∗ 14﹕ sender places their head in receiver’s lap . @nashmed
a rare lull, caught between extremities of boundless chaos. IDLENESS WAS A CURSE for gloria. her body and psyche shaped by battlefronts and flipping off death in the midst of carnage. she’s molded into it, spine rigid with war and pushing through on the home front. loss gathers in her throat, clawing its way up until chokes it all back down. she’ll carry it home and fall apart, save anyone the burden of picking her off the floor. because if she sits with her sorrow long enough, it might bury her.
she’s about to move, about to shuffle back up when the slight weight of a head positions in her lap. she exhales an amused chuff. ❛ you good ?❜ instinctive in how her body shuffles to offer comfort to the other. back of her palm flat against forehead to check for fever — gloria was reminded of her grandmother then, all that was missing was a hearty slathering of vick’s to solve all manner of ailments. unfortunately, they never covered such methods in med school or combat training. ❛ or do you need another second? ❜
it's always a question, always attempting to understand what it's like. WAR & TRIAGE, too similar in how her spine remembers instinct. ❛ it's the terror of knowing what this world's about. ❜ she's too casual about it, a shrug, a chuff of amusement.
lyrical sc// @jennifershepard
I just wanted to make a bit of a tiny psa; in that, there’s many instances where, if I’m shipping with someone, I don’t want to write with or ship with duplicates ( pending ppl using the same fc for multiple characters cause all interpretations are different). I have no interest in writing with the same face claims over and over, it’s not authentic to my brain. Nor is it authentic to what I’m building, canons are different, yes but there can be major associations with how someone plays them. if we’ve discussed it, then I have no issue practicing exclusively, especially with face claim association. for example, I will only ever write with one frank castle and billy russo because I have no desire to write with any others based on dynamics built. Face claim wise, I will not write with any others based Oliver Jackson-cohen face claims or honestly Jensen ackles because they’re associated with characters from partners I like writing with. But if we don’t have any conversation about these things, I won’t know. I’ll still prioritize your character if I’m not writing with any other canons or ocs with their face but I’m not tied to exclusivity unless we talk about it. But this psa is also me saying NO I DO NOT EXPECT THE SAME MANNER OF THINKING FROM OTHERS. and again unless the conversation is there, it’s business as usual.
Did this make any sense cause I feel like an asshole trying to explain my brain and I know I should put the list in my pinned and carrd but anyways.
85﹕ brock grabs gloria roughly by the hair . @rejectory
his fingers curled in her hair, sharp and punishing, tilting her head back with a force that dared her to push back. the pain flared in her scalp, she inhaled slow and deep, a ritual of the agony she graves. gloria held his gaze, unblinking, unmoved. breath hitched in her throat, not from fear but fury, caged and coiled like a venomous serpent waiting for its moment.
she smiles, but it's all teeth. all sickness and hunger. that familiar rot curled beneath her skin whenever he got too close. her hand snaps, pressing a thumb just under his jaw. the button to remind that she could drop him if she wanted to— if she needed to. pressure-honed and sadistic against the artery's pulse. ❛ what's it going to be, rumlow? ❜ a laugh slithers up her throat. all that violence she tries to forget, tries to hide under florals and martyrdom, breathes like a second pair of lungs.
❛ we fighting or fucking? ❜
› TENSION LINER PROMPTS
"I dare you to try."
"Do you always get close?"
"You’re pushing my limits."
"Stop looking at me like that."
"I’m losing control here."
"You have no idea, do you?"
"I can’t resist you anymore."
"Stay back, or don’t."
"I know what you want."
"This is getting dangerous now."
"You’re too tempting for me."
"I shouldn’t want this, but…"
"I don’t play fair, remember?"
"Careful, you’re testing me."
"You’re just making it worse."
"You’re too close for comfort."
"Do you always push buttons?"
"Stop before I kiss you."
"You’re making it too hard."
"I can’t stop thinking about you."
"I want you too much."
"You know exactly what you’re doing."
"I’m not playing games here."
"You’ve crossed the line now."
"Keep pushing, and you’ll regret it."
"This is dangerous, isn’t it?"
"I’m trying not to care."
"Don’t make me regret this."
"You’re playing with fire."
