Assassin’s Creed: Valhalla - Concept Art By Even Amundsen

Assassin’s Creed: Valhalla - Concept Art By Even Amundsen
Assassin’s Creed: Valhalla - Concept Art By Even Amundsen
Assassin’s Creed: Valhalla - Concept Art By Even Amundsen
Assassin’s Creed: Valhalla - Concept Art By Even Amundsen
Assassin’s Creed: Valhalla - Concept Art By Even Amundsen
Assassin’s Creed: Valhalla - Concept Art By Even Amundsen
Assassin’s Creed: Valhalla - Concept Art By Even Amundsen
Assassin’s Creed: Valhalla - Concept Art By Even Amundsen
Assassin’s Creed: Valhalla - Concept Art By Even Amundsen
Assassin’s Creed: Valhalla - Concept Art By Even Amundsen

Assassin’s Creed: Valhalla - concept art by Even Amundsen

More Posts from Nasenaya and Others

6 years ago

Me before season 8:

Omggg kick!!!! I love voltron so much! ❤❤ It has such a good plot. I love all the characters, Voltron is the best thing that EVER HAPPENED TO ME!!!!11!1!1😤😤😤👌👌👌💯💯💯

Me after season 8:

V*ltron

6 years ago

Keith: what are you doing?

Lance: [standing on a chair] i live here you know i can stand wherever i want thank you very much

Keith:

Keith: where’s the spider

Lance: it’s under the table please get it for me please

6 years ago

All About Writing Fight Scenes

image

@galaxies-are-my-ink asked,

“Do you have any advice on writing fight scenes? The type of scene I’m writing is mostly hand to hand combat between two experts. I’m definitely not an expert so when I try to write it, the scene ends up sounding repetitive and dull.”

Fore note: This post is coauthored by myself and one of my amazing critique partners, Barik S. Smith, who both writes fantastic fight scenes and teaches mixed martial arts, various artistic martial arts, and weapons classes.

I (Bryn) will tell you a secret: I trained MMA for seven years, and when I write authentic hand to hand fight scenes, they sound dull too. 

The problem with fight scenes in books is that trying to describe each punch and kick and movement (especially if it’s the only thing you’re describing) creates a fight that feels like it’s in slow motion. 

I write…

Lowering her center of gravity, she held her right hand tight to her face and threw a jab towards his chin. He shifted his weight, ducking under her punch. His hair brushed against her fist, and he stepped forward, launching a shovel hook into her exposed side.

But your brain can only read so fast. In real life that series of events would take an instant, but I needed a full eight seconds to read and comprehend it, which gave it an inherent lethargic feel. 

So, we have two primary problems:

How do we describe this fight in a way the reader can understand and keep track of? 

How do we maintain a fast paced, interesting fight once we’ve broken down the fight far enough for readers to understand it? 

(We will get back to these, I promise.) But for now, let’s look at…

Different types of “fight scenes:”

Keep reading


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6 years ago

People talk a lot about how reading is necessary for writing, but when you really want to improve your writing, it’s important to go beyond just simple reading. Here are some things to do when reading:

Note how they begin and end the story. There are a ton of rather contradictory pieces of advice about starting stories, so see how they do it in the stories you enjoy. Don’t only look at the most popular stories, but look at your more obscure favorites.

See what strikes you. Is it fast or complicated scenes with a lot of emotions? Is it stark lines? Pithy dialogue? What do you remember the next day?

Pay attention to different styles. It’s not just whether they use past or present tense, first or third person. It’s whether the writing is more neutral or deeper inside character’s heads. Do they use italics? Parentheses? Other interesting stylistic choices? Take the ones you like and try them out in your own writing. See what works and what doesn’t.

Keep track of how they deal with other characters. Do we see a lot of secondary character each for very brief periods of time or are there a couple that show up a lot? How much information do we get about secondary characters? Do they have their own plots or do their plots revolve entirely around the main characters? 

Count how many plots there are. Is there just one main plot or are there multiple subplots? Are the storylines mostly plot-based or character-based?  

Pay attention to what you don’t like. If you don’t like what’s going on in a book or even just a scene, note what it is. Does the dialogue feel awkward? Are the characters inconsistent? Does the plot feel too convenient or cobbled together? Does the wording just feel off? See if you can spot those issues in your own writing, especially when reading a completed draft or beginning a later draft.


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2 months ago
Rewatching Hq

rewatching hq

6 years ago
Only Talk To Me About Keith With A Ponytail And Nothing Else Thank U

Only talk to me about Keith with a ponytail and nothing else thank u

6 years ago
Figured I Should Post It Here As Well

Figured I should post it here as well

6 years ago

Me after s8

Me After S8
4 weeks ago

"are they lovers?"

worse. it's a sports anime

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nasenaya - slowpoke
slowpoke

Selin | 22 | She/They | Various rambles and draws ᕕ( ᐛ )ᕗ

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