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Draw some asymmetrical clothing

Write Tension that isn't just Yelling or Guns

Listen, not all tension is someone holding a knife or screaming “I’ve had enough, Derek!” at a dinner party. Real, edge-of-your-seat tension can be quiet, slow, awkward, and still make your reader grip the page like it owes them money. So here are my favorite ways to sneak tension in like a gremlin under the bed...

╰  Unanswered Questions (That the Character is Actively Avoiding)

Tension isn’t always about what’s said—it’s about what’s not said. Let your character dodge questions, interrupt, change subjects. Let readers feel the silence humming between the lines. + Great for: secrets, internal conflict, emotional gut-punches.

╰ Time Pressure Without Action Pressure

A clock ticking doesn’t always mean bombs. Sometimes it means waiting for a test result. A letter. A phone call. A knock on the door. Tension = knowing something’s coming but not knowing when. + Great for: psychological suspense, horror, relationship drama.

╰  Small Talk That’s Not Really Small Talk

When two characters are talking about the weather, but both are secretly screaming inside? That’s tension. Give one character a goal (say the thing, don’t say the thing) and the other a defense mechanism. Now sit back and watch the discomfort bloom. + Great for: slow burns, rivalries, “we’re not talking about that night, are we?”

╰ Two Characters Who Want Opposite Things But Are Pretending They Don’t

Someone wants to leave. Someone wants them to stay. Someone wants to confess. Someone is acting like nothing’s wrong. Make your characters polite when they want to scream. + Great for: emotionally repressed chaos, family drama, enemies-to-lovers.

╰ One Character Realizes Something The Other Doesn’t

A power shift = instant tension. One person knows the truth. The other’s still talking like everything’s fine. Let that dread slow-cook. Readers love being in on the secret. + Great for: betrayal, secrets, foreshadowing plot twists.

╰ Body Language That Contradicts the Dialogue

They say “I’m fine,” but they’re picking their thumbnail raw. They laugh too hard. Their smile doesn’t reach their eyes. Show the cracks forming. Let the reader sense the dissonance. + Great for: all genres. Especially emotionally loaded scenes.

╰  Echoed Phrases or Reused Words That Hit Differently the Second Time

When a character repeats something someone else said—but now it’s laced with bitterness or grief? Chills. Callback dialogue is your best friend for building subtle dread or emotional weight. + Great for: heartbreak scenes, arcs coming full circle, psychological unraveling.

╰ Characters Performing a Role to Keep the Peace

Pretending to be “the good sibling.” Faking confidence in a boardroom. Playing therapist when they’re not okay themselves. Tension thrives when someone’s holding it together with duct tape and fake smiles. + Great for: internal conflict, layered characterization, slow unravelings.

i genuinely appreciate the effort, but that "non eyestrain" version of the cringetober prompt list is not in fact non eyestrain. try solid black text on a white background?

Sorry about that! Personally I find high contrast images even harder to look at, so I didn't consider the incredibly basic black text, white bg at first. I hope this works!!

I'm currently doing an online art school program and I thought I'd share some notes on clothing pieces for anyone else whose like me and for some reason can't understand objects with free from lol I hope you find some of these observations/ notes useful for any of your art journeys!

My animation process (in a GIF!)

So you've learned the 12 principles of animation but don't know where to actually apply them? Fear not!! For here is my step-by-step process, very very condensed, into one singular giant GIF.

Hope it helps!

(You may need to open it in a new tab to read the text)

Do you have any tips on drawing the neck? Also I hope you have a good day :)

these are some of my personal "rules" when it comes to necks so I hope this helps!

No more melted tomblerones or mising skulls, yyeann!

This is my basic process for pretty much everything I draw. The key is understanding the shape of the garment you’re trying to draw and the shape of the body part you’re putting it on.

Drawing the body first forces you to make the shoe, hat, or clothes fit that body. With practice you’ll be able to skip some steps. This method works the same no matter the perspective or pose. It just relies on your knowledge of what a hat looks like from above, or what the bottom of a shoe looks like. When in doubt, just google refs. Don’t necessarily need the exact angle you’re trying to draw. Look at different pics to give you an idea of how it works in 3d.

Shoes are always a bit tricky because feet are a stupid ass shape.

It might help if you think of hats as a cylinder fitted to the person’s head to help you get the perspective right before you push in detail. note: heads aren’t circles. they’re kind of egg shaped if you look at them from the top.

tutorial for drawing characters with Down syndrome!

DISCLAIMER... please keep in mind that this is an introductory drawing tutorial and has some generalizations in it, so not every “X is Z” statement will be true for Actual People. it's more of an overview of features that are common in people with Down syndrome, not meaning to imply that every person with DS has all of them 👍👍 thanks

if you draw any characters using this feel free to tag me!!

if you, like me, constantly get caught by surprise by time, and want a chill prompt list without feeling that you're already late and need to catch up, I made one

Pick a schedule (weekly, every other day, daily) and use the prompts on that row, or just be “Today I want to doodle” and pick any combination of adjacent prompts

heya been following for some time!

and i really adore your art style - your command of colours and contrast is sooo good!!!

do you have any tips on how to achieve this effect you have going on? it would be really cool to be able to do something similar!!!

Thank you very much for hanging around! ^^

Honestly? Find some time to go wild and experimental with colors, it may look good or it may not. The important thing is that you'll eventually achieve color combos that satisfy you. I often approach my drawings in a very laxed way, swapping out colors if it feels off. Scrubbing off that cluster of sparkles if it doesn't feel right or put it somewhere else. Just go and have fun, feel it out!!! (semi unrelated but I think muted colors are very satisfying to work with)