It's really important to remember this is my own version inspired by Traditional Witchcraft. What is presented here is not a "universal" belief about how magic works, and it is influenced by my experiences and UPG/SPG.
The purpose of this charm is to elevate mundane/inert objects, including commercially harvested/mined plants and stones, so that they become filled with power and magically effective.
This is a basic and simple spell which can be adapted to a wide variety of uses. However, it lacks the power and permanence of a formal consecration.
I recommend performing this charm right before you use whatever it is you're enchanting. So, right before drinking the tea, right before using your broom to sweep out energies, etc.
I use a charm similar to this one to prepare spellcasting materials, such as enchanting salt and candles before using them in a spell.
This charm has like two steps and takes about fifteen seconds to do in the moment, but this post runs a little long because I explain the theory along the way.
Whatever it is to be enchanted
A traditional symbol of spiritual power, ideally one simple enough that you can draw it in the air with your finger or picture it in your mind
A very short little incantation (you will be writing it)
"Traditional" as in you didn't make it up - so, not your own sigils.
This is based on my belief about how this charm and magical symbols work.
If you use a really old and powerful magical symbol - like a five-pointed star or the Christian cross - you're tapping into the power of the symbol itself.
If you use a sigil that you created and charged with your own energy, you're going to be drawing on your own power to use this charm. Which of course, totally fine - it's just that it's more draining.
("What if my sigil is designed to channel external power?" you still have to spend your energy to maintain the sigil, like having to repair a bucket you use to carry water)
Whatever symbol you use definitely matters. If you use one of the elemental triangles, it's going to impart elemental energy into the charm. If you use Brigid's Cross, it's going to impart her energy into the charm. If you want to impart your own energy on purpose, you can use your own signature :)
It's worth putting thought into what energies you want to impart. You can keep a collection of symbols handy to impart special kinds of energy if you want, or use something universal like the pentagram for everything.
This can be anything. I enjoy somewhat standardizing mine, it just helps me get into the groove. You usually want your incantation to do 3 things:
Acknowledge the power behind the symbol you're using.
State that you need the power provided by the symbol and that you want this power to go into the object you're enchanting.
Clearly state what you want the outcome to be.
Here are a couple of examples. Materials in [brackets] indicate that word should be swapped out depending on what you're actually charming. You can be plain or poetic, whatever works:
By the power of Christ, I charm this [candle] to purify. Through Him this room will be cleansed.
Five elements fill you one by one, 'till this [salt] shines like the sun. Hear this task assigned to thee: help my spell and make it well. As my will, so shall it be.
I empower this [incense] to dispel unwanted spirits through the powers of the Sun and Moon.
You do not need to speak it aloud. Just reading it or going over it in your mind will suffice.
Eh. If you've got focus and willpower to spare, feel free to spend them on this. But you don't really need them.
If you're using symbols of actual spiritual power and clearly directing them unto a goal, it should work. Powers don't need your belief in order to be powerful. Energies can still move when you're not focused on them.
If your incantation includes directions that clearly indicates you are A) calling on magical power, B) that the power needs to go into the object, and C) what the power should do for you, then that's all you need.
Staying in the present moment is really helpful, but you don't need to really burn the lamp oil on this, you know?
Using your finger, draw the spiritual symbol over the thing you want to charm. Alternatively:
Draw it on a piece of paper and hold the paper nearby
Picture the symbol in your mind
Speak, think, or sign your very short little incantation. Make sure you are clearly indicating that you are using the symbol for its power, that you want the power to go into the object, and that all this is being done so that the object aligns to your stated intent.
That's it :)
Magical symbols are like the crystalized form of the powers they represent. The charm has power because the symbol you employ radiates with power. It is then up to you to direct it and instruct it according to your needs.
If you're not having success, try changing the symbol you use.
If the symbol is one representing a specific deity or being, ensure you've got at least a neutral relationship with them. If you skipped out on an oath to a god and you're avoiding them, using their symbol is probably not a great idea.
If you are new to magic, spending more willpower and focus will likely be of assistance to you.
this post is OC based on my personal tarot practice; the examples given are hypothetical for the sake of this post.
Well-meaning guy: "If you think that event was a bad omen, why not read tarot to clarify?"
