One of the most effective self-editing techniques is to distance yourself from your writing before diving into the editing process. After completing your draft, give yourself some time away from the text – a few hours, a day, or even longer if possible. This break provides a fresh perspective, allowing you to approach your work with a more critical eye.
Engage your auditory senses by reading your work aloud. This not only helps identify grammatical errors and awkward phrasing but also allows you to assess the overall flow and rhythm of your writing. Awkward sentences are more apparent when heard.
To avoid feeling overwhelmed during the self-editing process, concentrate on specific elements in each round. Start by checking for grammatical errors and punctuation, then move on to sentence structure, coherence, and finally, style. This systematic approach ensures a thorough examination of your writing.
After you are finished with your first draft, flip to the beginning and start anew. As you write and edit more of your story, you may add different aspects to a character that might need to be mentioned in a section you already edited. You might add a part of the plot that should be alluded to earlier in your book.
Re-reading your first draft might reveal plot holes that will be addressed via revisions. It may expose logical inconsistencies that must be buttressed with enhanced detail. If you, as the author, know a lot of details about a character’s backstory, make sure your reader does as well.
Audiences want engaging plots, but they also want detailed characters who undergo change during the events of a story. Use a second draft to make sure that your main character and key supporting characters follow consistent character arcs that take them on a journey over the course of the story. If your story is told through first person point of view (POV), this will be even more important as it will also affect the story’s narration.
Find ways to space out your story points so that every section of your novel is equally compelling and nothing feels shoehorned in.
When some first time writers think of the editing process, they mainly think of corrections to grammar, spelling, syntax, and punctuation. These elements are certainly important but such edits tend to come toward the end of the process. Obviously no book will go out for hard copy publication without proofreading for typos and grammatical errors, but in the early rounds of revising, direct most of your energy toward story and character. If you consider yourself a good writer who simply isn’t strong on elements like spelling, grammar, and punctuation, consider hiring an outside proofreader to help you with this part of the writing process.
The best novels and short stories contain ample variety, no matter how long or short the entire manuscript may be. Look for ways to inject variety into your sentence structure, your narrative events, your dialogue, and your descriptive language. You never want a reader to feel like s/he’s already read a carbon copy of a certain scene from a few chapters back.
Consistency is key to maintaining a professional and polished tone in your writing. Ensure that your language, formatting, and style choices remain consistent throughout your piece. Inconsistencies can distract the reader and diminish the overall impact of your work.
Effective communication is concise and to the point. During the self-editing phase, be vigilant in identifying and eliminating redundancies. Repetitive phrases and unnecessary words can dilute your message and hinder clarity.
If your writing incorporates facts, figures, or data, double-check the accuracy of your information. Providing accurate and up-to-date information enhances your credibility as a writer. Cross-referencing your sources during the self-editing process ensures the reliability of your content.
Keep your target audience in mind during the self-editing process. Ensure that your language, tone, and examples are tailored to resonate with your intended readership. This step is crucial for creating a connection with your audience and enhancing the overall impact of your writing.
Take advantage of the various editing tools available to writers. Spell and grammar checkers, and style guides can serve as valuable companions during the self-editing journey. However, remember that these tools are aids, not substitutes, for your critical evaluation.
Engage with others to gain fresh perspectives on your writing. Peer reviews or feedback from mentors can offer valuable insights that you might have overlooked. Embrace constructive criticism and use it to refine your work further.
Effective self-editing requires a degree of ruthlessness. Don’t be afraid to cut or rewrite sections that do not contribute to the overall strength of your piece. Trim excess words, tighten sentences, and ensure that every element serves a purpose.
Sources: 1 2 3 4
Heard the audio and I just HAD TO
-🦝
What could I have been? What will I be?
i. Between the Bars, Elliott Smith / ii. @danielcalmdown / iii. The Bell Jar, Sylvia Plath / iv. Things You Wanted To Say But Never Did, Geloy Concepcion
Thousands of years of pinning latter
1. unknown. | 2. ethel cain, strangers | 3. Melissa broder, skeleton glitter | 4. mitski, a pearl | 5. maggie nelson, bluets | 6. molly brodak, molly brodak | 7. rio romeo, nothing’s new | 8. becca de la rosa & maybell martin, mabel: matryoshka | 9. mitski, humpty
After morning sermon.
speedpaint/sketch:
part 1
get used to carrying a notebook around with you. or get used to writing on your phone. you will not always have access to your computer, but it’s much easier to take something compact with you to quickly jot down ideas. also i have chronic illness and sometimes my bones feel like lead and going upstairs to get my laptop is a herculean task, BUT i can write on my phone lying down instead of just scrolling through my camera roll and being miserable. which brings me to my next point:
if you have to choose between writing unconventionally or even unproductively and not writing at all, choose the writing. i’ve said before not to create a habit of writing in bed, but if it comes down to writing in bed or not writing whatsoever, i’ll write in bed. i just try to stretch before and after (which you should also do!!!).
you’re not wasting time or being silly by making playlists or moodboards or memes of your characters and environments. having fun with your stories outside of writing them is a good way to stay motivated.
i like to stop my writing sessions in a place where i know exactly what i want to write next, so when i pick back up i won’t be left hemming and hawing over where to begin. HOWEVER, if you’re absolutely locked in, don’t interrupt that flow state. it’ll be harder to find it again later—instead, wait until you find a natural place to stop where you haven’t run out of ideas.
“why do i have a headache 3 hours into my writing session?” because the last time you had a sip of water was 4 hours ago, you dingus! keep your drinks near your workspace while you write. and i do mean, like, a full bottle of water at least. if you’re like me, things stop existing when they leave your line of sight, so keep these beverages where you can see them and refill during bathroom breaks.
uhhh try not to think negatively about your writing while you’re doing it because when i do that i just get bummed out. “this scene is terrible” -> “oh yeah fuck it up oh yeah fuck it up” (positive reframing)
ok thanks bye
" Look, Sam!! It's my estranged cousin, Pedro!! " " Glad to see your family tree is as delightfully disturbing as ever, little buddy. "
I went to an aquarium/marine life investigation center place thingy some time ago with my friends. It was fun!! I stimmed a lot
There even was a book at the end where they let you write/draw whatever you like, here was my contribution! And the main inspiration for this piece too
good morning dirtbag nation last night I cowboy camped up on a ridgeline tucked beneath hemlock saplings right alongside one of those big intermountain power lines that look like giant men walking across the mountain tops. the wires were so close that there was a constant crackling hum of electricity that almost disguised the sound of the rain pit-pattering on my tarp. when the water hit the cables it made hot blue flashes like little lightning birds on the wire, and you could almost track the sheets of wind in the darkness because of the ripples of light.
Stupid soulmate string idea rattling in my head for a few weeks now Bonus points for gods being unable to see soulmate strings, so Narinder never sees his until he’s usurped