Blood Of Zeus Ivy Icons

i confirm

Girls who had a crush on Sara/Elizabeth from the haunted mansion are sexy now

Okay, that sparkle in his eyes? I think it was the desire to reciprocate her care, her affection, what he did with the kiss. My Steve Rogers is fighting hard to break free and I know it

Mission Control 20

Warnings: non/dubcon, violence, blood, stalking, and other dark elements. My username actually says you never asked for any of this.

My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.

Character: Captain Hydra

Summary: a man marches into your life on a mission

As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging ❤️

Your pain recedes as you focus on what needs to be done. You let the soldier cling to you and lead him out of the room, away from the scent and sight of his victim. What startles you more than the scene is that you don’t feel anything but relief. That man, whoever he was, could have done the same to you. 

You enter the bathroom and face him. His head hangs forward, his eyes hooded and heavy, his shoulders sloped in exhaustion. You limp around him and tug free the bottom of his shirt. Blood smears onto your hands as you strip away the layer. 

His face is red with the same stain. You help him undress. As you grab his belt, he winces, and looks down. There’s his knife and a gun, and small leather pockets containing other hidden tools.  

“It’s alright.” You assure him. He shouldn’t be afraid. You won’t hurt him. Or maybe he thinks you’d hurt yourself. Foolishly, you don’t have that resolve. 

He lets you continue. You pile the layers by the door. You pant through the pain in your foot and shoulder. You turn on the faucet and guide him into the tub. Before you can draw away, he catches your arm and looks to the water lapping around his feet. 

You shake your head, “I’ll get clean soon. You first.” 

He squeezes then lets go. You search the wooden cabinet and find a cloth. You reach to dip it in the water then bring it to his face. You lean heavily on the porcelain to take the weight off your foot. You wipe away the crimson across his forehead and brow. You work slowly down his face. He breathes in long slow intakes, letting them out softly. 

He leans back against the tub as he surrenders to your tendings. You stop the faucet to drain the dirty water and refill it around him. You go trade the cloth for a clean one and return to him. He catches your hand in his. 

He tugs the washcloth from your grasp. He sits up and wets it by his leg. He moves his hand up your arm and presses the warm fabric to your shoulder. You groan and hiss but let him do it. He drags it across the gash as the dried blood chips away with the friction. He tilts his head as his forehead lines with concern. 

You put your hand on his and still it. “Will you wait?” 

He grips the cloth then reclines once more. You lower his arm down carefully then retreat. You go to the bedroom and retrieve the tin box, dented and scratched, just like everything else. You bring it with you and balance it by the sink. 

You take some gauze and the alcohol spray. You go to him and frown at his left hand. You nod, “I’m not sure what to do. That needs to come out.” 

He raises his hand and shows the broken bone sticking out by his thumb. Some time amid the chaos, it embedded itself in his flesh. He pinches the end and, without feeling, dislodges it. The sudden swell of blood makes you nauseous. 

He reaches for you and grabs your wrist. He tugs you closer and directs you silently to press the gauze to the break in his skin. You squeeze tightly against the flow and shudder.  

He lets you go after a time and you return to the kit. He snaps his fingers and you flinch. You look back at him as he stares at you intently. His eyes flick to the box. You lift the whole thing and bring it to him. 

He sits up and reaches for it. You hold it open and he sifts around. He takes the alcohol spray and beckons you. You kneel on the floor as he reaches over the porcelain. 

He sprays across your chest and shoulder. You whine and he stops, eyes wide. You gulp and nod, “it’s fine. It needs to be done.” 

He bites down so his jaw squares and continues. He wipes away the grime and sweat and blood. He takes out tubes and uncaps it. You stare at it but can’t watch as he applies it to your split skin. He pinches the edges together. It’s some sort of glue. He reseals the cuts and drops the tube in the box again.  

You back up to look in the mirror. You can see the tortured lines but the skin is taut and firmly held. Still, you move carefully. He grunts as you put down the kit. 

You return to him. He wants you to get in. You can just tell. Or maybe you’re breaking. Maybe you just want to believe you can understand him. You look down at your foot. 

“I can’t,” you say. “I’ll wash after, when I can keep my foot dry.” 

He looks at you tersely. His neck tenses and you steel your nerves. 

“You still need to get clean,” you insist and grab the cloth from the water. You stand and add soap to it. You look down at him. “Relax, okay?” 

He stares at you. His eyes sparkle with confusion. Wait. They didn’t have that light before. They never gleamed or glimmer or shone. They were always dull. But you see something. 

