“I desired always to stretch the night and fill it fuller and fuller with dreams.”
— Virginia Woolf, from ‘The Waves’
some prophecies are written in the past tense; it was always going to have happened. i write prophecy in the present tense; if it is going to happen, it is already happening.
Things I look for in history books:
🟩 Green flags - probably solid 🟩
Has the book been published recently? Old books can still be useful, but it's good to have more current scholarship when you can.
The author is either a historian (usually a professor somewhere), or in a closely related field. Or if not, they clearly state that they are not a historian, and encourage you to check out more scholarly sources as well.
The author cites their sources often. Not just in the bibliography, I mean footnotes/endnotes at least a few times per page, so you can tell where specific ideas came from. (Introductions and conclusions don't need so many citations.)
They include both ancient and recent sources.
They talk about archaeology, coins and other physical items, not just book sources.
They talk about the gaps in our knowledge, and where historians disagree.
They talk about how historians' views have evolved over time. Including biases like sexism, Eurocentrism, biased source materials, and how each generation's current events influenced their views of history.
The author clearly distinguishes between what's in the historical record, versus what the author thinks or speculates. You should be able to tell what's evidence, and what's just their opinion.
(I personally like authors who are opinionated, and self-aware enough to acknowledge when they're being biased, more than those who try to be perfectly objective. The book is usually more fun that way. But that's just my personal taste.)
Extra special green flag if the author talks about scholars who disagree with their perspective and shows the reader where they can read those other viewpoints.
There's a "further reading" section where they recommend books and articles to learn more.
🟨 Yellow flags - be cautious, and check the book against more reliable ones 🟨
No citations or references, or references only listed at the end of a chapter or book.
The author is not a historian, classicist or in a related field, and does not make this clear in the text.
When you look up the book, you don't find any other historians recommending or citing it, and it's not because the book is very new.
Ancient sources like Suetonius are taken at face value, without considering those sources' bias or historical context.
You spot errors the author or editor really should've caught.
🟥 Red flags - beware of propaganda or bullshit 🟥
The author has a politically charged career (e.g. controversial radio host, politician or activist) and historical figures in the book seem to fit the same political paradigm the author uses for current events.
Most historians think the book is crap.
Historical figures portrayed as entirely heroic or villainous.
Historical peoples are portrayed as generally stupid, dirty, or uncaring.
The author romanticizes history or argues there has been a "cultural decline" since then. Author may seem weirdly angry or bitter about modern culture considering that this is supposed to be a history book.
The author treats "moral decline" or "degeneracy" as actual cultural forces that shape history. These and the previous point are often reactionary dogwhistles.
The author attributes complex problems to a single bad group of people. This, too, is often a cover for conspiracy theories, xenophobia, antisemitism, or other reactionary thinking. It can happen with both left-wing and right-wing authors. Real history is the product of many interacting forces, even random chance.
The author attempts to justify awful things like genocide, imperialism, slavery, or rape. Explaining why they happened is fine, but trying to present them as good or "not that bad" is a problem.
Stereotypes for an entire nation or culture's personality and values. While some generalizations may be unavoidable when you have limited space to explain something, groups of people should not be treated as monoliths.
The author seems to project modern politics onto much earlier eras. Sometimes, mentioning a few similarities can help illustrate a point, but the author should also point out the limits of those parallels. Assigning historical figures to modern political ideologies is usually misleading, and at worst, it can be outright propaganda.
Extraordinary claims require extraordinary evidence. "Big theory" books like Guns, Germs and Steel often resort to cherry-picking and making errors because it's incredibly hard for one author to understand all the relevant evidence. Others, like 1421, may attempt to overturn the historical consensus but end up misusing some very sparse or ambiguous data. Look up historians' reviews to see if there's anything in books like this, or if they've been discredited.
There are severe factual errors like Roman emperors being placed out of order, Cleopatra building the pyramids, or an army winning a battle it actually lost.
When in doubt, my favorite trick is to try to read two books on the same subject, by two authors with different views. By comparing where they agree and disagree, you can more easily overcome their biases, and get a fuller picture.
(Disclaimer - I'm not a historian or literary analyst; these are just my personal rules of thumb. But I figured they might be handy for others trying to evaluate books. Feel free to add points you think I missed or got wrong.)
there is no force of nature that says “come here” like the ocean
Rain falls on the many and sunshine only a few. In moments of joy, rain sure does feel like sunshine.
I was a gifted child. Until I wasn't. I was the golden girl. Until I couldn't burn anymore.
My parents expected me to build wings of gold and fly further than anyone could ever try. I don't blame them, having a child to raise is like sculpting a clay pot, you can shape it the way you like, paint it the colour you fancy. To raise a child is to play God. To raise a child is to be God.
But to be a child is to fall, to make mistakes, to fail. The thing about being too bright at an early age means you burn out by the time you're 16 and suddenly the world around you becomes more gray and terribly, terribly lonely. The fire is never warm enough, nothing is ever enough. And one day you find yourself begging to a godless sky, begging for a new spark.
I was a gifted child once. I was the golden girl. And one day, I burned out.
-Ritika Jyala, excerpt from The world is a sphere of ice and our hands are made of fire
Sometimes I think about how constellations are an entirely man-made construct and don’t actually exist inherently in nature. The universe just gave us stars, and we saw art and myths and stories in them. The capacity that humans have for seeing purpose in the incidental makes me realize just how lonely we are on this planet, desperately searching for meaning elsewhere in the universe.
by gettymuseum
I’m sat here at the kitchen countertop
my laptop on a chopping board
watching my mother's jam pot
simmer away the plums and sugar -
I’m here to stop it boiling over.
It has already done it once
the sticky pink liquid has become
stained glass on the hob cooker
it hasn’t reduced much
so I might be here just a little while longer
Victor Nizovtsev, Reflections
Historian, writer, and poet | proofreader and tarot card lover | Virgo and INTJ | dyspraxic and hypermobile | You'll find my poetry and other creative outlets stored here. Read my Substack newsletter Hidden Within These Walls. Copyright © 2016 Ruth Karan.
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