De Filio Delecto

I DID IT!

For those of you who don't know, I have been devoting much of my time in the past year to writing my debut fantasy novel. I'm happy to say that a few days ago I finished the completed first draft!!! 179,000 words/405 pages later, I finally got to print my book out and see it for the first time🥹😭

There is still a long way to go until this baby is ready to be published, but I couldn't be more grateful and proud to be at this point. I've known that I want to be an author since I was in second grade, but for many years, I was too afraid that I wouldn't be good enough to even try. It was actually posting my fanfiction online that eventually gave me the confidence to chase after my dreams. From the bottom of my heart, thank you to everyone who has supported me on here! It may have seemed like just a simple comment or two on silly fanfiction, but it had a greater impact than you could have realized🥹💛

I will try to keep you all updated on the progress concerning my novel, 'Project Music Box', as I go.

And don't worry, I'm still writing fanfiction when I have time

Customary ( Noa x Human! Reader ) Series. **UPDATED 7/8/2024**

Summary of the series: You were found by Noa, Anaya and Soona - on the brink of the death - healed back to health, you were faced with being let go, or staying with the Eagle Clan. Food, shelter and safety. The catch? Their Leader wanted to know about Echo ways of living and never bargained feelings into the transaction. (This will be updated as chapters are posted. ) SERIES PLAYLIST.

Chapter One: Customary.

Chapter Two: Gone Hunting.

Chapter Three: Wounded Pride.

Chapter Four: Head First.

Chapter Five: Sense of Belonging.

Chapter Six: Empathy.

Chapter Seven: Cross Roads.

Chapter Eight: Future.

Chapter Nine: Savior Complex.

Chapter Ten: Chimp Mosh Pit.

Chapter Eleven: The Grim Reaper.

Chapter Twelve: Taken.

Chapter Thirteen: If You Only Knew.

Chapter Fourteen: Thick as Thieves.

Chapter Fifteen: Oblivion.

Chapter Sixteen: Cross Contaminate. **ACTUAL FINAL CHAPTER SEVENTEEN* Traditional. ( Coming Soon. )

Neytiri’s Fatal Flaw and Her Future Arc.

I was watching the deleted/original cut of the scene with Neytiri holding Spider hostage which — first off, incredible scene by the way like holy shit — but it made me think about how perfectly it served for Neytiri’s character.

Someone might’ve already talked about this already, but what I don’t think a lot of people realize is that this scene serves as the payoff for earlier Neytiri-related scenes as well as a starting point for her arc going forward.

If you haven’t watched the scene, here, it’s a far more impactful version of an already hard hitting scene and I’m going to treat it as what “really” happened in the story for the sake of analysis.

The first moment I’m focusing on is this one where Neytiri goes to pick up her bow after killing a few RDA grunts, only to find that the bow is now broken and unusable.

There’s a running theme in these two movies that I’ve seen people point out and that’s how Neytiri keeps losing things that are precious to her, whether they be people, places, or objects.

In the first movie, she loses a lot including but not limited to the Hometree, the Tree of Voices, her older sister, Tsu’tey, her Ikran, and her father. When her father dies, he grants her the Ceremonial Bow and that’s what she ends up using to fight in all subsequent battles.

In the second movie, she thankfully doesn’t lose as much, but she’s still forced to leave her home and her first born son is killed in the heat of battle, rough times all around.

You’ll note that I didn’t include losing her precious bow on the list of things she lost and that’s because she didn’t lose the bow, she broke it.

All the other losses I’ve described are caused by the RDA, but this one isn’t. Instead of her bow being broken by another grunt in the heat of the battle, she’s the one who breaks it by swinging it haphazardly at her enemies.

I may not know all that much about archery or making weapons, but I’m almost certain that bows aren’t designed to be used like that, which is why her bow broke the way that it did.

And it cannot be understated how important this bow must be to Neytiri. I mentioned before that it was given to her by her late father, making it an important connection to her family already, but it’s also made from the wood of Hometree. So not only is it a connection to her family, it’s a connection to her people and the home that was stolen from them.

All that and she still broke it, not because she didn’t cherish the bow, but because she just couldn’t control her anger enough to handle it properly.

And that’s what I feel Neytiri’s fatal flaw is, as well as what her arc will be primarily focusing on in the upcoming movies — Neytiri’s anger and hatred leads to blind rage, and she becomes liable to hurt those she cares about.

For the record, I am not making the claim that Neytiri’s flaw is that she gets angry. Being outraged by death and destruction, hating those who bring about injustice, these aren’t flaws and aren’t things she should be vilified for. What is a flaw is how she uses her anger, or rather how it uses her.

Jake spells it out pretty cleanly in a scene that happened a while ago. When Tonowari told Jake and Neytiri about the destruction the RDA was causing to the nearby villages, they immediately connect it back to Quaritch. Neytiri describes how they have to finish off Quaritch — “we have to hunt this demon, trap him, kill him” — and this is what Jake says in response to that idea:

“We gotta be smart…”

He’s not dismissing the idea of doing something, he’s just cautioning her on how they go about doing it. That’s the crux of Neytiri’s most prevalent flaw, it isn’t her becoming angered at the injustice she and her people face, it’s her not being smart about how she acts on it.

The last two moments I’d like to draw attention to are the one where one of Quartich’s lackey calls Neytiri a “wild animal” and the one where she actually acts like one.

For the record, Lyle and Quaritch are in the wrong for likening Neytiri to an animal and dehumanizing her in the process, especially when the reason they insulted her was because she was acting violent in the video where she was protecting her husband. However, it’s undeniable that during the fight on the Sea Dragon, Neytiri is the most violent and rage filled we’ve ever seen her.

It’s particularly noticeable right before she realizes she broke her bow, which is definitely not a coincidence I’ll tell you that much.

She screams in the guys face and stabs him over and over and over again, after which she gets up and starts growling, searching for anything else that moves. It’s not a stretch to say that, in this moment, she’s acting almost like a bloodthirsty animal hungry for vengeance, not too dissimilar from the wild animal the recoms painted her as.