Person who learned tarot from popular online resources and introspection-focused art decks: "I drew the 6/Cups, so I guess my ward falling off the wall is about my inner child?"
Tarot meanings change and evolve over time. Historical meanings are often not the same, or even contrary to, modern meanings. (Consider, 6/Pentacles: the French present moment was misinterpreted to mean presents, gifts).
By acknowledging that many modern meanings available for tarot cards are modern interpretations for modern concerns, many of which have fuckall to do with witchcraft, we can also acknowledge that we can apply our own sets of meanings to tarot to achieve personal interpretations in pursuit of personal goals.
I call this concept symbol sets, and you can apply your own symbol sets to certain tarot readings in order to rapidly obtain information about magical events in your life.
Symbol sets can be swapped out for each reading. You can intend to operate on your "normal meanings" for a typical reading, and then intend to operate with "magical omen meanings" for another reading.
There are no such things as universal tarot card meanings; there are some traditional meanings, some historical meanings, and many modern meanings. Adjust what each card means to you to your heart's delight.
The more symbol sets I've developed and practiced with, the more versatile and accurate my tarot reading has become. Working with custom symbol sets might be the single biggest leap in my reading ability in 16 years of practice. At least, it feels that way!
Here is one set that could be suitable to troubleshooting potentially magic events:
Swords, or Air: Misfortune, betrayal, malefica, ill-intent, adversity, due to harmful (even if unintentional) spirit action, pointless or wasted effort. Sometimes, banishing, binding and hexes.
Wands, or Fire: A lot of power, excessive power, due to your own actions, uncontained energy, something you did was very much overdone. Sometimes, protection and empowerment.
Pentacles, or Earth: Mundane, physical and normal reasons, an everyday occurrence, mundane but natural growth and change. Sometimes, unlocking and unblocking.
Cups, or Water: Blessings, magic working as intended (even if unexpectedly), the normal course of magical events, magical growth and change. Sometimes, cleansing and purifying.
Major Arcana: Guiding spirits and gods; their behaviors, guidance, or messages.
A spirit worker might like to add an additional layer of complexity, which modifies the prior set:
Court Cards: The actions of another being, such as a practitioner, god, or spirit, whether they acted intentionally to bring about the event or not.
(Further breakdown, as an example: Swords courts are beings intentionally acting badly; Wands courts are the most important spirits of your path; Pentacles courts are mundane folk or spirits unrelated to your path; Water courts are other practitioners, or spirits related to your path without being in your "inner court.")
Interpret any card drawn within these principles. Here are a few random examples. Let's say, a money spell has failed to produce results, and we'd like to know why.
5/Cups [disappointment, failure]: This is the normal course of magical events; the spell wasn't cast well, and so nothing is happening.
9/Wands [determination, boundaries]: A lot of energy was raised, but incorrectly targeted or released; the energy is cooped up.
Judgment [judgment]: An important spirit in your path wants you to deal with what you have been avoiding, and will interfere with your magic until you face them.
Card 1: The source or cause
Card 2: The current state of affairs
Card 3: Suggested action
Example; the money jar doesn't work: Card 1, King/Swords: The source of failure was the person in the discord server who promised to curse you for not feeling the same way about Destiel as they did. Card 2, Page/Pentacles: The current state of affairs is that as a symptom of the curse, an unaware person or spirit is blocking the prosperity you seek. Card 3, Queen/Cups: Ask a benevolent spirit or helpful practitioner friend to assist you in unblocking the situation.
Card 1: Why this thing happened
Card 2: Why it didn't happen; one thing that wasn't the cause at all
Example; the ward fell off the wall: Card 1, 10/Pentacles: This happened because of random happenstance in the home; it was not a magical event. Card 2, Ace/Swords: This action was unrelated to malefica or bad spirits or things like that.
Card 1: The current state of affairs
Card 2: The outcome of your intended plan of action
Card 3: Recommended plan of action
Card 4: The outcome of the recommended plan
Example; the spirits did not seem to appear during a spirit petition spell: Card 1, 3/Wands: Sufficient energy was raised to attract the attention of spirits, but they may not have been properly called to action. Card 2, 6/Swords: Your plan to call the spirits back and re-cast the spell is a fruitless attempt at a transition into a new plan. Card 3, Empress: Communicate with your primary goddess or powerful spirit of the earth and obtain input and guidance. Card 4, Magician: This plan will result in obtaining important magical information about this type of summoning spell you are trying to achieve.
