Nazusuki - ๋࣭. Rey ♡

hello a thought for you. mysme but ib au. that is all. i say this cuz mary kinda looks like rika.

I've thought that for years. Mary is Rika, Garry is V, and Ib is MC. I just strongly gesture at the game and its art. Mary and Rika share a lot of traits in how they desire to be loved. Garry is an artist who struggles. He struggles with his sense of self. Is that not V? Ib is the one who is fortunate enough to stumble into the art gallery and encounter them alongside all these other mysterious paintings. Tragic. I love this darn game and its flower motifs.

Getting serious for a moment this means nothing to anyone but peoplw make madakana so one sided which is special and painful but to some extent (specifically in regards to them caring about each other) untrue especially in it's current state they deeply care for each other you dont get it. It is very bittersweet and the time kanata spent sort of resentful of him was really good and really painful but he acknowledges him as his savior even if madara refused to its really good and bittersweet either way they are so important to each other as characters and as people and even in meteor impact after being almost cruel to him he still shows care for him in a way. Theres just something really wrong with both of them (which is so good) Whatever. Kicks rock

pls the mizuena matching wedding dresses im on the floor on my hands and knees 🎀🎨

prickly

Hey! I'd love to hear your opinion on two things of the Halloween Mystic Messenger screen

First of all what do you think of Rika in the Dirndl (germans traditional women clothing) I think she looks quite snazzy, the colors are unusual on her but she looks gorgeous either way

Second of all, do you think Rika is Hänsel, Gretel, or the witch cause I am not sure. Like for the role she plays in the game, the witch would make a lot of sense, but she only gets out of her house after the children started eating her house, so I doubt it. And I forgot who was the one wanting to eat the house first of the siblings so I don't know 😭 I tried gaining understanding by looking at MC's clothes. But I have no idea what she is wearing, so I am at a loss and would love to hear your take on it!

Sending lots of love, dear <33

Hi! Thank you so much for such a in-depth ask, it was a ton of fun to sit and muse with my thoughts and ideas on Rika's birthday CG we got.

So, first of all, I gotta agree with you there: that's definitely a form of dirndl she's wearing! The designs look awfully similar for it to be a mere coincidence to me. These dresses can come in so different designs so it's a very versatile type of clothing to work with. Here are some examples of what I mean:

And here's Rika's dress up close for comparison:

Personally, I adore dirndls and their rustic yet elegant look. Never knew the specific term for such a dress, but now I do! It's not a sophisticated dress per se, but the simple beauty it brings out makes me super happy. If you think about it, it does fit Rika quite well. While she certainly loves to dress up every once in a while, her day-to-day style is quite modest in its nature. She's not wearing any dark colors in this cg, but it's not the pure white dress we saw on her two years ago either. To be honest, this color palette of green and blue on her makes me smile. It's not black or white, there's no darkness or light. At least, not in a way that would get your attention right away. She's not trying to embody the darkness or the light here. Instead, it's such a peaceful and soothing combination of colors, and I think it fits her very well. I also really like the yellow apron she's wearing! Is it, possibly, a callback to the dress we see on her in the game and the past she's trying to forget, only for it to remain by her side in one shape or another? Who knows, but it's a fun theory. Though, it should be noted that her outfit is still done in a cold color palette. It's certainly a way more colourful look on her than we're used to seeing, but in spite of all that, there's a certain type of deep melancholy surrounding her, even with a gentle smile brightening up her features.

Okay, now that we're done with her dress, let's talk symbolism! I'm gonna put up the whole CG now:

I'll be completely honest and say that it's been a while since I've read Hänsel and Gretel, so I had to quickly reread it to get a good feel of the story. It's very easy to assume that Rika's the witch leading MC away with the alluring promise of endless sweetness, only to trap them the moment they let their guard down. After all, the castle of Magenta sure does fit the sweet and inviting exterior of the witch's candy house pretty well. At first, it seems like a dream come true to the hungry and tired children, up until the very moment they finally get inside and see the ugliness hidden within these candy walls. That's what I thought of at first too! But, after rereading this story for your ask, I actually got another idea all together.