And all of this, her accidentally breaking her father’s bow, being asked to be smart about it all, acting like a wild animal, it all comes to a head in the moment where she uses Spider’s life as leverage to save Kiri’s. It starts off good when she makes Quaritch let Kiri go, but when Kiri is freed from Quaritch’s grasp and she can turn her attention to the man himself…

…she puts the blade back against Spider’s neck and utters those infamous lines:

“A son for a son.”

I’ve seen a lot of people comment on how “powerful” of a scene this is, and while I agree that it’s a powerful storytelling moment and extremely important to Neytiri’s character, I think a lot of people miss the fact that this isn’t an admirable moment of a mother’s rage, but a scary and dark moment where Neytiri is about to fall to Quaritch’s lows.

Because if Neytiri had actually gone through with this decision, then she would’ve done the same thing to her family that she did with her bow — destroy it. What’s important to note about Neytiri’s hatred towards Spider is that; while it’s understandable considering all the trauma she went through at the hands of his father and the RDA, she’s the only one in her family that feels this way towards him.

For one thing, Spider is both Lo’ak and Kiri’s best friend and they know how much Spider hates being Quaritch’s son, there’s no way that they’d just accept Neytiri after she killed their best friend. We don’t get much development on Spider’s relationship with Tuk or Neteyam, but we see Spider protect Tuk, tease Neteyam, and cry during Neteyam’s death, so they must be friends on some level.

And finally Jake. Admittedly, Jake is pretty lukewarm towards Spider throughout the entire movie, but I’d argue that’s him keeping a respectful distance because of him wanting to side with his wife and not any malice Jake genuinely holds towards Spider himself. We even see him checking over Spider at the end of the movie like he does with Lo’ak and Neteyam.

As much as Jake unconditionally loves Neytiri, I cannot see a world where he’s able to look at her the same way if she killed an innocent child.

And I do mean innocent, because at this point in time Spider’s only “crimes” are being human(not his choice) and being Quaritch’s son(also not his choice). Even if Neytiri’s feelings towards him are understandable and valid, her actions at this point are not justifiable and Jake knows it.

That’s not even mentioning how she hisses at Kiri during this scene, she’s not acting with her family’s best interest in mind, she’s acting on pure rage.

If she had gone through with it and killed Spider, Kiri and Lo’ak would hate her, Tuk wouldn’t be able to look at her the same way again, and Jake probably would’ve left her. She truly did come a hair’s width away from destroying something precious to her once again.

Now let’s talk about Spider for a minute because he’s crucial to all of this, as Neytiri’s hatred for humans extends to her hatred of him.

We already know that, to the Na’vi, “I see you” is considered a respectful greeting, but it’s also a show of great understanding between two people; it’s why Jake’s two pivotal emotional moments at the end of the movies are him telling a loved one “I see you,” it’s because he’s come to understand them as a person beyond what he initially thought.

In contrast, Neytiri does not see Spider, her eyes are shut. Instead of seeing Spider as a person, all she sees is just another human who ought to be with his own kind, a demon. And this is honestly fine, Neytiri isn’t Spider’s mother or caretaker so she’s not obligated to try and understand him as anything deeper than her enemies child and her own children’s best friend.

However, because Neytiri refuses to see Spider as anything other than another human, she lets this hatred for him and his heritage fester until she feels comfortable to threaten his life and see him as a means to an end. And that, no matter how much one may argue it’s understandable from her perspective, leads to dire consequences.

Namely, Spider’s choice to save Quaritch.

Now, before anyone yells at me let me clarify — I am not saying that Neytiri is responsible for Spider’s choice, nor is she responsible for any harm Quaritch will cause in the upcoming movies. However, it’s undeniable that her actions influenced Spider’s decision, whether directly or indirectly.

When Neytiri threatened Spider’s life, Quaritch initially plays off the fact that he’s technically not his son, citing that they aren’t even the same species. But when Neytiri pushes even further, he breaks and shows that he does actually care about Spider, willing to let go of his hostage in order to protect him.

This is big for Spider as his only major desire is to have a family, specifically a parental figure who genuinely cared about him as he is. I’d even go as far as to say that this moment probably proved to Spider that Quaritch cares about him as more than just a mean’s to an end. He’d already helped Quaritch bond with an Ikran and find the Sully family(against his will), he had nothing else to offer but Quaritch still wanted him alive.

This, along with the months they spent together, are what pushed Spider to make his decision at the end of the movie, a decision he was explicitly conflicted about.

And this came about from Neytiri’s decision. I know a lot of people would argue that Neytiri had to do this because it was the only way to save her daughter, and I’ll agree that there weren’t many options for her. But this wasn’t a tactical move she was making, she wasn’t bluffing or putting on a show to force Quaritch’s hand, she was explicitly going to kill Spider just to make Quaritch hurt in the same way she was hurting.

Also, if we want to nitpick we could also say that the months Quaritch and Spider spent together also came about as a result of her actions. When they’re running away from the Recoms, Spider is the only one who falls to the ground and Neytiri doesn’t even think to try and go get him.

“B-But there’s no way Neytiri would’ve been able to save him and get away! She has her own children to worry about!” I hear you typing in the notes of this post, and to that I say you’ve got a point.

However, the fact that Neytiri doesn’t even consider going down to rescue him, doesn’t look over the branch and hesitate before making the difficult decision to prioritize Kiri and feel bad about it later shows that her reasoning is solidly NOT rooted in him being one of her kids or not.

She doesn’t even try, and because of that Quaritch and Spider end up forming the basis for a solid bond.

TLDR; Neytiri’s fatal flaw is that she allows her anger and hatred to cloud her better judgment and control her, leading to a destructive attitude that can ultimately hurt the people she loves and make things worse for her.

Now, what does this have to do with her arc going forward?

At this point, I’m pretty sure everyone has heard at least a little bit about the next movie, Avatar Fire and Ash. I’ve seen people theorizing that the fire tribe will be joining forces with the RDA, that they don’t believe in Eywa, and that Neytiri will have to infiltrate the tribe in order to rescue her children.

I’m not certain whether any of this is true, but what I am certain of is that — if these concept arts hold water by the time the movie is released — then the fire tribe we’ll be encountering in the third movie is going to be an extremely violent community, likely one that puts emphasis on anger and hatred.

And if the rumors are true and Neytiri really is going to be infiltrating them, then Neytiri’s flaws might be able to inform what narrative role the Ash People and Varaang in particular will have in the third movie.

