I need people to understand the love I have for the manga series called “I want to be a wall” by Honami Shirono. The manga talks about the marriage between Yuriko (aroace woman) and Gakurouta(gay man) who try to adapt to societal norms and their families pressure and expectations through that marriage. In the end their goal is to find their own happy ever after. Not only do we learn about them as people but they also grow next to eachother as partners and friends, while learning how to be ‘married‘.
I cried multiple times throughout reading it all cuz of how they voice their feelings and how realistic some of these situations are. But also many happy tears. All in all I’m happy to have experienced their journey and that of the others whose story was shown <3
The need to share this came cuz I just got delivered the third part and finished reading it with too many feelings to really talk about it. I just felt really understood in Yuriko’s character and how she feels about love, marriage and relationships and think that in the end it talks very sensible on the queer themes in all of it.
Part of the story are queer relationships, discrimination and the feeling of otherness.
So happy pride month ppl and read “I want to be a wall” 🏳️🌈
I’m a big fan of all of these having main colors to work with and making them more stand out against eachother but also leaning more into the design of teh celestial spirits themselves <3
redesigning star dresses part 2!
part 1
notes and individuals are below!
virgo ~
- really wanted to step away from that sexy maid aesthetic. my goal was to mix maid with a princess silhouette to reference virgo’s nickname for lucy.
- so i added elements of cinderella’s look like the side fabrics, choker and longer dress.
- using just black is so boring so i brought in some pink and chose to instead use greys
- so many lucy dresses have pigtails so changing the hair also has a more practical element because it’s pulled away.
~ scorpio
- I actually love the og scorpio dress. It’s so different to all the other looks and so easy to distinguish that it’s scorpio.
- i wanted to play into a trackstar / athlete look just so it has an aesthetic that stands out. i also used shapes found in scorpios tail and neck frill in her armour and top.
- i absolutely love the new hair, i wanted it to resemble a scorpion tails! Also just was bored by the normal head band and u know what why not do a cutest bow.
~ sagittarius
- my least fav og dress is is sag. the colour, the lack of shade range and the outfit is just…. yer not cute.
- so i was inspired by more fantasy archers and sag’s colours are screaming cool earthy ranger.
- i think the final result much better resembles sag in the colours and aesthetic.
~ capricorn
- this luxus bad girl moment and i love it. The og one is pretty good but i wanted to fully push it more.
- there’s strands of hair coming out of her bun to resemble horns and belt to resemble a tail.
- the og design is too black so i went with a darker purple to stand out. I didn’t want virgo and capricorns to look like a matching set.
~ aquarius
- there was a lot of pressure to do aquarius well because it’s significant star dress, a fan favourite and my own star sign!
- i leaned more in the mermaid aesthetic by using more fin silhouettes and pearl detailing
- i wanted to make it more practical so a more supported bikini and mini skirt under the fin like fabric.
~ full set
i’m so super proud of these designs and i’ve actually seen an improvement in my art. Maybe in the future i’ll do a piece with all of them or do yukinos dresses so lmk if ur into that.
if ur looked this far ty so much for reading all my notes xxx
Very random
But does anyone else have problems with socks that have a elastic band at the top (almost all of them) cuz they feel like they’re cutting off ur blood circulation or something idk
Cuz I favour the ones without the elastics as a result but u don’t really find them anywhere
Anyways would love some opinions
cross guild plays uno
Foreshadowing is a literary device
I'm what you might call a "fake Batman fan" - that is, I've only watched most of the Batman animated series', all of the live action movies, most of the animated ones, played some of the video games... so, you know, probably thousands of hours of my life in Batman related media. But not the comics! Fake fan!
Frankly, I find the comics medium the way DC and Marvel do it to be really hard to follow. There's the fact that you can't really follow an individual solo character without them getting caught up in massive crossover events that ruin their arc and pacing, there's the soap-opera-iness that encourages cheap and revolving conflicts inherent to the longform monthly release schedule, the writer roulette, and there's also just that going back to try and thread a particular continuity or character is an exercise in frustration. Oh and the retcons. Everyone hates those. They've (basically) never been good. Don't remember this part it will never come up aga
But, you know, despite this - or maybe because of this - comics is a breeding ground for ideas. Because of the quick turnaround and the demand for novel conflicts, comics just churn out idea after idea. Good ideas, bad ideas, doesn't matter. Get it to print. Retcon it later if we write ourselves into a corner. Comics are often soooooo first draft coded. This is why I personally prefer adaptations - they often reimagine ideas and retcon them into new narratives where they can serve a more coherent plot. But what happens when a character is picked up for a second draft ... without actually contradicting the earlier material? While enriching the earlier material, even?
