Arundhati Roy, The End of Imagination
nothing that a haircut and a wardrobe update and a detox and a sex change and a fake ID and getting medicated and selling all my stuff and faking my death and moving country can't fix
an ongoing list
Glenn Miller; an alcoholic drink composed of bourbon, scotch, maraschino cherries and a slip of something literally golden.
Enoki Mushrooms; mushrooms brought in a plastic box-marinated with garlic, spring onion, soy sauce and chilli sauce.
Sushi mix; a combination of Indian food and sushi, shoved into a laptop fitted for that purpose. The entree consisted of a sushi bento box inside the laptop, while the mains-a larger bento box of more varieties (rice, soup, large sushi-all heavily saturated in colours) were outside the laptop in a similar crevice.
Pistachio macarons; macarons with pistachio filling, resemblant of the ones in Coles that I really wanted to try
Ramen rice; a mixture of ramen with traditional Indian rice and curry that I made for a friend.
Buffet course; the first course was this strange baked cream roast chicken in bread and when you opened it and the waitress also poured a little crouton soup. The second one was this beef dish that looked genuinely so extravagantâthe beef was carved like a flower petal on top of the rest of the dish which was a mix between a tartare and something cooked with lots of fruits/vegetables and garnishing
[LATEST] Donut Pistachio Tiramisu; Two or three Krispy Creme donuts that were used as the lady fingers of a tiramisu. Pistachio crumble. The cream that used heavy cream, sugar that melted into cream and vanilla extract. Coffee powder. And I left TeeVee snacks on the counter but never used it.
was at the minster + saw a class of school children laying on the floor looking at all the architecture đ
âtouchingâ shot by vassilis karidis for fantastic man, issue 30
Illustration from What the Moon Saw for Fairy Tales from Hans Cristian Andersen by Dugald Stewart Walker (1914)
To Live Forever- a TSH playlist (songs I think fit)Â
 matchbox cars- for driving all around Tokyo with friends (futuristic and retro at the same time)Â
coming of age- if I made a teen show, this would be the soundtrack
House Arrest- for cleaning the house with a robot version of you
summer- for wasting your days with your small group of friends
mockingbirds- songs Iâd listen to when I fake my death
clementines- for laying on your bed, feeling full and completeÂ
sunflowers- based on that Holly Warburton painting Â
what is one line of poetry/writing that lives in ur head rent free please share i would like to knowÂ
- obsessed with making films even as a kidÂ
- has a weird red stain on her jumper that doesnât seem to ever go awayÂ
- has lost her viola about three times in a year Â
- buys things to impress people (eg. fountain pen, notebook)Â
- used to experience slight auditory hallucinationsÂ
- wrote poems about raspberries being metaphorsÂ
- suffers from burnout a lotÂ
- âmy cutoff date is 28. I either die committing art theft or assassination or I donât die at all.âÂ
- despises the word soliloquyÂ
- continuously says the word soliloquyÂ
- has an (almost finished) KYD wallÂ
- constantly working on somethingÂ
-Â brings board games to whatever house she goes to
- incredibly happy when gifted world mapsÂ
- someone once called her dumb and now her life goal is to become better than them in every aspectÂ
- has leverage on anyone about everythingÂ
- constantly treats everything as a (subtle) competitionÂ
-Â *draws six lines on leg* âlook Iâm a guitarâ
- constantly comes up with strange pick up linesÂ
- wants to âpull a Henryâ every time she slightly fails at somethingÂ
- has a specific due date for crying and itâs a friendâs birthdayÂ
- named all the statues they could find in a small townÂ
- wore a plague doctor mask to a partyÂ
- has a real knack for wrapping presentsÂ
- her gift for her Valentine was a cheesy heart necklace and a poem based on TSH quotes
- still wanted to be in the rain, so put coats over each other and huddled togetherÂ
- her entire personality is âJAMES IS ALIVE.âÂ
The development of Lynch's body of work is informed by a realist's optimism that there is an exit from the linguistic labyrinth and that this exit is richly available to us [...] His use of languageâand of cinematic vocabularyâsuggests that, once we understand that we ourselves have created cultural forms and that they only have the meaning we give them, we are free to understand the forces in the universe that are truly larger than we are and how they connect us to a greater reality.
Martha Nochimson, The Passion of David Lynch