See, in the story, Gretel was wearing an apron. Not sure if she was wearing it from the very beginning, or after they finally freed themselves from the witch's clutches, but it's definitely there! And what do we see Rika wearing? That's right! An apron. Furthermore, I decided to look into the way Gretel is portrayed visually. To my surprise, she's often seen dressed in a classic dirndl. Which is actually not that surprising, since this story was published in 19th century in Germany, but hey, I didn't know that before :D Gretel was also the one leading Hänsel to the candy house, if I'm remembering it correctly.

So yes! Everything actually points to Rika being Gretel instead of a witch. Which means that MC is definitely Hänsel. This opens up a whole other possibility from a narrative standpoint. I wonder who the witch is then, though... But, I must admit, I REALLY like the idea of Rika initially helping the witch, albeit reluctantly and through her own tears, only to eventually find enough courage inside herself to break free and trick her, saving MC with her own hands. It's a nice parallel, considering that Hänsel (MC) was initially the one leaving pebbles and breadcrumbs to make sure that they'll return back home safe and sound. MC was also the one caring for Rika and promising her that everything will turn out okay.

Though, Rika still very much could be the witch, and I'm just looking way too deeply into this '^^ But, I must admit, I like the idea of her being Gretel much better. I want her to be happy!

Perhaps, Mika is the witch here. She's the one that first planted the idea for Mint Eye in Rika's head and she's the one telling her what to do for a short while. Mika playing the role of a witch that lured Rika and MC into her candy house only to force Rika to do her bidding does kinda fit the story. Maybe she locked MC up, because they were trying to warn Rika not to listen to her. I always loved the idea of MC knowing Rika before the start of the game, and how that would change up the narrative all together. I'd say that the father they return to in the end of the story is V, since he was the one genuinely caring for the kids, however his kind heart still did not stop him from unknowingly leading them to their doom. It does fit him quite well, I think. He's a good man doing his best and failing in the process, like we all do sometimes. Though, I have no idea who should be the evil mother... She's the one that quite literally abandoned Hänsel and Gretel in the middle of a forest, so... I don't know. I could go for a literal route and choose Rika's mother, but it's still feels kinda iffy and on the nose for it to make sense.

kaguya's design

one of the details i like about kaguya's design is how her "robe" thing doesn't seem to actually be on her, but rather floats around her, held up by ribbons:

in the tale of princess kaguya, kaguya eventually remembers that she is actually a being from the moon who was sent to earth. then, beings from the moon come down to earth to take her back to the moon. and upon placing the celestial robe on her shoulders, she instantly forgets everything about her time on earth and how she lived amongst humans and grew attachment to them.

with marie's story, she eventually remembers who she is and its her attachment to humans that causes her to try to disappear from their lives. but she also remembers her time with humans, and the robe seems to be placed on the persona without it actually touching her, as if to communicate that her memories didn't get wiped.

(the ears are totally cause of the "bunnies on the moon" thing tho.)

#mizuena

mizuena wip. something for the soul. i have like 20 wip god have mercy on my restless soul

“you, you’re supposed to change”

(pearlrose, healing, & body positivity)

the angst in pearlrose is deep & meaningful, but the purely comforting parts have impacted me, too. as i wrote this, i realized how much my perception has been shaped by my own experiences. i relate to all of this in some way, and that’s what comfort characters do, really.

unsafe versus safe environment symbolism

(sensitive subject matter, abuse mentions)

pink diamond hates being a diamond. she’s forcing herself to be someone she isn’t, which is exhausting and uncomfortable. she’s smaller than the other diamonds & they literally look down on her. of course, she’s beautiful, but pink is forcing herself to fit into the expectations of what a diamond should be, even though it causes her pain. she doesn’t smile easily; she feels powerless & weak. as pink, she’s unhealthy, being in constant fight-or-flight & facing unimaginable punishments such as being kept away from light, isolated. deprived of anything that might help her live or bring her comfort. she’s repressed & her her “home” at the time is horrific.

initially she shifts to a quartz so she can fit into another group for a day. a lot changes from there.

rose is finally in a safe environment for the first time in her life. as time goes on, she realizes that rose is her true self. an important part of the rebellion is that she wants gems to understand that their life is their own and they don’t need to fit into homeworld’s society. they can be whoever they want to be, they’re perfect the way they are even if they don’t look or act as they’re expected to based on their gems. she doesn’t exactly fit in anywhere, she looks how she wants, she becomes aware of some unique powers, & she’s comfortable being just rose. once she’s able to escape from her abusers and never needs to return to that environment again, she permanently reforms as rose.