(SPOILERS for Tim Drake: Robin and uh... 20 year old comics under the cut!)
So, uh, quick disclaimer - because I have very little overall knowledge of DC's Comics continuity, there may be more interesting examples of times that what I'm going to point out was done. But I love Bernard and from a writer's POV I'm impressed with the way they did it so we're talking about Bernard lmao
Okay so I heard Tim Drake is dating a guy now? (Penny Sonic voice) Whoa he's bisexual I didn't know that! I'm sure people on the internet are being very normal about this. Cool let's find out more about his new bf. I like starting from the beginning... so like yeah hold on while I crack open the Robin comic and take down what this guy's deal is.
😬
So basically the TL;DR of Bernard in his original appearances is that he seems to be an attempt to introduce some normal stakes teen drama into Tim's life. He has all the Funny Guy Friend Classics - he's got an inflated sense of his proficiency at pulling girls, he's inexplicably drawn towards the protagonist (who is cooler than him), he wants to date the most popular girl in school, and he wants to get down with older women!
This might just be me but while I was going through this I thought like, he almost reads a little uncanny, like he's been filtered through a Disney Teen Special. In practice he mostly serves to introduce Tim to the Real Plot, Darla Aquista, and be one of his ties to civilian life, which is, like, fine. He's ultimately just a background character and he's so unimportant that he only has one appearance after their school gets shot up(!!!), which is, again, to be more of an accessory to the Darla plot.
After this display of "wow this guy's kind of lowkey insane for offering to his resurrected bestie supervillainess to be her manager actually", he's dropped forever. Comics! We're not gonna unpack that.
Until almost two decades later when he calls Tim up for a date. And while I'm trying to skim over a lot to get to the point here and I don't really know the FULL context, it is notable that Tim is in the middle of an identity crisis / the cusp of adulthood when this happens (I think he just lost a spleen or something. That sucks dude). It's pretty implicit that part of the reason he's going to see Bernard is because he's someone familiar in a time when he's facing a lot of new and scary stuff.
And at first blush, he really does seem like the same dude. The familiar arm over the shoulder, the banter, it's all very casual and similar to the ribbing from high school -
- and I guess nothing has happened to Bernard in the interim haha he's just the funny friend guy right?
I really like the way they did this. I'm just unambiguously going to praise how good this is if you just came off the 2000s stuff. Comics have kind of breakneck pacing by nature but they really manage to condense down and then pull off a neat sleight of hand over the course of like four pages here. They re-establish Bernard as a silly guy and then wham you with the fact that yeah actually we ARE gonna unpack that. Fuck you Tim Drake life is ever changing and nothing stays the same
So the TL;DR on the rest of the Urban Legends storyline is that stuff like, HAPPENED to this guy while our focus was elsewhere. He learned martial arts, presumably so that he wouldn't be so helpless in the next school shooting level event, he got into a pain cult, he's just Not Doing Well. We find out, reading between the lines, that calling Tim on a date was probably one of his last attempts to reach out to someone when the cult stuff was getting really bad.
I've heard people complain that Bernard is uninteresting or not a character or entirely focused on his relationship with Tim, and I think that criticism is really weird considering that his entire re-debut focuses on the point that he's been having his own life and making his own (often wild) decisions - ones that really changed the course of his life - while Tim was gone. And it's also notable that this story is about how the fact that he's his own person and has changed and has made the nerve-wracking decision to take action and call Tim inspires Tim himself to take a leap and fling himself into the uncertain waters of young adulthood.
Me when I have my bi awakening and call to get out of a rut simultaneously because Cute Insane Guy Inspired Me. iconic
So that's how Bernard has changed. But that's not recontextualization, that's just the writers taking a guy and making him do another, cooler thing. Well hold the fuck on because we're not goddamn done.
What did he mean by th-
Tim Drake: Robin is the followup to the Urban Legends story and Tim is the main character fr. Obviously. but Bernard is also a major character. Later, he even gets to be a POV character. But they don't do that for several issues, instead treating us to his shenanigans from Tim's point of view as he solves a bizarre serial murder case and like, they're cute! And neither of them are normal in the slightest. I love that for them.