"You don’t know what’s coming."
"I shouldn’t be this close."
"We’re getting dangerously close now."
"I can feel the heat."
"Don’t test me right now."
"I want you too badly."
"Don’t make me chase you."
"You’re distracting me, you know."
"I won’t fall for this."
"I want you, but…"
"What do you want from me?"
"I’ll never give in."
"I’m trying not to care."
"You’re playing with my patience."
"Don’t make this harder, please."
"I can’t stop this feeling."
"I’m already in too deep."
"You won’t walk away unscathed."
"You’re walking a fine line."
"I’m trying to stay calm."
"What are you doing to me?"
she isn't someone who flusters easily. could withstand the force of a thousand storms and still hold her ground against the CARNAGE AND CHAOS. ❛ i've got a hundred thrown-out speeches i almost said to you. ❜ she's at a loss here, in over her head and overthinking because it's not as simple as locking into task or mission. her heart wears too close to her sleeve and clawing its way into his hands.
lyrical sc// @pittmade
❛ i've have enough of the universe, and it's people's mindless games ❜ any raised anger is not directed towards him. never him. helpless hands work over the exoskeleton of a blaster, which once belonged to her father and his before him. on and on, counting the memories she might lose, of a world that no longer exists. ❛ i'll never be the same. ❜ and the galaxy spins on uncaring, would twist her into dust and decay without a second thought. so she keeps an unfinished war between her teeth, a readiness notched between her ribs, an ache she couldn't scare away.
LYRICAL SC // @muutos ( garrus )
she watches him, watches the way his hand doesn’t reach. how it lingers in the air like an OFFERING, not a DEMAND. that’s it, isn’t it? he doesn’t take. he waits.
❛ funny thing about wounds. ❜ voice low and measured. each word turning over in her chest before it makes its way to her lips. ❛ they don’t scare me when they’re fresh. that’s the clean part, body’s in shock, adrenaline’s high—you just move. ❜ her hand finds his with the sureness of a decision she won’t unmake, even if it ruins her. grasped too eagerly, entwined too tightly.
a flash of recognition. in the same way those horrors play on a loop when her body wants to find rest, shiny snippets of lived-in carnage. ❛ it’s what happens after that haunts you. when you start making room for the pain and working around it...pretending it's not shaping every goddamn step you take. ❜
his invading scent almost clouds every rational instinct. now, it mingles with warmth and the taste of floral amber on her skin. honey and irreparable damage hasn't left his gaze, but she smiles like a ghost looking down on a life she couldn't have. gloria has forgotten how to want anything for herself. it's too selfish, too indulgent. she shrugs and it brings her even closer. watching his lips, his jaw, their tanged hands, anything else to lessen the blow of unravelling parts of herself she'd hardly admitted to the mirror.
❛ i was just made to hold other people's damage like it was mine. that's it, billy, the job. ❜ THAT IS HER WORTH.
❛ you say you trust me when i’m trying not to bleed but i don't know how to do anything else. ❜ she's quieter now, words flaying her open piece by piece. ❛ i don’t know what to do with that. i don’t know how to carry this kind of want without running from it. ❜
her thumb moves gently along the line of his palm. ❛ because if or when i love someone, i'm a walking wound that won't stitch shut. ❜
❝ nah. ❞ the word land irrevocably soft. an unabashed verdict handed down between partners instead of a jury. ❝ i trust you most when you're trying not to. ❞
his hand doesn't reach for her own, but it does hover as a palpable presence. if she wanted this contact, she'd find. billy's learned not to ask.
❝ don't be silly. i don’t need to make you bleed to trust you, gloria. ❞ his voice dips lower, but it's not tender—just stripped bare, the way cold nights can feel honest when the war's silenced itself for a breath. ❝ i just need to see how you hold the wound. ❞
he grins foxishly—wolf-mouthed in the dark.
❝ i know you've seen plenty of people hold a wound wrong. ❞ there's a deep glimmer of memories behind his eyes now—sordid, too close, close-quarters horror folded under surgical instinct gone frantic. he blinks then. the visuals and their effects shut down and thrown behind the doors in the dark recesses of his mind.