I’ve already explained how in depth how her flaw is how she allows her anger to take control of her and close her vision; she’s volatile like lava and burns hot like fire, becoming liable to burn everything and everyone around her.

From that perspective, she seems more suited to be a fire Na’vi rather than a forest or reef one, no? The choice to take us to a volcanic, fire steeped region isn’t just James Cameron checking off the boxes like “oh we did forest and water, fire next!” its him taking us to a we might find uncomfortably befitting of our worst traits.

And that’s basically what I think Neytiri will have to face upon encountering the Ash People — they are the embodiment of all her flaws put on display.

Varaang specifically may work as her narrative foil, a literal funhouse version of her at her worst(from my perspective the concept art of Varaang actually looks a lot like Neytiri, so that’s interesting).

I also think it’s important to note that Neytiri is absolutely going to find out that Spider saved Quaritch in the third movie, or at least it’s incredibly likely if the Ash People really will be working with Quaritch. That means that her hatred for him and her need for revenge will come back into play, this isn’t over.

But this time things will be different, because in between Neytiri learning of Spider’s betrayal she will also get especially close to the Ash People and find that she is uncomfortably similar to them at her worst. Before she does something she might regret, Neytiri will be forced to ask herself some important questions:

Is revenge really worth it? Is this the kind of person she wants to be? If Jake wasn’t there that night, would she have the blood of a child on her hands? Will she hurt other people she loves because of her anger?

These questions are ones she likely never wanted to ask herself, but they’re necessary because she’s starting right in the face of people who didn’t.

Hopefully, she finds that the answer is no.

Posting with permission from the artist, yodowdydon!

Please check out their Instagram page and go show your love for the original post!

Nawmun (Spider)

"it is what demon's blood does" on ao3

Kaltxi!

Well... I had some problems with my last account, so I had to go away for a while. If you remember me here, I would be very happy.

Now I decided to create two accounts (official is @venretteart ) where I will post different content. Here I will publish works related to James Cameron's universe.

It will take some time to adjust and recover, but I'll do things one step at a time.

ꕥ — Found Someone Better / The Foundation

Artists — Tonowari x fem!avatar!reader

Genre — Chapter Three

Lyrics — For the past couple of weeks you’ve been on the island Tonowari has been your karyu, showing you the ways of the Metkayina. With each lesson there’s a growing tension between you, causing you to feel bold enough to make a move.

Music Advisory — Pre-Atwow, slight timeskip (a few weeks), teacher/student dynamic (in the beginning), mentions/implied widow!tonowari, small scene of domestic violence (flashback w/ Neytiri), crying, slight hurt w/ comfort, kissing, awkward tension, love confession, new side character;

・Some of the topics above can be considered triggering to some. If you don’t agree with any of the content above or it makes you uncomfortable please dni! You’re responsible for your own consumption!

Duration — 7.1k words

Index — Kelku - Home・Karyu - Teacher

Words From Artist — After a long wait chapter three is finally here! Thank you to everyone who has commented, liked, and reblogged chapters one and two, I appreciate all the love and support! This chapter took a long time to write because I wanted to make sure it was at its best once it was posted. This chapter is an important part of their story which is why it’s longer than my other chapters, I would highly encourage reading the entire chapter.

・Also, I’m beginning to write future chapters and special addition chapters that will take place between volume 1 and volume 2 of the series and I want to incorporate any ideas you all may want to see so if you have any ideas feel free to send them to my inbox and I’ll work them into future chapters any way I can!

・Lastly, comment below how you feel about this longer chapter. Some of my future chapters might be a little lengthy (around 6-11k) and I want to know if you guys enjoy the chapters longer or if I should keep the chapters short (around 3-5k).

I hope y’all enjoy and always feel free to comment and reblog, I love reading y’all reactions!

Current Platforms — Chapter One ・Chapter Two・ Series M.list ・Series Taglist・Main M.list

“You must breathe from here,” Tonowari places one hand on his stomach, puffing out his chest as he inhales and straightens out his back, showing you where you must focus your energy. “Let your mind go clear and your heart rest.” You’ve been with Tonowari for the past few hours, learning about all the different aspects about becoming Metkayina from fishing to swimming. You were anxious in the beginning because you were worried that your fondness for Tonowari would be shown through your actions but so far it’s been going well, you’ve been able to keep your emotions under control.

You’ve been trying your best to replicate the breathing technique he’s displaying but for some reason you just can’t get it right, you keep breathing from your lungs instead of your diaphragm and it’s frustrating because you don’t want to embarrass yourself in front of him. When Tonowari notices your struggle he decides to help you, like any good karyu would. “From here, y/n.” His low tone vibrates through the air while pressing his large, callous hand on your abdomen, making a shiver run down your spine. You weren’t expecting him to touch your stomach and you most certainly didn’t expect his hand to be inches away from the waistband of your tewng. When you think things can’t get anymore nerve wracking, you feel his other hand make contact with your chest, mindlessly resting his hand right above your cleavage. “Your heartbeat is fast, try to focus.”

“Sorry.” You mutter out while looking down at the sand beneath you to avoid his gaze as a purple hue spreads across your cheeks from embarrassment. How can you possibly focus on breathing when you have this beautiful man hunched over your frame and looking down at you with a powerful gaze? As Tonowari instructs you to breathe in and out, inhale deeply and exhale slowly, your eyes wander his figure, watching the rise and fall of his broad chest that was partially covered with intricate tattoos. “Am I doing better now?” You ask timidly, hoping you’re doing the right thing and not making the same mistakes you were earlier.

“Much better, I think it’s time we move on to your next lesson.”

—

You and Tonowari have moved to the shallow end of the water so he can teach you how to ride the Marine Na’vi’s mode of transportation. The Olo’eyktan begins to whoop and click his tongue, drawing the attention of one of the many animals in the surrounding area. “This is an ilu, you must ride this in order to go to different places within the reef.” As Tonowari explains what to do, you mount the ilu, making sure you feel comfortable before reaching behind your back and grabbing your kuru. “Make the bond gently.” He instructs while holding the ilu’s kuru at an angle. You lean your hand forward, allowing your tendrils to connect with the ilu, causing a soft crackle sound to fill the air as tsaheylu forms. When the bond is successful the ilu begins to squirm underneath you as their pupils grow wide from your emotions intertwining with theirs.