Just some things I've done that have helped me out tremendously with my own.
Cross-reference everything and anything before adding it in with pen. I usually aim for between four and six sources at least.
Table of contents! Number your pages and start a table of contents on the first one. Make sure you reserve the first few pages to continue it.
Print out charts to paste in. I have the wheel of the year in mine! It was so much easier than drawing it.
If you have trouble remembering what a specific plant looks like, and if it's available near you, press-dry a leaf or stem and paste it next to its information.
Sources! Write down where you found the information! If you have further questions that your book isn't answering yet, go to the source!
Cleanse your book when it feels heavy. Not physically heavy - you understand what I mean.
Keep crystals on top of it. Depending on what you keep on it, the qualities of the crystals will keep the book feeling fresh and light.
Don't just copy paragraphs and information straight from your sources. Paraphrase things in your own words so that it's easier for you to keep them in your head. Yes, having a book to reference is great, but it's also great to study it so you don't have to use it every time you have a question!
Share. Sharing grimoires with others can be massively beneficial to everyone involved, especially if you're swapping information. Seeing from other perspectives is always a good idea.
Just a few tricks and tips! As always, do your research, be safe, and blessed be.
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use this as a conduit to connect you to the local spirits and nature
get a pot
fill it with local dirt/sand/clay
keep it on your porch/inside/near your house. somewhere you can visit it.
put cool natural items in it, like local shells, bones, branches, etc. that you’ve found…
watch it come to life. if i just leave a pot of dirt around, something will spring up in it. usually those considered “weeds”. if nothing grows, plant a low-maintenance native plant in it. but there should be something after a time.
make offerings like water and more natural items as you desire.
connect to it, talk to it, introduce yourself.
Rinse and repeat over time. That’s really it! and then you just… build a relationship as time goes on.
Norse Animism is based on the notion that we can socialize with the world and that the world socializes in return.
Which means our relationship with anything is inherently collaborative. We are not just interactinv with things, but participating in their existence as they participate in ours.
This guide is intended to be allied to the type of spellwork that draws something towards you or is desirous of change within yourself. The goal here is to create actions throughout our day or week that bring our thoughts back to the magic that we have performed. From my way of thinking, this keeps the stream of magic flowing in the right direction through your returned focus. It can have the added benefit of reminding you to take the actions in the world that are necessary for the success of your spellwork.
There will be a number of examples following but they all have the same theme: doing something during your initial spellwork that you will return to after the spell has been cast to keep your attention focused in the direct on what you want. Some of these things will be very obvious and you will have seen them before - others may be less so and better suited to a person in the broom closet. Some of these are standalone spell techniques on their own; here I am trying to convey that when combined together, multiple types of spellwork can have a greater effect than individually.
The idea is to continue to do the things listed below until your spell has manifested. Yes, there are obviously too many to do all at once. You are, as always, free to pick the ones that fit the spell best or the ones that fit your own lifestyle. Or to disregard all of them altogether.
Create an altar for your spell Say that I was going to create a spell for money to make sure that I could pay my rent on August 1st. I would create a money altar for my spell, do my spell on the altar, and keep all of the spell ingredients (including candle remains and any nonperishable offerings) up for the month of July. If I was going to create a spell to combat the upcoming Venus retrograde, I would keep the altar up all the way through the end of the retrograde. The visual reminder of the altar helps to realign your thoughts toward that spell.
Feed your spell This one goes along with the first nicely. This can look like a lot of different things - it could be adding coins to a money bowl or a spoonful of sugar to a sweetening jar. It could be burning incense on your altar for success on your exams every Sunday. It could be successively lighting small candles to charge your spell for a set number of days, weeks, or on every full moon. If you work with spirits of deities, it could be making repeated offerings while you ask for help with your spellwork. If you are the type of person who sticks to schedules well, make it a scheduled thing. You could align it with the days of the week if you're into that or with the moon cycles. If you're not a scheduler, do it when you remember.