Again, TL;DR, there are a lot of interactions where Bernard talks to Tim both in and out of costume, but we don't get to see his POV until they go out to a restaurant and meet Bernard's parents there by accident and Tim has to run off to do Robin stuff. And like... a lot of stuff happens in this one bois. Whammy after whammy
We're suddenly introduced explicitly to a lot that was only implied or just completely unavailable before. Bernard's parents are ragingly homophobic. Probably were never great even before that. He suffers from depression. All that is a lot to. wait. hold on a second
he knows?????
HE KNOWS????
Okay so if you stop at this point and reread the entire run so far you find out that Bernard is in fact the biggest troll in the entire universe. This is the moment that cemented him as my favourite, by the way. Like I had a feeling that he knew and I was just laughing my ass off when my suspicions were confirmed.
But this is really interesting on top of that because Bernard has been revealed to be, at this point, a guy who you should look deeper than the surface to understand. Someone who masks his true self and whose true motivations you can only uncover if you're really looking past the facade. Even with Tim, he sort of offers Tim and Robin half the story each, taking advantage of Robin's "distance" to give out information he wants Tim to think about but that he's reluctant to talk about frankly while at the same time almost daring Tim to open up about his identity.
Absolutely most normal way to tell your bf about your cult trauma. You'll always be famous to me Bernard Dowd
This is a really neat trick by the writers. It makes Bernard a multifaceted character who got to quietly develop while we were mostly focused on Tim, and there's some clever clever foreshadowing they set up in this run to achieve this. If it were just this, I would call it good writing.
But it actually goes one level deeper than that and becomes something really really special. because as we all know, Bernard was not conceived to be this way, he was a one-off guy who was kind of annoying and he was essentially retconned to be, like. Gay? Have depth? Be funny? All of those things?
This is not a new observation btw, I've seen a ton of posts to this effect. But oh my god. Some of these panels really hit different with the new Bernard lore. Like holy fuck just read this back to back
There are tons of moments like this. There's SO MUCH that the revelation that Bernard is queer adds to his initially extremely underwhelming tenure in the Robin comics. A reread almost begs the question of what Bernard must have been thinking at any given moment! BRO YOU SAID YOU WANTED TO FUCK HIS STEPMOM. That's completely believable as a next-level closeting move and goes from kind of annoying to turbofunny.
Like yeah of course he's acting like a douche. His father is a status-chasing asshole and he's five racks deep in the closet. Of course he gravitates towards Tim - his gaydar is pinging and he thinks Tim is cute. And it's also pinging that Tim is like. You know
None of this would hit as hard if the writers had not set up Bernard as someone who masks so much. They worked it in that character trait to mean that you could always glean information deeper than the surface from his top level interactions.
Because of this, Bernard is really fucking interesting and he's a good character and he's one that gets better on reread. Like I said, that's a set of observations that are not new to me. But something that really gets to me is how seamless and intentional it is. It really feels like the writer sat down and took their time devising a guy that is believable as that other guy, but only if you read back with certain context.
So is this just about how Bernard is really fucking interesting and he's a good character and he's one that gets better on reread and that he can exist independent of Tim and all the haters are wrong. Yeah of course. 💖
But also like, I have thoroughly proven to myself that I was kinda wrong to just reject the published comics medium out of hand. I see now that there's room for the writer's roulette to hit the jackpot and that something I mistook as an outright flaw, the winding and unfocused and often improvised nature of it, can be ridden like a wave if you're skilled enough to do it. Meghan Fitzmarten is a goddamned genius.
I guess I have to read comics now. Fuck
An underrated aspect of But I'm A Cheerleader is that the butch, hairy, gnc woman is the only character who has a Conversion Camp revelation that she is, in fact, NOT gay. People just see the way she looks and put her in that box, so she simply feels like she HAS to occupy it. (This is exemplified by Rupauls immediate next insistence that she IS gay, and "who is she fooling?" Which comes off as very ironic from someone trying to con these kids into becoming straight.)
Much of the "conversion" in this film is just reintroducing strict gender roles, which does happen in conversion situations but this is obviously a very campy, over the top example. Of course the POINT is to show that the fact youre gay has nothing to do with your adherence to gender roles (both Dolph and Megan ARE picture-perfect images of the Man and Woman- even if they are gaslit into thinking they arent. Yet they are still gay!). But I think its oddly nice, in an older movie too, to see it put so plainly that the opposite is also true.