“Feel her breath, feel her strength.” You take a deep breath while closing your eyes, allowing your mind to become one with the sea creature. “Hold here.” He places his hand on the handle of the ilu’s saddle and you copy his actions, wrapping your hand around the brown leather material. “Your posture is incorrect, it must be strong when you dive.” Tonowari was going to talk you through getting into the correct position but since his hands were free with nothing to do —and he wanted another excuse to feel your skin— he decides to put you in the correct placement.

His right hand comes across your lower back while his left hand grips your thigh before scooting you up on the seat of the saddle. “Now remember, when you dive back in, good position. Very important.” He wanted to emphasize his words because he doesn’t want you to fall off and hurt yourself. You nod your head in response, taking in his words before you command the ilu to dive into water. The feeling of riding an ilu was much different than anything you’ve experienced, feeling its body move up and down to generate momentum and propels through the water is something you’ll definitely have to get accustomed to. After riding for a few minutes you start getting the hang of it, when you feel confident in your stance you click your tongue, causing the ilu to leap out the water and dive back in.

As Tonowari watches from the shallow end, he nods happily, proud that you got the hang of it so quickly. He wasn’t expecting you to figure out how to properly ride so soon in your lesson since you weren’t used to the reef and doing these types of activities in the water but you’ve proved him wrong. After a while of riding Tonowari motions to get you to come back in since it’s almost time for your son and his children to come home from school. You come back to the shore, gently breaking the bond with your ilu and bringing your leg from over the animal’s body and walk back towards land.

Since Tonowari ends your lesson for the day, both of you spend the next hour or so walking around the village exchanging stories about each other’s clan, telling each other numerous amounts of information. The two of you were soaking up everything the other was saying, wanting to learn more about each other’s culture. You begin to enlighten him on everything you know about the Omatikaya, from the perspective of being a clan member and as a human who was also a scientist. The topic changes from the different flora and fauna to how the clan gathers together to add their unique designs to the mother loom that’s given a place of honor in the common area of Hometree.

While you’re getting consumed into your sweet memories of the forest you don’t even realize you were only a few feet away from your kelku. In your mind you see this as a perfect opportunity to show Tonowari some memorabilia of your time with the clan. You invite him into your marui and begin showing him blankets you weaved, jewelry you’ve crafted, and a few more pieces you think he would enjoy seeing. As Tonowari listens to your stories and sees the bright smile that adorns your face he begins to wonder why you left the forest. From his perspective it seems like you had a wonderful time when you lived among the Omatikaya so he’s curious as to what pushed you into fleeing. His desire to know what happened in the forest that led you here is starting to get the best of him, the question is echoing in his mind and he knows it won’t end until he properly asks.

“y/n, I must ask. If the forest was filled with such fond memories, why did you leave?” As the words are coming from the Olo’eyktan’s mouth he can feel a ping of nervousness strike his chest, having a feeling that the topic could be shaky territory by the way he watches your body grow tense at the mention of why you left. You weren’t expecting him to ask your reasoning behind your move at this moment so it caught you off guard. The forest was filled with amazing, beautiful memories you’ll forever cherish but there’s also been dark times that you wish you could forget.

“Neytiri, I feel like I’m the only adult in this house that cares for Lo’ak. You and Jake stay away from him as if he’s a disease but both of you practically smother the other kids with attention. It’s not fair to him, he deserves all his parents to show him love, not just me!” You were getting frustrated with your mates treatment toward Lo’ak, you know Jake would be a tough cookie to crack but during most situations Neytiri is the level headed one out of the pairing so you were hoping that if you expressed your concerns to her she would be able to receive what you're saying instead of ignoring it.

“My parenting is the same with all the children, I do not favor one more than the other.” You can see her tail beginning to wip behind her, her ears flattening against her skull, and her face expressions quickly changing. All of those elements put together could only mean one thing, she’s angry. You hate when she gets upset, unlike Jake she reacts before she thinks of the consequences and when she lashes out she doesn’t care if you get hurt in the process. “What are you trying to imply, y/n? That I am a bad mother, that I cannot provide motherly love for them?!” The hiss that follows her question is sharp and quick, her tone is slightly calm but you can still hear the anger that’s trembling behind it which makes you a little more worried but you have to stand your ground, she needs to know what she does affects your son.

“I’m not saying you’re a bad mother but…” You had to stop yourself for a second because you feel like you’re about to tell a lie. If she’s treating Lo’ak differently than the others than she is a bad mother no matter which way you try to spin the matter. Maybe Neytiri will finally get it if you tell her to her face and not sugarcoat things like you usually do to spare her feelings. “Actually, I take that back. If a mother plays favorites among her children that makes her a bad mother because she isn’t treating them equally so yes, you are a bad mother!”

This is what set Neytiri off, she’s so pissed that she couldn’t even control her body and what she did in response to your remark. The Na’vi woman opens her palm and sends a harsh slap across your face, it was so quick that you didn’t see it coming but once it makes contact the impact is so strong it forcibly makes you turn your head in the direction of the hit, bringing ample amounts of pain to your cheek, causing a tint of purple to rise to the surface. You stand there in a state of shock, tears clouding your vision as you look at Neytiri’s who’s yelling at the top of her lungs. “How dare you say that to me?! I am a good mother!”

“You’re not Neytiri, stop lying to yourself and to me! When you’re out with Neteyam, Kiri, and Tuk, taking them for little adventures around the forest, you purposefully leave him home with Jake! What type of good mother does that?! And you only have the balls to do it when I’m not home because you know I wouldn’t let that slide!” You shout at her before moving your hand over your cheek, feeling some pain from the aftermath of the slap. “And you want to know something else?” You move closer to her, closing the gap between both of you. “A good mother would never hit the mother of their child and a good mate would never lay a hand on their wife!” The more you yell at Neytiri with a tone laced with anger, the more you comprehend that she hit you, your wife, the woman who’s supposed to love and keep you safe decides to inflict pain on you. “How could you hit me, Neytiri?! I’m your wife, you’re supposed to protect me not harm me!”