Mantras (and other Spoken representations of your spell) If you are a verbal person, word magic may work very well for you. This can be anything from one phrase to a rhyming couplet - the idea here is that it is something that you remember to repeat to yourself. I think that this type of magic work especially well when doing work on changing something about yourself, but you may find a use for it in other areas that I have not. Ideas for using mantras: say them when you wake up or before you fall asleep at night, say them while looking in the mirror while getting ready in the morning. Or, simply say them when it would be appropriate for the magic that you have worked.
Sigils (and other Visual Representations of your Spell) If you are a visual person, sigils and other types of art magic can help you to augment your magic. The idea is to charge or create your symbol during the casting of your magic and then return to it throughout your days. Depending on your situation, you may able to hang your artwork or sigil on your mirror in your bathroom or even on your fridge. If you cast a spell to get better tips, carry the sigil or wear it when you are working. You can draw sigils on your skin with lotion or other skincare. This can be at once the most obvious forms of magic (think the Bluetooth symbol) and the most discreet. You can incorporate your sigil onto something you handmake like clothing (inside your clothes or out), jewelry, or any number of other charms.
Put it in a Jar (and other Physical representations of your magic) Yes, jar spells and other container magic are a topic all onto themselves. But have you thought about putting the remains of a spell into a jar? This is a very sympathetic view of magic, but it makes no sense to me to cast a spell to bring something toward you and then immediately get rid of the objects used in the spell. It's counterintuitive to throw something away that you want. N'est pas? Instead, put the items you used in the casting of the spell into a jar or bag and keep it somewhere safe until the spell comes to pass. This is where an altar to your spell comes in handy - it's a place to house this object. Bonus: this makes it harder for sneaky people or inquisitive animals to find their way into your spell components. Other versions of this include putting your intentions for the spell into an object such as a stone or a piece of jewelry and carrying it with you every day.
Invoke Your Senses Again, this is strictly my opinion, but magic involves both the unconscious and the conscious mind. The best way to hijack your unconscious mind and keep it aligned with your consciousness is through the base senses like smell and taste. They tap right the fuck in as they are deeply connected to our memory centers. Here I suggest picking a scent or flavor from your spell and incorporating it into your life for the duration afterward. If you use rose petals, buy yourself a rose-scented soap or rose perfume. If you use basil, make yourself pesto once a week or work to otherwise incorporate basil into your meals. As far as food goes, items like jams and simple syrups are perfect for this purpose if applicable. This involves a bit more planning than some of the other suggestions but can be very rewarding (and tasty!). Alternatively, if sound is important to you, you could use a piece of music during your spell and then play it repeatedly to reactivate the feeling of the spell. Or, if you're very musically inclined, you could write your own song or simply set your mantra/words to music in some fashion.
This is a very non-exhaustive list of some of the techniques that I have used to keep the energy of my spells flowing when I am working on a longer manifestation. Mostly, as stated above, these techniques are best used for magic designed to bring something towards you or to change something about yourself but they can be adapted for use with other types of magic as well.
Again, the goal here is to create moments throughout your day or week where your attention is turned back to your magic through repetitive actions such as showering with rose soap or donning a necklace you made with your sigil every morning.
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Ancestor Veneration
In the occult discords I frequent I periodically see questions from new practitioners who want to start spirit work and have been directed to start with their ancestors, but they’re in a bind because like many young folk today they don’t have such a great relationship with their family. For their own reasons they don’t know their family history and either feel disconnected from previous generations or don’t want to connect to their bloodline. Over the years my personal ancestor veneration has taken shape in a way that I think might be helpful or of interest to people who want to strike up a relationship with their ancestors, but don’t have a great one with their living or recently deceased family.
Beloved Dead: These are my known/recently deceased spirits, people I have known in life who have passed on. Not always technically ancestors, because these spirits aren’t aren’t necessarily related to me, or in my direct line of descent. The only requirement is that I knew them in life, as well as in death.
Ancestors: My actual forebearers, the people I’m directly descended from. I know many of their names because my family tree is very well researched, but I never met them in life. This also includes the ancestors whose names I don’t know but are still in that familial line, those spirits I refer to as “unnamed ancestors” or “unnamed forbearers”.