Your lack of adherence to strict gender roles doesn't determine your sexuality- but you'll be lumped in all the same and punished anyway, because that's how heteronormativity works. And that was always the purpose of gender roles to begin with- to keep people in line.
prompt for @/tinybingy jc trying to make yanli’s lotus rib soup for young jin ling, having some sort of breakdown over it bc its not the same and he can’t do it but jin ling eats it anyways and without meaning to makes jc feel a lot better about it all
New Ninjago au idea :)
A „10 things I hate about you“ Au with the Smith siblings, but less angsty cuz wdym u paid a guy to get with ur sister 🤨
Nya would not do that and also there is not a universe where the ninja aren’t friends imo
Plot Basics: nya wants to date jay >jay also wants taht > ray and maya are a bit hesitant about that > the sibling clause is coined so Kai has to date someone in order for nya to date > nya and jay think about it and start playing matchmaker with Kai and cole > cole could already have a crush it noz and jay maybe just convinced him taht it’s a good idea idk or he’s calling in a favour > the movie plot more or less happens > everyone is happy and we have two couples
Ofc it can be jsut like the movie but I like when AUs take the inspiration and also the source material anf make a new brain child out of it cuz the characters are not the same which influences the choices they make etc.
But yeah I’m leaving this here and letting it sun :)
Shoutout to @emiko-talks83 <3
I absolutely love Legally Blonde (the musical). Elle is such a great character!!
The audience is introduced to her in such an amazing way, with her mathematically trying to figure out what to wear. “It may be perfect for a blonde, but I’m not that blonde. I may be in love but I’m not stupid, lady, I’ve got eyes.”
Elle in general is so good. She’s so smart and she’s legitimately the most interesting character to follow.
But!!! The best!!! Part!!! At the end of the musical, when she says she’s leaving, Emmett confessing that he loves her isn’t what convinces her to stay. Instead, it’s the other female characters showing their support for her!!! The way the girls in this movie support each other!!! The “Greek Chorus” is perhaps my favourite example, if only because they’re so supportive of absolutely everything Elle does!!! It’s so sweet!!! “We came to see our president be legally blonde”? Best line, I love it, it’s so good.
But also, the romance between Elle and Emmett is so fucking good. Emmett supports her through absolutely everything. Emmett is such a great person, but also his musical cue is an oboe, which means I’m biased to like him anyway-
“They laughed at me like they’re laughing at you. We can’t win if we don’t follow through.” “Though it’s hardly my business to say, could it be the real thing in your way is the very man you’re trying to impress?” “But I know it’ll all be worthwhile when I win my first lucrative trial, and buy my mom that great big house out on the cape.” “As I hugged my mom and told her, with the chance I’ve been given, I’m gonna be driven as hell.” All of Emmett’s lines are so good, all of his songs are perfect, Emmett is the best character ever.
I love the ending, when Elle proposes to Emmett. It’s the character coming full circle. She begins the musical by planning an outfit that will be perfect for Warner to propose to her to; “This dress needs to seal the deal, make a grown man kneel, but it can’t come right out and say bride.” “I’ve got t leave Warner his pride.” She’s fulfilling the stereotypical idea of the woman having to be proposed to. She can’t propose to him or look too desperate to be proposed to, because that will ruin his “pride.”
Elle proposing to Emmett at the end shows such an amazing character growth. She knows she doesn’t have to fulfill the stereotypical female role in their relationship. She proposes in a room full of people, proving that she is no longer concerned with her partner’s “pride.” She proposes by saying “Emmett Forrest, please make me the happiest woman I know.” She proposes in the stereotypical male style, but it’s so fucking sweet because Emmett is so excited and they just love each other so much-
But the best way to portray the character growth is two specific interactions. To set it up, the Greek Chorus mentions, in the very first song, that being married won’t come between Elle and their “sacred bond of sisterhood.” Later in the same song, the Chorus sings: “We love you guys.” And Elle responds: “No, I love you guys.” Note that she specifically says “I,” because presumably, Warner doesn’t actually care all that much about them.
Now, in the finale, the Chorus repeats the line, this time to Elle and Emmett: “We love you guys.” But, this time, Elle and Emmett respond together: “No, we love you guys.”
Emmett supports Elle’s interests to the point that she feels comfortable sharing them with him. She feels comfortable introducing her best friends to him and he actually likes them. It comes full circle. Elle finally has someone who supports her completely, just like she supports Emmett completely, they make each other happy. It’s so sweet.
Also, it’s kinda funny because Emmett is Elle’s sugar baby-
My faves :)
i want to be your wall!
All pronouns Drawings & Stuff :)A lot of headcanons, recommendations and brain rotUnexpected and almost endless fandom diversity 🪻🪼
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