You lather the cloth and bend to scrub his shoulders. His chest rises and falls visibly. He lays back as you wash him. When you drag the cloth to his sternum, he clutches it again, this time moving it over his heart. You feel it pound. 

He surprises you as he grabs you with his other hand. Right around the back of the neck. You gasp as he pulls you down. His lips crush to yours as you squeak. 

You’re terrified by the suddenness but that same fear keeps you from fighting. You don’t want to escalate. It wouldn’t be smart to rile him any more than he already is. 

He kisses you hungrily, his tongue smushes into your lips until you open for him. It’s as if he means to devour you. Finally, he releases you and you pull back breathless. You stare at him as he stares back. He puts his fingertips to his mouth and hums hoarsely. 

You go back to washing him. To keep yourself busy, in hopes it will ward him off from any further whims. The adrenaline trickles away as fatigue creeps through you. You need to finish before you crash back to reality. 

I feel really awake. I don’t recall ever feeling this awake. You know? Everything looks different now. You feel like that? You feel like you got something to live for now?

GEENA DAVIS as Thelma Thelma & Louise (1991) | Dir. Ridley Scott

Jake Gyllenhaal in Nightcrawler (2014; Dan Gilroy)

Thank you GQ I am on my KNEES.

Maddy Perez + Eye Makeup

Yes, Clark. I'll marry you.

—Lana Lang, Smallville, "Reckoning" (Erased Timeline)

your tags for that billy/dinah post fucked me up. The actors chemistry eas wasted in season 2. instead we got a weird relationship with billy and his therapist who he didnt have half as much chemistry with as Dinah. T.T

[I think that they wanted to pull through withFrank and Billy comradery betrayed or what not first and foremost and stick tothe comic material as much as they can to please the fanboys? *lol congrats uplayed yourself cos I bet that most of TP demographic is here for KASTLE and sowho are you preaching to studio?*considering this is their swan song and we’remost probablynot getting any more content, still they went so bonkers withJigsaw retelling they could have easily dropped the connection to comic source entirelyand gave us Billy and Dinah’s excellent cat and mouse game instead, SINCE THISIS STILL WHAT MADE SEASON 1 ultimately as far as either of these charactersgo].

This is what should have happened.

He doesn’t remember much. Bits and pieces, justlike cracks on his face, crooked pieces that don’t come together at all. Hisbody is a map of scars too. He touches the bullet holes markings and remembersthe whistle of bombs, groans of pain, blood, stink of death and sleaziness ofbody tortured and broken. Did I do that? Or was it done to me? There are othermarks too that come with a voice: hoarse, ugly voice of his carers “You’resuch a pretty boy, Billy.” He screams. Inside or outside he doesn’t know. He’sso detached with himself, floating or drowning or both. And there are scratchesand bite marks too he clings to as the only shelter in this book of the historyof violence of the history of taking William Russo into pieces, his bodyis.  He remembers where they come from, She’s strong and fierce. Even thoughher body is frail and small. He towers over her and yet she grips him tight,pushes him against the wall, wraps herself around him and devours him. And heknows himself. And he feels free. And he feels good and powerful and hers.  She’s violent but passionate, she’s fast andunreachable but tender and desperate. She rarely lets him stay but sometimesshe does. And in her bed, wrapped around her, he feels like he never didbefore, like his heroin addict mother denied him to.

He follows her home. Watches her intently.Devours her words like confessions of the only truth he’s interested in, whenshe berates him.  Words like whips, god,they feel like caress to him. More, he yearns.

“You’re an asshole,” (sounds like You’re mine) “Anarcissistic bastard,” (he can almost taste venom in her voice inside his mouthlike her tongue licking into him to make him melt) “You’re gonna rot in jail, I’llsee to that, Billy,” (when she uses his name it’s a roar of fury but the soundechoes in his head like her ecstasy back then when he made her come with hismouth and she named him again  and againlike a new man, like HERS).

“I don’t remember much. But I know you. God. Iknow you,” he’s in her flat with her aiming a gun at him.  A well practicedmove, not only because she’s a CIA agent.  It’s more like they’ve been dancing like thisfor a while now.  You put a gun to myhead, I lean forward with a barrel touching my forehead like we’re foreheadkissing as I pull closer, to your gravity, to you, defenseless, in more waysthan one.

“That’s convenient, asshole,” they are moving,her hand trembles slightly (has she been drinking? For how long? Did he leavehis scars on her too? on the inside of her) and he looks like he’s bowing for her, speaking close to herface, a strange dance of lovers who want to kill each other, who want to goback to each other.