Cultural Ancestors: This by far the largest category, because there is no upper limit to the number of sub categories I can squeeze in there, none of which rely on actual blood ties. It has my ethno-cultural ancestors, the Irish people who came before me, the Italian people who came before me, the Norwegian people who came before me… etc. But it also has the ancestors of the things I choose to identify my self as: The disabled people who have come before me, the witches who have come before me, the Sailors, the Dancers, the Musicians, the Storytellers, etc. Everyone in this category connects me to some kind of cultural history that exists outside of my bloodline.
For me calling on my ancestors is a lot like calling on a deity. I petion them/ dedicate my actions to them, when I’m doing something that’s in their realm of influence. For instance: Say I’m cooking a traditional Italian meal, I would call on my Italian cultural ancestors, and they would get some of the meal as an offering in repayment. I would also probably call on the individual spirit of my grandmother, one of my beloved dead, since she was the one who taught me Italian cooking, and it’s quite likely her recipe I’m using.
I also have specific days set aside for my most frequently called upon groups Christmas Eve was always big with the Italian side of the family, and I still celebrate it the traditional way, so that’s become a day for my Italian cultural ancestors. St Patricks Day is for my Irish cultural ancestors. St. Lucia Day is for my Norwegian ancestors. I’ve set aside Talk Like a Pirate Day to venerate all of the sailors, fishermen, and wayfinders who have gone before me, and
I feel like this approach gives me, and perhaps others, the most flexibility and the most options to approach ancestor work on terms that work for me. Have a great relationship with the family you’ve interacted with, but uncomfortable with the actions of your ancestors a few generations back? Interact only with your Beloved Dead and your Cultural Ancestors. Want nothing to do with your biological family, but still want to do ancestor work? Create a spiritual found family by working only with Cultural Ancestors. This way of thinking about those who loved what we love before us could be applied to any interest or personal identity that a person holds dear. However you choose to define yourself you can can use to draw a connection to people who also defined themselves that way in the past.
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cosmic friends earrings by AbovearthAU
For the witches and pagans who need to hear it, connecting with nature is supposed to be about like, actually observing nature over long periods of time, not doing stuff like hoarding endangered bird feathers and beach sand, or just meditating out in aesthetically-pleasing locations. Can you tell me exactly when your wildflowers and weeds start blooming? When do your bugs come out of hibernation? When do migratory birds come and go? How does the air feel during different times of year? If you can't do stuff like that, you aren't connecting with nature.
Blessed Mabon witches!
My favorite season and sabbat to celebrate, such fun activities to do and delicious recipes to make.. I went apple picking and we got bags full of big red apples, sweet pears and a few pumpkins of which we made soup from!
How did/will you be celebrating this turn of the wheel?
For the witchy asks: 🌹🦄
witchy asks
8. (🌹) - what's something that isn't talked about enough in the witchcraft community?
I don't know if it's not talked about "enough," but I find it very curious how many witches who are also animists totally ignore inherent correspondences within nature.
Arguments about where correspondences come from and what they mean very often seem to focus totally on human decisions and desires.
I've always been under the impression that the fact that correspondences for a single thing often vary from culture to culture causes people to assume that humans make them all up.
There rarely ever seems to be an idea that oak trees in England are different fellows from oak trees in Ohio (pretending that the couple hundred of species of oak don't exist and it's all just One Guy), and that authentic connection to the tree will validly produce different correspondences in each area.
Or that spirits are as multifaceted as humans. As an individual, to some people I bring pain and injury, and to others I extend deep love and protection. But if an animal spirit does so, that means those two "correspondences" are incompatible, and therefore the human made them up and projected them.
Or that as humans, two of us may see the same facet of a spirit and we ourselves respond to it differently - so of course, there is nothing inherent in the herb, all that matters are our own reactions, and there is no meaning within the plant beyond our attitudes towards it.
Or that the individual spirit of a single plant is an individual, and is not a nameless hivemind pouring fourth an unwavering, set pattern of meaning and power.
Of course not everyone works with spirits, or is an animist. But for spirit-working witches who are animists, I often question why they speak of natural things as being meaningless until a human ascribes the meaning.
9. (🦄) - what's something that's talked about too much in the witchcraft community?
I'm not sure I can say. I haven't been back in a "big" community long enough to comment on it.
But you know what, let's go ahead with TikTok.
People talk about TikTok too much.