present, but points to the future. We live at a time when black culture–whether it’s created by Ava DuVernay or Donald Glover, Kendrick Lamar or Cardi B, meme-makers or YouTubers–is opening our imaginations and offering new paths forward, a multi-voiced, utopian alternative to a world of walls and white nationalism. Black Futures captures this expansive vision and energy and makes it available to any reader, of any color, who wants to explore this exciting cultural moment and see the next one coming.
by Kimberly Drew, Jenna Wortham
Kimberly Drew is a writer, independent curator, and activist. Her career in the art world began nearly a decade ago when she founded the Tumblr blog Black Contemporary Art after an internship at The Studio Museum in Harlem. Drew recently left her role as social media manager at The Metropolitan Museum of Art to pursue writing full time.
Jenna Wortham is a staff writer at The New York Times Magazine, where she covers the intersection of popular culture and technology. She also co-hosts the popular “Still Processing” podcast with Wesley Morris for The New York Times.
[SuperheroesInColor faceb / instag / twitter / tumblr / pinterest / support ]
Who wouldnt love this lil demon
I’d let him take over the planet
you know what!!!!!!!!!!!!! i don’t care anymore!!!!!!!!!!!!!!!!! i enjoy things and i am going to enjoy things and i don’t care if other people don’t enjoy the things that i do!!!!!!!!!!!!!! i do not have to defend myself about every single thing i have ever liked!!!!!!!!!!!! i do not have to preface every opinion with “i know it’s garbage” for it to be valid!!!!!!!!!!!!!!!! i like things!!!!!!!!!!!!!!!! and i like liking things!!!!!!!!!!!!! and i don’t care what other people think!!!!!!!!!!!!!!!
its been a week
catch yall on the flip
👽🛸🏳️🌈Enby Baby 🖤💜💛 ☆Digital Artist/animator .。.:*☆ commissions: open
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