plotholes in season 4 i really don't understand now i've digested the season please feel free to explain or add your own:
- sparrow academy and especially sloane just being forgotten, luther just seeming to magically get over his wife disappearing and not fighting in any way shape or form to find her or get back to a timeline with her in it - especially as they show discovery of the phoenix academy you think five would mention that a timeline with sloane must exist out there - ben being teased on the subway train at the end of season 3 but just??? never showing up??? was that an alternative timeline? - allison doing everything last season motivated by the idea of being able to get to claire and ray only for ray to apparently leave her with zero elaboration as to why or what happened - making fatphobic jokes towards diego but actually he takes his shirt off and is still ripped as fuck? - upon regaining their powers luther getting his ape body back which??? literally had nothing to do with his marigold related powers it was because of an accident on a previous timeline? - lila getting laser beam eye powers seemingly from nowhere, but it's not as if this was ever addressed because she could still mimic powers (see: her using five's time travel ability) - very limited use of powers, there were a few cool moments in episode 2 but ultimately it felt like there was no need to even get them back as they rarely showcased them (with the exception of five's getting them stuck) - klaus throwing his marigold onto a passing man but this never getting any exploration - never explaining why jennifer was in a giant squid - never explaining why jennifer got locked up in a safe - ben apparently never discussing with klaus how he died??? - ben and jennifer not realising that the entire motel had blown up around them including murdering flocks of birds and staff when they checked out? - entire five/lila plotline but also five figuring out how to leave and not saying anything when he has always been the first to want to get back and protect his family - lila apparently hating bracelets despite the fact that diego making lila a bracelet and it keeping them linked was such a big plotpoint it was used as a teaser in previous seasons (and the bead bracelet just disappearing) - lila being so intent on saving her family and the kids by sending them to the subway and on an alternative timeline but only one 'true' timeline can survive anyway which would erase the subway - the kids existing when the parents that created them don't - the entire show being for nothing in that the umbrellas do not even exist anymore
nothing more flattering than someone saying "oh don't get her going" in reference to you when a topic you're passionate about is brought up
Another storytelling rule I think people should remember is the law of diminishing returns. If you keep on ramping up the stakes higher and higher and higher, after a point it gets to where the audience can’t really care anymore.
i always click the "track package" button as soon as i get the email. "oh boy i wonder where my package is!" warehouse.
ok no I'm still annoyed about what they've done to anne elliot. why must every heroine be beautiful, smart, confident, witty, flirtatious, funny, independent, firm-minded etc.?
what about shy women? humble women? lonely women? women who are just sad and a little bit pathetic? not firm enough to speak their mind? not strong enough to know their mind? who are riddled with anxiety and embarrassment? who have genuine faults and mistakes they regret but are too mortified to acknowledge? who know they are being taken advantage of but who keep sacrificing their own happiness to maintain the peace and reputation of their family? who are smart in their own way and happy with that even if it doesn't amount to anything that can be paraded around as a talent? do they not deserve to have their stories told?
I've had enough of snark!!!!! enough of smugness!!!! i wanna see a heroine who is so miserable and lonely and who feels everything so deeply and who yearns so bloody hard for years that she collapses when he finally gives her that letter!!! i want pathetic pining!! i want miserable social interactions!!! i want stolen glances and subtle questions and agonising despair until a confession so cathartic that i faint with her!!!! i want to feel something real!!!!!!!!! god!!!!!!!!!!!!!!!!!
Cannot believe they took 1899 from us. We are an era where shows that are not instant hit are being massively cancelled instead of giving them of a chance. Dark was a hit after a while and it became for many the best show on the platform. 1899 needed the same time. It had the potential to have the Dark effect, it was in the top 10 most watched for weeks.
I don't think the show will be picked up or sold, Netflix owns it. Fuck them. Fuck this system. Spread some 1899 love.
Dr Ignoreitandhopeitgoesaway does make some good points
So, I watched Bridgerton S3 and I have to say although not bad by itself, compared to the previous seasons it's a downgrade.
Some of the biggest writing inconsistencies I noticed for Pen are:
Firstly, in S1, her actions towards Marina (as wrong as they were) could still be understood as her looking out for her friend by not letting him get into a marriage without all the facts. But in this season, she does the exact same thing Marina does, get into an engagement with Colin without revealing her LW identity. This just made her look like a hypocrite.
Secondly, if I remember correctly, in S2 her reasoning for outing Eloise is that the Queen would never believe Pen if she confessed. But in S3 she does exactly that and the Queen not only believes her but also absolves her of all consequences. So, what even was the point of outing Eloise?
Thirdly, Pen's claim that LW tells the truth made me laugh. I don't know why they made her say that. It gave me the ick. She publishes gossip, not truth. It's dangerous to equate the two.
I love Pen as a character. She is flawed, makes mistakes and that makes her interesting. The girlbossification arc with her giving that speech at her sister's ball just did not land for me. Pen struggled with feeling loved and desired, so imo they should have focused on that, instead LW takes the lead and Polin takes a backseat.
The whole Cressida shit show. How am I supposed to not root for her after knowing how she was raised and what circumstances she was facing?
Eloise turning away from her when Cressida needed her the most. That's character assassination of Eloise. It could have been a moment of growth for her. But bad writing strikes again.
Violet and Edmund's first meet parallel with Francesca and Michaela would have been very cute if Michaela had the tongue-tied reaction instead of Fran.
The atrocious costuming! Not asking for accuracy, just maintain the aesthetic established in previous seasons. There's only so far you can stray before it breaks immersion.
It just felt like the show had shifted genres. Previous seasons were romance with a pinch of drama. This season felt like drama with a pinch of romance. I don't know if that makes sense.
I hope Ben's season turns out better.
Most anti phone advice is so inane and regurgitated to me but one thing I’ve been thinking about for days is “social media is okay, but the real danger comes in when you think your phone should be your go to during your limited pockets of leisure” like that’s literally the truest thing ever