Does Anyone Remember Fanfiction From Like 2001 To 2004 Tho?

Repeat after me, kids: your significant other liking multiple genders does nothing to invalidate the fact that they like you best.

I just watched this amazing german/swiss movie about two soccer players falling in love, called ‘Mario’ (it’s on Netflix and amazon video) and it’s honestly one of the best told love stories I’ve ever seen. It’s tender, intimate, slow and the chemistry between the two actors is shattering. Go watch it!

And I couldn’t help myself but to take some frames and drarry them.

“Do you know what it’s like to be named for the dead?” James asks his father in the middle of one of many arguments. “Do I remind you of a man we’ve never met? Am I in honor of someone you watched die? Because I don’t want it.” When James Sirius Potter looks at himself in the mirror, he sees a mess of reddish brown curls and slightly askew glasses and freckles everywhere. He sees hands that climb trees and grip tightly to broomsticks. He sees his mother’s smile and hears his father’s voice. Because James seems like the thick goofball of the family, but he reads history book after history book, wishing to never repeat the sins of their fathers. If he saw any of James Potter he wouldn’t recognize him at all, and maybe, he fears, that’s where he falls short.

“Do you know what it’s like to be named for the dead,” Albus says one day to Rose as they sit by the Great Lake. “Names of men who I think aren’t the heroes I’ve been told about. Men I’m told are brave but seem just as bad as the rest.” Albus Severus Potter loves being called Al and having his hair ruffled by his friends. He loves sitting on high ledges and looking out at the vast sky and thinking about what is on the other side of the earth. Albus Potter sticks his nose in old books and keeps to himself and has no desire for greatness in any form. He doesn’t want to lead a war or be a spy. He wants to be Al and bake with his grandmother on Sundays and give his sister piggyback rides. And, most days, that feels like admitting failure. 

“Do you know what it’s like to be named for the dead,” Lily shouts one day with tears in her eyes. “I’m not her, I’m not her, I’m not her,” she repeats over and over again. Because Lily Luna Potter is a Slytherin and brutal and fierce and full of fire and made of stone. She is not soft and kind - she is not the woman who saved her child from death. Because she can be selfish and harsh and unforgiving. She spends her mornings running through the icy, frozen woods and her nights leaning over windowsills because the rush is just right.  Lily Potter will fight to the death, but for no one but herself. And does that make her somehow distorted, she wonders as she flips through photo after photo of a young woman with pretty eyes she doesn’t have and gentle hands that she will never understand. 

“Do you know what it’s like to be named for the dead?” Fred chokes through sobs as he rushes past his mother. “Do you have any idea what it’s like to be named for someone who haunts us every day and every night? Can you imagine being named for someone you can never look like because of your skin?” Because Fred Weasley ties up his wild dark hair into a thick ponytail when it’s time to play Quidditch and sees deep brown eyes when he looks at his reflection. Because Fred is dark skinned like his mother and will never look like his namesake, and is he resented for that? Is it worse to look like the brother that his father lost or to not resemble someone he loved at all? Because, most days, Fred is already different than the rest of his cousins and friends. Fred loves to laugh and play the highest caliber of pranks, because Fred is a Weasley…but that is something that no one can physically see, and that’s what’s the most terrifying. 

“I know what it’s like to be named for the dead,” Teddy tells them all at some point, his hands on their shoulders or pulling them into a tight hug. “I know what it’s like to remind the person you love of all who they’ve lost. How much it hurts.” Because Teddy Lupin is named for a man who was killed alone and frightened in the woods over twenty years ago. He is his mother when he decides he likes the color pink and his father when his eyes morph into an almond amber. Because he is an orphan and no different from Harry…and he can understand how their father feels, because he wishes to honor those who died for him, too. Because he knows he is nothing like Ted Tonks, and yet his name carries a piece of his grandfather with him and that’s why Grandmother can only call him “Teddy,” otherwise she’d burst into tears. Because Teddy Lupin lives in between Harry and George and their children - born into war and only knowing peace. And so Teddy understands exactly what it is to be named for the dead, and knows exactly why it is so important to do so. 

And even as he tries to tell them all this, he feels hot tears running down his cheeks and wonders to his parents, who have never been there, “Do you know what it is to be named for the dead?” 

the older i get the more i realize what it meant for lily and james potter to die at 21. when you’re 11 and you’re reading the books, watching the films, 21 feels ancient. it did to me. even the actors they picked looked like they were in their thirties, because actual 21 year olds standing next to harry in the mirror would have been an excruciating sight i think. actual 21 year olds lined up in the photo sirius shows harry would have been horrible to see. they weren’t adults. i look at 21 year olds now and most of them are still teenagers. and i’m so sad because you know harry turns 21 and then 22 and then 28 and 29 and realizes how terribly young his parents were, how brave they were, how exceptional they were, GOD I’M SAD IM GETTING A BEER

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“I don’t know what I was expecting. Something flashier, I guess?”

“What, I’m not impressive enough? I just saved your life.”

“Next time, do it with flair.”

Me: I like Malfoys. Draco is a pretty complex character. I think Narcissa is pretty powerful and Scorpius is such a cool character.

Lucius: Ah thank you-

Me:

Is that a threat, Draco

Writing Tropes Well: Chronic Hero Syndrome

A good hero helps those in need, right? So the best heroes help everyone in need!

