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Gonna start drawings again soon! :]
Back in camp, the warm weather gives the healers a chance to relax, and puts Wildfirecry in a particularly good mood, reminding him of his former home in Forestclan, far to the south.
Wildfirecry takes Songpaw out to look for Fiercestripe's patrol. Along the way they discuss what's really been on Songpaw's mind.
The scent of blood sits heavy in the still air. With Songpaw sent back to camp for help, Wildfirecry steels his nerves and rushes ahead, prepared to join the battle against whomever had made the mistake of tresspassing onto Loudclan's territory. As he neared the Loudclan border, though, it became clear that the battle was long finished.
Fiercestripe, Chumtail, Dogwoodmoth, and Dashpaw were killed in the rogue attack, taking 4 of their attackers with them. Rosehiptree managed to survive by staying hidden in the bushes, but she is by no means unscathed. Loudclan is devastated by this event, and will need time to mourn, but on the other side of the valley, three trespassers thank the stars for whatever might have delayed their pursuers.
[...so ... how are we feeling about this one, folks? bad? yeah, I feel bad. full disclosure, if Eklutna dying was the moon that I decided I wanted to keep playing Loudclan, this was the moon that almost made me quit. I was and continue to be DEVASTATED by losing these guys, Fierce, Dogwood, and Chum were some of my all time favorites as I played and I fell in love all over again writing their stories here. (Sorry Dash, you just weren't around long enough for me to get attached.) In game technically Fiercestripe died of heatstroke, but since it was the same moon as the rogue attack this felt like a much more fitting way for her to go. Anyway, I think one more part should wrap up this moon, and my deepest apologies to you all.]
First Moon
some sources and resources as of april 2024
fmoviesz dot to
soap2dayx dot to
anix dot to (for anime)
flixtor dot to
hdtoday dot to
myflixerz dot to
swatchseries dot is
if one of the sites i already use doesn't have what i'm looking for, i use duckduckgo to search for alternatives (as opposed to google which always gives me way more bullshit results)
12ft dot io (doesn't always work)
libgen dot is
sci-hub dot se
audiobookbay dot is
annas-archive dot org
forum dot mobilism dot org (also hosts mobile apps)
myabandonware dot com (not technically piracy!)
1337x dot to (pretty much the only source i use nowadays)
my (very quick) torrenting guide
easyussr.neocities.org/torrenting
edit: apparently necessary disclaimer that everyone and their mother knows about these websites, they can be found through any major search engine, and not talking about them on tumblr dot com won't keep them "secret" because the feds are already more than aware of them.
oh, god. did tanglefern try to do a sort of c-section on honeyspring when things went south? that slit on their belly looks a lot like a classical incision to me, and tanglefern's greatest mistake...this might be completely wrong so feel free to disregard!! obsessed with this blog right now, honeyspring what happened to you....
She was just so sick, and it was all so sudden. What else was there to be done? Nobody knows what struck Honeyspring ill so swiftly or with such brutal lethality, not even Tanglefern (but he is also a liar).
Desecration;
He wedged the cutter just under the skin, and pried the walls of her womb apart, glistening with watery wetness and slick with blood. Fluids sunk into the dirt flooring of the medicine den, reeking of disease, but Tanglefern pushed forward. He was not gentle, but he did not have to be. They knew that when she took that last heaving breath not even an hour ago, she was gone.
There was no patient to be gentle for, just a cooling corpse.
And so he ripped and tore until he could wrap his mouth around each little neck, a total of three. When he felt no more of the doomed litter, he stopped and took the time to finally glance at the little bodies sitting at his paws, sticky like honey.
He looked, and saw with rising despair, that they didn't look like kits at all. He could hear the rain pounding outside through the ringing in his ears, a thundering roar.
As he stared at those things that were not quite kits, those vague lumps of wet fur and teeth, Flaildrizzle wailed. Distantly, some raw part of him, carved open like the body before him, realizes it was all for nothing.
If you live your whole life dedicated to someone else, was it truly your life?
Fanart for @loudclan-clangen :D. I have become very endeared to Dogwoodmoth recently. Not only sacrificing almost her whole self for Rosehip, but also now being named after her deceased sort-of-half sister, carrying that with her? Oo I love that shit.
