Eliot Spencer is: Looks like a cinnamon roll, is actually a cinnamon roll AND Looks like a cinnamon roll, could actually kill you AND Looks like they could kill you, could actually kill you AND Looks like they could kill you, is actually a cinnamon roll
Eliot Spencer is the cinnamon roll avatar, master of all cinnamon rolls. Pass it on.
Okay, I'm thinking about the Murderbot TV show again, and how I would adapt it, and we're going to be robbed if we get anything less than a cold open to a scene of some obviously cheezy space drama, maybe an Overdramatic Human Woman In Green Facepaint overdramatically sobbing as she confronts a Generic Action Hero like "It's...it's your baby!!!" *cue three different angles of Generic Action Hero's shocked and surprised face* Generic Action Hero opens her mouth to respond, but we don't hear her voice, because her words are drowned out by a sudden roaring sound coming from offscreen. The audience gets jump scared by lashing tentacles that seem to whip across the screen, in front of the window where we were watching the space drama, and the camera zooms out until you see that the window was floating in front of MB's face, as MB stands on the edge of a crater and the survey team pokes around down below. A giant, tentacled space monster is emerging down below, the survey team is screaming, Overse is getting picked up and tossed into the air, on a trajectory heading straight for the monster's gaping jaws...
Everything slows down. The sound mutes. MB swears and launches itself towards the monster. The camera shakes and warnings blare and flash across the screen, but we don't see much of the action, because the camera swings in to focus on the floating window where the space drama (Sanctuary Moon. It's Sanctuary Moon) keeps playing, on mute, while Murderbot's voiceover delivers the line: "I could have become a mass murderer after I hacked my governor module, but then I realized I could access the combined feed of entertainment channels carried on the company satellites..."
Nobody can resist a boop button!
I haven't worked on my music videos in ages, but I've been thinking about this one lately. So here, have a lil teaser of a project that will come to fruition one day!
Song: Go To War by Nothing More
Edit: almost forgot the youtube link. Click here!
Headcanon: Eliot can ballroom dance as well as any professional. Better, in some instances. And no one knows this until they have to work a con at a dance studio that's a front for trafficking. He has to compete, which adds another pseudo-celebrity persona to his identities.
Of course this naturally also results in him acquiring a ton more fangirls - and fanboys! - because a) hyper competent dancing is HAWT and b) he's going to be in a male ballroom dance competition outfit which... well, I'll leave y'all to try Googling that and picture Eliot in something like it. #AHEM
So poor Hardison is on full time social media/attempting to control the hype duty while also trying to do the digital stuff for the actual job AND making sure to needle/mock/jab at Eliot at every possible opportunity... until the team actually sees their hitter, their punchy grump-up artist, dancing in one of the competitions and. Well. It's basically a Scheherazade moment that nearly blows the con because hey, this grade of dance is supposed to be emotive, right, and they're all gawking so hard they nearly miss their marks.
The fact Eliot refuses to actually acknowledge how good he is, just growling and stomping off when someone tries to actually compliment him, only adds to the effect.
Nate meanwhile is in Actual Hell because let's set this theoretical episode in early to mid S5 as, of course, Sophie just LOVES the idea of "going dancing" and is thoroughly miffed that her newly sort-of s/o can barely do a basic waltz. Bonus points if she suggests, in either or both of their hearing, that Eliot could maybe teach Nate some moves to help.
Only later it turns out the only person who Elio has actually volunteered to teach some steps to is Parker, firstly because she's competent enough to actually follow along, and secondly because that way she can take Hardison dancing on one of their date nights, which of course leaves Alec melted into an absolute puddle because he's essentially just an enormous ball of squish in the shape of a boy.
And we fade out the episode as Parker and Hardison head for their night out while Sophie is trying to teach a purposefully-failing Nate some basic steps, seeing Eliot in the kitchen of the brew pub humming to himself and, secure in the moment of being entirely unobserved, execute an absolutely perfect reverse fleckerl with a bowl and whisk as his only partner.
how did we go from "we agreed we all change. for better or worse, we change together" to "everybody changed. i thought we were done changing."
listen I do understand that by and large Leverage is a very lighthearted show and also that they are limited in the havoc they can wreak on the lives of clear real-world analogues without being accused of endorsing violence or something. so i'm not saying that this is necessarily a good move from a showrunner's perspective but I DO think that i would rescind every criticism i've ever had of leverage's political outlook if they have an episode in L:R where they introduce an antagonist like 'this is mr. Ethan Tusk whose wealth came from exploitative gem mines and now he makes exploding cars and sets nazi frat boys loose on the federal government for bragging rights of how cozy he is with the dictator in charge' and then the resolution is 'parker pushes him off a building.' or i'm not picky on the specifics they can even have it be a more ambiguous thing where she plants a bug in his car so they can spy on him but then two days later the autopilot drives him off a cliff and nobody's ever really sure whether parker sabotaged it somehow or it was just his own shitty tech. i just think that if you're going to keep teasing the idea that parker is Unpredictable and Violent and needs to be kept under close watch she should get to kill at least ONE evil-guy stand in at some point. she's earned it. free her.
i think 'I trust you with my life but not your own' as a trope is one of the ones that can always fuck me up no matter what
Leverage Redemption Season 3 Trailer
"Neal plays the tycoon to lure in his victims, and then cons them out of thousands of dollars."
Leverage Redemption S03E06 The Swipe Right Job.
she/they | fan of too many things do i know how to use tumblr? not really
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