Ohmygoditstheyeti - Old Stuff From Long Time Ago

Red? I think it’s red. 

I gotta say I think it's kind of sad that steven universe was such an evocative and interesting show among it's contemporaries but was left with a very bad reputation based on what's honestly some of the worst analysis of anything i have ever seen

Work-in-Progress for the cutout animation I‘m making this semester! It’s inspired by Jonathan Stroud‘s Bartimaeus sequence. ✨

Yoosung is really bad at geography class... At least he doesn’t confuse her with Rika anymore

(Sorry for editing so much ^///^;)

Just got into V’s route. My current experience and mood with it.

Will now retreat from tumblr so i don’t get any spoilers tho. T_T

My kokoro is brokoro.

It seems that I’m romantically attracted to fellows that sweat profusely nowadays…

Wow I really hope there's a Rika route since guess what dearie people actually like her and would like to see her idk turn her life around and stop culting? Asides from the fact that we had to sit through that shitty V route that pretty much just destroyed his character.

Wow, coming into my ask box hidden behind a mask with a condescending tone? I can see why you like her. :) 

Rika can “turn her life around” and “stop culting” without adding romantic love from an MC into the mix. In fact, though V’s love was arguably not healthy, if anything her being in a romantic relationship and still heading down the path that she did should tell you that love is not the cure-all for her. Therapy (and prison at this point) would be necessary. The game says as much through Zen when he talks with V on Day 10. 

In a game where romance inspires characters to change themselves for the better, it’s clear that at least part of the meaning behind Rika’s character is that you should learn to love yourself first before expecting the love of someone else to save you. Think about it - V tells the MC that he tried to love Rika unconditionally, like God would. And while that was ultimately unhealthy for both of them, even that was not enough to sustain her and, just like Zen said, she moved onto something else to fill that gap that only loving herself would fill and tortured countless others through Mint Eye.

The only way for her to turn her life around would be through therapy and for paying for the wrongs that she has committed, which you could argue happened through Yoosung’s intervention in V’s Good Ending or through Zen’s intervention in the Secret Endings (though she was not prosecuted for her crimes in the Secret Endings, which was bullshit).

“that shitty V route that pretty much just destroyed his character.”

Hahaha… Nonny, you DO get that V is an antagonist, right? He’s been the same character the whole time. While I’m sure some of his intentions were good, in the end he lied and obstructed justice in order to save the object of his obsession. In Ray’s route, he even says as much - he knows he should intervene to save Saeran but also knows that he would lose Rika in the process. And so he waits and lies about everything to the extreme detriment of those around him. 

From V’s own mouth:

Jihyun is an antagonist in Mystic Messenger. He is written as a sympathetic antagonist. But an antagonist none the less. If anything, his route and Ray’s route have only made his intentions more clear. The character has not changed, his route did not destroy his character - merely showed it in a clearer light. 

It seems I must teach you… your little schemes will lead you on the path of impurity.

My (spoiler-free) thoughts on Dragon Age: The Veilguard

The review embargo has lifted and I can officially say that I've played through Dragon Age: The Veilguard early! 

Here are my spoiler-free thoughts and personal opinions on the overall gameplay experience: 

Narrative:

Rook's dialogue and decisions impact SO MUCH of the game, and come into play later on. From companions remembering your beverage preferences, to whether someone you spared shows up later to help or harm you, it feels like the game is paying attention and that you matter.

The stakes are unbelievably high. The Evanuris are utterly terrifying villains, in ways that Corypheus wasn’t. You really feel the magnitude of their power on a personal level as well as a worldwide level.

Whatever your thoughts on him, Solas is FUN as a character. He’s fun to talk to, fun to talk strategy with, fun to rile up and verbally spar with and fun to grudgingly ally with. Now that he can drop his former act and appear to you as the Dread Wolf, and you get to see his memories, you and he team get to decide how to utilise his knowledge and how far your trust extends.

The setup and payoff of the story beats are absolutely superb. The emotional turmoil as a player of being ensnared by things that was foreshadowed earlier in the game is utterly exquisite. Every thread of the larger tapestry has been woven with so much love by the writing team, and every character’s arc tie into the larger story in interesting ways.

The characters feel like they have full lives outside of the player character. You frequently go exploring their home turf and can meet their friends and family. They interact with each other on their own and move about the Lighthouse to spend time together, leave notes for each other, and talk about each other even when the other isn’t there. The team feels like they all really care about each other as well as you. 

You can tell what your approval rating is with characters, but if you want to romance them you have to put some thought into it. Interactions and world events besides the heart on the dialogue wheel influence their attraction to you.

Gameplay:

The combat is very engaging, and I enjoyed how unique all the enemies were.