We discussed the issues describing People of Color by means of food in Part I of this guide, which brought rise to even more questions, mostly along the lines of “So, if food’s not an option, what can I use?” Well, I was just getting to that!
This final portion focuses on describing skin tone, with photo and passage examples provided throughout. I hope to cover everything from the use of straight-forward description to the more creatively-inclined, keeping in mind the questions we’ve received on this topic.
Pictured above: Black, Brown, Beige, White, Pink.
“She had brown skin.”
This is a perfectly fine description that, while not providing the most detail, works well and will never become cliché.
Describing characters’ skin as simply brown or beige works on its own, though it’s not particularly telling just from the range in brown alone.
These are more rarely used words that actually “mean” their color. Some of these have multiple meanings, so you’ll want to look into those to determine what other associations a word might have.
Pictured above: Umber, Sepia, Ochre, Russet, Terra-cotta, Gold, Tawny, Taupe, Khaki, Fawn.
Complex colors work well alone, though often pair well with a basic color in regards to narrowing down shade/tone.
For example: Golden brown, russet brown, tawny beige…
As some of these are on the “rare” side, sliding in a definition of the word within the sentence itself may help readers who are unfamiliar with the term visualize the color without seeking a dictionary.
“He was tall and slim, his skin a russet, reddish-brown.”
Comparisons to familiar colors or visuals are also helpful:
“His skin was an ochre color, much like the mellow-brown light that bathed the forest.”
Modifiers, often adjectives, make partial changes to a word.The following words are descriptors in reference to skin tone.
Dark - Deep - Rich - Cool
Warm - Medium - Tan
Fair - Light - Pale
Rich Black, Dark brown, Warm beige, Pale pink…
If you’re looking to get more specific than “brown,” modifiers narrow down shade further.
Keep in mind that these modifiers are not exactly colors.
As an already brown-skinned person, I get tan from a lot of sun and resultingly become a darker, deeper brown. I turn a pale, more yellow-brown in the winter.
While best used in combination with a color, I suppose words like “tan” “fair” and “light” do work alone; just note that tan is less likely to be taken for “naturally tan” and much more likely a tanned White person.
Calling someone “dark” as description on its own is offensive to some and also ambiguous. (See: Describing Skin as Dark)
Undertones are the colors beneath the skin, seeing as skin isn’t just one even color but has more subdued tones within the dominating palette.
pictured above: warm / earth undertones: yellow, golden, copper, olive, bronze, orange, orange-red, coral | cool / jewel undertones: pink, red, blue, blue-red, rose, magenta, sapphire, silver.
Mentioning the undertones within a character’s skin is an even more precise way to denote skin tone.
As shown, there’s a difference between say, brown skin with warm orange-red undertones (Kelly Rowland) and brown skin with cool, jewel undertones (Rutina Wesley).
“A dazzling smile revealed the bronze glow at her cheeks.”
“He always looked as if he’d ran a mile, a constant tinge of pink under his tawny skin.”
Standard Description Passage
“Farah’s skin, always fawn, had burned and freckled under the summer’s sun. Even at the cusp of autumn, an uneven tan clung to her skin like burrs. So unlike the smooth, red-brown ochre of her mother, which the sun had richened to a blessing.”
-From my story “Where Summer Ends” featured in Strange Little Girls
Here the state of skin also gives insight on character.
Note my use of “fawn” in regards to multiple meaning and association. While fawn is a color, it’s also a small, timid deer, which describes this very traumatized character of mine perfectly.
Though I use standard descriptions of skin tone more in my writing, at the same time I’m no stranger to creative descriptions, and do enjoy the occasional artsy detail of a character.
Whether compared to night-cast rivers or day’s first light…I actually enjoy seeing Characters of Colors dressed in artful detail.
I’ve read loads of descriptions in my day of white characters and their “smooth rose-tinged ivory skin”, while the PoC, if there, are reduced to something from a candy bowl or a Starbucks drink, so to actually read of PoC described in lavish detail can be somewhat of a treat.
Still, be mindful when you get creative with your character descriptions. Too many frills can become purple-prose-like, so do what feels right for your writing when and where. Not every character or scene warrants a creative description, either. Especially if they’re not even a secondary character.
Using a combination of color descriptions from standard to creative is probably a better method than straight creative. But again, do what’s good for your tale.
