AAAAAA IT’S SO BEAUTIFUL

A silly doodle I made as the year ended, featuring my silly friend group. Happy 2024!!

I’m 12 years late to it but let’s ramble about Scylla

Of course it took the Wisdom Saga nearly dropping for me to finally finish this

This may be a collective organized rant or it’s (more likely) gonna be a super-ramble nonsense jumble pile of me trying to words

A bit of background- I got into Epic right around the time the Ocean Saga released; I quickly got obsessed (as one does) and have watched a bunch of Jorge’s older shorts on the making of different songs, including just about everything I could find on Scylla’s song. I was enamored by the vocals Jorge teased us with and as the Thunder Saga drew nearer, Scylla was hands-down the song I was most hyped for.

And BY GOLLY I WAS NOT DISAPPOINTED. I was blown away by Scylla on the livestream. Everything- the vocals, the instrumentals, the visuals- came together beautifully and I’m gonna ramble about it

But to really see Odysseus through this we gotta start with Suffering (which is an absolute bop); specifically when the siren tells Odysseus about Scylla. When she first says Scylla, Odysseus is repellent of that option, judging by his immediate “no”. He isn’t immediately on board. He doesn’t want to sacrifice his crew. And (even though we all knew this was coming) it takes the rest of Suffering and Different Beast before we finally see that he’s willing to go through with it in the opening of Scylla (what with him saying “this is our only way home” and all that).

Parts of Scylla sound like a waltz!! I haven’t noticed anyone else mention that yet. Maybe it’s just me. But in the first section during the “deep down”s and Ody/Eury dialogue the chords all sound waltz-y to me.

Odysseus only has a few lines in this song as well as some interesting parts when he doesn’t speak.

His very first lines- “the lair of Scylla… this is our only way home” aren’t in the same harsh tone as Different Beast. To me it sounds like he’s trying to justify his decision to himself. He has to go through with this. It’s the only way that he’ll get back to Ithica.

Contrast this with his tone as he speaks to Eurylochus- “not much to say”. It’s back to being rough and hard. He’s closing himself off to the rest of his crew, including Eurylochus. He’s becoming the monster to them. (Rawr rawr rawr)

The confession scene- THE CONFESSION SCENE MY GOODNESS. Honestly I wasn’t exactly expecting Eurylochus to have opened the bag but I’m not surprised either. It was a very “ahhh” moment for me. And Scylla’s words-

I’ve seen a few posts talking about how they believed Scylla’s words were directed to Eurylochus in this scene, but I never thought that was the case. I think Jay deliberately created the parallel there, but Eurylochus doesn’t seem like he’s *hearing* Scylla yet. (Remember- later on, he says “something approaches” as if that’s the first he’s seeing/hearing of Scylla.) No, these lyrics are meant for Odysseus, and what he’s about to do. Not to say there isn’t any relevance to Eurylochus here- “you hide a reason for shame … leaving them feeling betrayed / breaking the bonds that you’ve made” alternate with Eurylochus’s apology, as they shed light on what Eurylochus *had* done as well as what Odysseus was *going* to do. There is a strong parallel here- but it’s not Eurylochus Scylla is talking to. (This is also supported by the lyrics “you know that we are the same” and “we both know what it takes to survive”, neither of which have much relevance to Eurylochus here.) The lyric “you know that we are the same” is an interesting one, but I’ll get back to it later.

So Odysseus basically ghosts Eurylochus- and yes he’s probably furious about the wind bag incident but I think another reason for his silence is because he’s been hearing Scylla. Odysseus can’t forgive nor blame Eurylochus because he’s about to betray Eurylochus right back. Maybe he just can’t face speaking to Eurylochus with what he’s about to do.

Did anyone else at this point realize the sole purpose of the song “Full Speed Ahead” was for nothing more than to create a motif to be used absolutely everywhere

Then we get to Odysseus’s first words to Eurylochus! When first listening I could feel my heart dropping, as did likely everyone else who knew about Scylla from the Odyssey. But the DELIVERY. The simple DELIVERY of those CONDEMNING LINES- Eurylochus doesn’t even react to this order. This is really how you know that he- and the rest of the crew- don’t know where they’re headed. (I’ve seen plenty of people talk about Eurylochus’s thoughts during this scene and afterward so I’m not gonna tread over that same ground.) All I can say is my heart sank.

Did anyone else think about the lack of a “danger is near” motif in this song? I’ve heard a possible modified version in the song (1:14 if anyone wants to listen for it), but it doesn’t fully fit, and nowhere else is a hint of this theme shown. And there’s clearly about to be danger in this song- for six of Odysseus’s crew, that is. I think the reason we can’t hear a “danger is near” motif in this song because there isn’t a danger for Odysseus, and that’s who the danger is near motif is for. After all, the motif was present in “Mutiny”, right *after* they got through the danger of Scylla. Just another something cool I’ve found that I haven’t seen anyone else comment on before.

“Captain, something approaches”

“Hello.”

The DRUMS ON EACH BEAT, the VIOLIN RUNS, all with the background SHEPARD TONES falling and then rising, the SUSPENSE- THE ***SUSPENSE***

Before Scylla came out, I repeatedly watched the Scylla audition call video Jay put out, and from that I had the thought that the buildup section would be much shorter. Boy was that not the case and boy was that such a good decision the more I think about it. You really feel the suspense gradually build like it does for the crew, first seeing the vague shapes of Scylla and slowly having more and more revealed in the torchlight before the heads pounce.