Abilities in the skill tree can be refunded so you can redirect to a different specialization, which is really handy if you’re indecisive and overwhelmed at first (like I get when choosing abilities).  Most companions can get healing abilities no matter what class, so you don’t have to worry about balancing your rogues/mages/warriors (most of the time).

Climbing, balancing on ledges, using ziplines and sliding down slopes made environments feel more immersive. Additionally I like how each companion has unique abilities that let them interact with the world (fixing mechanisms, breathing fire, summoning bridges from the Fade, etc), and learning their abilities alongside them helps you grow closer.

The wayfinder light makes everything feel streamlined, so it's way harder to get lost while exploring an area. I hardly had to look at the mini map at all, and usually I’m glued to it! This meant I could actually look around at the beautiful environments and appreciate how lively they were, even without NPCs.

The upgrade system is far less overwhelming than in Inquisition; there are a finite amount of weapons/armour/accessories to be found, which are designed for each specific character like in DA:O and DA:2. There's also no longer crafting from scratch. If you loot an item you already have, it automatically upgrades the single item rather than giving you duplicates.

You know that frustration of coming across higher-level armour that just isn’t as flattering as your current one? Not to worry, you can collect “appearances” which you can toggle on as the visual for the armour while still retaining the benefits of the original.

I cannot stress enough how simple and easy to use the inventory is. It's heavenly. 

Using the shops of specific cities increases your reputation within those cities, which is a good incentive to explore and use the shops. I usually hate in-world shopping but here it was simple, and thinking about it tactically worked pretty well.

Quests sometimes reach a point where you can't continue at your current place in the story, and must return to in later acts. When re-exploring familiar areas, everything feeling big enough to be fresh with each visit, and new loot and codex entires appear.

Edit: something I forgot to mention. In character creator, you get to make your Inquisitor after you make Rook. The build menus are all the same, so manage your energy accordingly for doing it all again immediately after for your Inky. I spent an hour and a half building my Rook and wanted to get right to playing, and had to re-wire my brain a bit to be patient and keep going with the CC. (Seeing my Inquisitor with new graphics was awesome though).

A couple little things I appreciated:

The control sounds are very pleasing. From the whoosh of opening the combat wheel to the clinking of upgrades to the subtle whir of holding the decision button, they're a nice touch.

If companions are interrupted in conversation by combat, they resume it afterwards with a "what were you saying before?".

Photo mode is so fun to play with, and you can adjust blur/brightness/lens/depth within the scene. You can also toggle on and off the visibility of your Rook, your party, NPCs and enemies!

Assan learns new interaction tricks at the Lighthouse as the game goes on.

Nitpicks:

Overall I had an incredibly positive experience. The gripes I had were tiny things like:

I genuinely like the new art style of the game as a whole. However, the blurriness of some of the features in contrast with some elements being very crisp was distracting.

When trying to sell valuables for faction points without using Sell All, it takes quite a long time to count up all the individual sales, and it isn't a live counter. So it's kind of annoying if you get +3 points for each item you sell, need 150 points to get the next tier of items, and over 10K worth of valuables that you want to sell to other factions. 

If you do lots of quests without returning to the Lighthouse often, occasionally companions at the Lighthouse will have dialogue pertaining to the quests you've just finished as if you haven't done them.

You can pet the dogs and cats in the cities, but Rook turns their back to the camera to do it and it blocks most of the action unless you rotate quickly.

Gender stuff:

I was incredibly moved that not only can Rook be trans/nonbinary in the character creator if you so choose, but they get options to feel differently about their identity and journey, and it impacts their dialogue and how they relate to other characters! To access this make sure to interact with Varric's Mirror in your room in the Lighthouse. There are many conversation options throughout the game to discuss your identity with other characters, or relate your change of self to other situations. Crucially, it comes up when entering a romance and you have to communicate with your partner about it, which I never even THOUGHT of including in a game because it seemed impossible to even allow trans main characters to begin with.

There are also multiple trans and nonbinary characters throughout Thedas. What I found the most realistic was that just like in life, it is a consistent presence in any character's life, and comes up in conversation more than once. I have never seen a game this forthcoming and open about the topic of transitioning, and it was so validating. 

Final thoughts:

I adore the other games in the franchise. Something about The Veilguard affected me in a way no other game has. I cried multiple times while playing this game, both from joy and sadness. What struck me most is that the people who worked on this game REALLY listened to feedback from previous games, and were very set on making a piece of art that meant something to people. Even during the last few years of me testing the game, things have been adjusted and changed in direct response to our reactions and suggestions. It's surreal and quite touching.

Mileage will vary, but my playthrough was 70 hours on very low difficulty and I haven't done every side quest yet. I could easily have spent more than 100 hours in the game if I wasn't pressed for time.

I hope you enjoy this game as much as I have. See you in Thedas.