she’s shorter than she was as pink diamond, but it doesn’t scare her. in fact, she doesn’t feel smaller; she feels bigger, literally & figuratively. she was only small on homeworld because she was abused, made & forced to feel small & weak. now, she’s stronger, aware of her powers, & no one looks down on her—they often look up to her. this can be challenging: she struggles to trust herself & to be vulnerable (see eye-to-eye) with others. healing takes time & isn’t always perfect; leaving an unsafe environment brings trauma & it’s okay to need support and have ongoing issues. her body is also very different: her true self is naturally chubby. as time goes on and she adjusts to her new environment, experiences life on earth, & is more relaxed than ever, she wears what she wants, embraces her femininity & sensuality, and her belly is no longer flat. she lives with someone who gives her consistent protective care & intense romantic love—such a contrast to life on homeworld. being abused can exacerbate guilt & make one feel undeserving of something so new and different: genuine love. she’s loved anyway because she is, in fact, deserving of it even if she doesn’t think she is. pearl doesn’t stop when she needs to remind her that she’s important (“yes, you are”) every now & then. garnet, ruby, sapphire, & ame are safe people she has a unique bond with & loves living with. she feels more comfortable with her form than ever before.

i love the symbolism, especially in a society that often views putting on weight as solely negative, an indication that one is unhealthy & unhappy. rose is a reminder that it can be a sign of healing, and she’s far healthier, stronger, more comfortable as rose than she ever was as pink.

image description: the far left depicts rose quartz in her quartz outfit, a crop top & pants with her arms in the air and a smile on her face, the background being the kindergarten. the middle is of rose with the crystal gems, dressed as witches for halloween. the far right is of rose in her white dress in story for steven, looking at a cd, the background being the blue sky.

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“you weren’t built for fighting”

pearl’s body is different from the gems who are supposedly “built for fighting.” according to homeworld, pearls are made to to “stand there and look pretty.” they’re made to feel weak.

sword fighting is a passion of hers and she’s incredibly skilled. rose gives her a decision to stay & fight with her or opt out, and pearl argues that she wants to fight. from there, she never tries to change her body. she protects rose, and aside from the excessive self sacrificing issues i’ve brought up in the past, she has a very important line in do it for her. just think about the life you’ll have together after the war!

yes, she was putting rose’s life over her own. at the same time, she didn’t expect to die. she had hope in her goal to save both of them, and she was never intimidated by the fact that the gems she was fighting against were bigger than her, with body types that were supposedly “more capable” of doing something that she was passionate about. she proves them wrong, as she has a memory in which she protects someone who’s much bigger than her by fighting against a gem who’s also much bigger than her.

when she sings strong in the real way, it’s clear that pearl is not completely comfortable in her own skin yet, and much like what i said about rose, that’s okay. healing takes time, isn’t linear, and the way that the homeworld gems underestimated pearl for being a pearl understandably has an impact on her. still, as she slowly builds confidence, she teaches steven that there are other ways of being strong.

pearl focuses on what her body can already do & she uses all of her traits to her advantage instead of trying to change them. ballet comes naturally to her, so she has a pattern of fighting that involves ballet & quick, graceful movements that her opponent struggles to keep up with.

she also uses traits that are less about her physical abilities & more about who she is, such as her intelligence & attention to detail. she often outsmarts her opponent & can confidently say "you can’t beat me" because her main motivation as she learned to fight was to protect rose. her love for rose is so deep that she believes it's stronger than anything or anyone. it’s amazing how pearl uses her love & ballet movements—things that would be considered weak on the battlefield—to become a powerful, terrifying, & intimidating sword fighter.

people sometimes mock her nose, a feature all pearls have, & while it annoys her, she never tries to change it. it’s who she is, & she’s proud to be a pearl (that’s right! i am a pearl!)