Pictured above: Harvest Moon -Twilight, Fall/Autumn Leaves, Clay, Desert/Sahara, Sunlight - Sunrise - Sunset - Afterglow - Dawn- Day- Daybreak, Field - Prairie - Wheat, Mountain/Cliff, Beach/Sand/Straw/Hay.
Now before you run off to compare your heroine’s skin to the harvest moon or a cliff side, think about the associations to your words.
When I think cliff, I think of jagged, perilous, rough. I hear sand and picture grainy, yet smooth. Calm. mellow.
So consider your character and what you see fit to compare them to.
Also consider whose perspective you’re describing them from. Someone describing a person they revere or admire may have a more pleasant, loftier description than someone who can’t stand the person.
“Her face was like the fire-gold glow of dawn, lifting my gaze, drawing me in.”
“She had a sandy complexion, smooth and tawny.”
Even creative descriptions tend to draw help from your standard words.
Pictured above: Calla lilies, Western Coneflower, Hazel Fay, Hibiscus, Freesia, Rose
It was a bit difficult to find flowers to my liking that didn’t have a 20 character name or wasn’t called something like “chocolate silk” so these are the finalists.
You’ll definitely want to avoid purple-prose here.
Also be aware of flowers that most might’ve never heard of. Roses are easy, as most know the look and coloring(s) of this plant. But Western coneflowers? Calla lilies? Maybe not so much.
“He entered the cottage in a huff, cheeks a blushing brown like the flowers Nana planted right under my window. Hazel Fay she called them, was it?”
Pictured above: Cattails, Seashell, Driftwood, Pinecone, Acorn, Amber
These ones are kinda odd. Perhaps because I’ve never seen these in comparison to skin tone, With the exception of amber.
At least they’re common enough that most may have an idea what you’re talking about at the mention of “pinecone."
I suggest reading out your sentences aloud to get a better feel of how it’ll sounds.
"Auburn hair swept past pointed ears, set around a face like an acorn both in shape and shade.”
I pictured some tree-dwelling being or person from a fantasy world in this example, which makes the comparison more appropriate.
I don’t suggest using a comparison just “cuz you can” but actually being thoughtful about what you’re comparing your character to and how it applies to your character and/or setting.
Pictured above: Mahogany, Walnut, Chestnut, Golden Oak, Ash
Wood can be an iffy description for skin tone. Not only due to several of them having “foody” terminology within their names, but again, associations.
Some people would prefer not to compare/be compared to wood at all, so get opinions, try it aloud, and make sure it’s appropriate to the character if you do use it.
“The old warlock’s skin was a deep shade of mahogany, his stare serious and firm as it held mine.”
Pictured above: Platinum, Copper, Brass, Gold, Bronze
Copper skin, brass-colored skin, golden skin…
I’ve even heard variations of these used before by comparison to an object of the same properties/coloring, such as penny for copper.
These also work well with modifiers.
“The dress of fine white silks popped against the deep bronze of her skin.”
Pictured above: Onyx, Obsidian, Sard, Topaz, Carnelian, Smoky Quartz, Rutile, Pyrite, Citrine, Gypsum
These are trickier to use. As with some complex colors, the writer will have to get us to understand what most of these look like.
If you use these, or any more rare description, consider if it actually “fits” the book or scene.
Even if you’re able to get us to picture what “rutile” looks like, why are you using this description as opposed to something else? Have that answer for yourself.
“His skin reminded her of the topaz ring her father wore at his finger, a gleaming stone of brown, mellow facades.”
Physical character description can be more than skin tone.
Show us hair, eyes, noses, mouth, hands…body posture, body shape, skin texture… though not necessarily all of those nor at once.
Describing features also helps indicate race, especially if your character has some traits common within the race they are, such as afro hair to a Black character.
How comprehensive you decide to get is up to you. I wouldn’t overdo it and get specific to every mole and birthmark. Noting defining characteristics is good, though, like slightly spaced front teeth, curls that stay flopping in their face, hands freckled with sunspots…
Indicate Race Early: I suggest indicators of race be made at the earliest convenience within the writing, with more hints threaded throughout here and there.
Get Creative On Your Own: Obviously, I couldn’t cover every proper color or comparison in which has been “approved” to use for your characters’ skin color, so it’s up to you to use discretion when seeking other ways and shades to describe skin tone.
