Lautski Day 6: Storm ⛈️ ☔️🌩️

Looks like I’m gonna be “studying” hard tonight

Made a wheel you can spin to find out Where in Hatchetfield You're Going!

⚠️ Warning: some results may not be in Hatchetfield or this dimension. The creator of this wheel accepts no responsibility for anyone who ends up in unfortunate circumstances, or Clivesdale. Spin at your own risk.

(Also please ignore the fact I somehow forgot the name of Miss Retro's when making this. There's no way to go back and edit it now :( )

Lautski Day 4: help 🤭

@lautski-week

Pls just ignore how inconsistent the characters are from page to page T-T we’re trying

I pushed myself with this one. Starkid: Cinderella's Castle

Based off the song "Neon"

This but it’s Ruth, Richie, Steph, and Pete.

The question is, who would each one be

Here’s a sad thought about Princess Jasmine in Twisted: The Untold Story of a Royal Vizier, courtesy of listening to the soundtrack again and feeling the feelings about her and Ja’far: this version of the Sultan must be a really bad father.

We never see him interact with his stepdaughter. He already seems rather senile when he steals Scheherazade, and that’s sixteen years before the present day. His sanity may well have completely gone in that time. Even if it didn’t, he makes it clear in his one appearance that he considers everyone in his power to be objects defined entirely by how they can benefit him and remorselessly will torture, enslave and murder them on a whim. I doubt that he’d be sensitive or nurturing toward his child. Now, I think Scheherazade would be a great mother - but she never got to try.

The Sultan has evidently been very neglectful and distant, failing in his duties to teach the Princess how to be both a good person and a good member of royalty. Despite her being his only heir and old enough to marry and rule the kingdom, which apparently has no problem with a female sovereign, he’s let her grow up to be extremely sheltered and not at all adequately prepared for responsibility and politics. It doesn’t even occur to her that having her tiger assault a neighbouring country’s visiting prince might have consequences. The Sultan, and on his behalf the Captain of the Guard, don’t let her know important news and royal decrees: neither what a menace Aladdin is, leaving her vulnerable to him, nor the Sultan’s mass execution of the 2D Department, since for as insensitively egocentric as she is at the beginning, she’s still deeply sentimental and quick to empathize with the homeless peasant Aladdin, so I can’t believe that she wouldn’t be at least a little upset with the Sultan (or more likely Ja’far) over so many lost human lives.

More than that, her immaturity speaks to bad parenting on the most basic level. She hasn’t internalized the Sultan’s cruelty, but has learned his selfishness, entitlement, impulsiveness and poor emotional regulation. Her social skills are notably clumsy and underdeveloped (not picking up on Aladdin’s numerous red flags, “No high five”, “At least Abdul had a family who loved him!”, even cringing herself at the last one). The Sultan’s passed down absolutely zero wisdom of any kind.

Instead it’s Ja’far with whom she has a familiar father-daughter dynamic (“What’s up, are you mad at me?” “Where are you going?” “There she is!”). It’s him who shows concern when she runs away and gives the order to find her before all else, notices that she’s upset and talks her through her feelings, warns her about sexual predators, appreciates her idealism and effort. It’s him who provides the gentle but firm, healthy guidance and challenge that she needs to grow. Who sees her potential, respects and believes in her. Who loves her. However, he is ultimately in her service. Between the imbalanced power dynamic making him wary of treason (after all, the last time he had a stronger relationship than the Sultan with a woman the Sultan called his, it didn’t end well) and his other responsibilities taking away from their time together, he can’t be as influential a presence in his life as he’d like.

Maybe this why she’s initially so resentful of him. Subconsciously she does see him as a father all along, but he hurts her and lets her down sometimes. Like the Sultan, her only official parent, always has. That stings. The differences are that the Sultan hurts her much more, more consistently and without her best interests at heart… but Ja’far is the one she can lash out at and complain to and be a messy adolescent around, because firstly, he’s her subject instead of her ruler, and secondly, he’s actually involved in her life. He cares, and therefore yelling or halfheartedly trying to poison his wine will make an impact. The Sultan is untouchable. We know that she conflates the two in her head as unjust authority figures keeping her trapped and crushing her aspirations (“All the people who say I’m just dreaming, like Father and Ja’far”, one of the only times she mentions the Sultan). It’s easier to blame your problems on an employee everybody else hates than accept that your parent is a bad one.