❝ what happened when you saw it? they panic, right? they clamp down. they tear it open wider. now you got tragedy all over the floor. ❞
he tsk'd, sucking his teeth. he shakes his head.
❝ but you?—❞ he leans in, just enough for her to catch the green apple and vanilla of his cologne, the salt of aftershock in his sweat. ❝ nobody can't tell you shit. you know how to press. how to breathe through it. how to keep your hands steady with someone else's life inside 'em. ❞
❝ that’s how i know. so, if i haven't made myself clear before, I'll say it plainly now: ❞ his voice radiates, warm steel. ❝ i don't want you bleeding, sweetheart. i want to see what you do after. ❞
@medicbled
gloria, the doctor who will know how every nurse takes their drink. gloria the doctor who can ( and likely has ) probably strong armed a violent patient before security can get there. gloria, the doctor who needs a giant hug and something explicit.
LOCATION BASED SMUT PROMPTS
TRANSPORATION
one muse gives the other oral while they drive.
driver uses one hand to finger the other while on a long road trip.
muses join mile high club in an airplane restroom.
in an airplane one muse has to be quiet while the other muse plays with them in their seats.
muses tease each other in the back of a taxi cab on the way home.
while driving home after a date, they get too impatient and pull into a parking lot to have sex.
while driving in the middle of a forest, our muses pull onto the side of the road for sex.
our muses are on a road trip but a thick fog forces them to take a break. they have sex inside the car while waiting for it to clear.
while at the drive in theater, muses participate in foreplay.
while at the drive in theater, muses forego watching the movie to have sex.
revenge sex in someone else’s car.
sex in someone else’s car due to impatience and carelessness.
a quickie while parallel parked on a busy road.
in an empty train car while freighthopping.
in a crowded bus, one muse sitting in the others lap purposefully and subtly grinding to get them worked up.
in a private jet, on the way to a business trip.
in a private jet, on the way to a vacation spot.
one muse masturbates while the other drives.
driver instructs the passenger to touch themselves through guided masturbation.
while one muse drives, they describe what they want to do to the passenger who isn’t allowed to touch themselves.
NATURE
sensual sex in a secluded meadow during a picnic.
one muse holding the other up against a tree.
in a cabin in the middle of a rainstorm late at night.
in a cabin in the middle of a heavy snowstorm during the day.
in the bed of a truck in front of hiking trails.
in the bed of a truck while stargazing.
a plateau overlooking the ocean on a cloudy day.
one muse has been napping in a hammock and the other wakes them by beginning to finger them.
muses get distracted from sunbathing and start to fool around by a poolside or lake.
inside a gazebo while it rains.
a little ways off from a hiking trail, hidden by thick foliage.
mutual masturbation while camping in a tent.
beneath the shade of trees in the middle of an orchard.
between rows in a vineyard.
hidden away in the dead end of a hedge maze.
PUBLIC
in a bar or restaurant, one muse sneaks under table to eat out the other.
in a bar or restaurant, muses discuss in detail what they’re going to do to each other once they get home.
inside the stall of restroom in a bar.
inside a single bathroom of a place of service (restaurant, store, club etc.)
in a hotel room, up against the window overlooking a busy city.
a quickie in a diner restroom before getting back on the road.
up on a rooftop where no one is supposed to be.
inside one muses’s office.
inside a third party’s office they shouldn’t have access to.
inside an empty church on a weekday.
one muse fondling the other while they’re trying to shop.
foreplay and teasing in the dressing room of a store.
oral performed while hidden in a storage room or closet.
inside an abandoned house.
hushed sex while staying in the guest room of another’s home.
in the middle of a park late at night.
PRIVATE
on the floor, in front of the fireplace to warm up after coming inside from winter storm.
one muse on the bathroom counter while the other stands.
in front of the bathroom mirror so they can watch themselves.
to break in a new house or apartment, boxes scattered about and furniture newly placed.
bent over a table while something bakes in the oven.
on the kitchen counter with half-eaten plates of breakfast forgotten.
one muse spread out across the top of a grand piano, pretty woman style.
rushed and desperate, messy on the couch because they were too impatient to even make it to the bedroom.
one muse riding the other while the tv plays in the background, movie forgotten entirely.
on the balcony in early morning, where neighbors might see, but no one will likely look.