You haven’t thought about that day in a long time. You pushed it deep down in your memory bank, trying to forget the first time your ex-wife put her hands on you but when Tonowari asked you about your reason behind leaving the forest it brought the argument to the front of your mind. That memory along with others are painful, they cause you so much heartache that you wish they could be erased so your brain doesn’t have the chance to remember the hurt you felt during those moments. As you begin to come back to reality you feel something drip onto your arm, making you realize that your eyes have produced tears and they’ve been streaming down your face this whole time.

Tonowari can see the loss of light in your eyes, the tears freely flowing down your cheeks, and the way your body shivers at the mention of your past life in the forest. He didn’t mean to bring up any bad feelings or memories, he didn’t mean to make tears escape your pretty golden eyes, he was only curious about what took place that made you come to the reefs and now it’s clear to him that it wasn’t something pleasant. “I apologize for bringing up the topic, I didn't mean to make you upset or—”

“It’s okay, Tonowari. I know that you didn’t mean any harm.” You cut him off from his apology, not needing to hear anymore. You know that he’s curious and wants answers, you feel as if you owe him that because he accepted you and your little ‘itan with open arms but you're just not ready to reveal that part of your life story.

“You can tell me whenever you feel comfortable, no rush.” Tonowari places his hand on your bicep, squeezing it gently as a form of reassurance and to let you know that he’s here for you. He can see that you have a story to tell and he’ll be ready to listen whenever you’re ready to share.

“Thank you, that means a lot.” You give him a small smile, allowing him to see a little peek of your canines before you place your hand over his. As you look the Metkayina man in the eyes your heart rate starts to rise at a fast pace and you can feel your stomach tying in knots. In this moment you feel like a teenager again, all the emotions that come with liking someone hitting you all at once. Tonowari’s a sweet man, he’s slowly seeping his way into your heart and honestly you're not opposed to it.

You’ve known him for weeks now and you love everything about him, how great he is with his children, his kind and gentle nature, how he’s an authority figure within the clan but doesn’t let the power get to his head, you’re not only physically attracted to him but also to his personality. With both of your hands touching, feeling the warmth radiating from the other's skin, it's like sparks of electricity are burning through your skin. His touch makes you want to melt and you haven’t felt this way in years, that jittery feeling that sits and stirs in the pit of your stomach when looking at someone almost feels foreign to you but it’s nice, you’re glad that you can still feel all these emotions about someone after Jake and Neytiri, maybe it’s possible that you have another shot at being in love.

Seeing that your tears are still dampening your cheeks makes Tonowari's heart clench with pain knowing that he can’t do anything to dissolve the sadness that’s overshadowing you, especially since he’s the one who caused said tears by questioning your past. He doesn’t like seeing your beautiful face stained with tears so he resolves the issue by using his unoccupied hand to wipe them away. It comes as a surprise to you, before you can process what’s coming you feel his hand caress your face, his thumb gently gliding against your cheek and underneath your eye, wiping away the tears on one side of your face before moving on to the next.

His soft touch sends a shiver throughout your body, his callous hand feels so warm against your face and his eyes glisten with a sense of care and kindness. Your body is feeling things that your brain is barely able to comprehend, it’s wanting to act on emotions regardless of what your mind is telling you. Your eyes flicker between his eyes and lips, wondering what it would be like to kiss him. It’s been so long since you’ve felt someone else’s lips against yours, it would be nice to feel some sparks again, to get that electrified feeling in your veins when you kiss someone. ‘Do it. Kiss him.’ The thought echoes through your mind while trying to decipher if it’s a good idea. Before you psych yourself out and say no you just mumble “screw it.”, place one of your hands on one side of his face, and kiss him.

His lips feel so good against yours, that spark you were hoping to feel is there, you can feel it surging through your veins and causing your heart to thump against your ribcage. The kiss creates a warmth spread through your body, it makes you feel good about making the split decision to kiss Tonowari until you begin to have second thoughts about it. You start to realize that you don’t feel Tonowari’s hand touching you in a loving manner, his body seems slightly tense, and his lips aren’t making an effort to reciprocate the kiss as you would like. In your mind all those things put together must mean that he doesn’t want to kiss you and that he definitely doesn’t see you in a romantic way like you hoped he did, causing all the tingling emotions you felt earlier to quickly seize and your body to run cold with embarrassment.

You quickly pull from Tonowari and start spewing out an apology, hoping it’ll make the moment less awkward even though you doubt that’ll happen. “Tonowari I’m so sorry, I don’t know what I was thinking, I’m such an idiot-” You spring to your feet and nervously run your hands through your braids, something you tend to do when you're in uncomfortable situations.

“It’s alright, y/n-”

“No, Tonowari it’s not. It was stupid of me to-”

“Mama!” Lo’ak runs inside the marui with speed and bursting to the seams with energy, wanting to ask you something. When you hear his little voice you mentally thank Ewya for the intervention so you don’t have to deal with the discomfort between you and Tonowari right now.

“Yes, Lo’ak?” You reply to his call while turning to face the entryway of the room you're in and giving your son your undivided attention.

“Can I go play with Rotxo for a little while?” Since being here Lo’ak has made a few friends, including Rotxo who was nice to him when he first started attending school. The two boys usually always play together while at school but today they went to play by the beach and roam the island a little and they know they need parental supervision for that which is why he’s asking you for permission.

With Lo’ak wanting to hang out with his friend this gives you the perfect opportunity to get out of this embarrassing situation with Tonowari and will allow you to clear your head a little and figure out what to do going forward. “Yeah, you can play with him. I’ll change into something different and then we can leave. Okay?” Lo’ak nods his head and goes to another area of the marui and starts gathering a few of his favorite toys and places them in a woven bag so he can show Rotxo later.

With Lo’ak now gone it just leaves you and Tonowari again and before he has the chance to rehash the previous conversation you decide to speak up. “It would be best if you leave now.” Your eyes avoid meeting his gaze and you can barely get out the words before feeling a wave of nausea thinking about how you physically expressed your feelings for a man that doesn’t feel the same way.

