Donate If You Can To Her, Please!

Your blog vibes are so yummy I love the banner and all the theme is so cozy ok bye~

Thanks! I've intended to make it cozy for my followers, I'm glad I achieved that ;).

Meet my Lackadaisy original character!

Charismatic (in moments of need) and charmed with an elegant grace, White Blood (Or Catherine, for the intimate folks) is a well-known lady in the alcohol smuggling business of St.Louis, mainly leading her gang into the city's rural area.Local rumours say half of her face was destroyed in a circus accident, but none is further known about it. Along with the booze, she co-manages a stable that breeds and sells racehorses, owned by her husband, Chester.

Feel free to ask questions about her (please), I will gladly answer them! :D

Art credits to https://glxycndypop.straw.page/

Tumblr today in a nutshell

(I'm going to boop more people)

Meet Sofia! Being the daughter of Catherine Blackwood and Nicodeme Savoy, Sofia is a sweet girl with a lovely personality (according to her mother) and good nature. She has an interest in bugs and general curiosity towards her father, which comes by for a visit sometimes given the opportunity to do so.

Credits to https://www.tumblr.com/foxblockshere for the first drawing, go check his art, it's lovely!

The church want's rabbits, not hares.

Trigger warning: Blood and religious objects.

It took four hours me to complete this piece, really proud of it.

“Kill shelters” are the shelters you need to donate to.

“But shrimp!! Kill shelters are evil!!”

No, shut up, listen to me for a second.

“Kill shelter” is a colloquial term used primarily for Town/City (aka municipal) shelters that rely on incredibly limited government grant funding to operate.

These shelters, by the very nature of their existence, DO NOT HAVE the funds to operate like private rescues do.

On top of this, they’re also *legally required* to take in ANY animal that comes to them. Even if they’re full. Or they’ll lose all of their funding.

This is what leads them to needing to euthanize for space. Is euthanizing for space sad? Yes. But due to the current crisis, it’s also NECESSARY.

These shelters are constantly overfull. They’re STRUGGLING. They don’t have the funds to operate properly. And yet these municipal, government funded, struggling shelters are the same ones that are most likely to be providing care for owned animals in the community

Municipal (“kill”) shelters are the ones hosting low cost spay and neuter clinics. They’re the ones discounting vaccination appointments and microchipping. They’re the ones that have pet food banks so struggling pet owners can feed their pets that week.

These shelters are not evil. They’re doing the absolute best they can with the bare minimum funding they get.

These people are incredibly resourceful and care very deeply about the animals in their care. It breaks their heart every time they have to euthanize an animal that couldn’t get adopted.

These underfunded shelters need your money significantly more than that fancy private rescue you see on TikTok or instagram that has a beautiful facility and has never had to euthanize an animal ever.

Support your local shelters and they will give back to the community thousand fold.

Sincerely, an animal welfare student who’s tired of seeing the hardest working professionals shat on because of circumstances they can’t control.

Little Ivy drawing I did for practice. It was going to be a watercolour, but I feel this was going to be ruined being coloured.

WARNING FOR BLOOD ON SOME PANELS

Lackadaisy's color scheme and lighting analysis Pt.1

A thing that many people have already noticed in the Lackadaisy comic, though intrigues me very much is the color palette changes. You see, in the beginning of the comic, we have a soft sepia, but when the Pig Farmer's raid happens, the soft ambiance gradually darkens to expose the tension and character's feelings better. (This can be considered as the lighting of the night time, too.)

By the end of Volume One, the light colors are back, though the readers are aware of the hidden climate, seeing the car window full of bullet holes in the background (Not necessarily related to the raid, but general gang violence).

At Lackadaisy Demurral and Lackadaisy Hamstring, they both darken, making us, the viewers, focused, so we pay better attention. We get to see Mitzi's attempts to keep the Speakeasy functioning (Although not so strong, unfortunately) along with a small, yet essential piece of Mordecai's plans working as one of the Marigold's, frantically unraveling every piece of information he can find at his reach (Which is in fact, quite important to the story as it goes on).

Jumping to Lackadaisy Briar-patch and Lackadaisy Mephistopheles, Mitzi and Sedgewick sit in a generally dark room, as a single sun ray shines through the upper window, hitting them both as Mitzi discusses her proposal with Wick, reflecting the hope she has on that deal. In a way, he used to be her angel of salvation, but it did not take long for her attempts to go downhill.

When Mitzi goes to Zib in Lackadaisy Mystique, there is a light behind her, full of moths. I'd like to say this represents their relationship in some sort of way. Moths follow the moonlight, Mitzi is Zib's light. He loves the light so much he gets hurt because of it. Mitzi, on the other way, used to be the moonlight, she was everything he cared for. But now, she is artificial, damaging the one who follows her.

We can also see this lighting metaphor in Lackadaisy Blood-money. Zib looks up at her right after being hit by the same. The remains flicker ever sightly behind Mitzi in the form of a streetlamp. Slowly yet, desperately, she is rapidly transforming onto what her husband was, trying her best to take his place in this cruel world of crime. Zib is aware of it, it pains him to know that once the light that shone the musician a path became cold, artificial and careless unless for interest. He needs that money, but at what cost? Watch Mitzi lose everything she had. Her money, her happiness, her husband, her soul. I see the streetlamp Mitzi walks forward to as a sorrowful representation of her dead husband, Atlas. The fact that had he had done dirty work multiple times on his career is what Mitzi is transforming onto. Zib knows the origin of all the blood money he received, but now having Mitzi as the giver is painful. Yet, there is nothing he can do about it. She sacrificed everything to become an empty shell of what Atlas once was, trapped in the delusion doing so will save his business, almost entirely dead, like Mitzi's and Zib's relationship, along the once successful band, destined to drift away to the country, featuring the loss of their star; Mary Ellen.

And this is end of part one from my Lackadaisy analysis! Feel free to comment or reposting if you feel like doing so.

Omg its been so long since I don't post here, well, I am on the Toh fandom now, joined in january/end of 2022. Also I am on the TDP fandom too, Toh being my hyperfocus right now.

Kinda sad to be honest because the fandom is pretty dead, due to the show ending early.

The rabbit cried silently through the night, regret and sorrow breaking his heart.

The wolf of the sky heard the sobbing, he couldn't do anything about what happened, not change the present too.

“Why do you cry rabbit?”

He asked even though he knew the reason why.

“I stained my paws with blood, now I try to wash it away with my tears.”

The rabbit sobbed.

“You cannot wash it away with tears rabbit, leave it be and it shall come off on its own time.”

The wolf answered.

“But the animals will be scared of me, they will know what I did.”

“And you can't hide it, but you can learn to live with it. Some animals may choose to not forgive you, and you cannot force them to.”

“..”

“Do not stain your paws with new blood, so they know you won't do that again, they will know you have changed.”

“...Okay but, am I still a bad rabbit?”

...

“Only what you do on the present will be able to name you that on the future. Show them you're better now, and be strong to accept not everyone wants to forgive, can you handle that?”

“I'II try.”