pearl wears whatever she wants and doesn’t try to look intimidating or like a rebel—it doesn’t need a look, and she doesn’t need to fit stereotypes; it's just who she is. she loves legwarmers & skirts. occasionally & on other platforms i’ve seen fans make fun of her thin arms & legs. they miss a comforting message: she doesn’t cover anything. now, the thing i wrote about rose in the last section? i closely relate to it, and i always knew i did. i’m now realizing i relate to pearl in a way, too, even if it’s to a lesser extent. when i was a little girl i was smaller than my classmates & i’d be encouraged to hide my arms with long sleeves. i really wish i knew this character back then. she’s so pretty, so bold with a lovely sassy side, and she doesn’t change a thing. she doesn’t need to.

image description: pearl in the episode we need to talk, in a studio where greg makes his music video. one leg up and the other en pointe (standing at the tips of her toes). she has a smug smile on her face and her eyes are closed.

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a good partner

i love that my favorite ship is not only sapphic representation, but they both have underrepresented body types. they’re both flawed & traumatized and their relationship is complicated, but nevertheless they are entirely & deeply in love with each other.

“pearl is falling in love. pink, as rose, is intoxicating. she’s free somehow. they both are, when they are on earth.” — rebecca sugar, end of an era, page 77

i’ve written about this a lot, but pearl falls in love with her true self, the person she is when she’s happy & safe. she doesn’t have anything against how rose used to look, she just knows that person isn’t who she truly is. pink was unhappy, uncomfortable, repressed. the environment was unsafe for both of them & everything was so forced. pearl sympathizes with pink (i.e., crying when she fakes the shattering, telling steven & sapphire about how she really did everything she could as pink, just all around feeling sad for what she went through) but she adores her form as rose; seeing rose fills her with joy & warmth. rose isn’t fitting into any society & she’s no longer a diamond; she’s a rebel who’s still figuring everything out. she’s imperfect, she’s not forcing herself to fit into any homeworld expectations, & pearl’s met her true self & she falls in love.

a good partner will understand who you were in the past & they’ll care for & sympathize with that person, but they’ll be in love with the most genuine version of who you are. pink was a higher status gem as part of the great diamond authority, but that wasn’t her true self. that's why pearl loves just rose. pearl is also a reminder that a good partner won’t love you any less if you gain weight. if someone gains weight because they’re healing, happier, & aren’t forcing their body to look a certain way that doesn’t reflect who they truly are, a good partner will not only accept the weight gain but they will love it. while it may be tricky to grasp this symbolism because they’re gems, the point is this: rose being comfortable in her own form and true to herself is not just lovable but deeply attractive to pearl. the form that was the most beautiful, in pearl’s eyes, was the one that rose had when she was the happiest.

society can be a bit painful at times. sometimes, people feel like they can only be liked & loved if they’re thin and distinguished in some way, even if it’s inauthentic & they aren’t happy. but pearl fell in love with rose when she was no longer thin & no longer a diamond—and still figuring things out as a crystal gem leader, too.

they not only accept but adore each other just as they are. sketches & the fusion dance show pearl embracing their sensual relationship, teasing rose, & showing off their connection on camera. pearl does this confidently, by being herself.

they defy stereotypes beautifully. rose, who is larger, contrasts with pearl who is shorter & thin, but rose appears more shy in their flirtatious moments. she’s also more feminine and pearl tends to be more bold & she’s incredibly protective of rose. they remind us that you don’t need to be short & thin to be feminine & gentle, nor tall & big to be protective and bold. their genuine, beautiful, & sometimes, sensual chemistry goes against stereotypes and as i said before, they have underrepresented body types. a lot of characters in the past consist of the more masculine character being taller and bigger (but muscular, not fat) while the more feminine character is shorter and slender, yet has large breasts and some curves. really… how frustrating is that? pearl + rose are sapphic representation and they defy multiple stereotypes, not fitting into that very oddly specific box, and in my opinion they look incredible together.

lastly, remember the symbolism in rose’s section, where i talked about how abusers looked down on her & people on earth looked up to her?

in now we’re only falling apart, pearl literally lifts her up. encouraging, supporting, uplifting her.

this is rose’s first experience with love & pearl goes on to confess her feelings. they nearly fuse; something that’s done only between the same (“equal”) gems on homeworld. rose isn’t familiar with being loved & genuinely cared for. she’s scared, but pearl uplifts her before they connect. it’s representative of how intense her love is; how she’s the first to show her affection, the first to express love for her, and she’s encouraging and supportive, showing her love until her death.

image description: sketches by rebecca sugar. the left image depicts white diamond talking to pink with a mocking smile, pink looking very afraid. the right image depicts rose kissing pearl’s forehead. they both look comfortable & they’re smiling.