Tonowari doesn’t show any resistance and respects your wishes, not wanting to make you feel worse at this current moment and decides to speak with you later when you both can talk in private. He gives you a slight nod, acknowledging your words and showing that he hears you before leaving like you asked. When you watch the entryway flap close behind him as he walks outside you let out a frustrated sigh and run your hand down your face, wondering how you could possibly be able to see and talk to Tonowari again since now he clearly knows you have romantic feelings for him.

You want to figure this out as soon as possible so you can calm your nerves but right now you have to put that on pause and go into mother mode for Lo’ak and meet his new friend and his mother. You take a deep breath and rest your mind, shifting your attention to getting ready to go into the village and mingle with your new clan members. Once you change into a new matching set and drink a few sips of water you're ready to take Lo’ak to his playdate and try to forget about your crash and burn moment with the Olo’eyktan.

—

It’s sunny around this time of day, the ocean water is slightly warm and the aquatic life is very active, fish swimming calmly in the water, energetic Ilu leaping out the water every so often, and sea otters sunbathing and basking in the sun's light. When you and Lo’ak make it to the heart of the village you can see Rotxo who’s standing next to an older woman who you assume to be his mom and when him and Lo’ak make eye contact they immediately run to each other before dashing off to play, making you chuckle at their eagerness. “Lo’ak, stay where I can see you!” You shout to him because you know if you don’t he’ll start roaming all over the island and you won’t know where he is.

“Padma, it’s nice to meet you.” The woman says as she walks over to you, starting up a conversation. You’ve seen her around the village a handful of times since you arrived but you both never crossed paths before so this is the first time you’ve talked with her.

She extends her hand out for you to shake and you comply, wrapping your hand around hers in a firm shake before introducing yourself and telling her your name. “It’s nice to meet you as well, it seems like our boys are getting along nicely.”

“Yes they are. I’m glad they found each other.” She says with a soft smile before she turns and picks up the woven basket next to her that is filled with multiple different fruits and places it on her hip so she can take it home with her. “Would you like to come to my mauri and help me prepare a snack for the boys?” Padma assumes that after all the playing the boys will be doing they’ll be hungry and want a little treat.

Padma watches how your facial expression changes and notices the look of concern that comes across your face when you focus your attention over to Lo’ak showing Rotxo his wooden ikran toys, knowing that you want to keep an eye on him at all times. “Don’t worry, my mauri faces where they are playing so you’ll be able to watch him and make sure he’s safe.” When you hear that it makes you feel better, which means you agree to going with Padma to her home.

It only takes a few minutes to make it to her mauri and when you walk inside Padma invites you to come sit down next to her in the common area and places the basket of fruit between the both of you. She takes her knife out of its sheath and begins to cut away the skin of fruit while you start cutting another fruit into cubes. “So, y/n, how are you liking it here so far?”

“It’s taken me a while to learn and adjust to all the new lifestyle aspects but other than that I’ve been enjoying my time here so far.” Being among the Metkayina has been different but it’s been fun, being here makes you feel more free to be yourself and you don’t feel the need to have your guard up or always have to be fearful about going home at the end of the day. Going home to a relaxed environment is something you’ve always wished for since your past relationship started to derail so to have that now makes your spirit feel at peace.

“That’s good to hear, have you made any friends yet?”

“No, I don’t think the women in the clan are too fond of me yet.” Most of the Matkayina women haven’t been very receptive to your presence amongst the clan yet. Whenever you're walking around the village, trying to complete your daily tasks until you find a permanent role in the clan, some of them will stare at you while others will exchange hushed words while you walk by. You know the reason they aren’t receptive to you is because you’re a dreamwalker and your DNA contains human genes and honestly you don’t feel any sort of way about it because you dealt with the same thing when you first joined the Omatikaya. It took a while for them to warm up to you and start befriending you so you know it’ll be the same here. The only difference is that at least with the Omatikaya you still had your scientist friends in the lab so you weren’t completely alone but here you don’t really have any form of friendships except for Tonowari which you’re grateful for, regardless of your current situation with him but you would like you to find some women to hangout with.

“Well, consider me your first friend here.” Padma says with a smile, wanting you to feel welcome and that you have someone in your corner and like you have a sense of community here so you don’t have to be alone. Hearing that makes a small smile curl onto your lips and you begin to feel like you’re officially starting to build a new life here.

For the next hour or so you and Padma talk about multiple topics, asking questions and sparking up conversations to help the both of you bond and get to know each other better. While you're listening to Padma talk about how she met her mate and their love story, you begin to think about what happened between you and Tonowari earlier. You know that you can’t ignore him and that you have to talk to him about it but you have no idea what you’re going to say the next time you see him. While Padma is talking she notices how your mind is elsewhere and that you've zoned out of the conversation. She can see that something is on your mind and she feels like it would be rude of her not to ask and see if there was any way she could help. “y/n, is everything okay? I can tell your mind somewhere else.”

Before answering her question you wonder if you should tell Padma what’s troubling you, that you're having trouble in the love department which is kind of surprising to you since you’ve only been living among the Metkayina for a few weeks. On one hand you don’t really want to say anything because you aren’t a fan of telling your business but on the other hand you don’t know what to do about Tonowari and it would be good to get some advice. “There is something bothering me.” A small sigh escapes your lips before placing your knife down and putting the fruit you’ve prepared in a wooden bowl. “I have feelings for someone here, me and him are getting along well but I think I messed things up with him.” You decided talking to her about what’s going on would be best but to protect your privacy and Tonowari’s, especially with him being Olo’eyktan, you decided to keep his name out of the conversation.

Padma wasn’t expecting you to need advice relationship wise, not because she didn’t see you finding love with someone on the island but because you haven’t been here long but nonetheless she’s willing to help you in whatever way she can. “What do you mean ‘you messed things up’? What happened? If you’re willing to share of course.” You begin to tell her what happened with Tonowari, specifically the part where sparks flickered between you two and that you kissed him out of the blue, not wanting to give away too many details but give the important parts that’ll help Padma understand what’s going on between you and Tonowari.

As you talk and explain Padma listens carefully, wanting to make sure she hears everything before giving her opinion on the matter. Once you finish talking she gathers her thoughts and starts giving her advice. “I think that you just need to talk it out with him, it could’ve been a reason why he didn’t kiss back. When you kissed him he could’ve just been taken by surprise because he didn’t expect it.”