Not to mention Scylla’s voice actor is amazing. She does a wonderful job of the smooth, almost angelic voice at the beginning and end, but in the chorus?! Jay’s videos on it didn’t do this justice! The MONSTROUS way she growls, the HARMONIES that come in in the second chorus- not to mention the crazy drums and other music in the background adding to the chaos.

And in the background you can *hear* when each man is scooped up, when each man is being devoured. Once again you’re right there with the crew, hearing your fellow friends get eaten. It’s not something I would expect to hear in the official song when their deaths aren’t the main focus during the chorus (the main focus being Scylla herself), but props to Jay for adding that detail.

One thing I noticed in the amazing animatic done for this section that I haven’t noticed many people specifically point out yet, is how Eurylochus doesn’t seem to catch on it’s the torches that are signaling to Scylla which men to eat until *after* he passes his own on. You can see it in the horror on his face as he looks at the second-to-last torch drop, then as he turns to the final man, the man he’d given his torch to (as he presumably went to try and help someone else from getting eaten? That’s how I interpret him leaving the torch with the final guy, like a “I need both hands for this” kind of thing).

Then the END- after the rampage- the final “We must do what it takes to survive”- it quiets down, the waltzy pattern comes back out, and the final line- “We are the same, you and I”

Back to that previous lyric I mentioned, “you know that we are the same”. Near the beginning of the song when I heard it, the lyric recalled to my mind that villain trope of “we’re not so different” (I think that’s a trope). And here at the end of the song that sentiment is repeated- and Odysseus SINGS WIRH HER. He AGREES. Up until now Odysseus hasn’t acknowledged Scylla talking to him, but here he’s given into the thought that yes, now he *is* the monster - to both his enemies *and* his crew. (Rawr rawr rawr)

And that’s how Scylla’s become one of my absolute favorite songs from Epic

this is advice I've given friends directly before and I've probably also posted it but I really like giving it so here it is potentially again: do not create something for an imaginary bad faith reader.

there will always be someone who finds fault in your work. there will be people who read the messages on it wrong. there will be people who will take every compelling aspect about your work off of it so they can put in their own.

you cannot make art for these people.

you will never write a story that is free from criticism. you will never draw a piece that everyone finds appealing. you will never compose a song that everyone enjoys hearing. you cannot, fundamentally, set out to create something and only think of how you can avoid someone not liking it.

because, and this is key, there will be someone who sees every angle of your story and feels its intent in their heart and gushes to their friends about it. you will draw someone's favorite art and they will make it their phone wallpaper because they want to see it every day. someone will fall in love with your song and loop it on their way to work because it gets them through the day. and THOSE are the people your work is for. THOSE are the people you have to care about, because they love what you make for what it is - because it's itself.

if you set out to create something and file off every sharp edge, prune every thorn, you will be left with something fragile and weak, and it will be fragile and weak for the sake of someone who does not exist but that you were scared of anyway.

sharing art is complex and tangled and powerful, and anything you care enough to create deserves to flourish as itself. get sillay.

My mom got me the page-a-day calendar “but first, anxiety”. Every day is a snarky sarcastic quote from the @ unspirational Instagram account by Elan Gale.

I’ve never seen Elan Gale’s Instagram, but from what I’ve seen of the calendar so far *cough*thebackoftheboxanddayone*cough*, these snarky sarcastic quotes are right up my alley for my snarky sarcastic side. So I thought, why not do a fun thing and doodle said snarky sarcastic side personified saying these quotes each day? And then expose those doodles to the eyes of the world?

-So here’s day one—

And here’s the sketch. I think most of my posts will be more of this kind of sketchy doodle, especially with college starting back up next week, but I wanted to go a bit extra for this first day.

GUYS ITS FINALLY CONFIRMED

WAIT HOLD ON is that Circe’s motif at around 1:48 of suffering? When “Penelope” is talking about Scylla?

I can’t really tell, but if it is, oh my gosh!! That would be amazing and add yet another layer to the song! After all, in several versions of myth Circe was the one to transform Scylla into what she is now!! That would be a really neat Easter egg if it was-

“My brain is rotting from the Wisdom Saga” has got to be some sort of paradox hasn’t it

This is beautiful

I feel like there's something there. like I'm onto something. please fill this in

My favorite Disney princess is mister jalapeño anyway

In light of recent events with the Ithica Saga stream, I’d like to share this song of encouragement for us all.

Spotify

We'll Be Fine

2024 Wrapped

Jeez I hope this link works the preview keeps showing my wrapped

My mom and I were going to watch the stream together but since it didn’t happen, we started watching the Wisdom Saga stream instead. And when it got to We’ll be Fine, I thought “huh, this is a good message for us right now.” Hope if you see this it gives you some encouragement ❤️ and Happy Holidays!

IM NOT THE ONLY ONE WHO NOTICED—

The way that in the remastered version of Warrior of the Mind you can tell the “enlighten me what’s your name” is stressed, because so many people heard it as “you lied to me” in the first version-