Skin Color May Not Be Enough: Describing skin tone isn’t always enough to indicate someone’s ethnicity. As timeless cases with readers equating brown to “dark white” or something, more indicators of race may be needed.
Describe White characters and PoC Alike: You should describe the race and/or skin tone of your white characters just as you do your Characters of Color. If you don’t, you risk implying that White is the default human being and PoC are the “Other”).
PSA: Don’t use “Colored.” Based on some asks we’ve received using this word, I’d like to say that unless you or your character is a racist grandmama from the 1960s, do not call People of Color “colored” please.
Not Sure Where to Start? You really can’t go wrong using basic colors for your skin descriptions. It’s actually what many people prefer and works best for most writing. Personally, I tend to describe my characters using a combo of basic colors + modifiers, with mentions of undertones at times. I do like to veer into more creative descriptions on occasion.
Want some alternatives to “skin” or “skin color”? Try: Appearance, blend, blush, cast, coloring, complexion, flush, glow, hue, overtone, palette, pigmentation, rinse, shade, sheen, spectrum, tinge, tint, tone, undertone, value, wash.
List of Color Names
The Color Thesaurus
Skin Undertone & Color Matching
Tips and Words on Describing Skin
Photos: Undertones Described (Modifiers included)
Online Thesaurus (try colors, such as “red” & “brown”)
Don’t Call me Pastries: Creative Skin Tones w/ pics I
WWC Featured Description Posts
WWC Guide: Words to Describe Hair
Writing with Color: Description & Skin Color Tags
7 Offensive Mistakes Well-intentioned Writers Make
I tried to be as comprehensive as possible with this guide, but if you have a question regarding describing skin color that hasn’t been answered within part I or II of this guide, or have more questions after reading this post, feel free to ask!
~ Mod Colette
QUAIL HYPE QUAIL HYPE QUAIL HYPE
My dad sent these pictures of quail in his yard. Happy fat fuck Friday
Ladies, Gents and Genderbents, it is the month of gay! Go forth and release that inner gay creacher itching to cause prideful chaos! 🏳️🌈🏳️🌈🏳️🌈
WARRIORS BOOKS DOWNLOADS
The Prophecies Begin
Into the Wild
Fire and Ice
Forest of Secrets
Rising Storm
A Dangerous Path
The Darkest Hour
The New Prophecy
Midnight
Moonrise
Dawn
Starlight
Twilight
Sunset
Power of Three
The Sight
Dark River
Outcast
Eclipse
Long Shadows
Sunrise
Omen of the Stars
The Fourth Apprentice
Fading Echoes
Night Whispers
Sign of the Moon
The Forgotten Warrior
The Last Hope
Dawn of the Clans
The Sun Trail
Thunder Rising
The First Battle
The Blazing Star
A Forest Divided
Path of Stars
A Vision of Shadows
The Apprentice’s Quest
Thunder and Shadow
Shattered Sky
Darkest Night
Super Editions
Firestar’s Quest
Bluestar’s Prophecy
SkyClan’s Destiny
Crookedstar’s Promise
Yellowfang’s Secret
Tallstar’s Revenge
Moth Flight’s Vision
Hawkwing’s Journey
Tigerheart’s Shadow
Novellas
Hollyleaf’s Story
Mistystar’s Omen
Cloudstar’s Journey
Leafpool’s Wish
Tigerclaw’s Fury
Dovewing’s Silence
Mapleshade’s Vengeance
Goosefeather’s Curse
Ravenpaw’s Farewell
Legends of the Clans
Manga
Graystripe’s Adventure: The Lost Warrior
Graystripe’s Adventure: Warrior’s Refuge
Graystripe’s Adventure: Warrior’s Return
The Rise of Scourge
Ravenpaw’s Path: Shattered Peace
Ravenpaw’s Path: A Clan in Need
Ravenpaw’s Path: The Heart of a Warrior
SkyClan and the Stranger: The Rescue
SkyClan and the Stranger: Beyond the Code
SkyClan and the Stranger: After the Flood
Tigerstar and Sasha: Escape from the Forest
Tigerstar and Sasha: Return to the Clans
Guides
Secrets of the Clans
Cats of the Clans
Code of the Clans
Battles of the Clans
The Ultimate Guide
Here to say random shit and draw random shit :D Pronouns are They/Them/She
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