….Is probably what these kind of characters are thinking, but the reality is a little different. The Chronic Hero Syndrome mainly affects the good and (at least partially) naive protagonist who thinks that every problem around them needs to be solved, usually by them. Some stories like to portray this kind of character in a purely positive light since “always ready to help others” is thought of as a positive trait. Sometimes it works, often because it’s a simplistic story, deals with black-and-white morality, it’s a video game with fetch quests, etc. However, when you look beyond the surface level this “affliction” has some interesting consequences for the character.

(NOTE: This trope shares a similar name with a real-life affliction “Hero Syndrome” where someone intentionally creates bad situations in order to save everyone and appear as the hero. The real syndrome is not the same as the trope!!)

To start, let’s take a look at the trait itself. Mentioned before, the desire to help everyone sounds like a great trait, however by thinking that way you’re boxing in how you’re defining characters. Traits shouldn’t be sorted into “good” and “bad”; they should be lumped together and thought of as “strengths” or “weaknesses” relative to each situation (link embedded). Strengths can become weakness and weakness can become strengths depending on what’s happening. Flaws are circumstantial.

All aspects of a character should have consequences, “consequences” being positive, negative, and even neutral effects from who they are. Most often, those consequences are found in the choices that the character makes. Even a choice made with the best of intentions can have a negative impact, and any character with Chronic Hero Syndrome can’t be making perfect choices 24/7 because nobody can realistically do that.

A protagonist, or any other character, with Chronic Hero Syndrome may see negative consequences like (but not limited to):

Manipulation. It’s easy to take advantage of someone who’s wholly predictable in their choices. The antagonist can easily set up a trap for this type of character.

Sticky situations due to naivete. Though it’s possible for a character to be less naive by critically examining the situations they end up in, just blindly believing and helping anyone who asks for it can land them in troublesome situations.

Consequences of the Law. Sometimes helping others isn’t always legal, though legality does not have a direct correlation to morality. If this character breaks laws then it should be addressed realistically for the story.

Burnout (especially of friends). It takes a lot of time and energy to commit to the level of help they offer and it’s not easy to sustain. A friend or partner may also not be as enthusiastic about that character’s choices as it bites into their time together.

Blunders. Helping doesn’t always mean succeeding. This character can (and should) fail once in a while. Sometimes, even succeeding at a task can have negative effects, especially if the character was tricked or failed to see the big picture.

Potentially incorrect self-image. Let’s be honest, this character thinks that they can help everyone. To reach that conclusion you need to think you’re really the best choice to get something done, which anyone with a healthy sense of self-esteem knows isn’t always the case. The character may point the person in need to better help, but a good chunk of having CHS means the character personally provides aid. In some stories, the “I’m the best option” thought can be justified, especially if the character has an ability that the average person does not, but it takes a level of arrogance, tunnel vision, and/or obsession to genuinely believe you’re the best option to personally help. Even if the character is just “too nice” so they feel like they always have to offer, someone genuinely interested in helping the best way possible would be willing to admit that they aren’t the best choice, and would be willing to pass off the task to someone who is. There’s a reason that Chronic Hero Syndrome isn’t called “person who likes to help others”; the afflicted character crosses the line between reasonable help to an almost weird sense of duty.

All that said– it’s okay if you want to write a character with Chronic Hero Syndrome! This post is meant to get you critically thinking about the character trait, not say that it’s bad to have someone with it in a story. Tropes are not bad, but they need to be understood or else the writer runs the risk of writing a poor story.

When writing a character with CHS, make sure you can address these things about them to make sure they’re well-rounded and interesting (especially if they’re a main character!):

What’s the source of the CHS? It’s one thing to want to help your friends when you can, but a hero with CHS is over-willing to help strangers and maybe even those they don’t get along with. This isn’t a common trait in reality, so it’s best to have an explanation or source of why they are who they are.

Do they genuinely think they’re the best option to help or is the constant desire to help a sign of something else? One character may punish themselves by helping everyone around them, depriving themselves of personal time and fully knowing that it could have been done better by someone else. Another character might be harboring guilt and tries to take care of it by being aggressively helpful to everyone else. Someone else might be obsessed with a certain image of being useful (but they don’t create the situations and then save people from them, that’s the real-life Hero Syndrome).

How does the CHS integrate with the rest of the personality? “I want to help everyone” is not a personality, it’s a choice of values. This character still needs to have thoughts and traits outside of their Syndrome.

How could the CHS cause problems? All choices have consequences, and a character who truly has CHS is probably sacrificing a lot from other aspects of their life. Maybe their partner starts feeling abandoned, maybe the hero tries to help and makes something 10x worse! Every single trait should be free game for causing issues in a story.

Tropes can be a useful part of storytelling, particularly when done well. Because Chronic Hero Syndrome most often affects protagonists or other main characters, writing it well means understanding the reach of the “affliction”. It’s fine to write a simplistic story (a lot of children’s novels do this) where the protag wanting to help everyone is just a sign of a good, helpful person. But if you’re looking to write a realistic story, particularly with character realism, then you’ll need to address the consequences that this kind of character can bring to a story.

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ON FANFIC WRITERS

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Reasons charms class is my favourite:

1. The girl in the far left of the second row. She is perpetually confused, but one day my character will tutor her (and win her heart, she will be my girlfriend)

Also:

2. Watching the face of the blond behind me, seriously their expressions are always priceless!