Maybe this is the root of her discontentment as well, her yearning that she can’t articulate for something more than what the life she’s been given. The joke of “Everything and More” is that she doesn’t need anything besides what she has… but she does. She needs a competent, reliable parent. One who she can trusts loves her the person as her parent, not a servant of her bloodline, and she knows to love as such in turn.

No wonder she falls for “Orphaned at Thirty-Three” hook, line and sinker. She’s never known her mother. Her relationships with her paternal figures range from terrible to complicated. Having unconditionally loving, supportive parents and then suddenly losing them must be the worst thing she can imagine.

But in the end, the Sultan dies and her dad has to leave her. Although he found a way to live forever, it wasn’t enough to save her from the pain of being orphaned at sixteen.

Lautski Week: Day 2 (Party)

Pete, Ruth, and Richie throw Steph a Birthday Party. It’s a small event but Steph loves it. It’s more sincere than anything Solomon has thrown for her and more intimate than what she does with the popular cliche. Steph and Pete *might* have some alone time later in the party. (Follow by 101 questions about it from Ruth.)

(I do not own anything.)

Sources: 1 2 3 4 5 6 7 8 9

Spoilers for later in the week:

This won’t be the only that Steph’s birthday is worked into the theme.

Ella and Tadius from Cinderella's Castle give very similar energy to Curt and Tatiana from Spies Are Forever. Both not interested in each other romantically but are absolutely best friends and probably kiss each other on the cheek when they meet up and everyone sorta thinks they're together and they never deny it but they know they're not together and never will be

Lautski Day 3: camp 🕺💃💅💅💅✨✨

@lautski-week

I call this one camp at camp. I’m imagining a full met gala show to the absolute horror of all of the camp counselors 😂

I had meant to draw Nick-Pete but went into some kind of trance and when I woke up I had draw Joey 😭😭 idk what happened 😆

I will honestly never get over this

I’m sorry, I may just be a bit oblivious but I don’t actually get what you’re trying to imply here 😅 especially because in my mind these are two very different characters.

Mainly because from point one it’s obvious Jason doesn’t want to be doing the things he’s doing which contrasts with max who seems to revel in it and so has a much more stark difference between his terrible behavior and his redemption.

I think it should also be mentioned that (imo) Jason isn’t really a character who gets “redeemed”. (Hear me out!) From my understanding redemption is when you do something truly truly bad, make up for it, and learn to be a better person. Jason barely fulfills the truly bad thing by hanging with max and doing his bidding (but as I said above he doesn’t want to be doing any of it in the first place) but his “redemption” is a bit overshadowed by the fact that he tells Richie that if max ever came back he’d go right back to bullying. Now even though max’s redemption is also overshadowed by a return to his evil doings I think it’s really important to mention that Jason just randomly says he’d return to bullying if max ever came back. Whereas max has a more character reason to make his decent back into evil (mainly getting hurt, and pissing his pants. Which are both embarrassing things and we know he has a problem with his dad humiliating him)

In your tags you mentioned that you didn’t think screen time had to do with this, but I actually think it does. And the reason I think this is because of Kyle. Now idk about anyone else but I often don’t remember much about this character. (I had to look up his name just now.) and to me that’s because he hardly does anything in the show. So it would make sense to me if Jason, who is in the show less than max but more than Kyle, would get less attention from the fandom than max, but more than Kyle. And while I know that people love taking random background characters and making them the fandom favorite. I don’t actually think that Jason really fulfills what a typical fandom wants to see which is mainly toxic sad boys. (Which Jason is not imo. Other than the whole “we’re gonna return to bullying” he’s pretty healthy and happy)

I’m sure there are more in depth reasons but that’s the one that came up to me.

Sorry, not trying to be rude or anything. Just kinda hoping to start a conversation because I’m really curious about this topic! 😊

(edit: I looked back at your tags and saw that this is about race, which is totally fair. I’m not going to claim that isn’t what’s happening here since I haven’t really looked at the fandom from that point of view. Feel free to disregard this entire reblog 😝)

Jason Jepson is literally everything the fandom wants Max to be (kind of dumb, gets redeemed and turns out to be actually really sweet, cares a lot about his friends, makes up with the nerds he bullied, hell he even likes Grace). But yet the fandom still favours Max more. I wonder why that is! Hmmm, I wonder what the difference between these two could be!