“Don’t be like them. You know more. You sawmore.  You know me. You saw me, Dinah.Say my name, like you do,” he grabs for her hand holding a gun and puts itbehind her back to pull her closer.

“Fuck you,” a breath against his lips. Afamiliar caress.

“You did, didn’t you? But it was more thanthis. It was everything I have outside this mask now. And it is everything youhave outside your bottle of scotch, Dinah,” he pins her to the kitchen counternow, she let go of the gun as it lands on its surface. She’s taunt anddefensive, like when he met her, he thinks. Thick walls surround her. But he’sbeen inside this fortress already.

“Sweet fucking words, that’s all you do, Billy.You talk, you lie, you use people. But no more. You’re on Frank’s list. You’regonna wish you ended up in prison.”

“And you’re just gonna let him take me, Dinah?You’re just gonna let him have your revenge?” he smirks, like he knows what she’sdreaming of, like he shared these dreams with her, like these weren’t dreams atall. Was he in her house, watching her and she just aimed a gun at him, neverpulling the trigger, because she needs the chase, she needs the thrill, sheneeds him, like this? Taunting her, challenging her, knowing her. He looks likeBilly back then. Like HER Billy. The walls break and she grabs his shirt, turnsthem around (she’s as strong as he remembers in his dreams) and pushes himagainst the surface now.

“You don’t know anything about me!” her growlswash over his skin like a purr.

“I know how you sound like, that wrecked sighyou do when you come. I know how you struggle to prove yourself worthy to yourdaddy every other superior you work for wears a face of. I know how you shutdown and break in silence when you were brave enough to give someone a chancebut he was taken away from you, right under your nose and you think you’regonna choke on this guilt,” he says it all to her ear, voice brimming with triumph,  and she burns inside, with shame, withlonging, with fury. He knows her. He remembers everything about her. And he hasher like this, vulnerable and HIS. She shrieks and throws a punch at his face,at his chest. Then a kick and more throws as he laughs at every hit that makescontact, like he’s drunk on her holy anger. She knocks him down (he lets hertoo) and she’s onto him with her claws, with her fists, with him lying on thefloor, giving in to her completely.  Likehe wants her to leave new marks on the ugly ones he has now on his face. Likehe wants her to rewrite those into marks that will matter. He will wear likebadges of honour. Like he belongs. Like it says: I am hers.

“Just like before. This I remember, Dinah.  I dream about it all the time. What do youdream of?” he says with mouth full of blood and she growls one more time andkisses it. Kisses him, tears his clothes, and then tries to tear his skin too(her claws leaving marks he arches to). This abandon between them is all redand black and madness, and somehow she only feels lucid then and somehow heonly feels like himself then. She growlshis name like before (naming him) and he gives in to her completely, likeletting her rewrite his blank pages.

After everything he’s a mess of half tornclothes, she didn’t even take off her pants (that’s how desperate she was, god,she feels like she’s burning again), he puts his arms around her (like a boyclinging to his mother?) and she lets him, pretending it’s a dream (even thoughit’s still admitting some of them end like this too).

“Sometimes you let me stay. I remember. No suchluck today, huh?” he chuckles to her hair, like they are lovers, like they arefamiliar, like they’ve been doing this for a long time. They have, haven’tthey?

“Frank’s coming after you, Billy,” is it awarning, to threaten him or to save him?

“More importantly, will you?” he makes her lookat him, like demanding a promise, like waiting for a confession.

“Just leave,” she untangles herself from hishold (from his hug?) and doesn’t look at him again. She’s going to see him inher dreams. She’s going to see him in her flat, again, too. And this thing betweenthem will never end, because it’s all the air in her lungs and all the memoryleft in him.

(And GOD!! What if Dinah does come after him ina way that she prevents Frank from finding him out before she does while Billyis handling all his tormentors from the past and being this rogue vigilante sortof a thing and what if it’s Dinah’s bullet that gets Billy in the end, after anentire push and pull game like this they had and she rushes to him as he bleedsout and smirks or smiles at her: “You did become an excellent shot, agentMadani. Castle’s gonna be proud of you. Don’t let him wear your father’s face,though,” she wants to kill him again but she also wants to yell for anambulance as he fucking bleeds out on her lap with that peaceful face like he’sfinally content? “I’m glad it was you. It feels like confession from you. Noone got that close,” he’s talking about himself and he’s talking about her andhe’s talking about them and her hands are covered in his blood and it doesn’tget more intimate than that. “Thanks for the memories, Dinah,” he rasps beforegoing still. Thanks for helping me remember what mattered.)

Fabinhos wife and her trafffic cone husband can go

You have to die–for both of us now.