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healing your younger self

i wrote this when i was describing why rose is a comfort character for me:

“i loved princesses & fairytales as a child & [rose] gives me nostalgia with her healing powers & other princess traits. my four-year-old self watched princesses who did everything right, did no wrong, were loved by everyone. straight with one specific body type. i couldn’t quite relate to them, & of course i wanted to be a princess. but rose! she’s sapphic & chubby & she fights with her knight who uses she/her pronouns & she makes mistakes & has mental health issues & is disliked by some. i can’t even begin to explain how refreshing that is. she’s unique, realistic, relatable, different from the stereotypes, complicated, & just as beautiful (if not, more) as any princess that i loved growing up. her story with pearl has so many fairytale features & yet it’s so complex.”

pearl + rose's story has many fairytale elements, yet they embody qualities i felt i couldn’t have as a kid to be like the princesses i admired. princesses symbolized beauty to me, so i thought i had to fit into a very specific mold to be beautiful. pearl + rose, with their imperfections, underrepresented body types, sapphic love, trauma, etc. remind me of the fairytales I loved as a kid but are even more beautiful & interesting in my opinion. it’s really lovely & incredibly healing.

i wish i could go see four-year-old me and say that it’s okay to be yourself, you don’t need to change anything to be a princess!

image description: official artwork by elle michalka. pearl stands in front of rose with her sword as they meet garnet. the background is pink, like a sunset, with bushes of flowers.

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gems being gems can help with self esteem

for gems, everything moves quickly on earth. human beauty standards & ideals shift quickly and gems couldn’t possibly keep up with them. not that they would want to. instead, they focus on all the wonderful things about earth.

rose loves growth because it’s a symbol of how people are constantly changing and inventing who they are based on their experiences. it’s comforting to remember our favourite characters whenever we’re made to feel bad about our differences because of messed up beauty standards. for example, some parts of society act like putting on fat or getting stretch marks is always a negative thing, or it’s unattractive. rose wouldn’t feel that way. in fact, i wouldn’t be surprised if she loved getting her own stretch marks, i.e., when she was pregnant with steven. i’m in no doubt that pearl would love them on rose too, & she’s bright enough to understand exactly why they develop. “rose, i love it so… oh, you don’t know what it means? it means you’re growing. yes, you are! you must be happy after that long speech about how beautiful you think it is that humans are never the same and everything should grow. yes, i remembered. how could i not. you talk about it every. single. day.”

gems have a variety of body types. steven shapeshifted to be taller on his birthday, which hurt him. this symbolizes that everyone has different versions of what’s healthy. forcing yourself to look a certain way, even if it’s deemed “healthy” or “attractive,” can be unhealthy if it doesn’t suit your natural body type or involves a harmful process.

as magazines and celebrities became popular in beach city and thinness was the desired beauty standard, maybe once or twice, some absolute loser called rose fat, in a rude way. rose, being unaware of beauty standards, would have likely stared blankly and replied, "yes, i know i’m fat, are you okay? are you angry? but why? i’m confused, do you hate my pink hair, too?” later that day she’ll visit the bakery & feel guilty when she eats lots of blueberry pie… but only because she doesn’t want pearl to think she likes the pie from the bakery more than the homemade pie pearl makes for her. you deserve something from a good bakery too, and to be completely unfazed by any hypothetical jerk who dares to say anything cruel about your body.

you’re wonderful. yes, you.

image description: two sketches by rebecca sugar. on the left, pink is in gym clothes: a pink hoodie glancing over her shoulder with an unhappy, angry look. on the left, rose is wearing a crop top, a hoodie, & leggings, all grey. she has a peaceful, almost curious look & she seems to be pulling her hair back.

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Nothing about how I feel about you has changed.

i wasn't gonna post this part of the chapter bc it was too long but. i truly cannot stop thinking about it. im unwell.

dabbled in translating and it was fun!! this was translated and edited by me and pls do not repost this, at least until the event is over!! thank you!