“You’re right, that could be it. I’ll talk to him and hopefully it goes the way I want it to. Thank you Padma.”

“Of course, I hope your mind is at ease now.”

“It is, and I’m hoping that this conversation stays between us.” You imply that you want the conversation that just took place to go no further than these four walls and Padma respects your wishes and promises not to speak of it with anyone. While the conversation shifts to another topic you can hear little voices and footsteps approaching and within the next few seconds Lo’ak and Rotxo come running inside asking for a snack, good thing you and Padma were already ten steps ahead and have something prepared for their rumbling stomachs.

—

The sun has started to slowly fall behind the horizon, causing the clear blue sky’s to fade and turn into a beautiful mixture of red and orange. With all the playing, swimming, and even a little roughhousing the boys have officially tired themselves out. Both Lo’ak and Rotxo's eyes are starting to grow heavy, meaning it’s time for them to take a nap. While Lo’ak and Rotxo are saying their goodbyes, you and Padma make plans to hang out later in the week, she tells you that she knows a great place on the island to have a picnic and you definitely can’t wait to go since you haven’t fully explored the island yet.

Once you and Padma wrap up your conversation, you grab Lo’ak by the hand and start walking along the spongy pathways around the village and make your way to your mauri. “Lo’ak, how was your time with Rotxo? Did you have fun?”

“I had so much fun, Rotxo is the coolest! He showed me how to do all these tricks on his Ilu and while we were in the water he caught a fish with his bare hands!” Lo’ak tells you about everything he and Rotxo did his voice is laced with excitement while he tells you each and every detail, making you smile at the fact he enjoyed his time with his friend and that he’s adjusting well to living with the Metkayina, especially socially. “I’m glad you had fun, yawntutsyìp.”

You and Lo’ak continue talking as you walk home which makes the walk seem shorter than it usually is. Since Lo’ak has a newfound burst of energy he believes he doesn’t need a nap but you tell him otherwise. “Lo’ak, if you don’t take a nap you’ll be tired later at dinner and-” When you turn the corner and are a few steps away from the entryway of your home you can see Tonowari standing in front of your mauri, causing your words to become lodged in your throat at the sight of him.

You were planning on talking to him, at the earliest tomorrow so you could have a night to figure out what to say and gather your thoughts but since he showed up without you having any prior knowledge you have no idea what you’re gonna say to him so now you have to rack your brain on what to say. Lo’ak is still standing beside you and the conversation you need to have with Tonowari definitely isn’t for children’s ears so you send him inside. “Lo, go inside and clean up so you can take your nap.”

“But Mama, I don’t wanna take a-”

“Now, Lo’ak.” When your son hears the sternness in your voice and the seriousness written on your face he makes a beeline for the mauri and does as you told him to. Once he makes it inside and you see the flap close behind him, you turn your attention to Tonowari and try to mentally prepare for the pending conversation. The Olo’eyktan walks closer to you before you can do it yourself, making your words begin to scramble in your brain and your mouth to start moving at a mile a minute before you can stop yourself. “Again, I just want to say I’m so sorry for kissing you out of the blue like I did. I shouldn’t have just assumed you have feelings for me, it was impulsive and-”

Before you can finish your rant, telling him how sorry you are for making things awkward between you both, Tonowari closes the gap between the two of you while his eyes lock intensively with yours, making your heart race. Suddenly, he leans in and presses his lips firmly against yours, causing your eyes to slightly widen in shock and your body to freeze while your mind is racing as you attempt to process what’s happening. The warmth that’s radiating from him overwhelms your senses, making you feel like you're on a sugar high. After a few seconds the initial shock fades you begin to relax and kiss him back, allowing your feelings to take over.

You lean into Tonowari, feeling his strength as he pulls you closer to him, one hand cradling your cheek while the other finds its way wrapped around your waist, anchoring you in place. His large hands on different parts of your body makes you want to melt in this moment. His lips are soft and insistent, moving so tenderly across yours that it takes your breath away. As the kiss deepens you can almost taste the sea salt on his lips, it’s intoxicating yet captivating, making the world feel like it’s fading and turning into a blur.

After what feels like hours but in reality is minutes, Tonowari pulls back and both of you are left breathless, making a smile appear on both of your lips, his because he feels a wave of joy and yours because you're still a little surprised that he kissed you and how amazing a kiss it was. It’s been many years since you’ve had an intimate kiss like this before, feeling another warm body against yours was a feeling you definitely missed and are so glad to have that again with someone you genuinely like.

“y/n,” The Metkayina begins, his voice low and filled with sincerity, still lingering in the warmth of the moment you both shared, hoping he can gather the right words. “You don’t need to apologize, earlier I wanted to kiss you but I was taken aback, at that moment I didn't know what to do.” When you kissed Tonowari earlier he was in shock, he didn’t know how to react so he just froze up. Since Ronal died he hasn’t had feelings for anyone so when he met you everything felt so new and different to him, he didn’t expect to feel a connection with anyone again, especially with someone so different from him but he loved the way you made him feel.

“I didn’t mean to catch you off guard, I was just caught up in the moment.” You reply softly, beginning to feel a hint of shyness creep into your voice due to the way Tonowari’s eyes feel like they are peering directly into your soul.

“I’m glad you did, if you hadn’t I wouldn’t have known you felt the way I feel for you and we wouldn’t be here now.” He reassures you that everything that has happened was meant to be, the two of you were meant to share your first real kiss a few feet away from the ocean waves that are crashing against the sand, it was already written in the stars that the two of you would share such a special moment on the part of the island that’s secluded, meaning you don’t have to worry about prying eyes of the village, it would just be you and him, exploring your connection without fear.

“So, what does this mean for us?” With Eywa giving you a second chance at finding love you don’t want to beat around the bush or once he goes home begin thinking about what the next step is so you decide to be blunt and ask him upfront so you can have a clear understanding. “Where do we go from here?”

“I want to explore what we have and where this connection can lead but I want to take things slow. It’s been years since I was in a relationship and I don’t want to rush into anything, I want everything to happen the way Eywa intends.” For years Tonowari was hesitant on opening his heart again, afraid that he would grow to love a person just to lose someone else he’s grown to care for. Now that you’ve broken the walls he set around his heart he’s ready to find that special connection with someone and he’s willing to take the risk of being hurt because to him you’re worth it.

“I understand how you feel completely, I think it would be best to take our time and just further build our connection.” You’re glad you and Tonowari are on the same page with how you should go about your relationship because you want to take things slow with him, wanting to make sure you can fully trust him before letting him into your life completely.

“I like the sound of that.” Tonowari replies with a soft smile before he reaches for your hand and intertwines your hand with his. The warmth of his grip sends a comforting shiver through your body, grounding you in the moment. The gentle pressure of his hand against yours feels like an unspoken promise, a commitment to explore the connection blossoming between you.

Since Tonowari has a little free time and Lo’ak was inside sleeping you decide to take him down by the shore with you. With your hands already connected it’s easy to guide Tonowari a few feet away from your home and closer to the water before you find the perfect place to settle. Both of you sit down in the warm sand and you lean against Tonowari, resting your head on his shoulder while he wraps his arm around your waist and pulls you closer to him, making you relax under his touch.

It feels nice to have a man by your side, a true man, not someone who disrespects and treats you like a burden. When you left the forest you didn’t know if you would find love again, you didn’t even know if you wanted to try and find someone again after what you endured but it seems like Eywa had her own plans in motion, allowing you and Tonowari to meet was definitely her way of telling you that it’s okay to open your heart again.

As you sit nestled against him, you realize how different this feels. Tonowari’s presence is calming and genuine, a total contrast to the chaos of your past. He listens intently when you speak, his gaze always filled with warmth and understanding. The way he holds you makes you feel valued, cherished even, which is a new feeling for you, but one that you love.

You take a moment to appreciate the beauty around you—the colors of the sunset painting the sky, the gentle sound of waves crashing against the shore, and the feel of sand beneath you. In this peaceful setting, you begin to let go of your reservations. The fear that once held you captive starts to dissolve and replaces itself with hope that maybe you can build something real with him. With every soft touch and shared glance, you sense the possibility of a future where love isn’t synonymous with pain.

As the minutes pass, the conversation flows effortlessly between you, filled with laughter and shared stories. Tonowari speaks of his childhood, his eyes lighting up as he recalls the joyous moments which allow you to see a different side of him while you share stories from your life in the forest, a few that are a little more personal to you than the ones you told him earlier today and will help him get to know you better than he did before. Each story that’s told deepens your bond, revealing layers of who you both are and allowing you to grow closer. Occasionally, Tonowari leans down to press a gentle kiss to your forehead or cheek, gestures that send shivers through your entire being. You can’t help but smile, feeling a sense of safety and belonging you thought you’d lost forever. The world around you fades, leaving just the two of you, wrapped in your own cloud of shared comfort and emerging trust.

As the last rays of sunlight dip below the horizon, casting a warm glow around you, you lean closer into Tonowari’s embrace, feeling a sense of peace settle in your heart. In this moment, surrounded by nature’s beauty and the man who makes your heart flutter, you realize that the walls you once built to protect yourself are beginning to crumble. With Tonowari, you sense a future filled with possibility—a future where love is not only attainable but also vibrant and real. With laughter still echoing between you and the gentle waves serenading your moment, you realize that you didn't just find a refuge from your past, but the promise of a beautiful journey ahead—one that you are eager to explore together.

Previous — Chapter Two・Next — Chapter Four

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AVATAR (James Cameron) FANS I NEED HELP

Jesus I wrote a lot-

I've been going on and off on making an interactive game where you, the reader, can date, form bonds and talk with the characters all while going through a large-spanning story. Basically fanfic where it's personalized. (You get to choose dialogue options, romantic partner(s), limited backgrounds, gender, personalize your name, etc.) But the problem is I originally made it for an entirely different character.

In other terms, I need anyone who is interested, to vote how I continue this project!

I don't want to spoil too much, but basically the reader is a genetically modified human (I know we all want to be Na'vi but let me cook PLEASASEE) who's a senator/diplomat to another faction called The United Colonies of Sol. They are not allied with the RDA at all, in fact they've come to Pandora to support Jake Sully.

The problem is how I start the story. Originally, it was to be a relative love story between the characters So'lek, Eetu, Teylan, Nor, the Sarentu... And more... (So many characters guys ahhh), but mainly So'lek.

The journey would go something like this: ship crashes, So'lek brings reader to the resistance once he finds out they need to contact Jake Sully. He decides to act as a courier and help deliver them. An Odessy kinda happens where they traverse different areas all while (maybe) falling in love. I thought the dynamic would be cute seeing as reader would be polarizing in comparison to the humans he's met so far (might go further into detail if the other vote wins or if people are curious).

But I found that it might be restrictive to those who've never played AFOP and overall limit the audience. Although the idea works best in that space, I've written 40,000 words in total of the current 'demo' which goes something like this:

Reader crashes (again) but where the Metikaya (I know I'm spelling that wrong, I'm on my phone guys please 😞) are located, sadly causing mass destruction. During recovery they meet Tsireya and the other main cast. Having met Jake Sully and possibly gaining his trust, now they need to try finding a way to find their main crew all while the RDA grows in power/influence, and the events of Avatar: Fire and Ash happens. (I know by the time the film releases I'm prob gonna be near that point).

So as you guys can probably see, they're pretty different in characters and motives. Long run, they'll be completely different stories.

On one hand, with AFOP I have the story more formulated to fit the narrative, with the dynamic of the characters and their seperate wants considered for the story. Even the resistance connection to the reader would make better sense. But again, limited and alienating, and the main cast wouldn't be seen for a LONNNGG time... Like, holy shit.

On the other, ATWOW the inclusion of reader will feel less natural and more hand fisted, and how the story goes genuinly relies on plot then character driven actions (mainly) and with the uncertainty of how AFAA will go, it might become obsolete. But, I have already written 40 thousand along with its code as a base. Plus you get to date and talk to the main cast much quicker

No matter how you guys vote, I'll likely reveal info on the AFOP story line on what was supposed to happen, characters, arcs etc. likewise with ATWOW, I'll release the demo if the other wins cause... Damn, 40 thousand words wasted? Nuh uh!

If you have questions, feel free to ask!

Spider Socorro Protection Squad

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🐋Lo'ak choker🐋

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